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Get ready for an adrenaline-pumping experience as we unveil the official trailer for "The Marsh 2: The Swamp Strikes Back"! In this highly anticipated sequel, the eerie marshlands come alive with unexpected twists and terrifying creatures. Join our fearless protagonists as they navigate the treacherous depths of the swamp, confronting their worst nightmares and uncovering dark secrets that threaten their survival.

This trailer is packed with thrilling visuals, heart-stopping moments, and a haunting soundtrack that sets the perfect tone for the spine-chilling adventure ahead. Will they survive the wrath of the swamp, or will it claim them forever?

Don't miss your chance to witness the return of the marsh in 2024! Make sure to like, comment, and subscribe for more updates on "The Marsh 2" and be the first to catch all the latest news and exclusive content. Hit the notification bell so you won't miss a thing!

#TheMarsh2 #SwampStrikesBack #HorrorTrailer #2024Movies #Thriller #MovieTrailer #CreepySwamp #HorrorFilm #MustWatch #TrailerReaction
Transcript
00:00:00A big old owl fluttered its wings on Ulaand, it was quite late, and there were a lot of
00:00:24strange and poor creatures, it was very scared.
00:00:27The owls are very fat and orange in color, and in the fields, the fat owls sing the
00:00:34song of the owl king in their hoarse voice.
00:00:36There was a girl who was very cute, and the kids called her Sticky Feet.
00:00:44With her almond-like eyes and curly hair, she knew that the owls were not for girls.
00:01:57It was a very big owl, and it was a very big owl, and it was a very big owl, and it was
00:02:04a very big owl, and it was a very big owl, and it was a very big owl, and it was a very
00:02:11big owl, and it was a very big owl, and it was a very big owl, and it was a very big
00:02:17owl, and it was a very big owl, and it was a very big owl, and it was a very big owl,
00:02:22and it was a very big owl, and it was a very big owl, and it was a very big owl, and it
00:02:27was a very big owl, and it was a very big owl, and it was a very big owl, and it was
00:02:32a very big owl, and it was a very big owl, and it was a very big owl, and it was a very
00:02:36big owl, and it was a very big owl, and it was a very big owl, and it was a very big
00:02:40owl, and it was a very big owl, and it was a very big owl, and it was a very big owl,
00:02:43and it was a very big owl, and it was a very big owl, and it was a very big owl, and
00:02:46it was a very big owl, and it was a very big owl, and it was a very big owl, and it
00:02:49was a very big owl, and it was a very big owl, and it was a very big owl, and it was
00:02:54a very big owl, and it was a very big owl, and it was a very big owl, and it was a very
00:02:59big owl, and it was a very big owl, and it was a very big owl, and it was a very big
00:03:04owl, and it was a very big owl, and it was a very big owl, and it was a very big owl,
00:03:09and it was a very big owl, and it was a very big owl, and it was a very big owl, and
00:03:14it was a very big owl, and it was a very big owl, and it was a very big owl, and it
00:03:18was a very big owl, and it was a very big owl, and it was a very big owl, and it was
00:03:23a very big owl, and it was a very big owl, and it was a very big owl, and it was a very
00:03:28big owl, and it was a very big owl, and it was a very big owl, and it was a very big
00:03:33owl, and it was a very big owl, and it was a very big owl, and it was a very big owl,
00:03:38and it was a very big owl, and it was a very big owl, and it was a very big owl, and
00:03:44it was a very big owl, and it was a very big owl, and it was a very big owl, and it was
00:03:49a very big owl, and it was a very big owl, and it was a very big owl, and it was a very
00:03:54big owl, and it was a very big owl, and it was a very big owl, and it was a very big
00:03:59owl, and it was a very big owl, and it was a very big owl, and it was a very big owl,
00:04:04and it was a very big owl, and it was a very big owl, and it was a very big owl, and
00:04:09it was a very big owl, and it was a very big owl.
00:05:40I'm just saying, Claire, you have to focus on this.
00:05:46Now it's time for us to deal with this.
00:05:48It's very important.
