- 3 years ago
#AjithKumar #Bala #Simbu #TRajendar #STR #TVK #Vijay #Vetrimaaran #Rajinikanth #Vijayakanth #FilmibeatTamil
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NewsTranscript
00:00 Hello sir. Recently, content has gone viral.
00:05 When I made a film with Ajith, the same Bala, Gopinath, Anbuselian, they all used to sit in a hotel in Chennai and talk.
00:13 Ten people went around Ajith.
00:15 Then Ajith did a great thing. He made it look like a Billa movie. Everyone followed him.
00:20 Such content is going viral.
00:22 Has anyone in the press said anything about it?
00:24 Simple. No one knows anything about the heroism in the room until the people in the room don't say anything.
00:36 If he was in a Billa movie, would he shoot everyone?
00:39 Can he take a gun?
00:41 Is the content like that?
00:43 He'll blame.
00:45 I don't know if Ajith has a gun.
00:47 We'll ask him once he puts it in the RTI.
00:49 We'll ask him because you asked.
00:51 But, Anbuselian, no matter how big a top star he is, he doesn't get into any trouble if he gets a loan and pays it off correctly.
01:02 In the beginning, there was a lot of torture.
01:04 There were a lot of complaints against him.
01:06 A lot of problems.
01:08 He doesn't even project himself as a hero.
01:11 But he doesn't project himself as a wrong person.
01:14 He'll just make you sit for the money.
01:16 You give the money and take him away.
01:18 There are so many stories.
01:20 Not stories, but truths.
01:22 But, it was all happening out of the box.
01:24 What would have happened in this case?
01:26 Definitely, it would have been like the Billa movie.
01:28 This could have been a honeycomb to attract the audience.
01:31 There's no chance of that.
01:33 When you travel on heroes, you know that the heroes will always have more value than the heroines.
01:39 All the financiers know that.
01:41 They don't dominate and destroy any hero that quickly.
01:47 If he had dominated, he would have won the award in 4 or 5 movies.
01:51 If he had given 10 rupees, he would have been given 100 rupees.
01:55 What do you want? I'll give it to you.
01:57 Take the next 4 movies.
01:59 Do whatever you want.
02:01 I have an image.
02:03 Because, Ajith is a bold person.
02:05 There's no doubt about that.
02:07 Everyone knows that he's a bold person.
02:09 When Karunanidhi was the Chief Minister, he came forward and said that everyone is threatening him.
02:13 No hero said anything.
02:15 Even Vijay, who had started his career, was standing there.
02:17 He was watching.
02:19 There's a video of that.
02:21 He was watching it with surprise.
02:23 So, he's a bold person.
02:25 There could have been a lot of incidents in that movie.
02:29 I think so.
02:31 Because, I wasn't there.
02:33 I don't know what he was saying.
02:35 He's my brother.
02:37 He talks a lot.
02:39 I don't want to get into that.
02:41 If he didn't get the money, he wouldn't have taken it.
02:45 I know that Ajith wouldn't have taken loans or firearms.
02:51 Someone would have taken money from him.
02:55 He could have told them about the bail or something.
02:59 Or he could have asked them to return the money.
03:03 Because, if you ask them the opposite question, they'll get shocked.
03:07 You'll show them that you're a big hero only when they get scared.
03:11 You'll show them that you're a big Dada.
03:13 If you ask them who they are, what will happen?
03:15 They'll say, "He's a big Dada."
03:17 It could have happened like that.
03:19 I don't know what happened inside.
03:21 When you call someone for a personal reason,
03:23 you should add something additional.
03:25 There could have been such an incident.
03:27 As far as Anbu Chettinad is concerned,
03:29 he's a very clear person.
03:31 He won't take a person who's not needed.
03:33 He'll take only the person who gets paid.
03:35 I doubt if this incident actually happened.
03:41 There's a talk about this non-colonial incident.
03:45 Bala has even called Ajith Reddy and shouted at him.
03:49 It's normal for heroes to get beaten up by their own people.
03:53 It's not an intentional act.
03:55 Are you a person who got beaten up by Bharathiraja?
03:59 Are you a person who got beaten up by Balachandra?
04:01 Think about it.
04:03 I remember it very well.
