- 12 years ago
Horror (2006) 88 minutes ~ Color
Professor Francois Lacombe is an expert parapsychologist. A master in the art of demystifying the paranormal. For years he has traveled throughout the world looking for unexplained phenomenons. Now back from his travels Lacombe is assigned to a new investigation. It takes him to the Red Forest Research Center the scene of disturbing metaphysical agitations; visions, disappearances and murders. As he and his team begin their work the atmosphere intensifies and their primary objective is no longer the investigation…it is survival.
Director: Eric Campeau, Simon Tardif
Writers: Eric Campeau, Simon Tardif
Starring: Carl Cagnon, Catherine Gauthier Campeau, Gilles Moffet
Professor Francois Lacombe is an expert parapsychologist. A master in the art of demystifying the paranormal. For years he has traveled throughout the world looking for unexplained phenomenons. Now back from his travels Lacombe is assigned to a new investigation. It takes him to the Red Forest Research Center the scene of disturbing metaphysical agitations; visions, disappearances and murders. As he and his team begin their work the atmosphere intensifies and their primary objective is no longer the investigation…it is survival.
Director: Eric Campeau, Simon Tardif
Writers: Eric Campeau, Simon Tardif
Starring: Carl Cagnon, Catherine Gauthier Campeau, Gilles Moffet
Category
🎥
Short filmTranscript
00:00:30I don't know if I'm going to make it, but I'm going to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my
00:01:00best to do my best to do my best to do my best to do my best to do my best to do my best
00:01:07to do my best to do my best to do my best to do my best to do my best to do my best to
00:01:14do my best to do my best to do my best to do my best to do my best to do my best to do
00:01:21my best to do my best to do my best to do my best to do my best to do my best to do my
00:01:28best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best
00:01:58music
00:02:21been given to us competing policy too
00:02:23I think he's apparently
00:02:26Did something serious happen to you?
00:02:28Did you have an accident?
00:02:31Where were you again, Paul?
00:02:36What's going on?
00:02:39How do you think we felt?
00:02:43I was worried, if you want to know.
00:02:48And your daughter...
00:02:51How do you think we felt not hearing from you for four days?
00:02:57You may have personal problems, Paul.
00:02:59But do you really have to make us pay for that?
00:03:06What is it?
00:03:10Ah, that's it.
00:03:13You're the girl from the office.
00:03:17You saw her again, didn't you?
00:03:22Did you come here to take your stuff, Paul?
00:03:27Do you want to talk to me?
00:03:31Say something!
00:03:36What's going on with you?
00:03:40You haven't been the same since last week.
00:03:46I don't recognize you anymore.
00:03:50What would you have said if I had left without giving you any news?
00:03:57I called the hospital.
00:04:00I called the police to report your disappearance.
00:04:03They thought you were dead, you little shit.
00:04:10And you stay there.
00:04:12And you don't say anything.
00:04:16Say something.
00:04:18You have to talk to me, for God's sake.
00:04:21You have to tell me what's going on.
00:04:26You have to talk to me.
00:04:56You have to talk to me.
00:05:15Have you heard about what happened at our research center?
00:05:19I spent the last six months in Europe.
00:05:22I was still on a plane this morning.
00:05:25I must admit that the news of Simon has been leaking lately.
00:05:28We had to close the center.
00:05:30Or rather, the government forced us to close our doors.
00:05:34For reasons that are difficult to explain.
00:05:38You call my services. What's the problem?
00:05:41Do you have ghosts in your building?
00:05:45Five months ago, we had a missing employee.
00:05:50We have surveillance cameras
00:05:52that allow us to believe that she did enter the building,
00:05:54but that she never left.
00:05:57The police investigated, but never found her trace.
00:06:02Then people started coming to see me, for all kinds of strange reasons.
00:06:07Some claimed to have seen objects moving by themselves.
00:06:11Others said they heard voices in the walls.
00:06:14Suddenly I thought, shit, this isn't a research center I'm running.
00:06:17It's a madhouse.
00:06:19And people started to feel sick,
00:06:21to have bruises all over their noses,
00:06:23their mouths, their ears.
00:06:26We had medical tests run through all the staff,
00:06:28but no one was sick.
00:06:32And recently, Robert Tremblay, one of our security agents,
00:06:36was found in a vegetative state.
00:06:40He had become like a kind of animal.
00:06:43He started saying incomprehensible sentences,
00:06:45in a strange dialect.
00:06:48We couldn't get anything out of him.
00:06:51Is it possible to meet this man?
00:06:53Of course.
00:06:55He is under observation at the psychiatric center.
00:06:58Tell me a little about the people who disappeared in the center.
00:07:00The police just did some research.
00:07:02Ah, the police searched the building.
00:07:04There were bodies hidden.
00:07:06They searched every nook and cranny.
00:07:09They even tried to see if the bodies
00:07:11could have been buried in the nearby woods.
00:07:14They never found anything.
00:07:17Public security had to close down
00:07:19to open an investigation.
00:07:23A week ago, Dr. Stromberg and his team
00:07:25you know.
00:07:27Stromberg, yes of course.
00:07:29As you were not available,
00:07:31we had to call his services.
00:07:35Stromberg is a very competent man.
00:07:37I think you can trust his judgment.
00:07:39I agree, but...
00:07:4248 hours after setting foot in the building,
00:07:44Stromberg and his team of 7 people disappeared.
00:07:47The police searched the building.
00:08:11Are you sure we won't get caught by the guard?
00:08:13No, I know the guy.
00:08:15He's an alcoholic, half-deaf.
00:08:17He's been sleeping for 8 years.
00:08:28Did you hear that, Mark?
00:08:29No, it's nothing.
00:08:31I heard a noise.
00:08:32No, it's my heart beating fast.
00:08:45Stop it! Stop it!
00:09:15Stop it! Stop it!
00:09:33Stop it! Stop it!
00:09:40Don't follow me, you whore!
00:09:45Stop it!
00:09:54Mrs. Filipovic?
00:09:55Yes, are you Dr. Lacombe?
00:09:57Isabelle Lacombe.
00:09:58I'm Dr. Lacombe's niece.
00:10:00Nice to meet you, ma'am.
00:10:02Thank you for taking the time to meet my aunt.
00:10:04It's nice of you.
00:10:05No, it's nothing.
00:10:06It's exactly what I need.
00:10:07I'm doing some kind of research.
00:10:09I'm studying.
00:10:10Yes, we talked about that.
00:10:11My aunt had a car accident about 2 weeks ago.
00:10:14She fell into a coma and woke up about a week later.
00:10:21Hello, Nathalie.
00:10:24Hello, ma'am.
00:10:25How are you, Nathalie?