00:05:52Are you taking your medicine?
00:05:55It's no use.
00:05:59It's getting worse.
00:06:03We'll have to try hypnosis.
00:06:04We'll have to change something.
00:06:06We're ready.
00:06:09We're ready.
00:06:39We're ready.
00:06:40We're ready.
00:07:09We're ready.
00:07:10We're ready.
00:07:39We're ready.
00:07:40We're ready.
00:07:41We're ready.
00:08:09We're ready.
00:08:10We're ready.
00:08:11We're ready.
00:08:12We're ready.
00:08:13We're ready.
00:08:14We're ready.
00:08:15We're ready.
00:08:16We're ready.
00:08:17We're ready.
00:08:18We're ready.
00:08:19We're ready.
00:08:20We're ready.
00:08:21We're ready.
00:08:22We're ready.
00:08:23We're ready.
00:08:24We're ready.
00:08:25We're ready.
00:08:26We're ready.
00:08:27We're ready.
00:08:28We're ready.
00:08:29We're ready.
00:08:30We're ready.
00:08:31We're ready.
00:08:32We're ready.
00:08:33We're ready.
00:08:34We're ready.
00:08:35We're ready.
00:08:36We're ready.
00:08:37We're ready.
00:08:38We're ready.
00:08:39We're ready.
00:08:40We're ready.
00:08:41We're ready.
00:08:42We're ready.
00:08:43We're ready.
00:08:44We're ready.
00:08:45We're ready.
00:08:46We're ready.
00:08:47We're ready.
00:08:48We're ready.
00:08:49We're ready.
00:08:50We're ready.
00:08:51We're ready.
00:08:52We're ready.
00:08:53We're ready.
00:08:54We're ready.
00:08:55We're ready.
00:08:56We're ready.
00:08:57We're ready.
00:08:58We're ready.
00:08:59We're ready.
00:09:00We're ready.
00:09:01We're ready.
00:09:02We're ready.
00:09:03We're ready.
00:09:04We're ready.
00:09:05We're ready.
00:09:06We're ready.
00:09:07We're ready.
00:09:08We're ready.
00:09:09We're ready.
00:09:10We're ready.
00:09:11We're ready.
00:09:12We're ready.
00:09:13We're ready.
00:09:14We're ready.
00:09:15We're ready.
00:09:16We're ready.
00:09:17We're ready.
00:09:18We're ready.
00:09:19We're ready.
00:09:20We're ready.
00:09:21We're ready.
00:09:22We're ready.
00:09:23We're ready.
00:09:24We're ready.
00:09:25We're ready.
00:09:26We're ready.
00:09:27We're ready.
00:09:28We're ready.
00:09:29We're ready.
00:09:30We're ready.
00:09:31We're ready.
00:09:32We're ready.
00:09:33We're ready.
00:09:34We're ready.
00:09:35We're ready.
00:09:36Come with me.
00:09:37I'll show you the upstairs as well.
00:09:42Are you a writer?
00:09:44Yes.
00:09:47Well, you'll find a lot of peace and tranquility and space here.
00:09:52That's my promise.
00:09:56And this is the master bedroom.
00:09:59And there's an extra bed sheet in the closet.
00:10:03And this is the studio.
00:10:06And this is the living room.
00:10:36Manvilay and Roses set up this place together.
00:10:45We call him Old Mister.
00:10:51And this is the pond.
00:10:53Yes.
00:10:54I'll tell you.
00:10:55Don't go there.
00:10:56You can get lost there easily.
00:10:58If you want anything, the first house in the village is mine.
00:11:01You can get lost there easily.
00:11:03If you want anything, the first house in the village is mine.
00:11:31Come on.
00:11:32Come on.
00:12:01Hey.
00:12:31Come.
00:12:55Old fool shivers and get a cold.
00:12:57Old fool shivers and get a cold.
00:12:59What is this girl doing here in the middle of the night?
00:13:03There are a lot of scary creatures here.
00:13:05I hope she doesn't get scared.
00:13:08How do you make your stories?
00:13:11I ask myself, what if...
