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  • 11 years ago
We look at a film about a man called one of the biggest cheats in sporting history. When Lance Armstrong was stripped of his seven Tour de France titles because of doping, it was an epic fall from grace. Now the story of his cycling reign and shame has been made into a crime thriller by Stephen Frears with the villain played by Ben Foster. FRANCE 24's arts and culture editor Eve Jackson caught up with them in Paris.

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00:16From a revered hero to one of the biggest cheats in sporting history.
00:23When Lance Armstrong was stripped of his seven Tour de France titles because of doping,
00:27it was an epic fall from grace.
00:32Now the story of his cycling reign and shame has been made into a crime thriller by Stephen Frears
00:38with the villain played by Ben Foster.
00:41I caught up with him in Paris.
00:44I just love to ride my bike.
00:47No longer confined to earth, now we have learned to fly.
00:53Stephen Frears, hello.
00:54Hello.
00:55The film remains quite mysterious still about the person, Lance Armstrong.
01:01Well, he is complicated, isn't he?
01:03Because he won't come clean about himself.
01:05He hasn't really acknowledged his crimes fully.
01:09So he conceals himself because he doesn't want you to see the truth.
01:14And so that was sort of a conscious decision then to kind of not go into his personal life?
01:19No, but now when you say it, I think that's what must have been going on.
01:21I've never tested positive for performance-enhancing drugs.
01:24I've never tested positive for performance-enhancing drugs.
01:33Hmm?
01:34Do you think he was totally bad or he is totally bad?
01:36Bad?
01:37What does that mean?
01:38Like a bad guy, like a cartoon?
01:41You tell me, what do you think of him?
01:42What was your version of Lance Armstrong then, after studying him so much?
01:46My version of him is the way that I'd view anybody, which is, it's really complicated being a human being.
01:52Like, I'm not just an actor.
01:54You're not just a journalist.
01:55He's not just a cameraman.
01:57We're complicated people.
02:00And unfortunately, people like to say good or bad, because it's easy to be like, good guy, bad guy.
02:06But he's not.
02:07He's a guy that raised $500 million for cancer research.
02:10He's a guy that faced death and used his power to do good.
02:19But he had to protect that good by destroying people's lives.
02:22I mean, that's complicated stuff.
02:26I don't think anybody's, um, I guess that's why I like my job.
02:29I imagine you like your job, as we're like, why?
02:32So how hard is it, though, to play a character that most people hate?
02:37Well, um, I can't really think in those terms.
02:43I mean, that's the first thing.
02:45It's like, wow, he's, he's, he's, he's disliked by a lot of people.
02:48But he also has a lot of supporters.
02:50The game then becomes, how can I rationalize it?
02:54Uh, and that's really exciting to do.
02:57That's really exciting to spend time to say, like, how do you ruin people's lives?
03:02And then what does it feel like to actually make a difference in, in thousands of people's lives?
03:08I've been touched by cancer.
03:09I mean, my family has.
03:10I've lost family members.
03:13When you see it up close, and so many of us have, I don't think that was bullshit.
03:19I think he, I think he really, uh, wanted to do good.
03:23And no one's raised that kind of money.
03:29It's so complicated.
03:31Uh, Dr. Ferrari made a statement about EPO.
03:34Do you remember that?
03:36No.
03:36He's about to be tried for criminal conspiracy.
03:43I think the judges and the prosecutors should pursue everybody, no matter who they are, because that's their job.
03:53And the Lance Armstrong, um, scandal was massive, and so many people were involved.
03:58Yeah.
03:58In making this film, how free did you feel?
04:01How free were you?
04:02I was as free, I was completely free, except every now and then my lawyers, the lawyers on our side,
04:08would say, look, you can't do that because of this and this and this.
04:10But it was very, wasn't very considerable.
04:13I mean, it's not an old story.
04:14Obviously, the main character is still alive.
04:17Yes.
04:17Were there things that you felt you had to leave out?
04:19No.
