- 11 years ago
The Man Called Back (1932)
79 min | Drama | 17 July 1932 (USA)
Disgraced London doctor David Yorke is drinking himself into oblivion in a South Seas bar when he is called to the bedside of socialite Diana St. Claire, who has been badly injured in a riding mishap. Smitten by Diana's beauty and kindness, David swears off the bottle as he nurses her back to health. He returns to London, where he rises to prominence once again. Here he crosses paths with his beloved Diana, and is shocked to find her married to wealthy Gordon St. Claire, a notorious womanizer. Gordon humiliates his wife on a daily basis, even forcing her to entertain his lovers at their home. When he is poisoned, Diana is arrested and charged with murder. As scandalous headlines fill the newspapers, David works desperately to try to prove the innocence of the woman he loves.
Director: Robert Florey
Writers: Robert Presnell Sr. (screenplay) (as Robert Presnell) , Andrew Soutar (book)
Stars: Conrad Nagel, Doris Kenyon, John Halliday
79 min | Drama | 17 July 1932 (USA)
Disgraced London doctor David Yorke is drinking himself into oblivion in a South Seas bar when he is called to the bedside of socialite Diana St. Claire, who has been badly injured in a riding mishap. Smitten by Diana's beauty and kindness, David swears off the bottle as he nurses her back to health. He returns to London, where he rises to prominence once again. Here he crosses paths with his beloved Diana, and is shocked to find her married to wealthy Gordon St. Claire, a notorious womanizer. Gordon humiliates his wife on a daily basis, even forcing her to entertain his lovers at their home. When he is poisoned, Diana is arrested and charged with murder. As scandalous headlines fill the newspapers, David works desperately to try to prove the innocence of the woman he loves.
Director: Robert Florey
Writers: Robert Presnell Sr. (screenplay) (as Robert Presnell) , Andrew Soutar (book)
Stars: Conrad Nagel, Doris Kenyon, John Halliday
Category
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Short filmTranscript
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00:07:53You can go now.
00:07:56I said you can go now.
00:08:08Right there.
00:08:10Do you find it?
00:08:11Sure do.
00:08:17Feel better?
00:08:18Yes.
00:08:20Fine, thank you.
00:08:21You know, you've got courage.
00:08:25You'll be back tomorrow, won't you?
00:08:29Perhaps.
00:08:30No, perhaps not.
00:08:38Goodbye.
00:08:41Glock!
00:08:42Hey, drunkard!
00:08:44Have you no sense of human dignity?
00:08:47Glock, what did you think?
00:08:49I'll send for my own doctor tomorrow.
00:08:51Send for anyone you like.
00:08:53I'm not asking for a fee.
00:08:55Come, come, I won't be under obligation to you.
00:08:57Here.
00:09:17How did I get this, doctor?
00:09:22Not bad.
00:09:23How much?
00:09:24Three pounds.
00:09:25Fifteen dollars.
00:09:27Tell that to your ancestors.
00:09:29Very good.
00:09:30I had to go to Singapore to...
00:09:32Look at it.
00:09:33Feel it.
00:09:34Fine goods.
00:09:37Five dollars.
00:09:41Ten dollars.
00:09:44All right.
00:09:45Ten dollars.
00:09:46Doctor, you may go and get the same kind of goods again.
00:09:49For the same price, you know it?
00:09:51You old rascal.
00:10:09Diana?
00:10:11Yes, Lucy?
00:10:15Still trying to make an English garden.
00:10:17My dear, the weeds today are positively vicious.
00:10:20Now, do let me help you into the house.
00:10:22It's getting late.
00:10:23But Dr. York should be here any minute.
00:10:26And it's so nice out here.
00:10:28Yes, nice and damp.
00:10:30And Dr. York's been coming to you every day for weeks and weeks.
00:10:34Is his interest entirely to this house?
00:10:37I hope not.
00:10:39Diana.
00:10:40Well, whatever his interest is.
00:10:42It's done him good, don't you think?
00:10:44Yes, but what will it do to him when he finds out?
00:10:48Find out?
00:10:50Have you forgotten that you're a married woman?
00:10:56I've been trying to forget it for the past three months.
00:10:59What is the world coming to?
00:11:02Marriage doesn't mean that to you, young woman.
00:11:05Now, in my day, if marriage only did mean that,
00:11:08how quickly I could get away from the disillusion,
00:11:11and heartache, and loneliness.
00:11:13All the things I ran away from when I came out here.
00:11:17What good will it do to tell him that?
00:11:20Oh, well.
00:11:22For the first time in my life, I've been real happy.
00:11:27I made him believe in himself again.
00:11:30And in me.
00:11:33You know, that fact has given me the courage to go back to England tomorrow.
00:11:39Come on.
00:11:41You may never see Dr. York again,
00:11:44but let him go on believing.
00:11:46Please, Lucy.
00:11:51Well.
00:11:52Hello.
00:11:53Hello, Doctor.
00:11:54Have tea?
00:11:55Yes, thank you.
00:11:56And how's the patient?
00:11:57Very impatient.
00:11:59Now, don't be cut out too late.
00:12:01Just stand there.
00:12:02It isn't too good for her, is it?
00:12:03All right, Doctor.
00:12:06Well, shall we have a little exercise?
00:12:08Oh, I'd be so glad to be rid of those.
00:12:11Hmm.
00:12:12I don't blame you for being impatient.
00:12:15I can't stand these things myself.
00:12:18In fact, I think they're terrible.
00:12:22Well, you'll bring those right back here.
00:12:25Come and get them yourself.
00:12:31You mean walk?
00:12:33Oh, if you can't fly, walking's the next best thing, isn't it?
00:12:36I'll be taking a dozen steps on that leg.
00:12:38It'll be as good as ever.
00:12:40Come on.
00:12:44Come on.
00:12:53Come on.
00:12:57All right.
00:13:06Bravo, bravo, Diana.
00:13:08Oh, I had no idea walking would be such a thrill.
00:13:16Well, shall we try again?
00:13:19You promised to finish where you are just now.
00:13:22You promised to be there to catch me when I fall.
00:13:26Perhaps I might walk to the end of the garden.
00:13:29Doesn't mean I'm beautiful.
00:13:36You know, your aunt insists that I bring you in early.
00:13:39If it was your position, I'd prescribe a little sea air.
00:14:02Diana, do you remember those lines written by Rupert Brooke?
00:14:05If I should die, think only this of me.
00:14:08That there's some corner of a foreign field that is forever England.
00:14:13When he wrote that, I think he must have lived on an island like this.
00:14:16Watched the ships go by like that.
00:14:19And said goodbye to someone as I'm saying goodbye to you.