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00:14:43I'm sorry.
00:14:44I'm so sorry.
00:14:46Are you okay?
00:14:48Okay, okay. Good morning.
00:14:50Good morning.
00:14:52I'm sorry.
00:14:59Noah. Noah Pitt.
00:15:02This is the advantage of small places.
00:15:04You can introduce yourself to everyone you meet.
00:15:07Right, Annie?
00:15:09You're right.
00:15:11Claire Holloway.
00:15:13Nice to meet you, Miss Holloway.
00:15:141850, ma'am.
00:15:18Let it be. I'll give it to her.
00:15:19You're our guest.
00:15:21You remember the game tonight, right?
00:15:23Got it.
00:15:24I'll see you there.
00:15:26And yes, write this down in my account.
00:15:32This is for you.
00:15:33There's no need for this.
00:15:34No, no, keep it. I've already read it.
00:15:36It won't be easy for you to know about this city.
00:15:38The editor has a different and weird idea.
00:15:40But if he gets your interview, he'll be happy.
00:15:43Is this how you talk to every tourist?
00:15:45No, Claire, it's not like that.
00:15:47Three Nisse's star children author is in Westmoreland.
00:15:49And this is a big deal for this city.
00:15:51I'm flat.
00:15:54But...
00:15:58But I think I should go.
00:16:01Okay.
00:16:02Well, no problem.
00:16:03I have to go for an interview with a bingo winner.
00:16:05Are you the editor?
00:16:06Yes, I am.
00:16:07And there's a local historian here.
00:16:09Actually, I brought a book last year.
00:16:11You know, only 250 copies of it have been sold.
00:16:14I've already sold this much.
00:16:15Really?
00:16:16I mean, I still have a chance.
00:16:19Okay.
00:16:21Listen, if you need anything, my number is on the back of the paper.
00:16:30Bye.
00:16:49Bye.
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00:24:11Ann...
00:24:12Have we met somewhere before?
00:24:15I donít think so.
00:24:21And people say...
00:24:23All walks of life end up the same.
00:24:26Yeah, Iíre afraid thatís true.
00:24:29Enjoy your book.
00:24:37Are you forgetting something?
00:24:40Are you forgetting something, Miss?
00:24:44No.
00:25:06No.
00:25:36No.
00:26:06No.
00:26:36No.
00:27:03Hi.
00:27:06Morning.
00:27:10Morning.
00:27:15Good morning, Claire.
00:27:19Morning.
00:27:22Are you upset because of the storm?
00:27:25Are you okay?
00:27:26Yes, I'm fine.
00:27:27Who?
00:27:34I bought your book.
00:27:36Oh.
00:27:37So it was you.
00:27:40The history of this place is quite interesting.
00:27:45Listen, do you...
00:27:46Do you want to know anything else?
00:27:48I'll make any excuse in the church.
00:27:49Please?
00:27:50Yes.
00:27:53The Manual School for Boys closed its doors at the end of the 19th century.
00:27:58And Westmoreland Primary School opened in the beginning of the last century.
00:28:02Isn't it a good thing that they allowed girls to play too?
00:28:05Yes, by the way, from the Boys' School I know that girls are happy at home.
00:28:09Terrible.
00:28:10This is a new spice for your new book.
00:28:14I just read it to my niece.
00:28:17And I'd say it's very creepy.
00:28:19All famous children's books are like this.
00:28:22Brothers Grimm.
00:28:24Roald Dahl.
00:28:26Ring Around the Rosie was about dying of plague.
00:28:29A monster in the dark.
00:28:32Scary.
00:28:35Fairy Tales and Nursery Rhymes sow fear in children's minds and hurt them.
00:28:40So you mean all children like scary stories?
00:28:43Didn't you like it?
00:28:45Have you ever heard a story about this place?
00:28:48What do you mean? A scary story or a ghost story?
00:28:51Rattling windows.
00:28:52Closing doors automatically.
00:28:54Whistling wind.
00:28:56Wow, you're a true writer.
00:28:59So I'll tell you.
00:29:00I'll tell you everything.
