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Film Gorillas
  • 11 years ago
Escape by Night (1953)
79 min | Crime, Drama | December 1953 (UK)

An Italian racketeer on the run in London holes up in a disused theatre with a hard-drinking journalist out to get the full story.

Director: John Gilling

Writer: John Gilling

Stars: Bonar Colleano, Andrew Ray, Sidney James
Transcript
00:01:30It'll be his turn next.
00:02:11Have you seen Bucken?
00:02:13Anyone seen Bucken?
00:02:14He hasn't been here yet.
00:02:15when's the rossini case gonna break back have you seen no sir no sir what yes sir i haven't seen
00:02:21that yes sir why haven't we got a story well sir we missed out on it not exactly sir i've
00:02:35got
00:02:35the gen but we're still waiting for the details everybody else has got it why haven't we don't
00:02:40bother to answer i can tell you we haven't got it because buckhans are no good drunk and as soon
00:02:44as
00:02:44he comes in you can fire him yes sir but don't you think don't argue just do as i say
00:02:48as soon as he
00:02:49comes in very good sir
00:03:37you're drunk yes and whether you like it or not tall boy was right
00:03:43you're drunk yes and whether you like it or not tall boy was right
00:03:44you're a no good drunk where you been
00:03:50you should have stayed in the court until the verdict i told you the verdict before it was
00:03:54announced and you missed all the color that's what the old man's ranting about
00:03:59do i have to tell you what the customers want one of the biggest trials for 20 years and you
00:04:03walked out on it why i got thirsty i don't know why i don't throw you out of the office
00:04:09and put
00:04:09the word round the street why don't you pull yourself together when you first joined this
00:04:17newspaper nobody could hold a candle to you i could trust you with anything you could find a story in
00:04:22every street corner a mid-page bar and one newspaper was a headline to you because you knew how to
00:04:27make
00:04:27something little smell big then you had to hit the bottle why for the love of pete why does it
00:04:32matter
00:04:32of course it matters i'll tell you something when you walked out in that trial you walked out in the
00:04:37biggest news story in years the rossini brothers they are next to the list this is the biggest
00:04:42mistake you've ever made and believe me it's going to be tough to fix tall boy this time but for
00:04:47the
00:04:47sake of old times the little father of police what do you think you're running a home for broken down
00:04:53reporters now wait a minute why don't you wise up mcnorton you don't have to fix anybody for me i
00:04:57can get
00:04:58a job in any newspaper in this street the only reason you keep me here is because i'm the best
00:05:02reporter
00:05:02you got without me the comment would be nothing but a parochial pamper and anytime you don't like the way
00:05:07i run
00:05:07my side of it try running it yourself just try running it yourself good night sweet prince where
00:05:18are you off to for parting is such sweet sorrow that i might say good night good night until it
00:05:24be
00:05:26tomorrow
00:05:28tomorrow never comes what up boy
00:05:33i'll lay a 10 to 1 in peanuts and the only score they can settle with gino rossini is income
00:05:37tax a couple of
00:05:38small murders i'm talking about something serious whatever it is they're ready to move in i'll get
00:05:42him in the next 24 hours you guys make a lot of noise oh take it out give me a
00:05:46double stats will you
00:05:47what do you know about gino rossini anyway very good to his mother what are you trying to do ride
00:05:52me
00:05:53it's really so because they fired you from the comet all right all right any more trouble now out you
00:05:57go
00:05:58okay okay off okay but i'll tell you guys something nobody fires me from any paper when i feel like
00:06:05it i
00:06:06quit i can walk into the mail or the news and take the jobs right out from under your feet
00:06:10anytime i
00:06:11like i'll show you some real reporting and i'll show you right now yes
00:06:18oh yes give me some paper some white paper i can give any one of you guys a 10 mile
00:06:23start and scoop
00:06:24you before the ink's dry go ahead order yourself some drinks and stand around and wait for something to
00:06:30happen i make it happen i make it happen you guys look for the news but in this paper jungle
00:06:42i make it excuse me
00:06:58oh very good crazy yank
00:07:06they're cooking up if you jump off the eiffel tower and write that up
00:07:36i'll send the boy right away
00:07:42so you think i'll get gino
00:07:53hello hello get me gino rossini hold on this for you
00:08:00oh gino this is a friend i'm tipping you off yeah you're gonna get some visitors better get out
00:08:14before it's too late
00:08:14julio
00:08:16how long before you get the stones not waiting for the money to come through
00:08:20must be good stones must be the best time as you can buy
00:08:22don't worry the stones i'm gonna get i'll give you a passport anyway
00:08:26you sell everything everything negotiable the stones are ready to pick up all we need is the money when
00:08:31it comes through we buy the stones good i've signed everything you can fix the rest
00:08:40where are you going
00:08:41i will come back
00:08:43better you tell everybody julio and you pietro you tell them i come back
00:08:47i'll let them think julio is finished they're coming for you
00:08:52they're here now gino i'll send your message have the stones ready
00:09:03i didn't expect it so soon who did except maybe the man who telephoned whoever he was
00:09:12i'll talk
00:09:18c.i.d has this gino rossini's plan yes all right where is he
00:09:24i don't know he said he was going for a little holiday here bonnemouth i think yes yes bonnemouth
00:09:31hmm search the place martin try the front bedroom
00:09:41no sign of him sir send out his description i want him picked up right away very good sir
00:09:46inspect well i presume you had a search warrant you want to see certainly sure
00:10:09i don't know how far he'll get i wonder yeah pity if something happened to him before he got those
00:10:15stones
00:10:19yes
00:10:20no
00:10:20no
00:10:20no
00:10:20no
00:10:20no
00:11:09Hello, Tom.
00:11:11McNaughton here.
00:11:13What time were you getting in?
00:11:14I'm not getting in.
00:11:15You fired me.
00:11:16Ah, now look here, Tom.
00:11:17Let bygones be bygones.
00:11:19Ah, that was a great story you handed in last night.
00:11:21I think back everything I said.
00:11:41I think back to you.
00:12:11Yeah, Tom, Tom, that was a great story of yours.
00:12:14You gotta follow it up.
00:12:41Hiya, Red.
00:12:42Going all conservative on us, huh?
00:12:46Hiya, Johnny.
00:12:47It was a nice stick-up you pulled last week.
00:12:48Smart boy.
00:12:49I was in Brightman.
00:12:51So was the stick-up.
00:12:53Want to watch your step, Pete?
00:12:55Big Tony's looking for you.
00:12:56You know, Kitty.
00:12:59Hiya, Tom.
00:13:02What do you want?
00:13:06I heard you might know where Gino is.
00:13:09What do you say?
00:13:10I've forgotten.
00:13:12It was a pretty raw deal you gave Big Tony, Tom.
00:13:14What do you want Gino for?
00:13:16Tony got out last week.
00:13:18He left to know who squealed on him.
00:13:21Do you want to turn Gino in?
00:13:23I know Tony pretty well.
00:13:27Do you know the Painted Smile Club?
00:13:29No.
00:13:29It was in Ford Street.