04:05 The day the incident happened,
04:07 Teeraj chased Simbu and threw him out.
04:11 Simbu ran away.
04:13 Why?
04:15 Is this a new incident?
04:17 It's not a new incident.
04:19 Simbu was a kid then.
04:21 He was a child actor.
04:23 There was a song playing in a garden.
04:25 Gautami was acting in it.
04:27 I can't tell you the incident.
04:29 But all of them were acting.
04:31 Simbu was a kid.
04:33 He was a kid.
04:35 Gautami was tall.
04:37 There was a song playing in the garden.
04:39 Even if TR acted,
04:41 he wouldn't hold us with a towel.
04:43 He would talk to the heroine with a waistcoat.
04:45 He would keep a distance of at least one kilometer.
04:47 He wouldn't touch the heroine's women.
04:49 He was a great person.
04:51 He was a great person.
04:53 He was the director of that movie.
04:55 He was acting in that movie.
04:57 Everything was going on.
04:59 While the song was playing,
05:01 he did one incident.
05:03 He was the current S.T.R.
05:05 He got very angry when he saw that incident.
05:07 He was running around to hit him.
05:09 He ran away.
05:11 What was the incident?
05:13 I can't tell you.
05:15 If I tell you, he'll get into trouble.
05:17 He was a kid.
05:21 He had a job.
05:23 He got into a big trouble and ran away.
05:25 The comedy was that
05:27 he went home.
05:29 It was his own movie.
05:31 He ran away from the shooting spot.
05:33 He went home.
05:35 He went home after the shooting.
05:37 When he went home,
05:39 I don't know what Simbu told his mother.
05:41 There was a journalist
05:43 who was a journalist at his house.
05:45 He was a journalist called Usha.
05:47 There was a journalist.
05:49 He stayed there and worked as a journalist.
05:51 He and I worked together as journalists.
05:53 These are his personal information.
05:55 He was a different person.
05:57 When he came home,
05:59 he was at the shooting spot.
06:01 He was chasing Simbu.
06:03 His wife was chasing him.
06:05 How can you run away
06:07 in front of everyone?
06:09 Why am I telling you this?
06:11 It might be a joke.
06:13 But when it comes to reality,
06:15 incidents are told for self-satisfaction.
06:17 The incident that happened there
06:19 is something we can't talk about.
06:21 But it happens in all the shooting spots.
06:23 It happens.
06:25 It has happened before.
06:27 Today, they have changed
06:29 with a different respect.
06:31 In the beginning,
06:33 when actors or actresses came in,
06:35 they had a pressure.
06:37 They would go down to
06:39 stop themselves.
06:41 There are many things.
06:43 Today, they have changed.
06:45 Do you know who you are?
06:47 Even if we had seen it,
06:49 there is no use of talking about it.
06:51 There are many incidents.
06:53 You can tell many stories
06:55 about Bala.
06:57 But now,
06:59 it is being shown as content.
07:01 It is a bad content.
07:03 You are saying a good thing.
07:05 Bala changed this.
07:07 He got this dimension.
07:09 His life changed.
07:11 He sent the person who came to the cinema
07:13 back and changed his career.
07:15 This is content.
07:17 But no one is ready to talk about it.
07:19 There is no one for this.
07:21 There was an actress named Pooja.
07:23 She left the cinema.
07:25 She is not a film actress now.
07:27 She acted in some films before
07:29 she acted in 'Naan Kadavul'.
07:31 After that,
07:33 she was very depressed.
07:35 The reason can be told in many ways.
07:39 I have spoken to many people
07:41 and got to know many people.
07:43 Many incidents have been told.
07:45 Many stories have been told
07:47 about the film 'Naan Kadavul'.
07:49 We can even say that it is a true story.
07:51 I said that it will be a damage
07:53 to Bala.
07:55 Many incidents like that
07:57 will happen to all people.
07:59 Do you know where the final out comes?
08:01 Take 'Vanangaan' for example.
08:03 It started with Surya.
08:05 Surya said,
08:07 "My brother,
08:09 my son, my eldest son..."
08:11 That film started with a big bonding.
08:13 The shooting itself
08:15 started with a bonding.