00:10:27Is it time for dinner?
00:10:29I think I just ate.
00:10:31I came to ask you a few questions.
00:10:33It's only going to take a few minutes.
00:10:36Maybe she's having a hard time answering.
00:10:38It's okay.
00:10:40Nathalie, I've been told about you.
00:10:42It seems you've been hearing voices since you woke up.
00:10:45That you see faces.
00:10:48They're here.
00:10:50Who are you seeing right now?
00:10:52She told me she can see her son Silvio and her husband Oleg,
00:10:56but they died in the accident.
00:10:58Nathalie, the images you see are here.
00:11:04I see them.
00:11:06In the windows.
00:11:08In the mirror.
00:11:10On the metal surfaces.
00:11:13You can see their faces reflected on shiny surfaces.
00:11:17Is that normal?
00:11:19That's probably the last thing she saw
00:11:21just before falling into a coma.
00:11:23Reflected on the windshield of the car.
00:11:25Nathalie, these images are real.
00:11:26I'm scared, ma'am!
00:11:28They don't want me to talk to you.
00:11:31Don't be afraid.
00:11:33It's your husband and your son, Nathalie.
00:11:36I see their faces, but...
00:11:39Their faces scare me.
00:11:42It's not the face of my son Silvio or my husband Oleg.
00:11:45No, no!
00:11:46Describe to me their faces.
00:11:49They're hurting.
00:11:51They're hurting in their faces.
00:11:54I'm going to stop talking to you.
00:11:57I'm scared!
00:11:59Calm down, Nathalie.
00:12:00Nobody's going to hurt you.
00:12:06No!
00:12:08No, no!
00:12:10Help me!
00:12:12Is this a new kind of panic?
00:12:14She's scared, but...
00:12:16It's the first time I've ever scared her.
00:12:19Calm down.
00:12:20Go get a nurse.
00:12:21We have to calm her down.
00:12:28Calm down, Nathalie.
00:12:38Calm down, Nathalie.
00:12:41Call an ambulance!
00:13:08We found their personal files,
00:13:10but no trace of any of them.
00:13:12The video tapes of the surveillance cameras
00:13:14have been sent to the Pink Faire,
00:13:16but mysteriously no images have been found,
00:13:18except this one.
00:13:19This only sequence could have been recovered,
00:13:21but it's pretty blurry.
00:13:24The time indicates 2 hours and 6 minutes
00:13:26on Sunday night, June 16th.
00:13:28We see two of the professors' assistants,
00:13:30Dr. Jonathan Richard and Nadia Sylvestre.
00:13:32Nadia Sylvestre?
00:13:33But I know her.
00:13:34I was in a class with her.
00:13:35A class together, eh?
00:13:37I'm sure you did other things with her.
00:13:40This is the last trace we have of them.
00:13:42No one wants to approach Red Forest anymore.
00:13:45Quick, does this seem like an authentic document to you?
00:13:49Quick like that? I couldn't say.
00:13:52We've seen stuff like this before.
00:13:54I'd have to take a closer look.
00:13:56The tape was analyzed,
00:13:57and I was sent an expert report
00:13:59confirming the authenticity of the document.
00:14:01And of course we believe these experts,
00:14:03don't we, Professor?
00:14:05Last night I met a patient at the hospital.
00:14:08She said she could see her husband and son
00:14:10who died in a car accident.
00:14:12Nathalie Filipovic.
00:14:14She worked as a researcher at Red Forest.
00:14:17You said you saw something strange.
00:14:19It was strange.
00:14:20She said she couldn't talk to me because she was being watched.
00:14:23She felt threatened.
00:14:25I asked her a few questions,
00:14:27but all of a sudden she panicked.
00:14:29I held her against me to try to calm her down,
00:14:32but all of a sudden her body was convulsed.
00:14:34And she threw me against the wall.
00:14:37She sat in her bed,
00:14:39and started screaming things in a strange dialect.
00:14:44And her skin started tearing under her jacket.
00:14:47There was blood everywhere.
00:14:49And she fell dead on the bed.
00:14:53Your story is exorcising.
00:14:57You say she was saying things in a strange dialect?
00:15:00I had a tape recorder with me,
00:15:02but I didn't dare listen to the recording.
00:15:04It's quite confusing.
00:15:06It gives me goosebumps just thinking about it.
00:15:08I'm sorry. I'm sorry.
00:15:10I'd like to listen to the recording.
00:15:12How would you like to listen to it, Einstein?
00:15:14I'd like to translate the sentences you heard
00:15:16into a strange dialect.
00:15:27Father Santini.
00:15:30Sorry I'm late. I was with my students,
00:15:32but I didn't see the time pass.
00:15:35Hello, Father. I'm glad to see you.
00:15:37Me too, my dear.
00:15:39It looks like the good Lord is going to be with us.
00:15:41Hello, Father.
00:15:42Hello, Mark.
00:15:43Hello, Father.
00:15:44Julie. Always so delightful.
00:15:46Be careful, Father.
00:15:50Charles. It's a pleasure to see you again.
00:15:53Nice to see you again, Professor.
00:15:55You know, I was starting to get bored
00:15:57with the chess game on Friday night.
00:15:59And so was I.
00:16:01Did you receive a copy of the file?
00:16:03Yes. It's intriguing.
00:16:05And what are you doing next weekend?
00:16:07I'm waiting for the rest of your directives.
00:16:09Okay, everyone. I have one or two things
00:16:11I'd like to discuss with Father Santini.
00:16:13Do you all have a copy of the file?
00:16:15I need an answer before tomorrow noon.
00:16:18Red Forest.
00:16:20That's our meeting point for next weekend.
00:16:23As a scientist who has been interested
00:16:25in science for more than 30 years,
00:16:27I have to go.
00:16:40If my father knew I was here,
00:16:42he would probably have a heart attack.
00:16:44Aren't you talking about your research with my uncle and your parents?
00:16:47I had to tell them I was here looking for ghosts
00:16:49instead of having my nose in my school books.
00:16:51I can guarantee you he won't take long
00:16:53and he'll send me straight to the crazy people.
00:16:56Maybe we're a little crazy to be here.
00:16:59We didn't talk much, you and me.
00:17:02Is it true you already went out with Marc?
00:17:04Yeah, but...
00:17:06If you want to know, it was rather brief.
00:17:08Maybe it was better that way.
00:17:10Why do you say that?
00:17:12Take a break. He's not a monster.
00:17:14It's just that you know Marc.
00:17:16He's a gang guy.
00:17:18He's the kind of guy who likes to show off.
00:17:20I'm more like...
00:17:22a librarian who drinks herbal tea.
00:17:24You see what I mean?
00:17:26How can a girl like you end up with Marc?