00:14:23But you go on and do great things, dear.
00:14:26They need men like you.
00:14:28What do you know about men like me?
00:14:30I knew I could believe in you the first time I saw you.
00:14:34But tell me, what are you running away from?
00:14:40I was a surgeon in London, Diana.
00:14:43Popular, fashionable.
00:14:45Too much so, I guess.
00:14:48I tried to mix cocktails with my surgery.
00:14:51One night I received an emergency call from a dear friend.
00:14:54It was for his only son.
00:14:57I had to operate and...
00:15:00I'd been drinking.
00:15:02A little fellow died in my arms.
00:15:06But I couldn't face it.
00:15:08I thought I was through, so I ran away.
00:15:12And now you've got to climb all the way back.
00:15:16You think I can?
00:15:18Why, of course you can.
00:15:20Look what you've done for me as a beginning.
00:15:22Nothing to what you've done for me.
00:15:24I feel as though I'm beginning to learn to walk again.
00:15:26Only you won't be here to help me if I should fall.
00:15:29You mustn't fall, dear.
00:15:31Diana, why must you return to England?
00:15:36For the same reason that you must stay here.
00:15:39To face life.
00:15:41We both have jobs to do.
00:15:44I'd rather you didn't know what my job is.
00:15:48Perhaps some day...
00:15:50Diana, Diana, I must tell you that I...
00:15:53that I love you.
00:15:55Only a man can't come to a woman with empty hands and...
00:15:58an outcast.
00:15:59But when you go back to England,
00:16:01remember that there's some corner in this forgotten man
00:16:03that's forever yours.
00:16:06David, if there were only some way I could help you...
00:16:10There is.
00:16:13When you go to your steamer,
00:16:15walk through the street of the town with me.
00:16:18I want them all to see me, will you?
00:16:21They're all here.
00:16:23It's so nice.
00:16:25Shall we laugh and be gay about it?
00:16:26It's easier to say goodbye that way.
00:16:28Just as though we're going to see each other again the next day.
00:16:31Yes, David, let's.
00:16:57How do you do, Major?
00:16:59Hello, Diana.
00:17:01Leaving for England today?
00:17:03Yes, no doubt.
00:17:05To Europe, of course.
00:17:07Of course.
00:17:09I hope you have a very pleasant journey.
00:17:11Goodbye, Diana.
00:17:13Goodbye.
00:17:15I'll see you again, Doctor.
00:17:17Major.
00:17:26Diana.
00:17:28Pleasant journey.
00:17:30Thank you very much.
00:17:32We do hope you'll come back again.
00:17:34Of course I will.
00:17:36You know, darling, you're our friend, too.
00:17:41How do you do, Doctor?
00:17:43Glad to see you, Doctor.
00:17:45Goodbye, you two.
00:17:47Take good care of yourselves.
00:17:49We do pretty well.
00:17:51Goodbye.
00:17:53My regards to Leicester Square.
00:17:54Doctor York looks all right to me.
00:17:56Heart's great.
00:17:58Heart's great.
00:18:01Blimey, look at that.
00:18:03What he was going to do his manicuring
00:18:05after that object goes away.
00:18:07Oh, nothing, nothing.
00:18:19Put the things on the ship, Roy.
00:18:21I'll put them on the ship.
00:18:23May I put them on, Roy?
00:18:25I think not, Diana.
00:18:27That'll only make things more difficult.
00:18:34Thank you for everything you've done.
00:18:37Why, I might never have walked
00:18:39even this far
00:18:41if it hadn't been for you.
00:18:43You would say that.
00:18:45Goodbye, Diana.
00:18:49Good luck.
00:18:51I'll be standing where we were last night
00:18:53looking for your boat to go by.
00:19:51What do you want?
00:19:57Now, fairies, I'm feeling up
00:19:59since I've been doing bad.
00:20:02So why the boys so mad?
00:20:04Which drive us to be mad?
00:20:07Now I've lost the occupation.
00:20:09I feel as I'd like to die.
00:20:12Oh, and I grow wisely dreadful when
00:20:15I hear the boys all cry.
00:20:16I hear the boys all cry.
00:20:19And you've done, you've lost your passion now.
00:20:23Selena, and you've done,
00:20:25you've lost your passion now.
00:20:28Why aren't you serving up the moon
00:20:32round as the old sun?
00:20:35Come on, hurry, you look so fair.
00:20:38When you find I'm there
00:20:40and you see I'm in the farm.
00:20:43But now you can't be long
00:20:44or you'll turn to stone
00:20:46just like your dear old farm.
00:20:49Come on, here we go.
00:20:51Come on, ladies, all together.
00:20:53And you've lost your passion now.
00:20:56Selena, and you've done,
00:20:58you've lost your passion now.
00:21:01Why aren't you serving up the moon?
00:21:05I wonder what all the blooming blow-its are back.
00:21:08Darling, I don't know.
00:21:09I wonder what all the blooming blow-its are back.
00:21:11Darling, I don't know.
00:21:32There ain't no harbour like this.
00:21:34If I don't like it, it must be trouble.
00:21:36I think we ought to go and see there, come on.
00:21:39I think we ought to go and see there, come on.
00:21:45It really is most unfortunate.
00:21:47We're on a wild goose chase, can't you see?
00:21:49I'm sorry, Doctor, but you know how very urgent it is.
00:21:51Urgent? I didn't say it is urgent.
00:21:53They told us down the island
00:21:55we'd be sure to find the right man here.
00:21:57There's nothing here but huts and smells.
00:22:00Well, I wonder which way we turn now,
00:22:02to the right or the left?
00:22:04Now what?
00:22:06Of course, right?
00:22:21What you tooting about?
00:22:23I say, is there a competent doctor in this place?
00:22:27What kind of a doctor?
00:22:29I told you we were on a wild goose chase.
00:22:31Now listen, my good woman.
00:22:32Now, don't be a good woman in me.
00:22:34There's the bar, there's a drink you want.
00:22:36Go on, off it, off it.
00:22:38They told us down the other island
00:22:40that there was a good surgeon here.
00:22:42Why, I'm sure sir, you wanted a sore bone.
00:22:44Have it your own way.
00:22:46Is he here?
00:22:48No, he ain't been around for a month, poor bloody.
00:22:51Well, speak of the devil and he pops.
00:22:53Yeah, Rosie.
00:22:55Blimey, I knew you'd be coming back.
00:22:57Good evening, gentlemen.
00:22:59These blokes are looking for a doctor.
00:23:00Not him.
00:23:02George, your name?
00:23:04Charles.
00:23:06What can I do for you?
00:23:08I heard farther down the island
00:23:10that you are quite a good surgeon.