00:13:30I'm surprised you don't know it.
00:13:31Okay, you're surprised.
00:13:33It belonged to Gino.
00:13:34There's a girl called Rosetta Mattania.
00:13:37She sings there.
00:13:38Does he listen?
00:13:40She'll know where he is.
00:13:43Much obliged, Con.
00:13:53Why did he leave me?
00:13:58Why has he gone?
00:14:02Where are his kisses?
00:14:05You're ring me on.
00:14:09I want his nearness, his lips, and his touch.
00:14:17Haunting me, taunting me.
00:14:21I want him so much.
00:14:24Why did he leave me?
00:14:29Why can't I forget?
00:14:34Those midnight caresses
00:14:38Thrilling me yet
00:14:41Scotch, please.
00:14:43Who's the girl?
00:14:45That?
00:14:46That's Miss Mattania, sir.
00:14:48Where are the dressing rooms?
00:14:49Did you wish to see somebody, sir?
00:14:51Yeah.
00:14:53Here, keep the change.
00:14:56Through that door by the bandstand.
00:14:58The dressing rooms are on the first floor.
00:15:00Thanks.
00:15:02Thanks.
00:15:31The name's Buckingham.
00:15:32What do you want?
00:15:34I'm looking for Gino.
00:15:35You better go before I call the management.
00:15:38I'm still looking for Gino.
00:15:40Can't you read the newspapers?
00:15:42I am the newspapers.
00:15:44Then you must know he's on the run.
00:15:46The run's a big place.
00:15:51Take it easy.
00:15:52I'm only trying to help him.
00:15:53Take your hands off me.
00:15:54Look, lady, I'm not a cop.
00:15:55I'm a newspaper man.
00:15:56That makes it worse.
00:15:57I'd like you to find Gino if only for one thing.
00:16:00He'll kill you the moment he sets eyes on you.
00:16:03Where is he?
00:16:04You won't find out for me.
00:16:09Sounds like a raid.
00:16:10You ought to know about the raids.
00:16:15Keep it easy, ladies and gentlemen.
00:16:17No it is to need.
00:16:17Nobody.
00:16:21Miss, do you know where Miss Matanya lives?
00:16:23Am I?
00:16:25Come on, give.
00:16:26Mandalay Court, that 15th.
00:16:28Give my regards to Mother.
00:16:29Come on, let's go.
00:17:15Hello, Gino.
00:17:18You won't use that.
00:17:21Somebody will have to explain a dead body, and they take a lot of explaining when they've got lead in
00:17:24them.
00:17:24Turn it out.
00:17:26There have been some ugly things said about you in the newspapers, Gino.
00:17:28Well, nobody ever mentioned you'd shoot a man in the back.
00:17:30So?
00:17:32You kill me, you lose a friend.
00:17:34I got other friends.
00:17:36Yeah?
00:17:37Did they tip you off?
00:17:39All right, if it wasn't me who telephoned you, who was it?
00:17:41How would I know about it?
00:17:44What you want with me?
00:17:46What do I want with you?
00:17:48Your news.
00:17:49That's what I want, news.
00:17:51That's why I tipped you off.
00:17:53Made a nice story for the evening comment.
00:17:55You're smart, eh?
00:17:56I try hard.
00:17:59Look, I want a story.
00:18:01Straight from the stable.
00:18:02Fair exchange.
00:18:03I tipped you off, so I want your story.
00:18:05What do you say?
00:18:08Maybe we can talk.
00:18:13Gino, the police have rid of the club.
00:18:15What's he doing here?
00:18:17It's all right.
00:18:18Get my coat.
00:18:19Come with you.
00:18:24I will send you a message, Rosetta.
00:18:27When you know where to find me, you get in touch with Giulio.
00:18:29All right.
00:18:31He will have something for me.
00:18:35All right, Rosetta?
00:18:36Yes, Gino.
00:18:37Come on, you.
00:18:39Where to?
00:18:39You want your story, no?
00:18:42She coming with us?
00:18:43No, she don't come.
00:18:46Pity.
00:19:04Where are we going?
00:19:05Come on, some quiet place to talk.
00:19:15Wait.
00:19:24Inside.
00:19:36Just like home.
00:19:39Pilot's license?
00:19:40Yeah, thanks.
00:19:41You fly, huh?
00:19:43I used to.
00:19:45Good.
00:19:45Maybe you fly me someplace, huh?
00:19:47In what?
00:19:49I find a plane.
00:19:51What do I get out of this?
00:19:52Story.
00:19:53My story.
00:19:57Okay, but I want that first.
00:19:59Everything.
00:20:00I got started.
00:20:01I became a big shot right up to now.
00:20:03I'm going to put you on the front page.
00:20:05Then, if you like, I'll fly you to the moon, but I want that story first.
00:20:08Is it a deal?
00:20:09You fly me to Italy.
00:20:10With this story, without this story.
00:20:15It's a deal.
00:20:16Come on.
00:20:20So this is what happened to Vaudeville.
00:21:02Well, I've slept on softer pets.
00:21:05Boy, I could use a drink.
00:21:08How long we stay here?
00:21:09So long as I say.
00:21:11Sleep well?
00:21:12I don't sleep.
00:21:14Oh.
00:21:16Get a light?
00:21:19You know, right now, I could use a great big juicy steak.
00:21:22Two fried eggs, sunny side up.
00:21:24French fried potatoes.
00:21:26A beautiful cup of hot black coffee.
00:21:31Mmm, I could just smell that coffee.
00:21:32Shut up, you.
00:21:34You talk too much.
00:21:35And you think too much.
00:21:38Such men are dangerous.
00:21:41Look at Caesar.
00:21:42Look at Napoleon.
00:21:43I don't mean now, of course.
00:21:44Incidentally, I'm still waiting for your story.
00:21:46But take your time.
00:21:47Don't force yourself.
00:21:47I'd like to make the noonday.
00:21:51Frank.
00:21:52Frank.
00:21:53Frank, Frank.
00:22:00Are you crazy?
00:22:06I never knew that grown-ups played at being gangsters.
00:22:12They do when they can't think of anything better, son.
00:22:16Do you really like playing at gangsters?
00:22:18It's not so hot.
00:22:19Go on, you're kidding.
00:22:21And you're not gangsters?
00:22:22I'll let you into a little secret.
00:22:24But you've got to promise not to tell anyone.
00:22:25Sure.
00:22:26We're secret service agents.
00:22:27This here's Hank.
00:22:28Oh.
00:22:29Oh, hello, Hank.
00:22:30Hello.
00:22:31I'm Tom.
00:22:31M.I.2.
00:22:32I'm Joey.
00:22:33Pleased to meet you, Joey.
00:22:34I'm glad to meet you, Hank.
00:22:38I'll bet you're a secret service agent, too.
00:22:40Oh, yes, that's right.
00:22:42Well, these are my headquarters.
00:22:46Are you staying here long?
00:22:47That depends.
00:22:49Well, I may see you again.
00:22:50Joey.
00:22:52If you promise not to tell anybody we're here,
00:22:54we'll make you M.I.3.