00:17:28In bed, it worked out pretty well.
00:17:30But you should know that.
00:17:32You're direct.
00:17:34I know what I'm talking about.
00:17:36Why are you interested in life experiences after death?
00:17:38I think I had this kind of experience once,
00:17:40when I was six years old.
00:17:42You had a clinical death experience?
00:17:44Yes.
00:17:46It was a car accident.
00:17:48My father crashed into another car,
00:17:50and I was thrown out of the car,
00:17:52and I landed on the ground.
00:17:54My parents died instantly.
00:17:56There was some kind of explosion,
00:17:58and they died burning in the car.
00:18:00How did it happen?
00:18:02Experience? It's hard to describe.
00:18:04I wasn't afraid.
00:18:06I saw people trying to bring me back to life,
00:18:08but I felt calm.
00:18:12I saw the white light.
00:18:14I heard my mother's voice
00:18:16singing an old song to put me to sleep.
00:18:18I knew where I was,
00:18:20but it was like a dream,
00:18:22a little weird.
00:18:24Then I woke up.
00:18:26I knew my parents were dead.
00:18:28For a while,
00:18:30I could feel my mother's presence,
00:18:32singing her breath near my ear.
00:18:34It may sound weird.
00:18:36On the contrary, it explains everything.
00:18:38Sometimes I'm afraid of what I feel.
00:18:40I'd love to have clear ideas.
00:18:42I'd like to free myself from all that.
00:18:44I'd like to mourn.
00:18:46But there's something inside me
00:18:48that keeps me from getting out of my shell.
00:18:52I feel like I'm trying to solve
00:18:54a mystery that we'll never get the real answer to.
00:18:56Sometimes I'm tired
00:18:58of being so fascinated by death.
00:19:00It seems to me that life has so many things to offer
00:19:02so that we spend our time trying to bury the dead.
00:19:04It's quite strange, Professor.
00:19:06It sounds like a sort of Aztec or Maya dialect,
00:19:08but there are also traces of German in there.
00:19:10I had to consult two specialists.
00:19:12They each gave me a slightly different version.
00:19:14Go ahead.
00:19:16The first one told me it came from a sort of warning.
00:19:18More precisely, he told me,
00:19:20the door to the kingdom of the dead is open.
00:19:22The world of the living is open.
00:19:24The world of the dead is open.
00:19:26The world of the living is open.
00:19:28The world of the dead is open.
00:19:30The world of the living is open.
00:19:32The world of the living is open.
00:19:34The world of the living will be destroyed.
00:19:36Very apocalyptic, if you will.
00:19:38And the second one, what did he think, Richard?
00:19:40Essentially, it's about the same thing,
00:19:42except that he told me that the door in question
00:19:44was the door of Fershine.
00:19:46The door of Fershine has freed the dead.
00:19:48The army of darkness will destroy the world.
00:19:52He didn't really know what it meant, Fershine.
00:19:54Does it ring a bell to you?
00:19:56The door of Fershine.
00:19:58Fershine.
00:20:00It sounds German, doesn't it?
00:20:02It's a familiar word to me.
00:20:04By the way, we analyzed the sounds
00:20:06of the video, Mark and I.
00:20:08It's a bit disjointed,
00:20:10but when we slowed down the soundtrack a bit,
00:20:12adjusted the levels,
00:20:14we managed to hear the word Fershine quite well.
00:20:16It's interesting, we have a link
00:20:18between our two recordings.
00:20:20Isabelle said that the lady from the hospital worked here.
00:20:22That seems logical to me.
00:20:24Hi, Drudecu.
00:20:26I see you're briefing the professor
00:20:28Yeah, we were talking about that.
00:20:30Oh yeah?
00:20:36I checked the video tapes.
00:20:38It's interesting, it's really interesting.
00:20:40Again?
00:20:42Again? Come and see.
00:20:44Well, there's no clue
00:20:46that could suggest that someone could have
00:20:48trafficked the video tape.
00:20:50So the experts were right to believe in its authenticity.
00:20:52Precisely, the most delusional.
00:20:54But that's probably not in the report of your so-called experts
00:20:56but rather amateurs.
00:20:58Well, what is it?
00:21:00Look closely, right here.
00:21:02Just before the end of the tape.
00:21:04Well, it's getting a bit blurry.
00:21:06We see Jonathan Richard and Nadia Sylvestre
00:21:08just in the foreground.
00:21:10The guardian Robert Tremblay in the background.
00:21:12Look closely, right here, in the middle of the room.
00:21:14There's something there.
00:21:16Yeah, indeed.
00:21:18Look closely.
00:21:20I'll zoom in.
00:21:22You see here?
00:21:26Look closely at the shadow.
00:21:28There.
00:21:30The cut of a silhouette.
00:21:32There was someone else in that room with them.
00:21:50Here you are.
00:21:52How did you find the place, my father?
00:21:54It's a bit creepy, this story, don't you think?
00:21:56Why were we sent here?
00:21:58There seems to be no trace of anything.
00:22:00Did you notice anything strange?
00:22:02I have a slight headache,
00:22:04but I don't think it has anything to do
00:22:06with what's going on in this place.
00:22:08There must be something
00:22:10for everyone to be afraid to set foot here.
00:22:12In any case, if it's a supermarket,
00:22:14it's really well set up.
00:22:16Why would we want to believe that this place is haunted?
00:22:18It's true, in the most frequent cases,
00:22:20people set up these things in old manors
00:22:22or old centenary houses.
00:22:24Julie checked.
00:22:26The center is barely 30 years old.
00:22:28And before that, there was nothing on the ground.
00:22:30With your uncle,
00:22:32we should soon be set.
00:22:34I find it funny to see you with us.
00:22:36A gang of young freaks
00:22:38hanging around the paranormal.
00:22:40You, you haven't said a word
00:22:42since you arrived.
00:22:44You're asking about my interest.
00:22:46I worked for about 15 years
00:22:48on a sort of committee
00:22:50set up by the Vatican
00:22:52to investigate
00:22:54metaphysical matters.
00:22:56There were five of us.
00:22:58We were called
00:23:00the Phantom Hunters.
00:23:02That's how you met my uncle?
00:23:04I met the professor on many occasions.
00:23:06Even at the end,
00:23:08we had to put an end to our activities
00:23:10because your uncle always found the answers before us.
00:23:12Have you ever heard of
00:23:14a case like this?
00:23:16Oh, we've seen several.
00:23:18But most of the time,
00:23:20it was just rumors.
00:23:22But I remember a particular case
00:23:24that interested us a little more than the others.
00:23:26It happened in 1982
00:23:28in an art museum in Mexico.