00:23:12I suppose the reports are somewhat exaggerated.
00:23:14Do you have a degree of medicine, perhaps?
00:23:16Yes, several of them.
00:23:18Really?
00:23:20What a perfectly extraordinary place to practice.
00:23:22Now let me, good man.
00:23:25I don't suppose there's anything
00:23:27you could do in this matter
00:23:28unless perhaps you're a very clever surgeon.
00:23:30Yeah, well, what's the trouble?
00:23:32This is Dr. Atkins of the Ophthalmics.
00:23:34I am Captain Wellaby.
00:23:36A case of acute appendicitis.
00:23:38Probably a rapture by now.
00:23:40The ship's very unsteady
00:23:42and I don't dare bring the patient ashore.
00:23:44In fact, it's a very hopeless case, Doctor.
00:23:47Well, I can't tell very much about it from here, can I?
00:23:50Oh, come on, you two.
00:23:52Oh, Arthur Merrill, anyone have a drink?
00:23:54Drink? No.
00:23:55No.
00:24:18I'll bid you a bottle of champagne
00:24:20I don't die tonight, Doctor.
00:24:22You can leave it there.
00:24:25Temperature's falling. Pulse is 130.
00:24:27We can't do a thing.
00:24:29Why not?
00:24:31We can't operate here.
00:24:33We've no adequate facility.
00:24:35It's impossible, Doctor, impossible.
00:24:37What's impossible?
00:24:39Nothing's impossible.
00:24:41The ship, Doctor.
00:24:43Doctor.
00:24:45You evidently don't understand
00:24:47that Mr. Sinclair is one of the wealthiest men in England.
00:24:49Well, what of it?
00:24:51You can't just operate on him
00:24:53as though he were a common person.
00:24:55It's very important.
00:24:57Suppose we call out the guards.
00:25:02I'm going to try to remove that appendix.
00:25:04With a little luck, I'll have it out
00:25:06before it breaks and kills you.
00:25:08Well, just help yourself
00:25:10to anything you find inside, Doctor.
00:25:13This is going to be open house.
00:25:15Your responsibility, old chap.
00:25:18Well, that's more nerve than you have, Doctor Atkinson.
00:25:21Sir.
00:25:23Shall we remove him to the surgery?
00:25:25No.
00:25:27Move the surgery in here.
00:25:29With pleasure.
00:25:31Will you handle the anesthetic?
00:25:35I picked her up in one of the items
00:25:37to look after me.
00:25:39Rather nice, huh?
00:25:45Are you a nurse, little Aya?
00:25:47I have been in Singapore hospital for three months.
00:25:52Can you give a hypodermic?
00:25:56Yes.
00:25:58Give him a quarter grain of morphine as soon as possible.
00:26:00Get it from Doctor Atkins.
00:26:02And get me a glass of champagne
00:26:04to start the show off right.
00:26:06Tomorrow.
00:26:08Can I depend on that?
00:26:10The bets are still even.
00:26:12Put a record on the gramophone, little Aya.
00:26:15I'm going to have a dance
00:26:18with Lady Luck.
00:26:21Oh.
00:26:22Oh.
00:26:53We are ready, Doctor.
00:26:55Remember, your responsibility.
00:26:58I understand.
00:27:23I hope every tomorrow
00:27:25isn't as long as the last one.
00:27:27Meaning what?
00:27:29You promised me a glass of champagne tomorrow.
00:27:32Well?
00:27:34Well, that was two weeks ago
00:27:36and I'm just having it.
00:27:38You see, I've met this corkscrew
00:27:40taking out your appendix.
00:27:42It's taken them two weeks to straighten it.
00:27:44And your cleverness with corkscrews
00:27:46got you Shanghai to England.
00:27:49My cleverness with corkscrews
00:27:50took me out of England.
00:27:52Well, you're going back again
00:27:54in a blaze of glory.
00:27:56Yes, whether I want to or not, eh?
00:27:58You're too great a surgeon
00:28:00to rot in those islands.
00:28:02I owe you a great debt
00:28:04and I'm going to pay it.
00:28:06Aren't you going to join me?
00:28:08No, thank you.
00:28:10You should.
00:28:12I'm going to drink to your great success in London.
00:28:14I'm a man who makes or breaks
00:28:16and I'm going to make you
00:28:18the greatest surgeon in England.
00:28:20Because you deserve it.
00:28:22Thank you, sir.
00:28:26Ah!
00:28:28I'm beginning to feel more like myself again.
00:28:30Come here a little, are you?
00:28:35I shall have another glass.
00:28:37In your condition, one's enough.
00:28:39I don't take orders, I give them.
00:28:41And drinking amuses me, so I drink.
00:28:44Sometimes when I drink too much
00:28:46I become quite a different person
00:28:48and that amuses me too.
00:28:50Because I can watch how the other half lives.
00:28:57Don't overdo.
00:29:01Did you ever taste champagne?
00:29:03No.
00:29:07Ah, Doctor!
00:29:09I thought the patient would like a bit of a game.
00:29:11Right.
00:29:13Only not this kind of a game.
00:29:18Oh!
00:29:20Perfect recovery.
00:29:22Perfect.
00:29:24Shall we stroll?
00:29:26I think we'd better.
00:29:41At ten in the morning,
00:29:43the Maharaja of Kinyan
00:29:45will call with a reference
00:29:47to the new tea concessions in his province.
00:29:48At eleven,
00:29:50your New York representative
00:29:52will call you on the transatlantic phone
00:29:54to make his weekly report.
00:29:56Eleven-thirty, director's meeting
00:29:58at the London Westminster.
00:30:00One p.m. at luncheon
00:30:02with the Lord Mayor.
00:30:04Splendid, Colin, splendid.
00:30:06Go right ahead, Donaldson.
00:30:08Go right ahead.
00:30:10I'm listening.
00:30:12At three p.m.,
00:30:14your trainer regarding your entries in the Derby.
00:30:16At four p.m.,
00:30:18Egyptian coffee.
00:30:20Have they started rehearsals yet?
00:30:22As soon as I told them, you put up the money.
00:30:24At four-thirty,
00:30:26at four-thirty...
00:30:28Vivian looks in the paint, doesn't she, Donaldson?
00:30:30At four-thirty...
00:30:32Oh, she's magnificent.
00:30:34Why don't you pop over to the theater this afternoon?
00:30:36May I?
00:30:38Yes.
00:30:40Thank you, thank you.
00:30:42Oh, yes? Sure, my dear.
00:30:44That'll be all, Donaldson.
00:30:46You stay here, will you, Colin, please?
00:30:48Hello.
00:30:50Sorry to be a few moments late.