00:22:55Won't we M.I.1?
00:22:57Well, I won't tell anyone M.I.2.
00:22:59Agent's Honor.
00:23:01Agent's Honor.
00:23:09How long do you figure out staying on this dump?
00:23:11Rosetta.
00:23:12I must give the message to Rosetta.
00:23:14Well, the kid could have taken it.
00:23:15He will come back.
00:23:30All right.
00:23:32He's coming.
00:23:33Don't scare the kid.
00:23:41Joey.
00:23:43Joey.
00:23:45That's funny.
00:23:46You must have come in this way.
00:23:47Look, the door's open.
00:23:48Other people, leave those open also.
00:23:49Go ahead.
00:23:58Inside.
00:23:59You must have come in this way, sir.
00:24:03Put him up.
00:24:04Wait.
00:24:07And you.
00:24:09Better play ball.
00:24:10This kid looks trigger-happy.
00:24:14Now walk.
00:24:15You first.
00:24:16Yes, Daddy.
00:24:20Okay, keep him up.
00:24:22Go on, keep him up.
00:24:29How's it feel, Waldo?
00:24:30Shut up, will you?
00:24:31Anyway, son, I got something to tell you.
00:24:34We got a job for you.
00:24:36A secret service job?
00:24:38Yeah, that's it.
00:24:38Sure.
00:24:39From now you work for us.
00:24:40Okay?
00:24:40Yes, sir, but I'd better get another gun.
00:24:43I don't like this one much.
00:24:45Well, ask Hank if you'll lend you his.
00:24:46Will you, Hank?
00:24:48It's a good gun you got there, but you don't hold it right.
00:24:51Hang on.
00:24:51So.
00:24:52This?
00:24:53Sure, that's better.
00:24:54Now look, here's what you gotta do.
00:24:55We wait for a guy.
00:24:56See, he's a spy.
00:24:57We want to trap him.
00:24:59Give him the note.
00:25:01Very secret.
00:25:02You take this to the Painted Smile Club in Ford Street.
00:25:05You know it?
00:25:06Oh, yes, I know it.
00:25:06Good.
00:25:07You ask for a lady called Rosetta.
00:25:09Yes?
00:25:09Is she a spy, too?
00:25:11Yeah, but she's a good spy on our side.
00:25:13You better be very careful.
00:25:15She's being watched.
00:25:17You tell nobody about us.
00:25:19Nobody.
00:25:20Sure.
00:25:21Oh, Joey, just one more thing.
00:25:23We both need a shave.
00:25:24Do you think you can get a razor and a piece of soap and a towel from somewhere?
00:25:27Okay, that'll be all right.
00:25:29Attaboy.
00:25:30Oh, and a bottle of...
00:25:32Ah, never mind.
00:25:34Nice kid.
00:25:35You know something?
00:25:36Hmm?
00:25:37It reminds me of myself when I was a little boy.
00:25:39Yeah?
00:25:39He's got about ten years, eh?
00:25:41Ah, you'll serve something.
00:25:42When I was ten years, I had many adventures.
00:25:44I robbed the bank in Italy.
00:25:47Precocious, weren't you?
00:25:50Come on, Joey!
00:25:52Come on!
00:25:53Come on!
00:25:54Come on!
00:25:54Come on!
00:25:55Come on!
00:25:55Come on!
00:25:56Come on!
00:25:56Come on!
00:25:56Come on!
00:25:56Come on!
00:25:57Come on!
00:25:57Come on!
00:25:57Come on!
00:25:57Come on!
00:25:59Oh, Mum!
00:26:00Huh?
00:26:01Can I have my tea?
00:26:02Give me a chance.
00:26:04I'm in a hurry.
00:26:05Where do you think you're going?
00:26:07I can't tell you.
00:26:08It's a secret.
00:26:09Yeah, what are you supposed to be now?
00:26:10Well, I want not to tell you.
00:26:12All right, don't then.
00:26:13It's awfully secret.
00:26:14Well, keep it yourself.
00:26:18I'm an agent.
00:26:19A state agent?
00:26:20Oh, don't be silly, Mum.
00:26:22A secret agent.
00:26:23Oh.
00:26:24I've got a job to do after tea.
00:26:26Look, the only job you're doing is your homework.
00:26:28I've got to go out, Mum!
00:26:29Look, when you've had your tea, you're going to settle right down and do your homework.
00:26:32Oh, Mum!
00:26:33Don't sit with your mouthful.
00:26:41Maybe the kid couldn't get in to see it.
00:26:43Maybe.
00:26:46Why don't you get some shut-eye?
00:26:48Huh?
00:26:49Sleep.
00:26:49Oh.
00:26:51Oh, sleep, it is a wondrous thing.
00:26:53Beloved from pole to pole.
00:26:56Sanko.
00:26:59Forget it.
00:27:01You know, you're going to get very tired.
00:27:02And very hungry.
00:27:04I'm hungry.
00:27:06To think I used to wonder how people could eat rats.
00:27:09How about a nice, fat, juicy rat, Gino, huh?
00:27:12Well, for Pete's sake, get some sleep, will you?
00:27:14Before I sleep, I shoot you.
00:27:17Just to be safe.
00:27:19Forget the sleep.
00:27:22You know, I wish you'd put that thing away.
00:27:24We made a bargain, remember?
00:27:26Makes you nervous, eh?
00:27:27No, Gino, no.
00:27:29I am a man of peace.
00:27:32The pen is mightier than the sword.
00:27:34Listen.
00:27:36Relentlessly pursued by the hounds of justice,
00:27:38Gino's proud head is raised with dignity
00:27:40above the tumult clamoring for his destruction.
00:27:43Like it?
00:27:44Hmm.
00:27:45I go on to say, uh,
00:27:46I am Gino's prisoner.
00:27:48The hostage of a hunted man.
00:27:49No.
00:27:51What's the matter?
00:27:51I don't like this hunted.
00:27:53Why not?
00:27:54Sounds like finished.
00:27:55I'm not finished.
00:27:56I got big friends.
00:27:57Just you go out in the street
00:27:58and see how many friends you got.
00:27:59They're my friends because they're afraid.
00:28:02Okay, so you're not hunted.
00:28:04They will never get Gino Rossini, the big shot.
00:28:06The little man with the big...
00:28:07Sure.
00:28:11You won't do that.
00:28:12I still got time.
00:28:14And still you won't do it.
00:28:15You know why?
00:28:17We're the same, Gino.
00:28:18We come from the same jungle stock.
00:28:21The only difference between you and me now is that gun.
00:28:24And that's the only difference there is.
00:28:28If they get me,
00:28:29first you are dead, my friend.
00:28:47The only difference between you and me is that gun will hear the last one.
00:28:48They're not done.
00:28:48Let's go.
00:28:48Let's go.
00:28:49Let's go.
00:28:51Let's go.
00:28:53Let's go.
00:28:56Let's go.
00:28:57Let's go.
00:29:41And yet I know beyond the shadow of a doubt
00:29:49For me there's no escape
00:29:55There's no way off
00:30:08What do you want Miss Vitalia for?