00:23:30One of my colleagues went
00:23:32to investigate a story
00:23:34that looked like this one.
00:23:36But he mysteriously disappeared,
00:23:38just like five other people before him.
00:23:42We never knew what had happened to him.
00:23:44Oh, but look,
00:23:46I have a picture.
00:23:48That was the five of us.
00:23:50Look, that's him, the father-in-law.
00:23:52Is that you?
00:23:54Yes, that's me.
00:23:56No one saw him after that.
00:23:58He never gave a sign of life again.
00:24:00The local authorities had searched the building
00:24:02from bottom to top, but they found nothing.
00:24:04Your uncle and I
00:24:06went there to try to understand
00:24:08what had happened.
00:24:10But one day before we arrived,
00:24:12we never really knew
00:24:14what had happened there.
00:24:16Are there still people
00:24:18who are being sued by the Vatican for human trafficking?
00:24:20Probably.
00:24:22I imagine.
00:24:24Father, what's wrong with you?
00:24:26I have a little weakness.
00:24:28It's my heart.
00:24:30You need to rest a few minutes.
00:24:32What?
00:24:34Look.
00:24:54Probably a bunch of young punks
00:24:56who worked here to have fun
00:24:58and decided to freak us out.
00:25:00Are you all right, my friend?
00:25:02Yes, I'm fine now.
00:25:04Thank you, François.
00:25:06What does that symbol mean?
00:25:10I've seen it somewhere before.
00:25:14I can't understand
00:25:16what we're doing here, uncle.
00:25:18Maybe there are people
00:25:20who don't want to have fun with us.
00:25:22I haven't seen anything
00:25:24that could be a sign
00:25:26that something paranormal happened here.
00:25:28Maybe it's just a big set-up.
00:25:30That's why we're here.
00:25:32To find out if there is
00:25:34an alarm or not.
00:25:36What scares me is that it's a big lie.
00:25:38These people have disappeared.
00:25:40Where are they?
00:25:42And how did they disappear?
00:25:44They must have been trapped
00:25:46in a hidden room in the building.
00:25:48They're making fun of us.
00:25:50Well, listen.
00:25:52It's still too early to get an idea.
00:25:54I suggest we focus on the elements
00:25:56and investigate the presence of an entity in the room.
00:25:58Whatever this human entity is.
00:26:00It's up to us to find out
00:26:02what happened here.
00:26:04Has anyone seen my colleague?
00:26:06I met him about half an hour ago.
00:26:08He seemed to be heading to the basement.
00:26:10Yeah, I know. He was flying a drone upstairs.
00:26:12But I can't find him anywhere.
00:26:14And your radio?
00:26:16That's what worries me. It doesn't answer.
00:26:18Well, we have to find him.
00:26:26I can't hear you.
00:26:28I can't hear you.
00:26:30I can't hear you.
00:26:32I can't hear you.
00:26:34I can't hear you.
00:26:36I can't hear you.
00:26:38I can't hear you.
00:26:40I can't hear you.
00:26:42I can't hear you.
00:26:44I can't hear you.
00:26:46I can't hear you.
00:26:48I can't hear you.
00:26:50I can't hear you.
00:26:52I can't hear you.
00:26:54I can't hear you.
00:26:56I can't hear you.
00:26:58I can't hear you.
00:27:00I can't hear you.
00:27:02I can't hear you.
00:27:04I can't hear you.
00:27:06I can't hear you.
00:27:08I can't hear you.
00:27:10I can't hear you.
00:27:12I can't hear you.
00:27:14I can't hear you.
00:27:16I can't hear you.
00:27:18I can't hear you.
00:27:20I can't hear you.
00:27:22I can't hear you.
00:27:24I can't hear you.
00:27:26I can't hear you.
00:27:28I can't hear you.
00:27:30I can't hear you.
00:27:32I can't hear you.
00:27:34I can't hear you.
00:27:36I can't hear you.
00:27:38I can't hear you.
00:27:40I can't hear you.
00:27:42I can't hear you.
00:27:44I can't hear you.
00:27:46I can't hear you.
00:27:48I can't hear you.
00:27:50I can't hear you.
00:28:20I can't hear you.
00:28:22I can't hear you.
00:28:24I can't hear you.
00:28:26I can't hear you.
00:28:28I can't hear you.
00:28:30I can't hear you.
00:28:32I can't hear you.
00:28:34I can't hear you.
00:28:36I can't hear you.
00:28:38I can't hear you.
00:28:40I can't hear you.
00:28:42I can't hear you.
00:28:44I can't hear you.
00:28:46I can't hear you.
00:28:48I can't hear you.
00:28:50I can't hear you.
00:28:52I can't hear you.
00:28:54I can't hear you.
00:28:56I can't hear you.
00:28:58I can't hear you.
00:29:00I can't hear you.
00:29:02I can't hear you.
00:29:04I can't hear you.
00:29:06I can't hear you.
00:29:08I can't hear you.
00:29:10I can't hear you.
00:29:12I can't hear you.
00:29:14I can't hear you.
00:29:16I can't hear you.
00:29:18I can't hear you.
00:29:20I can't hear you.
00:29:22I can't hear you.
00:29:24I can't hear you.
00:29:26I can't hear you.
00:29:28I can't hear you.
00:29:30I can't hear you.
00:29:32I can't hear you.
00:29:34I can't hear you.
00:29:36I can't hear you.
00:29:38I can't hear you.
00:29:40I can't hear you.
00:29:42I can't hear you.
00:29:44I can't hear you.
00:29:46I can't hear you.
00:29:48I can't hear you.
00:29:50I can't hear you.
00:29:52I can't hear you.
00:29:54I can't hear you.
00:29:56I can't hear you.
00:29:58I can't hear you.
00:30:00I can't hear you.
00:30:02I can't hear you.
00:30:04I can't hear you.
00:30:06I can't hear you.
00:30:08I can't hear you.
00:30:10I can't hear you.
00:30:12Cough, cough, cough...
00:30:20How are you, Isabelle?
00:30:22Damn, I was scared!
00:30:24We've been looking for you for half an hour!
00:30:26I'm here now. You can believe me.
00:30:28Your colleague tried to contact you on your radio.
00:30:30The radio doesn't work, I ran out of batteries.
00:30:32What are you doing here?
00:30:34I'm on my job. What do you think? Are you investigating me?
00:30:36No, we just wanted to know if you were ok. That's all.
00:30:38As you can see, sister, I am ok. Go on with your work.
00:30:40Do your job.
00:30:41This kind of aggression is not necessary, young man.
00:30:43Don't forget who's in charge here.
00:30:44Okay, Professor, I'm sorry.
00:30:45Do you want me to take care of the girl?
