00:00My first question is from an eagle-eyed fan.
00:01Yes, let's go, let's go.
00:03Oh, come on.
00:05There's a moment in One Short Day
00:06where they're suddenly in a salon
00:08and the nail choreography is suspiciously familiar
00:12to some nail choreography in In the Heights.
00:14Was that an homage or did you just figure
00:15no one really saw it the first time?
00:17Thanks.
00:18A little sassy.
00:20Lin-Manuel Miranda.
00:22You are sassy, Lin.
00:24I would say, you know, Chris Scott,
00:25who is also the choreographer of In the Heights,
00:29was, we were definitely cognizant
00:31of what we were doing there
00:32and we like little nods to our own work,
00:34even if it's step up to the street or whatever.
00:37So there's, yes, there's breadcrumbs, I would say.
00:39I can't confirm nor deny those reports.
00:41You might have to ask Christopher Scott,
00:41but yes, we were aware that there were some fun things
00:45that are little winks to ourselves, too.
00:47So we can call it an homage, maybe.
00:48Sure, sure, yes.
00:50Well, sassy boy.
00:51Yeah.
00:53I mean, listen, we pull inspiration from where we put it.
00:55You know, when you're dealing with a salon,
00:58you got to listen to what the salon wants.
01:00And the salon in Washington Heights, you know,
01:02it's a fantastical world.
01:03That's why I kind of love
01:04when you can kind of see a parallel
01:06because Oz is as fantastical as it gets.
01:09And that was always our intention with Washington Heights,
01:12was to show the beauty in there, too,
01:13and make it larger than life as well,
01:16because that is what it feels like.
01:17So I love the parallel.
01:19And, you know, of course, Lin's going to catch it
01:20because that guy, he's sharp.
01:22He's a sharp one.
01:23So is it a copycat or homage, you know?
01:26Oh, homage.
01:26I mean, I did both.
01:28I get to copy, you know, it's all the same for me,
01:31you know, but yeah.