00:30:10I've got to speak to her.
00:30:11You're a bit young to be out of bed this time of the night, aren't you?
00:30:13Well, listen, mister.
00:30:14It's awfully important.
00:30:15Who gave you the message?
00:30:18I can't tell you.
00:30:19Come on, it's about time you went home to bed.
00:30:20Let go of me.
00:30:23Hey, you're in a hurry.
00:30:24What is it?
00:30:25Are you Rosetta?
00:30:26Yes.
00:30:28I've got a message for you.
00:30:30From Hank.
00:30:31Who?
00:30:31Hank.
00:30:34All right, Rosetta?
00:30:35Yes, all right.
00:30:37Where is the theatre?
00:30:38I'll take you there.
00:30:40All right.
00:30:40You wait here.
00:30:41Don't talk to anyone.
00:30:42Just wait.
00:30:58Hello?
00:30:59Hello?
00:31:00Yes?
00:31:01Julio, is it all right for me to collect Gino's parcel?
00:31:03Sure.
00:31:04Sure, as early as you like.
00:31:07Goodbye.
00:31:09Well, I think we can start packing now, okay?
00:31:12Yes, but you've forgotten one little detail.
00:31:15A divvy.
00:31:16There is a bird of prey called a vulture.
00:31:18Yes, I've heard of it.
00:31:19It feeds on dead flesh.
00:31:21You should remember one thing.
00:31:23Gino's still alive.
00:31:24That's why I want my share now.
00:31:27In case anything should happen to you
00:31:29while he's still alive.
00:31:31We're all in the same boat now, Kahn.
00:31:33Not quite.
00:31:34Gino trusts me.
00:31:50Rosetta!
00:31:54Maybe she's got some news for me.
00:31:59He's a good boy, Joey.
00:32:01Come on.
00:32:04I had to wait till Mom and Dad was in bed.
00:32:06That's okay, son.
00:32:07How are you?
00:32:08I'm all right.
00:32:08Will you bring the parcel?
00:32:09Not yet.
00:32:11You better get back home, son.
00:32:13Oh, that's okay.
00:32:15And I'm not a bit tired.
00:32:16Did you bring the raisin?
00:32:17Oh, yes.
00:32:18And a bottle of milk.
00:32:19Well done.
00:32:20And some food.
00:32:21Atta boy!
00:32:22How are you going to open it?
00:32:23Easy.
00:32:24We'll do it with our teeth.
00:32:25He's tough, aren't you, Gino?
00:32:27Who's Gino?
00:32:29Ah.
00:32:29I mean, Hank.
00:32:31Boy, I can use some of this.
00:32:33Here are, Hank.
00:32:34Supply's up under fire.
00:32:36I'll tell you what, Joey.
00:32:38You're just about due for promotion.
00:32:39What, already?
00:32:40Sure.
00:32:41We promote fast in our army, huh, Hank?
00:32:44Look.
00:32:45If he gets this over before he goes to school in the morning, we can make the midday edition.
00:32:49What do you say?
00:32:50What is this?
00:32:51It's the story of two great men.
00:32:53My friend here and myself.
00:32:56How we met, how we escaped.
00:32:58And it tells us some soul-stirring incidents in our lives.
00:33:01Particularly in my friend's life.
00:33:03Touched up with a little imagination here.
00:33:06Read it, Rosetta.
00:33:08Maybe he tries to trap me.
00:33:10Trap you?
00:33:10Why should I try and trap you?
00:33:12Without you, my story's dead.
00:33:13So are you, my friend.
00:33:18Joey.
00:33:20Arise.
00:33:22I hereby promote you to the rank of Agent M.I. 3 1⁄2.
00:33:26Now I'm going to tell you something very confidential.
00:33:28Those papers are of a highly secret nature.
00:33:31Doc.
00:33:31And it is your proud duty to deliver them to headquarters.
00:33:34Here.
00:33:35Expenses.
00:33:37Now you're to ask for the editor.
00:33:38I've written the address for you on the front.
00:33:41It seems all right.
00:33:42What do you mean it seems all right?
00:33:44It's the finest piece of propaganda he could have.
00:33:46Three million people are going to read that.
00:33:47And you know what they're going to feel?
00:33:48Sympathy.
00:33:49Sympathy.
00:33:50Sure.
00:33:50We play on their emotions.
00:33:51That bit about your childhood.
00:33:53A lost, lonely boy that wouldn't tread on a snake.
00:33:56When they read that, they'll be sending you food parcels.
00:33:58And what's more important,
00:34:00they'll see the real you.
00:34:01A great man.
00:34:04Hey, that's good for me.
00:34:08All right.
00:34:09I'm going to make you famous.
00:34:11MI 3 1⁄2.
00:34:12Guide this with your life.
00:34:14I'll take it first thing in the morning.
00:34:15Before school.
00:34:16Sure.
00:34:17All right.
00:34:17Now take it straight to the editor.
00:34:19Answer no questions.
00:34:20And beat it the moment he's got it in his hands.
00:34:22Okay, Hank?
00:34:24And you don't let nobody see this.
00:34:26Oh, no, sir.
00:34:27Because if you do, then you are MI 3 1⁄2.
00:34:29No more.
00:34:31And you make sure nobody follow you.
00:34:33Nobody.
00:34:36It's all right.
00:34:41You know something?
00:34:43The little Joey reminds me of the little Gino.
00:34:45You like Joey, huh?
00:34:46He's a good boy.
00:34:48He might trust.
00:34:52Well, Rosetta?
00:34:54Junior says he will have the stones tomorrow.
00:34:55I am going to expect to go later.
00:34:57Good.
00:34:59You know something?
00:35:00Hmm?
00:35:00Julio.
00:35:01I don't trust him.
00:35:03He's your brother.
00:35:04Si.
00:35:05Gino, you can only trust the people who are afraid of you.
00:35:08Maybe Julio isn't afraid of you.
00:35:10And you?
00:35:11Me.
00:35:11I'm scared to death.
00:35:13Fear is a wonderful thing, Gino.
00:35:15If you handle it right, you can build an empire.
00:35:17But you've got to stick right with it.
00:35:18What do you mean?
00:35:19Soon as you go on the run, the jackals start taking your part.
00:35:21No.
00:35:22Maybe they haven't shone their teeth yet.
00:35:24But they will, Gino.
00:35:25They will.
00:35:27Rosetta knows I'm right.
00:35:29Don't you, Rosetta?
00:35:31But go ahead and kid yourself if it makes you feel good.
00:35:36Right now, Gino, your empire consists of two people.
00:35:40Me, because I'm scared of you.
00:35:42And Rosetta, because she loves you.
00:35:44You can always trust a woman who loves you.
00:35:47Until she stops loving you.
00:35:51Gino.
00:35:54Don't worry.
00:35:55I will come back with the stones tomorrow.
00:35:57You see?
00:35:58You tell Julio to be quick.
00:35:59I will.
00:36:04Get some, sir.
00:36:14Okay.