00:30:47Get her in the control room. We'll try to interrogate her.
00:30:50Okay.
00:30:51Is this the girl Richard wanted to meet?
00:30:56Professor Lacombe?
00:31:01We just found a young girl in the basement. Can we wait?
00:31:03I just spotted something with the patient.
00:31:08I'm listening.
00:31:09I think he'd rather you come right away.
00:31:33How is he?
00:31:34He had body and face injuries, but he'll be fine.
00:31:37He had a huge nervous breakdown, that's for sure.
00:31:41He was making a hole in his body with that dagger when I found him.
00:31:45He was screaming, he looked completely terrified.
00:31:47You didn't notice anything else abnormal?
00:31:49It's already pretty abnormal if you want my opinion, Professor.
00:31:53You didn't hear any particular sounds or noises that could have taken place or anything?
00:31:57Only screams, those of the unknown.
00:32:00What could have happened for a man so supposed to have completely lost his mind
00:32:03to be mutilated with a blade?
00:32:08We just checked the surveillance cameras.
00:32:11And?
00:32:13Nothing.
00:32:14What? The image is leaked?
00:32:15No. According to the images, Father Santini would never have put the pills in this room, asshole.
00:32:19Are you calling me a liar?
00:32:21No, asshole, I'm just telling you that there was no trace of Father Santini and you, okay?
00:32:25It was empty.
00:32:27Okay, calm down.
00:32:29I don't like this story, it smells bad.
00:32:31Listen, I did find Father Santini in this room.
00:32:34Did you see the blood on the floor, shit?
00:32:36There was no trace of blood, we checked, Julie and I.
00:32:38I don't understand anything.
00:32:40And the girl, where did you find her?
00:32:42She was hiding in the basement.
00:32:44That's a big move, huh, Richard?
00:32:47Who were you with this time?
00:32:48You were with the girl, huh?
00:32:49Go fuck yourself, Matthew!
00:32:51Okay, that's enough, shut up!
00:32:55He's really not well.
00:32:56It would be better if we get out of here.
00:33:00There is a second rest room.
00:33:01For now, we need to focus on what's going on here.
00:33:04Isabelle, you go up with Father Santini.
00:33:07Put him on a sofa so he can rest.
00:33:09In any case, in the future, we'll have to be on our guard.
00:33:12It would be better if we stayed together for the rest of the investigation.
00:33:15We'll have to be careful.
00:33:17But I still have no reason to believe that paranormal things happen here.
00:33:22Father Santini certainly saw or heard something that deeply shocked him.
00:33:27Anyway, I have nothing to do with it.
00:33:29You know that, don't you, Professor?
00:33:31Of course, Richard, of course.
00:33:32And what are we going to do now?
00:33:34We're going to search this building thoroughly.
00:33:36Look for clues.
00:33:38We're going to listen to the places and observe.
00:33:40Mr. Lacoste will accompany Isabelle and watch over Father Santini.
00:33:43Isabelle, try to make him talk.
00:33:45Try to find out what he saw, what happened.
00:33:48Richard, you're going to take care of the girl.
00:33:50It's a person you know.
00:33:51When she comes back to her, try to find out more, okay?
00:33:54Okay.
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00:44:59J'mexcusee...
00:45:00I wanted to know if everything was alright.
00:45:03You want to kill me?
00:45:05What do you think?
00:45:06You want to fuck me, right? Admit it.
00:45:10Listen...
00:45:11You're the one who hit me.
00:45:13You like hitting people.
00:45:15Did you enjoy it when you hit me?
00:45:18You're talking to someone.
00:45:20You look better.
00:45:21I'm going to get the professor.
00:45:24No, wait.
00:45:26What?
00:45:27Come here.
00:45:29Come closer.
00:45:32Untie me, and you'll be able to do whatever you want.
00:45:36Is this a joke?
00:45:37Untie me, and you'll be able to fuck me.
00:45:40Are you kidding me?
00:45:41Kiss me.
00:45:52And now, untie me.
00:45:58Untie me.
00:46:22Hey!
00:46:28I love you.
00:46:29I love you.
00:46:30I love you.
00:46:31I love you.
00:46:32I love you.
00:46:33I love you.
00:46:34I love you.
00:46:35I love you.
00:46:36I love you.
00:46:37I love you.
00:46:38I love you.
00:46:39I love you.
00:46:40I love you.
00:46:41I love you.
00:46:42I love you.
00:46:43I love you.
00:46:44I love you.
00:46:45I love you.
00:46:46I love you.
00:46:47I love you.
00:46:48I love you.
00:46:49I love you.
00:46:50I love you.
00:46:51I love you.
00:46:52I love you.
00:46:53I love you.
00:46:54I love you.
00:46:55I love you.
00:46:56I love you.
00:46:57I love you.
00:46:58I love you.
00:46:59I love you.
00:47:15You like danger, don't you?
00:47:23What are you doing here?
00:47:25Unleash me, don't mess with me!
00:47:27Unleash me! Unleash me!
00:47:31Hey! Unleash me!
00:47:33Hey! Unleash me!
00:47:35Unleash me!
00:47:37Hey!
00:47:43Are you crazy?
00:47:45Alive! Alive!
00:47:47Guys! Alive!
00:47:55Alive!
00:47:57Alive!
00:47:59Alive!
00:48:01Alive!
00:48:03Alive!
00:48:05Alive!
00:48:07Alive!
00:48:09Alive!
00:48:11Alive!
00:48:13Alive!
00:48:15Alive!
00:48:17Alive!
00:48:19Alive!
00:48:21Alive!
00:48:23Alive!
00:48:25Alive!
00:48:27Alive!
00:48:29Alive!
00:48:31Alive!
00:48:33Alive!
00:48:35Alive!
00:48:37Alive!
00:48:39Alive!
00:48:41Alive!
00:48:43Alive!
00:48:45Alive!
00:48:47Alive!
00:48:49Alive!
00:48:51Alive!
00:49:21He told me he saw the evil.
00:49:23Yeah...
00:49:25Lacoste is with you. Did he see anything?
00:49:27He heard no evil.
00:49:29My uncle, there were just the three of us on the floor.
00:49:31Most of the demonstrations
00:49:33so far
00:49:35revolve around Father Santini.
00:49:37It really worries me.
00:49:39You know how a man is supposed to be.
00:49:41He is completely traumatized.
00:49:43It is incomprehensible what happened to him that night.
00:49:45I'm going to ask Mark to accompany me to the university.
00:49:47Speaking of Mark, he doesn't look too good on his plate either.
00:49:49What?
00:49:51He's aggressive. It's not his style. You know him.
00:49:53He's grumpy, but he's always laughing.
00:49:55He really looks weird.