00:30:52I'm not used to getting around London yet.
00:30:54I don't suppose you are.
00:30:56I want you to meet Sam Collins, Dr. York.
00:30:58The greatest physician in the world
00:31:00meets the world's greatest doctor.
00:31:02How do you do? How are you?
00:31:04You don't look like a good prospect for me.
00:31:06No, no, you're the patient this time.
00:31:08Collins is the doctor.
00:31:10I'm going to turn him loose on you, York.
00:31:12What for?
00:31:14Why not?
00:31:16I'm nothing to publicize. I'm a surgeon.
00:31:18Put your name before the public.
00:31:20I'll have you meet all the very best people.
00:31:22We'll open a fashionable office on Harley Street.
00:31:24You look after Collins,
00:31:26whether he likes it or not.
00:31:28Oh, he'll like it, all right.
00:31:30I'll let you know tomorrow when I pick out Marcus.
00:31:34I'll tell Vivian you'll be over later.
00:31:36Right.
00:31:38Well, goodbye.
00:31:40Goodbye, Collins.
00:31:42And I'm going to introduce you
00:31:44to the most beautiful creature in London.
00:31:46Really?
00:31:48Yes.
00:31:50Now, tell me, what do you think of this one?
00:31:52Well, there's nothing missing.
00:31:54Except the clothes.
00:31:56Oh, no.
00:31:58Why don't we pick her up and take her out to dinner, shall we?
00:32:00As you say.
00:32:02Right.
00:32:04My car's outside. It only takes a few minutes to get down there.
00:32:06Right.
00:32:08After you.
00:32:19Hello, Vivian.
00:32:23Gordon.
00:32:25Aha.
00:32:27Oh, I'm so glad.
00:32:29That goes for me, too.
00:32:31Let's have a look at you, hmm?
00:32:33Well, I want you to meet the man who saved my life,
00:32:35Dr. York.
00:32:37How do you do?
00:32:39Charles.
00:32:41How about dinner? Let's make it a party.
00:32:43Oh, well.
00:32:45My house?
00:32:46I don't mind mixing drinks, but mixing a wife.
00:32:48Nonsense.
00:32:50My wife's a great lover of the theater.
00:32:52Why shouldn't she meet the star of my latest show?
00:32:54You'll get along splendidly.
00:32:56Oh, I think you'd better go to a nightclub.
00:32:58Somewhere where it's gay.
00:33:00Don't you?
00:33:02No.
00:33:04Tomorrow night. I'll come along.
00:33:06All right. I'll be on my best behavior.
00:33:08Right.
00:33:10Nanny, is my dress ready?
00:33:12Yes, ma'am.
00:33:14Would you gentlemen mind waiting just two minutes?
00:33:16Oh, just a minute.
00:33:18Oh, Nanny, this is the most marvelous...
00:33:24Good evening, Watson.
00:33:26You know, I think that fella George of the Savoy
00:33:28makes the best coffee I've ever had.
00:33:30That's right.
00:33:32Make some cocktails for us, will you, Watson?
00:33:34Tell your jokes so we can compare the way you're here.
00:33:36Vivienne, there's the mirror.
00:33:38Funny thing about women.
00:33:40The minute they come in the house,
00:33:42they want to go to a mirror.
00:33:44You know, I'm very interested in women.
00:33:46Madam, the most delicious combination I can think of
00:33:49is a pretty woman, good cocktails,
00:33:51or possibly a nice vintage champagne.
00:33:54Of course, you can have too much with one,
00:33:56just as easily as you can have too much with the other.
00:33:58You've got a spike that's gone over the happy meat.
00:34:04Pardon, Madam.
00:34:06This is for Miss Lea.
00:34:17I brought two nice people for dinner.
00:34:19I wanted to meet the star
00:34:21of my latest theatrical foolishness,
00:34:23Mrs. Mulder, Mrs. Lawrence.
00:34:25How do you do? Oh, I'm so glad.
00:34:27And this is Dr. David Yorke,
00:34:29who gets the credit for my being alive
00:34:31and kicking at this moment.
00:34:33How do you do, Doctor?
00:34:35I've heard a great deal about you.
00:34:37May I thank you, too?
00:34:40Oh, I'm so glad.
00:34:42I've heard a great deal about you.
00:34:43May I thank you, too?
00:34:51Really, I...
00:34:53I don't pay any attention to this modest thing
00:34:55that's been in the pocket.
00:34:57But they are modest in the pocket.
00:34:59Oh?
00:35:01And I've heard a great deal about you, too, Miss Lawrence.
00:35:03Oh, well, I hope you don't believe everything you hear.
00:35:06I expect coffee at the ready.
00:35:08Shall we go in?
00:35:13Yes, let's go in.
00:35:44Do you like it?
00:35:46Charming. What is it?
00:35:48The verse for my new song in the first act.
00:35:50Very nice.
00:35:53Well, thanks.
00:35:57Did you find that in a while?
00:35:59Yes.
00:36:01I brought her home as a maid for Mrs. Sinclair.
00:36:03Oh, Mrs. Sinclair.
00:36:05Yes, darling, Mrs. Sinclair.
00:36:13Mrs. Sinclair.
00:36:14Mrs. Sinclair.
00:36:42Mrs. Gordon Sinclair.
00:36:45Life's full of little surprises, isn't it?
00:36:49Now you know everything that I couldn't tell you on the island.
00:36:52It's that you left me.
00:36:54I had a dream of you, hoping that someday I might...
00:36:56Someday. I was afraid to tell you.
00:36:58Afraid of what it might do to me.
00:37:00Somehow all this seems so far away.
00:37:02Homey, we're so sad.
00:37:04I didn't want to destroy that.
00:37:06You were afraid I might slip back into what I was
00:37:09when I found you.
00:37:11No, Diana.
00:37:12I would have loved you just the same.
00:37:15But I would never have come back to England.
00:37:17You know, you're still the one who saved me, Diana.
00:37:21That goes double, David.
00:37:24You saved me, too.
00:37:29Do you know why I ran away and hid myself in those islands?
00:37:35I have an idea.
00:37:39To kill myself.
00:37:40To kill myself?
00:37:42Diana...
00:37:44Oh, yes, so I'd never have to come back here.
00:37:46But...
00:37:48I thought I could do it decently.
00:37:50And no one would ever know the humiliation of my life.
00:37:54And then you came.
00:37:56And your courage gave me courage.
00:38:00Will you help me to go on?
00:38:03Will you help me, Diana?
00:38:05I will.
00:38:0710.30, Lady Henrietta Price.
00:38:10Ah, beautiful back.
00:38:12The Maharaja of Cornpore.
00:38:14Hindus, too, what?