04:20Well, the UCI, which is the body that runs cycling in Europe, they've never lost a court case for some
04:27reason or other, so if you went near them, and I suspect you do need to go near them, our
04:33lawyers would get nervous.
04:35So what were the key parts of the story for you that you wanted to keep in?
04:38That he took drugs, and this is how he took drugs.
04:42And did you have a chance to talk to Lance Armstrong?
04:44No. Why would I want to talk to him?
04:46Why wouldn't you?
04:47Because he's a liar.
04:49I mean, that's given.
04:50One of the things he did was he told lies.
04:52Why would I want to talk to a liar?
04:54And I prefer anyway to use my imagination.
04:56He's a man transformed.
04:58He's recovered from cancer and turned into bloody Superman.
05:02What about playing someone who's still alive?
05:04How difficult is that?
05:06That was, uh, that's, that's, that's uncomfortable.
05:09It's uncomfortable playing someone who's still alive.
05:13And I reached out, he didn't want to talk with me.
05:15Um, and I don't blame him at all for not wanting to talk to some actor, being like, what's it
05:20like being you?
05:21You know, I'd want to punch a kid out who, who'd ask that.
05:25And, um, I fight back.
05:29So it's, it's, his life is still, his story's still happening.
05:35If he's cheating on the races, then he's cheating on us as well.
05:40I will not be brought down.
05:42Why was Ben Foster the right person to play Lance?
05:45Well, he's just very modernist and he's very American, sort of fanatical, obsessed.
05:52Crazy.
05:53He's wonderful.
05:54And he actually looks quite like him.
05:56Looks like him, yes.
05:56Was that important for you?
05:58Well, it didn't, it, it, it, it helped.
06:00If you'd had a fat actor, well, no, he did actually lose weight.
06:03But it, it, I mean, all you're trying to do is to make somebody believable.
06:07And I believed in him.
06:17So physically, how did you train?
06:19How did you get ready for the part?
06:21Uh, we had a very short amount of time.
06:24Uh, we didn't have a script when, when the job came in.
06:28Stephen said, keep yourself available.
06:30So I'm not good sitting around.
06:32So I, I made some arrangements and, and, and used a few friends to set me up with a team
06:37down in Colorado, uh, the tour of Colorado and embedded with a team and ended up talking
06:44my way onto the bus and then meet, meeting person after person, uh, started meeting people
06:49who had ridden with him and knew a lot about him.
06:52And then I started meeting his mechanic, his nutritionist.
06:55I found the guys who actually had his aerodynamics in a computer.
06:59So we were able to bring that.
07:00So once I was hired for the job, we had six weeks to actually learn, learn how to cycle,
07:05which was kind of a disaster at the beginning and then shaped my body to him.
07:10So it was as to the millimeter, his positioning on the bike is my position in the film.
07:14Go on then.
07:15Tell me why it was a disaster in the beginning.
07:18Well, imagine being 30 pounds overweight, riding at altitude, having never been in clipless
07:24shoes in front of the top team, Chris Froome walking by and I'm trying to, and they were laughing
07:34at me.
07:35They were like, this guy's going to be Lance Armstrong.
07:37They were like, oh God.
07:38And I started getting sick because of the altitude and I was so not fit at the time.
07:45Uh, I got stuck in my shoes, couldn't go any further, couldn't breathe,
07:49landed on the bars, which just makes you want to throw up.
07:52The bike crashes down and then I skidded down a hill on the bike, uh, in front of the top
07:59riders in the world.
08:00Um, so that was, that's how I started.
08:05Well, I bet they're not laughing now.
08:06You did it, didn't you?
08:07I haven't seen it yet.
08:08I'll wait.
08:08We'll see.
08:09And it was here in France that the light shined most brightly on Lance Armstrong because
08:13of the Tour de France, you know, you're promoting it here in Paris, what's that like?
08:18I'd be lying to say I wasn't apprehensive.
08:21The Tour de France belongs to France.
08:23The world has, uh, embraced it, but the Tour de France is, is France's.