00:49:57You should go talk to him.
00:49:59Oh, I'll do it.
00:50:01Oh yes, Julie. I actually found a book
00:50:03about what we discussed.
00:50:05If you don't mind, I'd like us to look at it together.
00:50:07OK.
00:50:09Professor!
00:50:11The girl disappeared.
00:50:13I brought her something for lunch
00:50:15and I found the room empty.
00:50:17We have to find her. Did you inform the guards?
00:50:19I spoke to Mr. Lacoste,
00:50:21but we haven't heard from her for at least two hours.
00:50:23In her case, it's not a first.
00:50:25Listen, she must be hiding somewhere.
00:50:27We have to be careful, OK?
00:50:29This girl is dangerous.
00:50:31When we find her, she'll regret it.
00:50:33We don't know what she's capable of.
00:50:47What's up with you?
00:50:49Me? I don't want you to know.
00:50:51You look like...
00:50:53I look like what?
00:50:55Look at you. You're not like usual.
00:50:57You're aggressive.
00:50:59I'll be back in an hour.
00:51:01Can you tell the professor?
00:51:03Would you rather I come with you?
00:51:05It won't be necessary.
00:51:07I don't want to be alone.
00:51:09I don't want to be alone.
00:51:11I don't want to be alone.
00:51:13I don't want to be alone.
00:51:15Would you rather I come with you?
00:51:17It won't be necessary.
00:51:23Go home, father.
00:51:25Get some rest.
00:51:31Are you sure you'll be OK?
00:51:45Yes.
00:52:15Oh, it's you!
00:52:17Damn, you scared me.
00:52:19It's usually the kind of things I do to girls.
00:52:21Oh, poor you. Look what I got you into.
00:52:23Listen, it's no big deal.
00:52:25Anyway, I'm trying to stop.
00:52:27Hey, is it you that I just saw pass by?
00:52:29I come from across the street.
00:52:31I don't know who you are.
00:52:33I don't know who you are.
00:52:35I don't know who you are.
00:52:37I don't know who you are.
00:52:39I don't know who you are.
00:52:41I don't know who you are.
00:52:43I come from the kitchen.
00:52:45Why, did you see someone?
00:52:47Well, normally, you should have seen him too.
00:52:49You should have seen him because he came from your direction.
00:52:53I didn't see anyone.
00:52:55Are you sure you saw someone pass by?
00:52:57It must be fatigue.
00:52:59Yet, I could have sworn.
00:53:01Listen, Isabelle.
00:53:03Why don't you try to get some rest?
00:53:05We're all exhausted.
00:53:07I still have things to do with Julie.
00:53:09Mr. Lacoste still hasn't found Steve and Nadia?
00:53:11We tried to look around the building earlier.
00:53:13We're thinking about the people who left the building.
00:53:15I don't think it would be a bad idea
00:53:17to start considering this possibility.
00:53:19Us too.
00:53:21I'm pretty biased.
00:53:23You should go talk to your uncle.
00:53:25Hey, you work a lot with him.
00:53:27Do you think he's putting us at risk by coming here?
00:53:31Your uncle is a man I admire a lot, Isabelle.
00:53:33I never had to doubt his reasoning.
00:53:35I don't see why now.
00:53:37He seems a little too calm.
00:53:39He seems a little too calm,
00:53:41given the circumstances.
00:53:43Don't you think it's strange?
00:53:45Well, you know him.
00:53:47I've never seen him jump.
00:53:49Here in Roseville, it's consternation.
00:53:51Especially since the murderer
00:53:53turned out to be the director
00:53:55of the Red Forest Research Center,
00:53:57Mr. Jack Peters.
00:53:59Mr. Peters had been away from home
00:54:01for about two weeks.
00:54:03When he came back,
00:54:05he violently beat his wife Denise
00:54:07in the hours followed by the police.
00:54:09He took refuge in a park
00:54:11not far from his home.
00:54:13Obviously, we can only link this case
00:54:15to the series of horrible crimes
00:54:17that took place on June 13th.
00:54:19Let's remember that a handful of employees
00:54:21who worked for the Red Forest Center
00:54:23during a dark night
00:54:25violently beat their families
00:54:27before committing a mass suicide.
00:54:29I managed to talk to the police inspector,
00:54:31Agent Cabretti.
00:54:33Listen, I don't have enough evidence
00:54:35to support what happened
00:54:37over the last few weeks.
00:54:39I'm sure it's highly likely.
00:54:41Now, I can tell you that we've
00:54:43stopped the right murderer.
00:54:45We'll proceed with his interrogation
00:54:47and we'll try to better understand
00:54:49what happened here.
00:54:51You'll understand that we don't have
00:54:53enough evidence to link this case
00:54:55to the Red Forest events.
00:54:57A lot of people are wondering
00:54:59how a man like Mr. Peters
00:55:01and the others who committed crimes
00:55:03were recognized as good,
00:55:05sane people.
00:55:07It's true that people are worried
00:55:09about the mystery of the Red Forest.
00:55:11But for now, the public security
00:55:13is conducting an investigation.
00:55:15People are on the scene
00:55:17evaluating the situation.
00:55:19We'll have more details on this case
00:55:21in the next few hours or days.
00:55:23This was Jacques Lechasseur
00:55:25live from Roseville.
00:55:34What was that?
00:55:36I don't know.
00:55:38I'm really scared to face the girl.
00:55:40Let's stay together, okay?
00:55:44What are we looking for here?
00:55:46Clues.
00:55:48What kind?
00:55:50Notes, analysis reports.
00:55:52The professor and I may have found a clue.
00:55:58I don't like this.
00:56:04I don't like this.
00:56:12Delta 1 to Delta 2,
00:56:14I have no news from Steve and the girl.
00:56:181 to 2, can you hear me?
00:56:22Steve!
00:56:24Is that you?
00:56:29Steve, is that you?
00:56:33Professor McCall?
00:56:40Hey!
00:56:44Hey! Stop!
00:57:03Stop!
00:57:05Stop!
00:57:32What's that?
00:57:36No.
00:57:38No, it can't be.
00:57:40What? What are you talking about?
00:57:45There's someone behind the door.
00:57:47Who's there?
00:57:53What do we do?
00:58:06Ah!
00:58:08Calm down.
00:58:10I'm scared.
00:58:12It's just me.
00:58:14A little more and I'll stab you.
00:58:31Hey!
00:58:35Hey!
00:58:51Ah!
00:58:57Ah!
00:58:59Oh, no!
00:59:05No.
00:59:28Have you ever heard of that, my uncle?
00:59:30Uh-huh.
00:59:32You were right, Julie, when you talked about Mexley.
00:59:34It evoked something.
00:59:36I think I've heard of it before.