00:36:15Now for the next installment.
00:36:17Well, we got to the part where you were muscling in on that hijack gang in Rome.
00:36:22Let's see.
00:36:23How old were you then?
00:36:25Fourteen.
00:36:31Come on, Joey.
00:36:32Hold it up.
00:36:33Seen my razor, ma'am.
00:36:34That's where you left it.
00:36:35Can't find it.
00:36:35Who do you think's taking it, the fairies?
00:36:38Go on, have a good look round.
00:36:39I'll spit this under your nose.
00:36:41Do you want a little milk, Joey?
00:36:42Yes, please.
00:36:44Hello, it's all right, ma.
00:36:45Oh, well.
00:36:46I'd have to go without a shave, I suppose.
00:36:47Oh, that's funny.
00:36:48I've got a small eye of another bottle of milk.
00:36:49It's all right, ma, really.
00:36:51Well, it'd have to be.
00:36:51Can't understand where the bloomin' thing ever got to.
00:36:54The way things disappear in this house will make you sick.
00:36:57Is it about time you were off to school, son?
00:36:59I'm just going, Gaff.
00:37:00I'll drop you off in the truck.
00:37:03No, it's all right.
00:37:04Come on, get your things.
00:37:05I'll wait for you.
00:37:06Well, I'd rather use my bike.
00:37:08A bike?
00:37:09It's a way of being repaired, isn't it?
00:37:10Well, I'll just assume more.
00:37:13Oh, go on.
00:37:14You go with your dad.
00:37:15Make sure you get there.
00:37:16I've had enough complaints from your teacher about you being late.
00:37:19Come on, get your skates on.
00:37:20I'll wait for you downstairs.
00:37:22Come on, hurry up.
00:37:23Your dad won't wait.
00:37:28Bye, ma.
00:37:28Bye, duck.
00:37:29I'll make haste now.
00:37:33All set?
00:37:34Yes.
00:37:46Maybe we ought to stall her off for a while.
00:37:48How?
00:37:49Tell her we're still waiting.
00:37:51No.
00:37:53If she can't find us, she's got nothing to tell Gina.
00:37:56This way is better.
00:37:57It'll take him longer to jump to the wrong conclusion.
00:37:59You mean the right conclusion.
00:38:02You mean the right conclusion.
00:38:27You mean the right conclusion.
00:38:53What made you come to England?
00:38:55What made you come to England?
00:38:56England is a good country.
00:38:57Very moral.
00:38:58Very moral.
00:38:58Good for my business.
00:38:59If she don't want to see something, she'll close her eyes.
00:39:02So I open up.
00:39:03No worries, no troubles.
00:39:05For a while, Gino.
00:39:07For a while.
00:39:08Pretty soon everybody forget this business.
00:39:10I got friends.
00:39:11They fix it.
00:39:15All the time you want to know so much.
00:39:17I want to know something.
00:39:19Why you come to find me?
00:39:21I told you, you're a lose-eye.
00:39:23You get a story, you take a chance to get a bullet.
00:39:26And forever, Gino.
00:39:28Use this?
00:39:30No.
00:39:31I don't never shave myself.
00:39:33That's okay, Gino.
00:39:33I'll shave you.
00:39:36You joke?
00:39:41I see what you mean.
00:39:52I tell you, I've no more idea where he is than the man in the moon.
00:39:55I haven't seen him since Wednesday, and I'm beginning to hate the sound of the name bucket.
00:40:00What is it, boy?
00:40:01Are you the editor?
00:40:02I am.
00:40:03Honest?
00:40:04McNaughton here.
00:40:05What do you want?
00:40:06I've got this for you.
00:40:08Oh, no, sir.
00:40:09No, sir.
00:40:10No news of Buckingham yet, sir.
00:40:12I'm doing everything I can, sir.
00:40:13The police share our views.
00:40:16They think that Gino might well be responsible for his disappearance.
00:40:20Oh, no, sir.
00:40:27Oh, a very good man, sir.
00:40:29Very good.
00:40:29I'd be sorry to lose him.
00:40:31I'll report immediately I hear anything, sir.
00:40:33Very good, sir.
00:40:43Lucini's by Tom Buckingham.
00:40:45Hey, stop that boy.
00:40:47Hey, stop that boy.
00:40:48Where'd he go?
00:40:49A young boy?
00:40:50Of course, a young boy, you fool.
00:40:51Yes, he went that way.
00:40:52This way?
00:40:53I the heck didn't just say so.
00:40:54Look, you panned that lyric show last night, didn't you?
00:40:57Yeah.
00:40:57What was it like?
00:40:58Pretty good.
00:41:07Look out where you're going.
00:41:22What was it like?
00:41:25What happened?
00:41:26Did you go to the flag?
00:41:39You sure?
00:41:43There is something you have to tell me.
00:41:45What is it?
00:41:48Tell me!
00:41:48Make it easy, Gino.
00:41:55Giulio and Pietro were not there.
00:41:56I called twice. The portals said they had moved out.
00:42:07No.
00:42:09You lie, Rosetta!
00:42:17Gino.
00:42:23Rosetta.
00:42:24You find a man, you come tell me.
00:42:26I will try. I will seek on him.
00:42:28You seek on him. You tell him to find him.
00:42:31Want a drink?
00:42:32No.
00:42:34He?
00:42:34Give me a cigarette.
00:42:37You.
00:42:39Write a letter to Giulio.
00:42:40Me?
00:42:41Yes, you.
00:42:43Okay.
00:42:44Shoot.
00:42:45Dear Giulio, this is from your brother, Gino.
00:42:48Wait a minute. Not so bad.
00:42:52Gino, are we there?
00:42:56You give Rosetta the stones pretty damn quick.
00:43:01Stones, forthwith, or else.
00:43:05Or else I come to shoot you.
00:43:09Shoot you, your affectionate brother, Gino.
00:43:15Boy, what a family.
00:43:16It's worse than mine.
00:43:18Rosetta.
00:43:21You give this to Giulio.
00:43:27You must sleep, Gino.
00:43:30I'll watch him when he sleeps.
00:43:34Don't you trust me, Gino?
00:43:41All right.
00:43:43All right.
00:43:46Come on.
00:43:50Did you bring the paper?
00:43:51Yes.
00:43:52It is very good.
00:43:54It says you are a great man.
00:43:56Huh?
00:43:57This is what he writes.
00:43:59I did not know you were such a nice man, Gino.
00:44:04it says that
00:44:13what do you do now?
00:44:14I do not know
00:44:19I'm glad you got him to get some sleep
00:44:20I was getting a little anxious
00:44:21so was I
00:44:23for my sake
00:44:24for Gino's sake
00:44:25what about Julito?
00:44:26has he run out of him?
00:44:27I think so
00:44:28and Con?
00:44:29Con works for the hand that pays him
00:44:31right now it is in Gino's
00:44:33or the jungle
00:44:35are you trying to help him
00:44:36or are you like the others?
00:44:38I'm a newspaper man
00:44:40so?