08:17 One fine morning,
08:19 he came out and
08:21 made a statement.
08:23 "Surya,
08:25 I am taking a leave from this film.
08:27 My 2D company is also taking a leave.
08:29 I am not the only one.
08:31 I am leaving the production company.
08:33 I will talk about the money
08:35 I have spent later."
08:37 He left.
08:39 He said that he spent almost 10 crores.
08:41 We don't know the truth.
08:43 He said that he is not an auditor.
08:45 He didn't spend the money.
08:47 He left.
08:49 Why did he leave?
08:51 There are many reasons.
08:53 The reason he could have told
08:55 is that he didn't give the script.
08:57 There are no things in the script
08:59 that he would have thought of.
09:01 If you change the image,
09:03 the director is not ready
09:05 to change like the hero says.
09:07 This is the reason for him to speak.
09:09 Among many reasons,
09:11 this is the main reason
09:13 for him to leave.
09:15 There are many reasons
09:17 for this.
09:19 But, it is all gone now.
09:21 No one is talking about
09:23 Surya, Vanakkan or Bala.
09:25 Vanakkan is only
09:27 Bala and Arun Vijay.
09:29 Even if the film is released,
09:31 it is still Arun Vijay.
09:33 If the film is a big hit,
09:35 people will try to
09:37 reinforce the comment you made.
09:39 "Surya missed this film."
09:41 "He could have won a national award."
09:43 "He would have done this."
09:45 Whatever you want to do,
09:47 it will happen.
09:49 As they say,
09:51 "If you want to do something,
09:53 you have to do it."
09:55 If you want to do something,
09:57 it will happen.
09:59 Many films have missed.
10:01 He agreed to act as a villain
10:03 and got an advance in Vijayakanth.
10:05 In the Rajinikanth film.
10:07 He was given money
10:09 from AVM.
10:11 But, he refused and asked
10:13 to return the money.
10:15 He said, "You are a hero."
10:17 "Don't be in a hurry."
10:19 "Wait. Return the money."
10:21 He asked him to return
10:23 the money he got.
10:25 Which film is that?
10:27 I don't want that now.
10:29 He asked him to return the money.
10:33 He said, "Why not?"
10:35 "You are a hero."
10:37 "You are a hero material."
10:39 There is a curse in Tamil cinema.
10:41 Whatever you project,
10:43 it will happen.
10:45 The American groom is the same.
10:47 If they come to dance,
10:49 they are an item dance actor.
10:51 They would have come to act as a heroine.
10:53 If you take silk,
10:55 they came with that idea.
10:57 They wanted to become a great actor.
10:59 They wanted to act as a family member
11:01 by wearing a sari.
11:03 They wanted to act as a family member.
11:05 But, how did the industry use them?
11:07 They used them as a dream girl.
11:09 They were glamorous artists.
11:11 They wanted it very much.
11:13 But, they didn't fulfill any of their wishes.
11:15 They wanted to get married.
11:17 But, that didn't happen.
11:19 They told them that the wedding
11:21 would be held next week.
11:23 Puliyur Saroja told them that.
11:25 They went to Tirupati.
11:27 They showed their jewels.
11:29 They showed their jewels at the shooting spot.
11:31 They went to Tirupati for a song shoot.
11:33 When they returned,
11:35 they committed suicide.
11:37 They called D'Souza to ask
11:39 if they could come to the shooting.
11:41 They called D'Souza to ask
11:43 if they could come to the shooting.
11:45 They called D'Souza to ask
11:47 if they could come to the shooting.
11:49 If they had gone that night,
11:51 there would have been some change.
11:53 It depends on what kind of character
11:55 you get.
11:57 That's why everyone is afraid of heroes.
11:59 They are afraid of changing their character.
12:01 They are afraid of changing their character.
12:03 They are afraid of changing their character.
12:05 If Vijayakanth had gone
12:07 in a negative role,
12:09 there would have been a doubt
12:11 if he would have gone as a hero.
12:13 But, Ibrahim Raut was the one
12:15 who appreciated that.
12:17 He said, "No, Vijay. Don't go.
12:19 It's difficult. We'll do the next film."
12:21 He said, "No, Vijay. Don't go. It's difficult. We'll do the next film."
