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  • 3 years ago
Immersing yourself in an opera with virtual reality glasses is possible with the VR productions of the Augsburg State Theater. They also incorporate augmented reality, so that anywhere can become a theater stage.

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00:00 This QR code is concealing a world of surreal adventure.
00:05 Leonora Carrington's production "Ein Flan on Nachthemd" takes place in augmented reality.
00:10 Augsburg's State Theatre is taking the stage to the city's streets with this radical new production.
00:16 The QR codes are everywhere, on the streets, on postcards and online.
00:26 There aren't the same barriers like buying a ticket or choosing an outfit.
00:30 You can just experience the theatre in the city.
00:33 Benjamin Seufert makes it happen.
00:35 His 3D models make the stage for the actors, who are recorded in front of a green screen, in 2D.
00:41 That introduces an interesting challenge for them.
00:52 While you can move freely on a stage, in the studio we had the challenge of moving on a 2D plane.
00:57 We were shooting with a green screen and had only ever seen the set as a 3D model.
01:02 In another project, Augsburg's State Theatre is performing the opera "Erwartung", but this time as an interactive game.
01:13 "Erwartung" will become a VR game.
01:21 Arnold Schoenberg's opera, but in a 360 degree walkable environment, that the audience can experience in first person.
01:29 The perspectives change throughout and they have to solve tasks.
01:35 It will be a completely different opera experience.
01:40 It's a new experience for singer Sally Durant, too.
01:48 3D scans are used to create an avatar.
01:51 Then she will be filmed singing using face tracking technology.
01:55 AI software will then project her facial expressions onto the avatar.
01:59 The technology that we now have will change, I think, a lot in the theatre.
02:08 I would prefer it not to be too big, because for me it's still important to have my connection with the audience and it's live.
02:17 Augsburg's "Program of the Future" will continue with both conventional and digital productions.
02:22 The possibilities are endless.
02:25 VR works particularly well in scenes that are huge, scenes that would dwarf any normal stage.
02:33 For "Opheo et Oridice" we modelled the entire underworld for virtual reality.
02:39 Today the theatre is offering 12 productions in virtual reality.
02:46 Dance, drama and concerts.
02:48 The theatre ships out VR goggles to audiences in Germany and Austria.
02:53 But you can also buy a download and watch performances on your own VR device.
02:57 There is a lot of interest. We have a surprising target group, influencers between 40 and 60.
03:06 They get the VR goggles delivered and give them to their parents who are around 80 and their own children who are around 20.
03:15 That means we're reaching a whole family and an incredibly wide range of people.
03:20 Augsburg's VR productions are reinvigorating theatre and breaking barriers for audiences everywhere.
03:29 [MUSIC PLAYING]

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