00:38:16Sir George Burnham.
00:38:18Dear old George, his father-in-law just died, lucky devil.
00:38:20General Cosmo Slipshot.
00:38:22Slipshot, Slipshot, never heard of him.
00:38:24Mortimer Evans and Mrs. Evans.
00:38:26Oh, yes.
00:38:28I know.
00:38:30Mrs. Fitzpatrick.
00:38:32What a patient.
00:38:34Haven't had a day's health in her life.
00:38:36Oh, I see.
00:38:38What a ribbing on a time.
00:38:40My word, and you've only been at it three months.
00:38:42Yes, thanks to Mr. Sinclair's friendship.
00:38:44Let me tell you a joke on Sinclair.
00:38:46Well?
00:38:48He took me along on that cruise as his ship stopped her.
00:38:50Well?
00:38:52He thought I was a surgeon.
00:38:54I'm not.
00:38:56I mean, not positively.
00:38:58Can you keep a secret?
00:39:00Yes, of course.
00:39:02I'm an osteopath.
00:39:06And he almost died.
00:39:08Yes.
00:39:10Well, what a joke on Sinclair if he had, eh?
00:39:12Yes.
00:39:15What?
00:39:17Oh, finally.
00:39:19Hello?
00:39:21Oh, yes, have a week, will you?
00:39:23I must be getting along, old chap.
00:39:25Yes, sorry.
00:39:27If any of your patients require osteopathy, uh,
00:39:29Fitzpatrick.
00:39:31Yes, I'll remember.
00:39:33Goodbye, old boy.
00:39:35Well, is this the patient I see before me?
00:39:38You're so long, I got a broken leg waiting for you.
00:39:41Oh, come in and we'll cut it off.
00:39:43What a nice office to be sick in, baby.
00:39:46Yes, it's about time you were coming to look us over.
00:39:49How would you like to get away from doctoring today
00:39:51and go to the races?
00:39:55Oh, now, don't say no.
00:39:57Looking at horses will be a nice change for you.
00:40:05I couldn't say no to that if I wanted to.
00:40:07Oh, come along.
00:40:09We'll call for Mr. Sinclair at his office.
00:40:11You know, I rather feel like a holiday today.
00:40:13David, the sun is actually shining.
00:40:15You don't say.
00:40:17Hurry, perhaps we'll catch a little of it, eh?
00:40:24Oh, just a moment, please.
00:40:26Oh, it's all right, darling.
00:40:28We're calling for Mr. Sinclair.
00:40:30We'll have to hurry.
00:40:35Pardon me.
00:40:40Well, if it isn't Mrs. Sinclair.
00:40:43And a big, handsome doctor.
00:40:45Sorry, I should have not.
00:40:47It seems to me you're rather slow in realizing, aren't you?
00:40:50Hmm?
00:40:52Well, since you seem to be busy, we'll go on to the races.
00:40:55Races, races, certainly, certainly.
00:40:57That's what we're waiting for, isn't it, Vivian?
00:40:59We?
00:41:01Certainly we.
00:41:02I thought you had this engagement with me.
00:41:04Now, just a moment, please.
00:41:06Are you trying to tell me that I can't ask
00:41:08whom I choose, where I choose, and when I choose?
00:41:11Gordon, isn't it degrading enough
00:41:13that I have to entertain this woman at dinner in my home?
00:41:16But you forced me to appear in public with her.
00:41:18Really, I think I'd better go.
00:41:20You stay right where you are.
00:41:22And be insulted?
00:41:24Certainly not.
00:41:26No one's going to insult you.
00:41:28Mrs. Sinclair's going to apologize.
00:41:30Gordon, if you have any respect for me,
00:41:32I refuse to allow you to insult my guest.
00:41:34You'll apologize to Miss Lawrence.
00:41:36No, Gordon.
00:41:38You've done this to me too often.
00:41:40You're too apologizing to anyone.
00:41:42I insist.
00:41:44Just a minute, Sinclair, that's enough.
00:41:46This is no affair of yours.
00:41:48Well, in your present condition, I'm making it my affair.
00:41:50Well, when I want your advice, I'll ask for it.
00:41:52I'll ask for it, and I'll pay for it, too.
00:41:54Oh, please, this is so humiliating.
00:41:56I'm sorry, Miss Lawrence.
00:41:58I apologize.
00:42:03Well?
00:42:14Well?
00:42:21210?
00:42:23What are they?
00:42:25Well, nothing, except if you continue your present mode of living,
00:42:27it'll go to the roof. That means a stroke.
00:42:29Are you telling me this as a doctor
00:42:30or as a friend who doesn't approve of my way of living?
00:42:32As a doctor.
00:42:34And after a thorough examination,
00:42:36I'll tell you something else.
00:42:38You're using drugs in addition to alcohol.
00:42:41You're very clever, aren't you, Doctor?
00:42:43Not at all.
00:42:45Since you sent for me as a doctor,
00:42:47I'll tell you the truth about yourself,
00:42:49whether you like it or not.
00:42:51I know. My heart's bad.
00:42:53My blood pressure's too high.
00:42:55I've got to give up drinking and spinach.
00:42:57And yet too much of that,
00:42:58or one more scene of violent anger like yesterday,
00:43:00and you'll be snuffed out like that.
00:43:02I was rotten yesterday.
00:43:04I hope you've forgiven me, York.
00:43:06Like a good fellow, I'm hardly the one to forgive you.
00:43:09Listen, Doctor, this is in the nature of a confession.
00:43:12I can't do without liquor. I must have it.
00:43:15And yet when I'm drinking, I'm rotten, I'm cruel.
00:43:19I'm morally blind.
00:43:21Understand? Yes.
00:43:23That's what caused all the trouble yesterday.
00:43:25Heaven knows I didn't want to hurt Diana,
00:43:26but I can't explain it to her.
00:43:28No, I think not.
00:43:30Well, but you could.
00:43:32You're a doctor. She thinks you're great.
00:43:34Oh, you want me to go to her
00:43:36and make excuses for you on medical grounds
00:43:38when the only trouble is you haven't decency to live properly.
00:43:41Well, you can put it that way if you like.
00:43:44I'm sorry, Sinclair,
00:43:46but I have too much respect for your wife.
00:43:48Well, what about me?
00:43:50Of course, I only brought you from the South Seas
00:43:52and put you up in Holly Street.
00:43:54I didn't ask you to, did I?
00:43:56No. Well, if you're not for me,
00:43:58I take it you're against me.
00:44:00Frankly, I am.
00:44:02I must say you're an extremely ungrateful man.
00:44:04You didn't think that the night you sent for me
00:44:06to come aboard your boat?