00:29:02But at last night's dinner.
00:29:48Whistling wind.
00:29:49Whistling wind.
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00:33:41For them, this is a means of entering.
00:33:43Computer's a nice thing.
00:33:45I'll close the refrigerator.
00:33:55Since when has he been here?
00:33:58For a few days. Why?
00:34:01On the other side.
00:34:02The doors are revolutionary and at the same time, they are truthful.
00:34:12Closing them means stopping someone from going inside or outside.
00:34:19So, when you close the door, you call them back inside?
00:34:32Yes.
00:34:39There is definitely some energy here.
00:34:42But why?
00:34:44People are weird.
00:34:46They die, they become even weirder.
00:34:49The question is, what difference does it make to us?
00:34:52Because I have seen it.
00:34:54I have seen that little girl.
00:34:56Not just in this house, but earlier as well.
00:34:58Do you have any idea what is happening to you?
00:34:59Their world is very different.
00:35:01They don't follow our rules.
00:35:03I lost my wife, my daughter, everyone 7 years ago.
00:35:08I was looking for an answer, but I didn't find anything.
00:35:12So, you have to think about it.
00:35:15Before you go looking for your answer,
00:35:18if you want to live among the living, then listen to me.
00:35:25There is a hotel in the city.
00:35:27If I was in your place, I would have shifted there.
00:35:31Why are you making this your fight?
00:35:57I don't know.
00:36:28My father always used to say,
00:36:30Hunt!
00:36:32He used to call me Hunt.
00:36:34He could have done this.
00:36:36After all, he was my father.
00:36:38He used to say, Hunt!
00:36:40You can escape from the army,
00:36:43you can steal in your tax,
00:36:45but don't leave a troubled girl alone.
00:36:49Come on, let's start working.
00:36:57Let's go.
00:37:16What do they want from me?
00:37:19I don't know.
00:37:21But one thing is for sure.
00:37:24They want you.
00:37:27Think about it.
00:37:29Think about it.
00:37:31If Mercy had seen what you saw,
00:37:33she would have changed her name and lived somewhere else.
00:37:37Can you stand here for a second?
00:37:43You are very photogenic.
00:37:54I hope you can see them too.
00:37:55If they don't feel shy in front of the camera,
00:37:58we will catch them.
00:38:02Where were you born?
00:38:06Everywhere.
00:38:09Everywhere?
00:38:11Oh!
00:38:13You are from a military background.
00:38:16No.
00:38:17Just a little.
00:38:21My parents were teachers.
00:38:26Where were they originally from?
00:38:31But they were not my biological parents.
00:38:35You...
00:38:37How old were you when they adopted you?
00:38:43Eight years old.
00:38:45Eight years old?
00:38:48On one condition, you must be a very sweet girl.
00:38:52Don't lie.
00:38:53You were very sweet, weren't you?
00:38:57Then you suddenly grew up and started looking like you do now.
00:39:06My parents died in a car accident.
00:39:12Oh!
00:39:17Are you waiting for someone?
00:39:18No.
00:39:23Hey!
00:39:24Noha, I am sorry.
00:39:25I couldn't call you.
00:39:26Why?
00:39:27I mean, what happened?
00:39:31Hunt.
00:39:32Noha.
00:39:33Hunt is helping me.
00:39:35How are you, Whitney?
00:39:36Hello.
00:39:42So I think this is all about those creepy things you were talking about.
00:39:48I'll go and get some firewood.
00:39:53Okay.
00:39:59If I could say sorry for dinner, can we do this some other time?
00:40:03I'll do one thing.
00:40:04I'll stay here.
00:40:05Maybe I can help you with all this.
00:40:07Whatever.
00:40:08We don't need your help.
00:40:13Okay.
00:40:17Actually, I was thinking about dinner.
00:40:19Me too.
00:40:21But it's okay.
00:40:22We'll do this some other time.
00:40:23Right?
00:40:24So...
00:40:25Good luck.
00:40:26Good luck for all this.
00:40:28I'll see you later.
00:40:30See you later.