12:23 That's when they started doing films
12:25 with SAC.
12:27 They started doing films with SAC.
12:29 That's when his graph started
12:31 to rise to a different level.
12:33 Do you know
12:35 what is a rule that is not written
12:37 in Tamil cinema?
12:39 When you shoot, there will be a lot of fights.
12:41 They will beat and tie you up.
12:43 If the film goes well,
12:45 the same people will hug you
12:47 and stand in front of the media.
12:49 If the film is not good,
12:51 they won't even talk to you.
12:53 We can see this in many people.
12:55 There's a film called 'Aalavan' by K.R.R.R. Murthy.
12:57 You're laughing as soon as I say it.
12:59 The film didn't go as he expected.
13:01 The film didn't go as he expected.
13:03 But, Kamal Haasan's technical skills
13:05 were not there in that film.
13:07 But, Kamal Haasan's technical skills
13:09 were not there in that film.
13:11 He would have been a great threat
13:13 in those days.
13:15 20 years ago,
13:17 he would have been a great threat
13:19 in those days.
13:21 20 years ago,
13:23 he would have been a great threat
13:25 in those days.
13:27 We say that graphics are only today.
13:29 We say that graphics are only today.
13:31 We say that graphics are only today.
13:33 We say that graphics are only today.
13:35 We say that graphics are only today.
13:37 We say that graphics are only today.
13:39 We say that graphics are only today.
13:41 We say that graphics are only today.
13:43 We say that graphics are only today.
13:45 We say that graphics are only today.
13:47 We say that graphics are only today.
13:49 We say that graphics are only today.
13:51 We say that graphics are only today.
13:53 We say that graphics are only today.
13:55 We say that graphics are only today.
13:57 We say that graphics are only today.
13:59 We say that graphics are only today.
14:01 We say that graphics are only today.
14:03 We say that graphics are only today.
14:05 We say that graphics are only today.
14:07 We say that graphics are only today.
14:09 We say that graphics are only today.
14:11 We say that graphics are only today.
14:13 We say that graphics are only today.
14:15 We say that graphics are only today.
14:17 We say that graphics are only today.
14:19 Actually, we did a show with Vetrimaran.
14:21 Actually, we did a show with Vetrimaran.
14:23 We did a show with Vetrimaran.
14:25 We did it a few days back.
14:27 When we did it,
14:29 I and Vetrimaran sat next to each other.
14:31 When we were talking,
14:33 he said that he had told Vijay a story.
14:35 That story is a political satire subject.
14:37 That story is a political satire subject.
14:39 But I cannot do it now.
14:41 I cannot do it now.
14:43 I have a commitment.
14:45 Vijay has a commitment like me.
14:47 Vijay has a commitment like me.
14:49 He did not commit in 1968.
14:51 He has a commitment to me.
14:53 If he completes his commitment,
14:55 we can go for small changes in this subject.
14:57 we can go for small changes in this subject.
14:59 we can go for small changes in this subject.
15:01 He had told me that there is a chance.
15:03 He had told me that there is a chance.
15:05 He himself told me.
15:07 He did not want to talk to me.
15:09 He told me to tell Michael to our people.
15:11 Since it was a show conducted by our institution,
15:13 he told me to tell Michael.
15:15 He told me to tell Michael.
15:17 So, what he told was true.
15:19 It is a political satire.
15:21 Since he has a political stand,
15:23 he has started a party called Thavekka.
15:25 he has started a party called Thavekka.
15:27 He has started an IC.
15:29 He has targeted 2 crores people.
15:31 It is a target for people who have not been targeted.
15:33 Because there is no 2 crores in any party.
15:35 Do you know that?
15:37 But he wants people who are fans to join.
15:39 He wants people who are fans to join.
15:41 It is his wish.
15:43 He wants people who are fans to join.
15:45 But, all the politicians will join.
15:47 It is not possible.
15:49 It will be a new thing.
15:51 He has targeted 2 crores people.
15:53 We don't know whether it will happen or not.
15:55 He wants the last film to be a political film.
15:57 He wants the last film to be a political film.
15:59 In today's political films,
16:01 he has clearly stated that
16:03 he wants to make a film that
16:05 portrays the politics of today.