00:44:41and I'll help him
00:44:42look
00:44:43give a message to Con
00:44:44tell him to have Julito
00:44:46give you the diamonds
00:44:46or
00:44:48well he'll know what I mean
00:44:51you love him?
00:44:53he's very kind
00:44:56when he found me
00:44:56I was very poor
00:44:57he helped my parents
00:44:59and broke me from Naples
00:45:00local girl makes good
00:45:02what does he get out of all this?
00:45:04from me
00:45:05loyalty
00:45:06that's a nice word
00:45:07very rare
00:45:10look you don't have to worry
00:45:11about that thing
00:45:11I'm not going anywhere
00:45:13I wouldn't miss the last act
00:45:14for Worlds
00:45:14and we are beautiful
00:45:46I knew someone like you once, a long time ago.
00:45:51She was loyal, too.
00:45:55She had your eyes, the same color, and kind.
00:46:02And you've tried to forget her.
00:46:05The way she wanted it.
00:46:08I only wish she could know it wasn't possible.
00:46:15Why didn't you kill her?
00:46:17That's not possible, either.
00:46:20I was late for an appointment. I was always late.
00:46:23She was always there.
00:46:26I saw a crowd in the street corner.
00:46:28A couple of cops and an ambulance turning in from the main street.
00:46:31I thought it might be a story, so I stuck around.
00:46:36She knew how I felt about a story.
00:46:39Anyway, I pushed my way through the crowd.
00:46:43And I saw her.
00:46:49She died a little later.
00:46:53She was my wife.
00:46:58I'm sorry.
00:47:02Funny thing.
00:47:05Her eyes stayed the same color.
00:47:09and she was the only one to believe.
00:47:19I'm not saying she was a child.
00:47:25She was the only thing.
00:47:27She was my wife.
00:47:28She didn't want to bring her back to us.
00:47:29It's all right.
00:47:30See you, the Honour.
00:47:44It's all right.
00:47:44It's all right.
00:47:45Shh, shh.
00:47:46Yeah, it's all right.
00:47:48Hmm?
00:47:49Yeah, it's all right.
00:48:23Come in, McNaughton, sit down.
00:48:25I've just been reading this lady's story from Buckingham.
00:48:28Good man, McNaughton.
00:48:30Yes, sir.
00:48:31This is what I call reporting.
00:48:32I always said he's the best man on the street.
00:48:35Yes.
00:48:36Now, I've been thinking.
00:48:38Buckingham's got himself in a tight spot.
00:48:40An interest of the paper, sir.
00:48:41Oh, quite.
00:48:42So we are going to help him.
00:48:45McNaughton, the Comet's offering a reward of 500 pounds
00:48:49for any information that may lead to his whereabouts.
00:48:51You don't seriously mean that.
00:48:53What are you talking about? Of course I mean it.
00:48:55It'll increase circulation.
00:48:56What about Buckingham?
00:48:58What do you think this will do to him?
00:49:00When Rossini hears about this, Tom's life won't be worth a red cent.
00:49:03Oh, nonsense.
00:49:04I can't do it.
00:49:04What do you mean you can't do it?
00:49:06I'm ordering you to do it.
00:49:08Buckingham's job is to find news.
00:49:09It's our job to protect him.
00:49:10He's quite capable of looking after himself.
00:49:13Don't argue.
00:49:13Put that in hand right away.
00:49:15Very well, sir.
00:49:15I'll do it.
00:49:17But if anything happens to Buckingham...
00:49:22Playing truant, eh?
00:49:24Nice goings on.
00:49:25I think he's a blinking limit.
00:49:26You ought to give him a darn good talking to.
00:49:27Oh, well.
00:49:28Boys will be boys, I suppose.
00:49:29Oh, very well for you to talk, but it's me that's got the worry of it.
00:49:31All that secret service stuff, things disappearing out of my larder.
00:49:35He's up to something, that boy.
00:49:36I should like to know what it is.
00:49:38Hello, Mum.
00:49:40Hello, Dad.
00:49:41Oh, son.
00:49:42How is everything at school today?
00:49:44Oh, all right.
00:49:45Thanks, Dad.
00:49:46Well, go on.
00:49:46Aren't you going to talk to him?
00:49:47All right.
00:49:49What's this I've been hearing from your mum?
00:49:51What's that, Dad?
00:49:52Reports from school.
00:49:53You've been playing hooky by the sound of things.
00:49:54Oh, that's nothing.
00:49:56Reports from school?
00:49:57I don't call that nothing.
00:49:59You see, Dad, I...
00:50:01Reports from school?
00:50:03You heard what your father said.
00:50:04You ain't got cloth ears.
00:50:05Dad?
00:50:06Yes, son?
00:50:06Can I talk to your private, like?
00:50:08Private?
00:50:09Without Mum listening.
00:50:10Well, I do.
00:50:11Well, I'm bloated if that isn't the blooming limit.
00:50:13You see, Dad, it's...
00:50:15It's sort of confidential.
00:50:17You don't mind your mum.
00:50:18All the same for do, isn't it?
00:50:19Oh, go on.
00:50:20Get out of my psych.
00:50:21Talk somewhere else.
00:50:22I don't know what they teach the kids at school nowadays,
00:50:24but if that's all it does,
00:50:25they might as well not send them at all.
00:50:29You promised not to tell Mum?
00:50:30Of course not.
00:50:31Well, I met a couple of fellas.
00:50:33Yeah?
00:50:34Now, you won't let on, will you?
00:50:35No.
00:50:36Where'd you meet them?
00:50:37In an old theatre.
00:50:39They're Secret Service chaps, Dad.
00:50:41Are they?
00:50:42And they made me a member.
00:50:45I'm in my three and a half.
00:50:46Go on.
00:50:48Just a sec.
00:50:55That's all I can tell you, Dad.
00:50:56Now, come off it.
00:50:59Honest?
00:50:59Nah.
00:51:00What are their names?
00:51:02One's name is Hank.
00:51:03Yeah.
00:51:05And the other's Tom.
00:51:07Tom what?
00:51:08I don't know.
00:51:10I've got to go now, Dad.
00:51:11I'll see you later.
00:51:12Now, wait a minute.
00:51:13I've told you everything.
00:51:14I can't do more than that.
00:51:15Now, I'm going to tell you something.
00:51:16You stop playing hooky.
00:51:17Do you understand?
00:51:18But with your mum in one of her moods,
00:51:19I've got enough to worry about.
00:51:20See?
00:51:20I won't, Dad.
00:51:23I've got to go out for a minute.
00:51:25A Secret Service meeting.
00:51:27Well, if I were you, I'd go out quietly.
00:51:33All clear.
00:51:43Where's he gone now?
00:51:44Hmm?
00:51:45No, I've gone to see a pallibus, I think.
00:51:46He won't be a minute.
00:51:47Oh, what was all that about, anyway?
00:51:48Search me.
00:51:49You know, you make me positively sick.
00:51:52He twists you around his little finger, that boy does.
00:52:14Sit down here.
00:52:15I don't like you to sit behind me.
00:52:24You might be in a half-reporting, sir.
00:52:27Is Patrick delivered?