00:40:52I'll see you later.
00:41:22I'm sorry.
00:41:52Hunt?
00:41:53Hunt?
00:42:10Hunt!
00:42:13Hunt!
00:42:14Oh
00:42:44Oh
00:43:14Oh
00:43:44Oh
00:44:14Oh
00:44:44Oh
00:45:14My
00:45:44Oh
00:46:03Well, can't they then men are more rows farm say
00:46:08Kalsha, I'm a total research your
00:46:11It's gonna go to our guy, right? She's on a major to make honey, but I need or you are kindly amazing
00:46:16To who are you key rows?
00:46:18Parivar co-own is so domain Dalda co-sukhani ka khayal a or a sum a diamond
00:46:23What was that? I can't rather watch what he but she is key band key or what salty key?
00:46:27again, just a man come Karatha mod to say the pair Kakana DNA Dalda may gaye lakin way Dalda may get gay or
00:46:34do gay
00:46:36God
00:46:38Pair mujah lakhta a key denman pahal ho gaya tha was a tune a key
00:46:41They'll make a or pick up a bar. You know, yeah, it's local
00:46:44Oh, we gave our will be guy above a or pair
00:46:46I said we don't jante oki, Jesse can shoot a gong mixer hotel. I just have to let me like a kid. I'll tell you
00:46:53I'm gonna be to play a key with a man. I thought I'd like in Kabhi mocha in Emila
00:46:59Us kalava mujah laga key JC tumho patanet. It's the rocky bottle per to me again. Kurogyan. I'm a kiss that I key
00:47:05I
00:47:07Am sorry, mujah mujah tumhe pehle bata dena chahyata
00:47:10Yeah, look, it's ghar-udal-dal ke baare me hamesha se aise hi baatein karte. Lekin. I kaise kaun maine hamesha se nafwaon ko hasi mein odha diya
00:47:19Mujhe ek patent me mat bandhu no ha nene dekho sunu clear aisa nahi hai
00:47:24May aspas baat kar sakta hu agar tum chaho toh hum tumhare liye ek achche ghar ka intizam kar sakte hain
00:47:29Nay, thank you
00:47:35I
00:47:55Hello
00:48:05I
00:48:35I
00:49:05Oh
00:49:35I
00:50:05I
00:50:07I
00:50:29Take that yes, I'm very guilty. Yeah, Joe be over. I don't miss any road
00:50:38Lekin kisi na kisi tera se toh miss kahisa agar tum ise rukh na chahati ho toh tumhe pata lagana hokaa ki yeh kaise shuru hoa
00:50:48Kaise
00:50:51Chara ise dekho
00:50:58To be put on a terrorist to kiss my twirling
00:51:07On top of it in mamla me basika was hootie a HOT
00:51:15Majboor atma jisse madad ki zaroot hootie
00:51:31Like a deal again
00:51:37I
00:51:39I
00:51:41I
00:52:06Me again
00:52:12Oh
00:52:15Miss June missing
00:52:19Yeah, they go
00:52:25Yeah, it's Mara editor dose name. Yeah, mercy or any case out
00:52:32Local ladki case out here on a charr
00:52:34Lekin kyu ki victim minor this kanam police name a bataya
00:52:42Yeah, what the my god you with a Brendan man will
00:52:54Whoo, they go
00:53:03Kalshaw many to the research key or his Kanika thought our guys is Anna or Rose Parivar co-initiator
00:53:09Dulles goes to Kanika Kala. Yeah, what's up?
00:53:11I didn't win boss are a kamkar Ratha or more to say to pair kakana Danegaard. I'll tell them a gilker do be
00:53:19Son of a bitch
00:53:21Matt, oh, yeah, I'm gonna keep our toast
00:53:25It's a hassle kill vodka. Well, it's a cute guy
00:53:31Yeah to Britney's a push-up, I think I can't push nobody got
00:53:35I
00:53:37Rose Parivar key Kanika barime kuch or purana records. Why he microfiche me milling a
00:53:45Moff Karna, Mira Khalil, Nalini Coco, you rather need
00:54:04I
00:54:34I
00:55:04I
00:55:14Yeah, I
00:55:17May not say karma see
00:55:20What do you have to be so pale a chalaga?