00:44:08Well, I gave you what little skill I have
00:44:10in return for which you brought me back to London
00:44:12and set me up in a fashionable office.
00:44:14From now on, I'm on my own, Sinclair.
00:44:16I owe you nothing. You owe me nothing.
00:44:18All right, all right.
00:44:20You saved my life on the boat
00:44:22and I brought you back to London where it quit.
00:44:24Right. Good night.
00:44:27Good night.
00:44:35David. I am.
00:44:37David, I'm going away. Where?
00:44:39I don't know, I don't know, but I'm going.
00:44:41I can't stand it here another day.
00:44:43Would it make it any easier if I were out of the way?
00:44:45Oh, no, David. Why, without you,
00:44:47everything would be empty.
00:44:49But I'm young. I have some right to happiness.
00:44:51Of course.
00:44:53I'll come to you whenever you send for me, Diana.
00:44:54Goodbye, dear.
00:44:56Goodbye.
00:45:11Diana.
00:45:13I've been looking for you.
00:45:18What is it, Gordon?
00:45:20I thought...
00:45:22I thought maybe you'd come in
00:45:24and have a little chat with me.
00:45:26I want so much to be forgiven.
00:45:29I can't, Gordon.
00:45:31I can't forgive you.
00:45:33Well, you know I wasn't myself yesterday.
00:45:36I told you how sorry I was.
00:45:39Oh, it's too easy for you to say that.
00:45:42You can be very nice to Dr. York.
00:45:44Why not to me?
00:45:46I respect Dr. York.
00:45:48So I've noticed.
00:45:49Well, you won't.
00:45:51Why?
00:45:53Oh, so you are interested in him, are you?
00:45:55Well, just for that, I'm going to break him.
00:45:58Oh, no, Gordon.
00:46:00Oh, no, you mustn't do that.
00:46:02Why not?
00:46:04Why, because, because he...
00:46:06Because you love him, is that it?
00:46:08Because you love him,
00:46:10I should have left him to drink himself to death
00:46:12on that island with those natives.
00:46:14He wasn't with them.
00:46:16How do you know that?
00:46:17Oh, I see.
00:46:20I'm beginning to remember now.
00:46:23You went down to the South Seas.
00:46:25I suppose you met him down there.
00:46:27Yes.
00:46:29What a blind fool I've been.
00:46:31Well, when I get through with him,
00:46:33there won't be much left of him for you to want.
00:46:36There's nothing you can do to him, Gordon.
00:46:38Nothing.
00:46:40Nothing? I made him and I'll break him.
00:46:42I'll get him out of London.
00:46:44I'll make his name a laughing stock.
00:46:45I'll drive him back to those islands
00:46:47and let him rot.
00:46:49That's what I'll do with him.
00:47:15Hello?
00:47:39Hello?
00:47:41Oh, yes.
00:47:43David, I want you to come right back.
00:47:45Gordon.
00:47:47I'd rather you call another doctor, Diana.
00:47:49No, I want you, David.
00:47:51Please.
00:47:53It's serious.
00:47:55Oh, well, I'll be right over then.
00:47:57Yes.
00:48:07Uh, where is Mrs. Sinclair?
00:48:11Within.
00:48:46I'll bet you a bottle of champagne
00:48:51I live to break you, you liar.
00:48:55Pardon me, Doctor.
00:49:09Heart?
00:49:11Yes.
00:49:13I want to call Dr. Moten, the heart specialist.
00:49:15This is a chance, a bad chance.
00:49:17How are you betting now, Doctor?
00:49:20Save your money.
00:49:22May I use the telephone?
00:49:24Yes, I'll show him.
00:49:40Uh, paymark at 0626.
00:49:43Yes, please.
00:49:46Hello.
00:49:48Uh, Dr. York speaking.
00:49:50Dr. Moten, please.
00:49:53Where can I reach him?
00:50:00Uh, paymark at 5107.
00:50:03Yes.
00:50:15Diana.
00:50:37What is your name?
00:50:45Diana.
00:51:02He's gone, Diana.
00:51:04There's nothing more we can do.
00:51:06Put yourself together.
00:51:08Come on, kid.
00:51:12All right.
00:51:15Come on.
00:51:29I think you'd better leave the details of this to me, Diana.
00:51:32I'll be all right.
00:51:35I want you to stay in your room and don't talk to anyone.
00:51:38I'll inform the servants and the newspaper man.
00:51:40You need rest.
00:51:42I'll sign the certificate in the morning.
00:51:46Heart failure.
00:51:50Come, Diana.
00:52:15Diana.
00:52:45Oh, no.
00:52:47No, it can't be.
00:52:52Well, it looks as if we're both out of a job.
00:52:56We did so well yesterday.
00:52:59She couldn't die like this, unless...
00:53:01Unless what?
00:53:03She can't do this to me.
00:53:05I won't let her.
00:53:07What are you talking about?
00:53:09You see, Mary might have...
00:53:11What are you going to do?
00:53:12You'll see.
00:53:14I'm going to the police.
00:53:29Hello, York.
00:53:31Pardon my being here like this.
00:53:33Are you all right, Doctor?
00:53:35You've been away several days, haven't you?
00:53:37Yes, Devonshire Coast.
00:53:39I needed a holiday.
00:53:40I know.
00:53:42I'm afraid you're in difficulty.
00:53:44Really?
00:53:46Your professional reputation is at stake.
00:53:48I came here to tell you with a friend.
00:53:50Thanks.
00:53:52They've exhumed the body of Sinclair.
00:53:54You signed the death certificate in good faith, didn't you?
00:53:58Of course.
00:54:00It was heart failure.
00:54:02And you know that he was poisoned.
00:54:05Certainly not.
00:54:07That woman, Miss Lawrence,
00:54:08made some ugly remarks to the police.
00:54:10Why, it's preposterous.
00:54:12Yes, yes, I know.
00:54:14But still, they found the poison.
00:54:16Thanks.
00:54:18Thanks for telling me.
00:54:20Of course, I know that you knew nothing about it.
00:54:22I'm merely warning you that perhaps
00:54:24it would be a good idea for you to get out of town.
00:54:27But what are they going to do?
00:54:29I can't imagine.
00:54:31Probably arrest Mrs. Sinclair
00:54:33and ask you a lot of silly questions.
00:54:36Thanks, I'll be prepared.
00:54:38Is there anything I can do?
00:54:40No.
00:54:42You know where to find me.
00:54:44I'm sorry.
00:54:45Good-bye.
00:55:07Good afternoon, Watson.
00:55:09Good afternoon, sir.
00:55:11I'd like to see Miss Sinclair.
00:55:13Oh, there she is.