00:52:28Yes, sir.
00:52:29You're doing fine, son.
00:52:30Anything else?
00:52:31Much.
00:52:32You know something?
00:52:33What?
00:52:34They're looking for a real gangster.
00:52:35Who?
00:52:36The name of Gino.
00:52:37It's in the papers.
00:52:39Did you see it?
00:52:41No, I didn't see it.
00:52:43No, I didn't see it.
00:52:44No, my dad was talking about it.
00:52:46Did I get you a paper?
00:52:47No.
00:52:49I said I'd get him in a day or two.
00:52:51You don't come back here no more.
00:52:52I thought I was in the Secret Service.
00:52:54You don't come back.
00:52:55I don't want him here.
00:52:56I tell you, I don't want you here.
00:52:58I'm haunted.
00:52:59Go!
00:53:01Hank just thinks you've got to play with boys your own age, son.
00:53:05We're all growing up and Hank's a little tired.
00:53:12What are the Secret Service?
00:53:14You're a bit too young, son.
00:53:16You've been in great health.
00:53:17Thanks a lot.
00:53:19So long, John.
00:53:34Hello.
00:53:35Con, I've got a message from Tom Buchan.
00:53:37Buchan?
00:53:37Where is Julio?
00:53:39Search me.
00:53:39I'm not his keeper.
00:53:40Find him, Con.
00:53:42What is this message from Buchan?
00:53:44He says that if you don't tell me where Julio is,
00:53:46you will understand what he will do.
00:53:48Do you understand?
00:53:52Where's Gino hiding?
00:53:54I'm asking you questions.
00:53:55I'm his friend.
00:53:56I can help him.
00:53:57You mean you were his friend.
00:53:59If the boys have run out on him,
00:54:01I'll try and find them for you.
00:54:04Is Buchan with Gino?
00:54:05You find Julio coming.
00:54:07I'll give you until tomorrow morning.
00:54:12Hello, Dad.
00:54:13About time, too.
00:54:14Get the paper, son.
00:54:27Well, come on.
00:54:27Get on with it.
00:54:38I see the Comet's offering a reward for this Gino, fella.
00:54:40Oh, how much?
00:54:41500 quid.
00:54:42Oh, pity.
00:54:43You can't lay your hands on it.
00:54:48Well, come on.
00:54:49Get on with it while it's hot.
00:54:57Where is he, son?
00:55:00I don't know what you mean, Dad.
00:55:02Where is he?
00:55:03Dad, I didn't know who he was.
00:55:06He's honest.
00:55:07That's all right, son.
00:55:09Just tell me where he is.
00:55:11Don't get home to her, will you?
00:55:12No.
00:55:15Come on, tell me, Dad.
00:55:16You know the Grand Theatre?
00:55:17In Seymour Street?
00:55:18Yes.
00:55:20Here, what are you two whispering about?
00:55:23We weren't whispering, Ma.
00:55:24Oh, yes, you were.
00:55:25I could hear you.
00:55:26Come on out with it.
00:55:27Something you don't want me to hear, I suppose.
00:55:30Well, what is all this?
00:55:31Blooming conspiracy, I should think.
00:55:32I've got to go out for a minute.
00:55:33Something I forgot.
00:55:34Well, what about your breakfast?
00:55:35Oh, stick it in the oven.
00:55:36I'll be back in a minute.
00:55:37Oh.
00:55:38What with you and your father, I don't know.
00:55:40Really, I don't.
00:55:41Oh, I do wish you'd stop messing with your food.
00:55:43You don't get a fresh egg every day of the week.
00:55:45Oh, Joey.
00:55:48Here, Joey.
00:56:09He's at the Grand Theatre in Seymour Street.
00:56:11And don't forget the 500 quid.
00:56:13The information is correct.
00:56:14The check will reach you by the morning post.
00:56:18Scotland Yard, right away.
00:56:39Well, that brings us just about up to date.
00:56:43Hank, Hank!
00:56:44The cops!
00:56:45Come on!
00:56:46Come on!
00:56:48This way!
00:56:53Hurry up!
00:56:54Try.
00:57:10Give me the Cali.
00:57:10This way!
00:57:12Come on!
00:57:16We're going to go.
00:57:17You're going to pick you up.
00:57:23This way!
00:57:23This way!
00:57:32Come on, George, go!
00:58:09Miss Matania?
00:58:09Yes?
00:58:10We're police officers.
00:58:11Do you mind?
00:58:13I understand you were a friend of Gino Rossini.
00:58:15Yes.
00:58:15When did you last see him, Miss Matania?
00:58:17About two weeks ago.
00:58:18Wasn't there more reason?
00:58:20If you don't mind, I'd like you to come down to the yard with me.
00:58:23Well, I have-
00:58:23Just a few questions.
00:58:24We won't keep you long.
00:58:34Rossini!
00:58:35Dramatic escape.
00:58:36Read all the party.
00:58:37Extra.
00:58:38Read all the party.
00:58:39Rossini's escape.
00:58:40Rossini escape.
00:58:41Dramatic news.
00:58:42Read all the party.
00:58:55They decided to operate.
00:58:57When did you first realize the boy was seeing these men?
00:59:00We'd been getting notes from his school saying they'd been staying away lately.
00:59:04He'd been acting a bit mysterious, but we didn't take much notice of him.
00:59:07He was like any other boy, I suppose.
00:59:09Meets adventure and doesn't realize when he might be in trouble.
00:59:12But if this Rossini's responsible-
00:59:13Yes, I know.
00:59:14I'm leaving one of my men here in case he recovers consciousness.
00:59:59no school does not care about.
01:00:13Well, he looked like they were going to talk about.
01:00:36One who could have tipped off the cops.
01:00:38Couldn't have been Giulio or Pietro.
01:00:39They didn't know where you were.
01:00:40Where can I find Giulio?
01:00:42How should I know?
01:00:43I've got to find Giulio.
01:00:44Okay, go out and find Giulio,
01:00:45but I wish you'd stop pacing up and down like a cage.
01:00:47Shut up, you!
01:00:50You're losing your nerve, Gino.
01:00:51Shut up!
01:00:58Maybe it was you, huh?
01:01:00Now, when do you think I got around to it?
01:01:02Maybe you put something in your story so they know where to find me.
01:01:04You're nuts.
01:01:07I thought you were a big man, Gino.
01:01:09That kind of talk makes you sound small.
01:01:12Maybe you're not as big as I cracked you up to be.
01:01:15You started out fine, but you don't look so good now.
01:01:18But don't worry, Gino.
01:01:20However small you get, you're still news.
01:01:22By the time I'm through with you, I'll be news too.
01:01:26You're not afraid of me no more.
01:01:28Yeah?
01:01:29Yeah, I'm afraid of you.
01:01:31I'm scared now, because you're scared.
01:01:33No.
01:01:34Go on kidding yourself if you want to, Gino.
01:01:37But if you crack up, I'm a dead duck.
01:01:39There's a telephone box.
01:01:41You go for Rosetta.
01:01:42Ask her about Giulio.