00:55:23I'll watch what he but she to me if you say they cut our UCLA to me hunt cobalt
00:55:27I don't kiss bar in the bath curry. Oh, man, I wish I was a Sunita. What about me?
00:55:31I can't deal with mercy
00:55:34Don't look sick. It's the house about career. Oh
00:55:38I heard them chatty. Kaho
00:55:40Mary dose Naomi cook or she key. Hey, what's new cook or she naked mercy?
00:55:46Joe I was it was an ID
00:55:48Joe Claire go digger. I didn't give up
00:55:52Sabko chapas my connected. I'm sub connected. I'm Oscar. Oh
00:56:00Don't go cario
00:56:04To me but I have a corner
00:56:07Batao
00:56:11Don't would you but I'll
00:56:17Mary boss bought comment
00:56:22To make a child I raised so Joe so Joe
00:56:27To be up to accidents apelika, yeah
00:56:29Oscar in sub-sequel in a day night. Okay, but you like that. Give it to the bitchy to move
00:56:34To
00:56:36To move there
00:56:41Mara Matlab M
00:56:44I got to meet Monty. Hope you can see keep it at Ma
00:56:48Yeah, I sense energy
00:56:51to kiss a severe trauma case me
00:56:54Hamari or Jack a kisser
00:56:56I'm so I'll go suck that or yeah, I'm Ari Atmar
00:57:00egg, they shan't hold it down
00:57:02Or yeah imprint bar bar play hotel at a kissy videotape
00:57:09Yes, it will mark
00:57:11Hambat curry
00:57:14Sexual assault key clear
00:57:20No, and
00:57:23So now so to inspire me yeah, but subculture Marie Lee Jana Pichon
00:57:26I or you could stop my name yet to marry Kitabka. Koi fiction. No, yeah
00:57:32Mujhe Lata
00:57:36He's already yada
00:57:39It's Maria de Hickler
00:57:44It's Jagat Jalada
00:58:02I
00:58:32Okay, Heidi
00:59:02Shh
00:59:32I
01:00:02I
01:00:32I
01:01:02Oh
01:01:32Oh
01:02:02Oh
01:02:32Oh
01:03:02Yeah
01:03:08Yeah, I'm a protégé
01:03:32Oh
01:03:46Don't eat home
01:03:49Kabra
01:03:50I'll be better as a case book
01:03:53How many could say he is over a kick nice career?
01:03:56Which company which is he's in the case I should have chitna personal or Tasha
01:04:01Agra boys tomorrow credit or was it a good lingerie?
01:04:05Egg bar I'm in a similar thing
01:04:07So how much of each other again?
01:04:10Don't match at all
01:04:13Next left low
01:04:25Oh
01:04:37Yes
01:04:39Mr. Manville a MacLear Holloway. Mujhe pata agri farm ke baarime kuch hai toh. Yes. I'm mercy handle curtain. Hey
01:04:46Yeah, I'll keep a tiki baarime. Hey Brendan
01:04:56I
01:05:01Got me cowhide
01:05:08To me I could slow cook you like that
01:05:10Get them kissy be on John. I'd make a gourmet who's jogging
01:05:14Or who's keep asked a bar in a corridor go gay
01:05:17I
01:05:22Don't know mercy's about Kiana
01:05:24Well, I've put on he comes in the shimmer a tea
01:05:27Was sorry to me. I'll go bottle get the lace a big tea
01:05:30I
01:05:40Got to marry Jeeves, it was cursed. Oh, yeah
01:05:43Don't worry. I don't know what I got. I don't have a camera
01:05:48Well, maybe I'd go hey, what's your phone? What they call South Annisa? You must have a bouquet. Hey, I love you
01:05:55But
01:05:59Okay, that's up suppose to you
01:06:06Shall I tell you I need a Shukriya hum sub sadha one, two, three
01:06:16Wah koi naiyata silos a whole car. I say he but I thought well, KCB Shamshaan kitara be Salosa Khali ta
01:06:26I
01:06:38They go I got to me well, I'm a person to to move a short city or a shorty, but she got ya
01:06:45No, what's up, Jutta?