08:29So to come portraying, I think in, not, I don't think it's a super friendly portrait,
08:37but it's at least somewhat compassionate towards him.
08:39It asks questions rather than damns him, bad or good, right?
08:44Uh, of the American that, in some people believe, stole it.
08:51Uh, yeah, I'm apprehensive about it because I also think like, well, he, he, he also won
08:57it in that era.
09:01He wins and wins and he celebrates.
09:03He meets the president.
09:04He gets more sponsors, more money, more fame.
09:07The man is a chief.
09:08And as a director, you're tricking us all the time.
09:12Permanently.
09:13I'm completely untrustworthy.
09:15But with the way that you make films, you have to, to make a good film.
09:18I mean, is there any way that you can identify with...
09:22Who's Lance?
09:22With Lance Armstrong?
09:23Do I think of myself as a, well, he was rather better at it than I am.
09:27No, but I understand that it's all to do with illusion.
09:31I mean, I don't know anyone else who's...
09:34as clever at being corrupt as he was.
09:38Acting is also a very competitive business.
09:41Hmm.
09:42Not always getting the role that you want.
09:43Have you ever cheated to get a role?
09:45Or can you see the motivation behind maybe having to do that?
09:51I don't know how you cheat to get a role, but I'm interested.
09:53If you have any tips, there are a few things that are floating around that I'd like to do.
09:58How about this?
09:59Um, I didn't get this job.
10:02I was 16, and there was a script called Requiem for a Dream.
10:06And I was going to meet Darren Aronofsky.
10:08And the role was playing somebody who was in his early 20s, and I looked like a baby.
10:13And I really wanted to do this.
10:16Jared's, the role Jared got.
10:18I was living in the valley at the time.
10:20I was new in California from Iowa, a small town.
10:24And I got the idea that I was going to change the way that I looked.
10:27So I went to the, uh, I went to the supermarket.
10:29I got black dyed, dyed my hair really dark.
10:32And I did my eyebrows, and I looked like Groucho.
10:35And I was like, you look like Groucho with, like, really, it's terrible.
10:38I look like child Groucho.
10:40So I, I, what hits me is that I've got to do something else to take away from the eyebrows.
10:45Because I can't get them off.
10:47They're so thick.
10:48I took a razor and cut into my eye right up here.
10:53You can still see a scar up there.
10:55Because I thought that I'd redirect his attention.
10:57So I cut and made myself bleed here and here.
11:01So in the meeting, I don't think I've, I've told him this.
11:05I just ran into Darren the other week.
11:07Um, I, I got to tell him this story.
11:09Uh, yeah, I came to him and, and he's like, wait, how are you doing?
11:11I said, well, you should see the other guy.
11:14You know, did a terrible read for him.
11:17Um, yeah, that's probably the dumbest thing I've done, to not get a job.
11:21He will attack anyone who steps out alive.
11:24I have the money and the power to destroy you.
11:28Your next project is a film starring Meryl Streep.
11:31Yes.
11:32It's about Florence Foster Jenkins, an opera singer in the 20s who couldn't sing.
11:37It's about the worst singer ever to sing at Carnegie Hall.
11:41And there's a French film, a new French film that's out called Marguerite, about, about
11:45the same character, but brought to France.
11:47Basically, if you're not making a film that three other people are making the same film
11:50about, you're in trouble.
11:51Why do you think there's such interest in her all of a sudden?
11:54Well, I can't tell you.
11:55I just simply read a script and said, this is wonderful.
11:57But I don't know what the, I, I, if you're saying there's something in the air, I don't
12:02know.
12:02I mean, I remember when I made, um, Liaison Dangereuse and, and, uh, Miloš Forman made
12:08Valmont, you know, that, there was this very successful play which drew everybody's attention
12:13to this great French novel.
12:15But I don't know why there are these two films.
12:18All right, Stephen Frears.
12:19All right, good luck.
12:19Thank you very much.
12:20Good luck.
12:21Inside each and every one of us is something more potent, more powerful than any drug.
12:25It's called The Will to Survive.

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