00:55:16I'm so glad you've come back, David.
00:55:19Yes, I thought I'd better.
00:55:21Why, has anything happened?
00:55:23No.
00:55:25But I want us both to get out of all this, Diana.
00:55:27I'm going to take you back to the islands with me.
00:55:29Tonight.
00:55:31Tonight?
00:55:33Yes, why not?
00:55:35There's nothing to keep you here in England any longer.
00:55:37There's a boat leaving Southampton tonight.
00:55:39By tomorrow, we'll be well on our way to a new life.
00:55:41Now, come on, pack your things.
00:55:43Please, dear, I...
00:55:45I'll manage it myself.
00:55:47Very good, sir.
00:56:00Oh, you wait here, dear.
00:56:10Good day, doctor.
00:56:12How do you do?
00:56:13Miss Sinclair, I have a warrant.
00:56:15For whom?
00:56:17For you.
00:56:19I must ask you to come along with me.
00:56:21But what have I done?
00:56:23The charge is murder.
00:56:26I must warn you that anything you may say
00:56:28may be used as evidence against you.
00:56:44And you do know that Faithong is a deadly poison?
00:56:47Yes.
00:56:49And you've heard the testimony of the court
00:56:51that over two grams of this deadly poison
00:56:53were found in the body of your husband?
00:56:55Yes.
00:56:57And that you were the only person with him when he died?
00:57:01Yes.
00:57:03Would you mind telling the court
00:57:05how this poison got into your husband's body?
00:57:07Yes.
00:57:09Would you mind telling the court
00:57:11how this poison got into his body?
00:57:13I don't know.
00:57:15You don't know?
00:57:17You heard one of your servants testify
00:57:19earlier in the day
00:57:21that he overheard you say to one of your guests,
00:57:23I could kill Mr. Sinclair.
00:57:25Perhaps you overheard it, too.
00:57:27You were my guest that evening.
00:57:29But you meant it.
00:57:31The wish to kill your husband was part of the deed.
00:57:33I tell you, no.
00:57:35Sorry, Mrs. Sinclair,
00:57:37but these questions must be answered.
00:57:39If you'll lordship, please.
00:57:40My client is entirely within her rights
00:57:42in saying she doesn't know.
00:57:44No amount of browbeating
00:57:46on the part of King's counsel
00:57:48can make her say otherwise.
00:57:50I want the truth.
00:57:52How do you know that you haven't got it?
00:57:54Gentleman.
00:57:56My lord.
00:57:58Do I appear to be browbeating you, Mrs. Sinclair?
00:58:00Not any more than you have done
00:58:02at my dinner table, Sir Robert.
00:58:04Then you must be quite used to it.
00:58:06We'll continue.
00:58:07Did you ever possess any of this faisal?
00:58:10Yes.
00:58:12Where did you get it?
00:58:14I bought it.
00:58:16Where?
00:58:18In Singapore.
00:58:20A long time ago.
00:58:22Then you had been planning this murder for some time.
00:58:24No, no.
00:58:26Then what were you going to do with it?
00:58:30Kill myself.
00:58:34Silence!
00:58:35Silence!
00:58:37What made you reconsider?
00:58:39What difference does it make why I didn't?
00:58:41It was about that time
00:58:43that you met Dr. York, wasn't it?
00:58:45Yes.
00:58:47You fell in love with Dr. York
00:58:49and you're still in love with him, aren't you?
00:58:51Yes.
00:58:53And instead of killing yourself, you...
00:58:55You'll lordship.
00:58:57I beg your pardon, my lord.
00:58:59I was merely endeavouring to prove
00:59:01that the poison was used.
00:59:03Mr. Sinclair.
00:59:05What you did with the faisal,
00:59:07how few practiced it.
00:59:09Well, I had intended to use it on myself.
00:59:11But I didn't.
00:59:13I...
00:59:15I even forgot I had it until I returned to England.
00:59:18And then one day after a quarrel with my husband,
00:59:21I remembered.
00:59:35Mr. Sinclair.
00:59:56Give that to me.
00:59:58Give it to me.
01:00:00Leave me alone!
01:00:03Quiet, will you?
01:00:05And I never saw the bottle again.
01:00:08Did you look for it?
01:00:09Yes.
01:00:11No trace of it?
01:00:12No.
01:00:13Yes.
01:00:14The poison was found in the body of Gordon Sinclair.
01:00:17And it must have been in the room while two were there, wasn't it?
01:00:19I don't know. I...
01:00:21Yes or no?
01:00:23Well, I suppose so.
01:00:25Of course, the thing you did was destroy the little bottle.
01:00:28Put it where nobody could find it.
01:00:30Not even the police who came to search the room.
01:00:33That's what you did, isn't it?
01:00:35No, no, no, I tell you.
01:00:37I never saw the bottle again.
01:00:39Your witness.
01:00:40No witness.
01:00:44Call Dr. Herbert Atkins.
01:00:47Dr. Herbert Atkins.
01:01:03Will you take the stand, please, Doctor?
01:01:06Delighted.
01:01:12The evidence you are about to give in this case,
01:01:14between our sovereign Lord the King
01:01:16and the accused at the bath,
01:01:17shall be the truth, the whole truth.
01:01:20Nothing but the truth.
01:01:21So help you God.
01:01:23Yes, Doctor.
01:01:26Dr. Atkins, I have here the ship's papers the officer left.
01:01:30In them, you figure as ship's surgeon to Mr. Sinclair.
01:01:35On his last trip of inspection to his plantations in the South Pacific.
01:01:39Is that correct?
01:01:40Yes.
01:01:42A jolly trip, too.
01:01:43Yes, I have no doubt.
01:01:45Did you ever examine Mr. Sinclair's heart?
01:01:49Yes.
01:01:50What did you find?
01:01:52When you see, the yacht's engines were throbbing
01:01:55and his heart was thumping.
01:01:58I couldn't tell whether the ship's engines were missing
01:02:01or Sinclair's heart was skipping.
01:02:04Most confusing, you know.
01:02:08Silence.
01:02:09Tell me, were there any women on board this yacht?
01:02:13Well, not in the strict sense of the word.
01:02:16What do you mean by that?
01:02:17I mean, were there any women on board this yacht?
01:02:21What do you mean by that?
01:02:22There was a Malay girl.
01:02:23Ah, ah, brought on board by Mr. Sinclair.
01:02:27She was supposed to be a nurse.
01:02:29Supposed to be?
01:02:30What convinced you that she wasn't?
01:02:32The way she gave a hypodermic.
01:02:35Hypodermic? Of what?
01:02:37Morphine.
01:02:39Was he in the habit of taking morphine?
01:02:42I couldn't say exactly.