01:06:47No
01:06:49Brandon a Choti, but she can stop. No, it's got Koi Subodh. Nayee boy. It's who'd ha
01:06:55Okay, baby, Coco. Kata. Mr. Manville. Hey, don't care about Kareem
01:07:00Us kiss out Kala toward walk a lot. You know that
01:07:06It should be pretty good
01:07:13Many of the decay
01:07:16Garmin
01:07:19We just got which Saman Chahiyya Kujju both special you bought the Rory or Mujahid
01:07:28But I hear what I got
01:07:31Up but that they kill me
01:07:34Listen, I can't
01:07:37Yeah, I was new to hurt
01:07:42Yeah, I'm new to hurt Kia
01:07:45I've been up in a bit a kiss out. Kaka. Mr. Manville a
01:07:50Kuch nahi
01:07:53Many of us kiss out kuch nahi Kia
01:08:00Mujahid Chahiyya, Mary Garcia, Lee Joe Joe's kill you came to talk
01:08:05Okay, nearly a curse. It's a lead out. Oh, so not only
01:08:14Yeah
01:08:44You
01:09:14Mask at the end
01:09:44Oh
01:10:14I
01:10:44I
01:11:14Oh
01:11:44Oh
01:12:14Oh
01:12:44Oh
01:13:14Oh
01:13:40I'm gonna
01:13:44I
01:13:47I'm about that. You are going
01:13:52But I'm Peter
01:13:54You
01:14:13To make a loser Oh
01:14:24We'll tell our
01:14:35You can't sit back
01:14:38You can't
01:14:40Yeah, I'm gonna take a look. Please man. I have to push me down. I'm gonna go to my mother's car. Oh, please
01:14:47But it's a nature of a subject
01:14:50I
01:14:53Don't know
01:14:58What basically jail you don't know
01:15:04Sub sub sub was taken
01:15:07Mary Mary that was up some holiday
01:15:10bus
01:15:12But somebody could scare now, huh?
01:15:16I'm a kissy-go-lucky
01:15:19I
01:15:49I
01:16:19I
01:16:50Who's a like that who could be say bar Nikali Nipa?
01:17:01I'm so much naive I
01:17:04May be we'll say both party. Did you make him go?
01:17:07What's my bill could Mumtah Nidhi?
01:17:12We'll chat with you. We'll tell you but I'll go Jai or I'll be banja
01:17:20I think I'll say well, it's good. I think I'm gonna take a look at what happened to Tabby
01:17:29Or many good sneaky
01:17:40Many of them are coming in a bitch. I
01:17:46Thank you
01:17:49I'll meet you on that one
01:18:19I
01:18:50Give me a gun
01:19:04Come on
01:19:11Twinkle twinkle little
01:19:15Star
01:19:17How I wonder what you are
01:19:23Twinkle twinkle
01:19:47Rose
01:19:56Mercy
01:20:17Yeah
01:20:20I've made those tokens out
01:20:22May I
01:20:24Oh
01:20:26She promised me I thought yeah, I'm over here
01:20:40My chip you eat it
01:20:47Oh
01:21:17Nice kill each other
01:21:26Very dead what's up with some Harley?
01:21:32Plus how many of you couldn't hold up?
01:21:36Hummus a secret drinking
01:21:47I
01:22:17I
01:22:47I
01:23:17I
01:23:26I'm so sorry Rose
01:23:37Truth
01:23:47I
01:24:17I
01:24:47Oh
01:24:49Oh
01:25:19Don't be done
01:25:49Oh
01:26:19You
01:26:49I
01:27:19I
01:27:49I
01:28:19I
01:28:21Say
01:28:25Duffin courtesy
01:28:32Thank you
01:28:49You
01:29:19You
01:29:49You
01:30:19You
01:30:49You
01:31:19You
01:31:49You
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