00:59:38I went to the library and found a book about it.
00:59:40Look at the picture.
00:59:42This man is my grandfather,
00:59:44Samuel Lacombe.
00:59:46Here, right next to him,
00:59:48Dr. Heinrich Forschen.
00:59:50Is that the name we heard in the recordings?
00:59:52Uh-huh.
00:59:54It's in Germany, after the Second World War.
00:59:56What was my great-grandfather doing with the Nazis?
00:59:58Samuel Lacombe was a renowned French anthropologist at the time.
01:00:01According to what I could read,
01:00:03he helped the Germans in a search in Mexico
01:00:05to find the statue you see in the pictures.
01:00:08Forschen was a Nazi pioneer.
01:00:11He was a doctor who devoted himself to all kinds of weird rituals.
01:00:14He was interested in artifacts that...
01:00:16supposedly had magical powers.
01:00:19Hitler owned, as they say,
01:00:21a manuscript found by an anthropologist
01:00:24named Carlos Ludovic.
01:00:26The manuscript was a kind of poem
01:00:28that spoke of a rite of passage
01:00:30to the kingdom of the dead.
01:00:32The Ludovic manuscript...
01:00:34It referred to Mexico and to the awakening of the army of the dead.
01:00:37Yes, that's correct.
01:00:39It is said that the one who opens the door to the kingdom of the dead
01:00:42will become the master of the world.
01:00:44But that's not possible.
01:00:46I mean, those are old legends.
01:00:48The door to Forschen...
01:00:50Oh, I don't know what to tell you.
01:00:52For now, it's all pretty vague.
01:00:55There are pictures of the statue.
01:00:57It's certain that it's hidden somewhere here.
01:01:00No, I looked everywhere. There's nothing here.
01:01:03But that's impossible.
01:01:05I mean, it's obvious that the Department of Archaeology
01:01:07is conducting a study on the statue.
01:01:09They probably even have the Ludovic manuscript.
01:01:11Maybe in a place where you were before, Professor.
01:01:14No.
01:01:15What?
01:01:16I just told you that I looked everywhere.
01:01:18It would be useless to waste any more time.
01:01:20It must be in another place.
01:01:23We're just trying to help, Uncle.
01:01:26Oh, I know.
01:01:28But we have to focus.
01:01:30And above all, listen to the instructions I give you.
01:01:32It will save us time.
01:02:22Yes?
01:02:34Yes, good evening, Father Gregory.
01:02:36It's Richard.
01:02:37Yes, I know it's late.
01:02:39I'm calling from Professor Lacombe's side.
01:02:43Yes, about Father St-Denis.
01:02:45We sent someone to take care of him this afternoon.
01:02:49But I have no news.
01:02:51Neither do you.
01:02:53Okay.
01:02:58Fa-Father Gregory?
01:03:00Fa-Fa-Father Gregory?
01:03:02Can you hear me?
01:03:04Hello?
01:03:05Hello?
01:03:08Hello?
01:03:21Huh?
01:03:52No!
01:03:53No!
01:03:54No!
01:03:55No!
01:03:56No!
01:03:59Security guard, where is he?
01:04:01Charles!
01:04:05Hey, that's not normal.
01:04:06No one's answering.
01:04:08Besides, when he's there, Mark should be back.
01:04:22We have to call security.
01:04:26Is anyone answering?
01:04:29No answer.
01:04:31It sounds like there's a noise behind the creaking.
01:04:34We have to go outside.
01:04:35I'm not sure that's a good idea.
01:04:37I think we should go look upstairs.
01:04:39We'd better stay here, in my opinion, Julie.
01:04:41Mark didn't come back.
01:04:43Richard, Sébastien, Steve and the girl disappeared.
01:04:45And no one's answering.
01:04:47We have to know what's going on.
01:04:50Do we have a gun or something like that?
01:04:52Are you serious?
01:04:54I think there's one in the locker upstairs.
01:04:56It belongs to the security guard.
01:04:57Hey, no, no, you're not going there.
01:04:58It's out of the question.
01:05:00I'm going to do this quickly, okay?
01:05:02You stay here and I'll be back in 20 minutes.
01:05:10What if things go wrong?
01:05:12I think I have what it takes.
01:05:19Isabelle, I'm going upstairs to see if I can find Richard.
01:05:22I'm coming with you, Manon.
01:05:23Do me a favor, okay?
01:05:24I'm going to feel better if you're safe here.
01:05:30Because I'm safe here.
01:05:49Shit.
01:06:19Shit.
01:06:49We were able to link Mexley's statue to the manuscript discovered by Carlos Ludovic,
01:07:08an incantation for the kingdom of the dead.
01:07:11Our research has led us to discover that the last to possess both artifacts
01:07:16was a man named Heinrich Ferschein.
01:07:19Ferschein was a German doctor who was reputed to have belonged to the Order of the Palladium,
01:07:25a satanic movement that brought together several German dignitaries during the war.
01:07:30He had been appointed by Hitler to lead a series of expeditions
01:07:34in order to find a list of artifacts with mysterious powers.
01:07:38The statue was finally discovered in Mexico in 1947
01:07:42by the anthropologist Samuel Lacombe, a long-time friend of Dr. Ferschein.
01:07:48After the defeat of the Germans, it is said that Ferschein,
01:07:52who already possessed the Ludovic manuscript,
01:07:55wanted to use Mexley's statue to open the door to the kingdom of the dead.
01:08:01You can now see an excerpt from an old period film
01:08:05showing Samuel Lacombe and Heinrich Ferschein in front of an ancient Mayan temple in 1947.
01:08:12According to legend, Ferschein would have attempted the experiment
01:08:16in a chapel in northern Mexico shortly after his discovery.
01:08:20It is said that after 2 August 1947, Ferschein and a handful of former Nazis
01:08:25who accompanied him, as well as Professor Lacombe,
01:08:28would have all disappeared without ever giving a sign of life again.
01:08:31It is said that in the months that followed,
01:08:34an inexplicable wave of deaths and strange murders would have occurred in this region.
01:08:40We were able to get our hands on a second period film.
01:08:43What we see there is quite disconcerting.
01:08:46The film would have been made a month after the disappearance of the Ferschein team.
01:08:50The man in the foreground would be one of the former Nazi officers
01:08:54who disappeared with the Ferschein team.
01:08:56These images show us two men feeding on human corpses.
01:09:00Dr. Claude Fortin and myself will proceed with the experiment...
01:09:05Isabelle, what are you doing?
01:09:09What is this?
01:09:10I was just going to talk to you.
01:09:13Are you hiding things from us, my uncle?
01:09:16Come on, Isabelle, you're talking nonsense.