16:07 he wants to make a film that portrays the politics of today.
16:09 In all his films,
16:11 whether it is his previous films,
16:13 or the films he made with Nanush,
16:15 or the films that came out recently,
16:17 he has beautifully portrayed the
16:19 atrocities of social politics.
16:21 he has beautifully portrayed the atrocities of social politics.
16:23 So, it would be better if we travel with him.
16:25 So, it would be better if we travel with him.
16:27 There is a talk about this.
16:29 But, at the same time,
16:31 Karthik Subbaraj has also told a story.
16:33 He has also told a story.
16:35 A political satire story.
16:37 You know that.
16:39 The reason I am saying this is that,
16:41 no matter what political satire Karthik Subbaraj takes,
16:43 if you compare him with Vettrimaran,
16:45 if you compare him with Vettrimaran,
16:47 Karthik is a commercial film.
16:49 Karthik Subbaraj can be accepted as a commercial film.
16:51 But, he has to reach out to the people.
16:53 But, he has to reach out to the people.
16:55 Commercial films will not last till the end.
16:57 You can only listen to Evergreen songs.
16:59 If you are going for a long drive,
17:01 I am talking about going out of the country.
17:03 This is a different meaning of long drive.
17:05 So, we should not go in that.
17:07 If you are going out of the country,
17:09 if you are travelling in a car,
17:11 you should listen to Ilaiyaraja songs
17:13 and MSU songs.
17:15 Ilaiyaraja is the best.
17:17 Can you listen to any song of the recent releases?
17:21 I asked because I couldn't sleep.
17:23 Not because you can't sleep.
17:27 You can't listen to it repeatedly.
17:29 That is the limit of the songs.
17:31 Even if commercial films are successful,
17:33 you can't keep watching them.
17:35 But, the films that Vetrimaran directs,
17:37 he says what the people have to say.
17:39 He is a hero.
17:41 He is looking at himself.
17:43 The audience you are watching,
17:45 in the films that Vetrimaran directs,
17:47 Dhanush forgets that character and
17:49 sits in that place.
17:51 We are the ones who talk like that.
17:53 We are the ones who raise our son like that.
17:55 We are the ones who change our son.
17:57 We are the ones who talk in this dialogue.
17:59 That is how the film is being talked.
18:01 That is how Vijay should change.
18:03 He wants to reach the same level as Vetrimaran.
18:05 As far as I know,
18:07 Vijay has acted in his career.
18:09 He has acted in 68 and 69.
18:11 I don't know how long it will be until 70.
18:13 There is another additional information.
18:15 There is another film.
18:17 It will end at 70.
18:19 Yes, it will end at 70.
18:21 That is what they say.
18:23 I don't know who that is.
18:25 That will also come.
18:27 In this matter,
18:29 in these 68 films,
18:31 Vetrimaran has to accept to change himself.
18:33 Only then will the film be a success.
18:35 Only then will the film be a success.
18:37 He shouldn't come in his old clothes,
18:39 change his clothes,
18:41 change his coat,
18:43 dance in his old clothes.
18:45 He shouldn't do that in Vetrimaran's film.
18:47 He should jump in his new clothes.
18:49 He should jump.
18:51 The dimension should change.
18:53 He should be ready for all this.
18:55 Yes.
18:57 If you don't come out of your comfort zone,
18:59 you won't get along with Vetrimaran.
19:01 If he agrees to this,
19:03 it is Vetrimaran's film.
19:05 If both of them are like water and oil,
19:07 they won't get along.
19:09 But they will get along at some point.
19:11 It will be correct.
19:13 As long as the director is the director.
19:15 There is no need to mix.
19:17 He will do his job and he will do his job.
19:19 If he changes himself,
19:21 there are many ways in political satire.
19:23 There is no need to wear a waste,
19:25 dirty clothes and fall at everyone's feet.
19:27 There is no law that says
19:29 you should fall at everyone's feet like Dhanush.
19:31 But he should try to change himself
19:33 according to the story.
19:35 We don't know if that will happen.
19:37 We will see.
19:39 We will meet again next week
19:41 in another talk.
19:43 Thank you.
19:45 - Thank you. - Thank you.