01:01:44Maybe she has heard something.
01:01:46Yeah.
01:01:48Maybe she's heard something about the kid, too.
01:01:53Remember Joey, Gino?
01:01:55Remember?
01:01:56Remember?
01:02:20Hello?
01:02:23Hello, Rosetta.
01:02:24It's Tom here.
01:02:25Where are you?
01:02:28And Gino?
01:02:29He's with me, in the spirit.
01:02:31The other got kind of drafty, so we moved.
01:02:33Tom, you must get away from Gino.
01:02:35Why?
01:02:36If they take him, he may kill you.
01:02:38Okay, we'll worry about that later.
01:02:39Now listen, honey, you haven't found Giulio yet.
01:02:41No.
01:02:42Right, now here's where we are.
01:02:45Listen, if you get anything out of Conn, get over here right away.
01:02:47Tom.
01:02:49Yes, sir.
01:02:50Good luck.
01:03:02Mac, Bucken here.
01:03:04Bucken!
01:03:05For heaven's sake, man, am I glad to hear your ugly voice.
01:03:07Where are you?
01:03:08Never mind where I am.
01:03:09I want to know how that boy is.
01:03:10See, he may be all right.
01:03:11How'd it happen?
01:03:12Did Gino throw him?
01:03:13No, you fool.
01:03:14It was an accident.
01:03:15And here's something else.
01:03:16I got a story coming up that'll pin your ears back.
01:03:18Do I give it to tall boy?
01:03:20No, sir.
01:03:20As far as I'm concerned, he can go and jump in a lake of printer's ink.
01:03:24Here, Tom.
01:03:24Tom, come back here.
01:03:27Tom.
01:03:27Tom.
01:03:30Tom.
01:03:47Man answering Bucken's description reported near telephone kiosk in Gilmore Street.
01:03:52Car G27 to proceed to this area.
01:03:55Did you say where to find us?
01:03:56I told you 50 times she's still trying to find Julio.
01:03:59Then she'll come and tell you where he is.
01:04:00That was a long time.
01:04:02She's the only one who knows we are here.
01:04:03She'll come through, Gino.
01:04:06So?
01:04:10Something you say about a woman, remember?
01:04:13I talk a lot.
01:04:15You say you can trust a woman so long she stays in love with you?
01:04:17Now, what are you trying to make out of that?
01:04:18Maybe Rosetta is tired of love.
01:04:20Maybe she thinks Gino is finished.
01:04:21You're not crazy enough to think she tipped off the cops, are you?
01:04:23She's the only one.
01:04:24Look, I told you, she'll come when it gets safe.
01:04:26Now it's safe.
01:04:26All right, so it's safe.
01:04:28A lot of things are going to happen.
01:04:30Maybe she's being watched.
01:04:35You're getting all jazzed up inside, Gino.
01:04:52I'm going.
01:04:53Don't you think you better wait until it quietens down?
01:04:55No.
01:04:59What about Rosetta?
01:05:00She won't come.
01:05:03I'm going to visit someone.
01:05:05Don't forget me, Gino.
01:05:06I'm your passport.
01:05:09Come on.
01:05:10Here we go again.
01:05:22Just to walk.
01:05:35Walk, slug.
01:05:37Walk, slug.
01:05:38Walk, slug.
01:05:45Walk, slug.
01:05:48Walk, slug.
01:05:57Walk, slug.
01:05:59Walk, slug.
01:06:00Walk, slug.
01:06:02Walk, slug.
01:06:03Walk, slug.
01:06:04Walk, slug.
01:06:06Walk, slug.
01:06:07Walk, slug.
01:06:07Walk, slug.
01:06:08Gino. Gino, you're crazy to come here.
01:06:11So?
01:06:12They've been watching the... some of them run now, I think.
01:06:15Where is Giulio?
01:06:17I don't know. I... in the country, I think.
01:06:21Why you not tell Rosetta?
01:06:23I did.
01:06:25You lie.
01:06:26No, Gino.
01:06:27You fix this thing together. You and Giulio and Pietro.
01:06:31No, no. It was Rosetta. I tried to find you to tell you. It was she and Giulio.
01:06:56Rosetta. You and Rosetta.
01:06:58You don't believe what Khan told you, do you? He was only trying to save his own skin.
01:07:02Rosetta is the only one who knows about the theater.
01:07:07Maybe the kid let it sleep.
01:07:08No. There is also the house.
01:07:10You talk to Rosetta on the phone.
01:07:12Give her the address. The police come.
01:07:14Gino, Rosetta wouldn't...
01:07:15No!
01:07:16You want Rosetta fixed it.
01:07:18You talk together when I sleep, you talk.
01:07:22Now, first you.
01:07:25Walk.
01:07:28Let's go.
01:07:32Come on.
01:07:42Come on.
01:08:06you know the painted smile club in 4th street no okay i'll show you
01:08:11why should i care when all that you do is tormenting telephone call for you sir why should i care
01:08:24you've done all you could to prevent me
01:08:32hello yes stevens is the girl in the club yes i'm keeping an eye on her just a minute sir
01:08:38hiya stevens that's the yard you're on to better tell him to get some men over here
01:08:41i got an idea rossini's on his way tom button's just shown up sir he thinks rossini's coming
01:08:45over here i'm sending some men over but watch that girl she may be in danger car
01:08:55somehow my thoughts return to your memory
01:09:00i'll be unbidden rossini may show up no penny just pass the one you buy it
01:09:06my love is in vain i've had my share of this torment
01:09:38i tried to tell my heart
01:09:42i tried to tell my heart
01:09:43that you what makes them think that gino is paying a call
01:09:46and yet i knew right from the start this had to be
01:09:57although i know
01:10:00my love had to stay ever hidden somehow my thoughts return to your memory
01:10:19i've had my share of this torment
01:10:37i've had my heart
01:10:40i've had my heart
01:10:54so why should i care
01:10:55And now I know my love is in vain, I've had my share of this torment, so why should I
01:11:10care?
01:11:52I know my love is in vain, I've had my share of this torment, so why should I care?
01:12:11I know my love is in vain.
01:12:52Oh, so you want to be in the news?
01:12:57We're both going to be in the news, Gino.
01:13:39I know my love is in vain.
01:13:55Come on!
01:14:05I want a word with you. Mind if I call my paper first?
01:14:08When you finish telling your editor what a hero you've been, we've got quite a lot to talk about.
01:14:13Okay, thanks.
01:14:18Now stand by, sir.
01:14:30Hello.
01:14:31Evening, Colin.
01:14:32Hello, get in with Norton. Hurry.
01:14:37Hello, Mac.
01:14:38Here it is.
01:14:39Rossini shot after attempted murder of former sweetheart.
01:14:44The last act in the drama of Gino Rossini's escape took place tonight in an alley close to the place.
01:14:57For the film for next week stars Jack Warner, Anthony Steele and Joy Shelton.
01:15:02That's Emergency Call in the early hours of next Tuesday morning at 20 to 3.
01:15:08The Die Charms of the Winter
01:15:11The End
01:15:13You