01:02:43Did you ever notice any undue familiarity
01:02:46between Mr. Sinclair and this supposed nurse?
01:02:52Must I answer that, milord?
01:02:54You must.
01:02:57You said all of it.
01:02:59Well?
01:03:01I, uh, saw him spike her.
01:03:05He hit her?
01:03:08Not exactly.
01:03:09It was a cross between a pat and a smack.
01:03:13She didn't mind.
01:03:16Silence!
01:03:17That will be all.
01:03:29Dr. David York.
01:03:32Dr. David York.
01:03:47The evidence you are about to give in this case
01:03:49between our sovereign lord, the king, and the accused of the bath
01:03:52shall be the truth, the whole truth.
01:03:54And nothing but the truth shall help you guard it.
01:03:58Yes, milord.
01:04:02You signed the death certificate, didn't you?
01:04:05Yes, milord.
01:04:06The death certificate?
01:04:07Yes, milord.
01:04:08The death certificate?
01:04:09Yes, milord.
01:04:10The death certificate?
01:04:11Yes, milord.
01:04:12The death certificate?
01:04:13Yes, milord.
01:04:14You signed the death certificate of, uh, Mr. Godman Sinclair, I believe.
01:04:19Yes.
01:04:20You believe the cause of death to be art failure.
01:04:23You did it in good faith and with good intentions.
01:04:29Yes.
01:04:33No further questions, milord.
01:04:39When you arrived at the bedside of Mr. Sinclair the night you were summoned,
01:04:42was he conscious?
01:04:44Uh, partly.
01:04:46You examined him and found him suffering from heart disease.
01:04:50Yes.
01:04:51Where was Mrs. Sinclair?
01:04:54She was there.
01:04:56You then left and went across the hall to telephone for a heart specialist.
01:04:59Is that correct?
01:05:02Yes.
01:05:03Did Mrs. Sinclair go with you?
01:05:05She showed me to the telephone and returned to her husband's bedside.
01:05:08When you got back, Sinclair was dead.
01:05:12Well, Mrs. Sinclair...
01:05:14Yes or no?
01:05:18Yes.
01:05:19Mrs. Sinclair was with her husband while you were telephoning.
01:05:22You were recalled to that room by her screams.
01:05:25Yes.
01:05:26May I ask you a little question about this poison, Saison?
01:05:30It acts very quickly, doesn't it?
01:05:34Yes.
01:05:36Let us say, a couple of minutes?
01:05:41Well, that depends on...
01:05:43Yes or no?
01:05:46Yes.
01:05:47As a well-known surgeon, as a fellow of the Royal College of Surgeons,
01:05:52do you mean to say that you wouldn't know whether a man had been poisoned or not?
01:05:56Wouldn't you swear that you didn't immediately suspect poisoning when you examined Sinclair?
01:06:01I suspected that Mr. Sinclair was using drugs for some time.
01:06:05What kind of drugs?
01:06:08Morphine, probably.
01:06:10Then why did you issue a certificate for heart failure?
01:06:13I'm here as an expert witness. You asked me if I suspected poisoning.
01:06:17I tell you that I gave the certificate that death was due to heart failure.
01:06:22If I was wrong, I'm ready to be judged for my incompetence.
01:06:26And now you know that you were wrong.
01:06:28Did you issue a false certificate to protect someone?
01:06:31Who should I protect?
01:06:33The prisoner in the dock, perhaps.
01:06:35I see no need for that.
01:06:37Perhaps you will deny it if you are very fond of Mrs. Sinclair.
01:06:43I don't deny it.
01:06:44Are you in love with her?
01:06:53I am.
01:06:54I suggest that you deliberately gave a false certificate because you love this woman.
01:06:58You knew she had poisoned her husband and you tried to confeal the facts because you hoped to marry her and share in the Sinclair fortune.
01:07:03That's a lie.
01:07:04You'll not be pleased.
01:07:08Silence!
01:07:10Control your temper, sir.
01:07:14No more questions, Your Honor.
01:07:17The court will adjourn until 2 p.m.
01:07:28Sir Henry, what's your opinion?
01:07:41I'm afraid it's going against us.
01:07:44But isn't there something different we can try?
01:07:46A new witness is anything.
01:07:47I'm sorry, I, uh...
01:07:49Have you any suggestions?
01:07:51Well, what about the service?
01:07:54What about the service?
01:07:55Isn't it possible that Watson or...
01:07:57That melee girl, Liliah...
01:08:00There is an idea.
01:08:03Liliah.
01:08:06I think it's worth trying.
01:08:09Sir Henry.
01:08:11Will you call the Sinclair residence in about 15 minutes?
01:08:13Speak to Liliah.
01:08:14Tell her that, uh...
01:08:16Tell her you want to put on the witness stand this afternoon.
01:08:18Give her the impression that you're suspicious of her.
01:08:20Yes, but if she does know something, won't that frighten her?
01:08:23Exactly.
01:08:24Do as I ask, and I'll explain later.
01:08:26I'll see you before court reconvenes.
01:08:28Very well.
01:08:29Good luck.
01:08:53I'm sorry.
01:08:54I'm sorry.
01:08:55I'm sorry.
01:08:56I'm sorry.
01:08:57I'm sorry.
01:08:58I'm sorry.
01:08:59I'm sorry.
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01:11:27I'm sorry.
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01:11:29I'm sorry.
01:11:30I'm sorry.
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01:11:39I'm sorry.
01:11:40I'm sorry.
01:11:41I'm sorry.
01:11:42I'm sorry.
01:11:43I'm sorry.
01:11:44I'm sorry.
01:11:45I'm sorry.
01:11:46I'm sorry.
01:11:47I'm sorry.
01:11:48I didn't give it to him.
01:11:49I didn't give it to him!
01:11:50Oh no, no.
01:11:52I'll tell you.
01:11:54I'll tell you.
01:11:57I was listening at the door.
01:11:59Doctor York came to Mr. St. Clair's office.
01:12:47What did you think?
01:12:49Heart medicine.
01:12:50I'll fool that doctor.
01:12:53The vets are even.
01:12:55I'll fool him.
01:12:58I'll...
01:13:00get well tomorrow.
01:13:04I'll fetch him a bottle of champagne.
01:13:07Heh heh.
01:13:11Heh.
01:13:13Heh.
01:13:17Oh!
01:13:43Then I see Mrs. St. Clair coming,
01:13:45and find her husband dead.
01:13:53Ah!
01:13:54Ah!
01:13:56I booked passage on an old tramp steamer.
01:14:16It'll take us forever to get to the island.
01:14:20I won't mind that.
01:14:22Will you?
01:14:26The End