01:09:18It would be true like that.
01:09:19What?
01:09:20The Ferschein door.
01:09:22What we heard about the recordings.
01:09:25The door was reopened.
01:09:27Now what's going on?
01:09:30You'll have to trust me, Isabelle.
01:09:32Trust?
01:09:33From the beginning, everyone has trusted you here.
01:09:35And look where it got us.
01:09:37Everyone has disappeared.
01:09:39Disappeared!
01:09:41You're assuming things, Isabelle.
01:09:43You disappoint me a lot.
01:09:46You're a girl much smarter than that.
01:09:49The statue.
01:09:50You must know where it is, don't you?
01:09:55Richard!
01:10:01Mark!
01:10:07Mark!
01:10:21Mark!
01:10:28Mark!
01:10:37Mark!
01:10:54What are you doing here?
01:10:56You're not supposed to be inside.
01:10:59Mark!
01:11:01My darling!
01:11:03What did you do?
01:11:05Who are you, Julie?
01:11:07Don't move.
01:11:09What?
01:11:10You're going to shoot me?
01:11:12Who gave you the green light?
01:11:13I'm not kidding, Mark.
01:11:14It's your revenge every day that I shoot.
01:11:17Stay where you are, Mark.
01:11:20Go ahead.
01:11:21Shoot.
01:11:22What are you waiting for, bitch?
01:11:24Shoot me!
01:11:27What's wrong with you?
01:11:29What?
01:11:30You're going to shoot me?
01:11:33You're going to become a murderer?
01:11:35Are you kidding me, Mark?
01:11:37How dare you think I killed them?
01:11:39You're a detective now.
01:11:41Don't move.
01:11:43You're just a bitch.
01:11:46I should have listened to Isabelle.
01:11:48She warned me that you were just a bitch.
01:11:51You know what you're saying, Mark.
01:11:54You think you're a heroine, bitch?
01:11:59You're going to die here like everyone else.
01:12:02You're all going to die here.
01:12:04Even if you shoot me.
01:12:06Nothing's going to stop me from taking your fucking head off.
01:12:33Come back, my uncle. We have to go now.
01:12:48Please, something's happening.
01:12:53There's nothing here.
01:13:02There's nothing here.
01:13:21What do you want?
01:13:32What do you want?
01:14:02No!
01:14:32No!
01:14:34No!
01:14:36No!
01:15:06No!
01:15:36No!
01:16:06No!
01:16:36No!
01:17:06No!
01:17:36Isabelle?
01:17:38Isabelle?
01:17:40Isabelle?
01:17:43Isabelle?
01:17:47Isabelle?
01:17:52Isabelle?
01:17:57Isabelle?
01:17:59Can someone play with me?
01:18:06Isabelle?
01:18:36Isabelle?
01:19:06Mama?
01:19:09Mama?
01:19:19Mama?
01:19:36Mama?
01:20:06Hey.
01:20:36Hey.
01:21:06No!
01:21:11No!
01:21:17No!
01:21:36No!
01:22:07Hey!
01:22:11Wait for me outside. It could be dangerous here.
01:22:14Help me!
01:22:16Professor Lacombe, are you there?
01:22:19My name? What's going on?
01:22:21François, do you really think this object will help us in our research?
01:22:26I'm sure of it, Pat.
01:22:28My name?
01:22:30My name?
01:22:32My name?
01:22:35My name?
01:22:37My name?
01:22:39My name?
01:22:52I think we should go.
01:22:54Okay.
01:23:04Okay.
01:23:34Good luck.
01:24:04Good luck.
01:25:04I'm sorry.
01:25:06I'm sorry.
01:25:08I'm sorry.
01:25:10I'm sorry.
01:25:12I'm sorry.
01:25:14I'm sorry.
01:25:16I'm sorry.
01:25:18I'm sorry.
01:25:20I'm sorry.
01:25:22I'm sorry.
01:25:24I'm sorry.
01:25:26I'm sorry.
01:25:28I'm sorry.
01:25:30I'm sorry.
01:25:32I'm sorry.
01:25:34I'm sorry.
01:25:36I'm sorry.
01:25:38I'm sorry.
01:25:40I'm sorry.
01:25:42I'm sorry.
01:25:44I'm sorry.
01:25:46I'm sorry.
01:25:48I'm sorry.
01:25:50I'm sorry.
01:25:52I'm sorry.
01:25:54I'm sorry.
01:25:56I'm sorry.
01:25:58I'm sorry.
01:26:00I'm sorry.
01:26:02I'm sorry.
01:26:04I'm sorry.
01:26:06I'm sorry.
01:26:08I'm sorry.
01:26:10I'm sorry.
01:26:12I'm sorry.
01:26:14I'm sorry.
01:26:16I'm sorry.
01:26:18I'm sorry.
01:26:20I'm sorry.
01:26:22I'm sorry.
01:26:24I'm sorry.
01:26:26I'm sorry.
01:26:28I'm sorry.
01:26:30I'm sorry.
01:26:32I'm sorry.
01:26:34I'm sorry.
01:26:36I'm sorry.
01:26:38I'm sorry.
01:26:40I'm sorry.
01:26:42I'm sorry.
01:26:44I'm sorry.
01:26:46I'm sorry.
01:26:48I'm sorry.
01:26:50I'm sorry.
01:26:52I'm sorry.
01:26:54I'm sorry.
01:26:56I'm sorry.
01:26:58I'm sorry.
01:27:00I'm sorry.
01:27:02I'm sorry.
01:27:04I'm sorry.
01:27:06I'm sorry.
01:27:08I'm sorry.
01:27:10I'm sorry.
01:27:12I'm sorry.
01:27:14I'm sorry.
01:27:16I'm sorry.
01:27:18I'm sorry.
01:27:20I'm sorry.
01:27:22I'm sorry.
01:27:24I'm sorry.
01:27:26I'm sorry.
01:27:28I'm sorry.
01:27:30I'm sorry.
01:27:32I'm sorry.
01:27:34I'm sorry.
01:27:36I'm sorry.
01:27:38I'm sorry.
01:27:40I'm sorry.
01:27:42I'm sorry.
01:27:44I'm sorry.
01:27:46I'm sorry.
01:27:48I'm sorry.
01:27:50I'm sorry.
01:27:52I'm sorry.
01:27:54I'm sorry.
01:27:56I'm sorry.
01:27:58I'm sorry.
01:28:00I'm sorry.
01:28:02I'm sorry.
01:28:04I'm sorry.
01:28:06I'm sorry.
01:28:08I'm sorry.
01:28:10I'm sorry.
01:28:12I'm sorry.
01:28:14I'm sorry.
01:28:16I'm sorry.
01:28:18I'm sorry.