- 1 year ago
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TVTranscript
00:00Come on, Anthony.
00:02Now...
00:08Hi.
00:09I don't know what you're doing in Dada's house.
00:12You've cut me off as Dada?
00:14So what? What else? I have Dada.
00:16I'm sorry, I'm really sorry.
00:18Accepted, I'm sorry. But I want you to tell me what you're doing in my house.
00:22She called me because her belly was hurting.
00:25Of course, before I came here, she called her father, but the phone was off.
00:30Her father left Irene to take care of the baby.
00:33Irene, of course, is a woman. He threw her out of the house.
00:36Can you tell me where this story is going?
00:38You come into my house and you like it, do you understand?
00:41Seriously?
00:42Me and Natalia, we're not a couple, we just go out.
00:44I know, you're still at the stage of getting to know each other and so on.
00:48But as long as I tell you where to go, you'll get what I mean.
00:53Of course, I like that you're protective, but also very methodical.
00:58Just like you are in your job.
01:00Yes.
01:01Anyway, whoever is in a hurry is close, right?
01:03Yes.
01:04I'm not afraid of you. I'm not afraid of you.
01:07You know very well that step by step careers are being built.
01:10Houses are being built.
01:12Families are being built. Do you understand me?
01:15Do you understand?
01:16Let's not get into situations.
01:18Argyris, please.
01:20Let's get to know Natalia a little better first.
01:22Has she thought about the possibility that we might not fit in?
01:26Stop it! Stop it! What are you saying?
01:28Listen to me.
01:29Close your eyes with me.
01:30Let me tell you that I believe that you have the right character
01:32to face this situation one day.
01:56I love you like a castle.
02:02Me? You? You, Fotini?
02:04I believe in you very much. Very much.
02:06Who do you think is going to take on this bastard one day?
02:09The man or Natalia?
02:10And I'm not hiding it from you now. I admit it.
02:12I say it and I apologize that I would very much like this man to be you.
02:16So, listen to me. What are we going to do?
02:18The wedding will take place in Mykonos.
02:19Then we're going to have a great party.
02:21We're going to invite a lot of people.
02:22And then you're going to get married.
02:24And then, as they say, you're going to get me a little boy.
02:27You're going to propose to a boy.
02:28Then I'm going to take this Argini Junior
02:30and after I've trained him properly,
02:33he's going to take me to the top of the world market.
02:37We're going to eat them all. We're going to eat them all.
02:39You have a vision, don't you?
02:41As time goes by and I discover your adamant character,
02:44I get so excited.
02:46Come, let me hug you, son.
02:47Come, let me hug you, Fotini.
02:50Fotini.
02:52I expect a lot from you.
02:54Be careful. Don't let me down.
02:56Okay?
02:57Okay. Whatever happens, happens.
02:59Don't let me down, Fotini.
03:01Don't let me down.
03:03Look, I have to go to my office now.
03:06Because until the international mystery
03:08and Argini Junior takes over Mykonos,
03:11I have to prepare for the next episode.
03:14Right. Very right.
03:16Go to work, my boy.
03:17Go to work.
03:18Where are you looking?
03:19Fotini, your coffee.
03:22Go, my boy.
03:23Where are you looking?
03:24Go.
03:26Go, my boy.
03:27My boy, you.
03:33And only Melani throws machines.
03:35Or does she have other flaws?
03:37Among other things, they are only advantages.
03:39Ah.
03:40To know how much money I will give for her repair.
03:43Look, even if I blow up the mortgages,
03:46your share goes up.
03:48Yes.
03:49I won't go back to printing if you don't take my permission.
03:53You are wrong.
03:54And your complaints to Argini.
03:56Ah, we didn't start well today.
04:00Why do you say that, Grigori?
04:01I am better than ever.
04:06Grigori, I want you.
04:07You have a lot of letters.
04:08Come on, you too.
04:13Last night you were very drunk, huh?
04:15Not at all.
04:16I meant exactly what I was telling you.
04:18Ah, well.
04:19You are still drunk.
04:20Let me tell you.
04:21Take this.
04:22It doesn't make you drink coffee.
04:23You have to drink water.
04:25It's exactly what I drink.
04:26Thank you very much.
04:34Scoundrel.
05:01Oh my God!
05:02Where did the money go?
05:03Oh my God!
05:17Julia, what's wrong?
05:18Who hurt you, my child?
05:20Why are you crying?
05:21I'm not crying.
05:22I put on a cheap mascara
05:24and it probably got into my eyes.
05:29Well, if you want, I can wait.
05:31Maybe you can find a more convincing excuse.
05:35I lost money.
05:36A lot?
05:38A lot for me.
05:40Okay, okay.
05:41Why are you sad?
05:42I can give it to you.
05:43How much do you need?
05:44I didn't lose my money.
05:46But the money from the bank for the expenses.
05:50How?
05:51How did you lose it, my child?
05:52Where did you go with all that money and you lost it?
05:54Nowhere.
05:55I always had it where I have it.
05:57I keep it in my bank account.
05:59So you didn't lose it.
06:00So they stole it from you.
06:02And who would believe that?
06:04Now I'm handling the expenses.
06:06It's my responsibility.
06:08The first thing they'll think is that I took it.
06:11No.
06:12No, why?
06:13Why should they suspect you?
06:14You've never given an excuse.
06:16But why?
06:17Why did they give me 700 euros?
06:19Because my salary is not even enough for the monthly card of the social services.
06:24You're exaggerating a bit, Julia.
06:26I'm not exaggerating at all.
06:29Here we're talking about 155 euros.
06:32Really.
06:33Really.
06:34If I had them, I would have put them on my own.
06:36But right now, I don't even have the 50 euros on me.
06:39Don't worry.
06:41Listen, for now, no one should find out.
06:44I'll help you.
06:46How?
06:47Calm down.
06:48Calm down and leave it to me.
06:51What are you going to do?
06:58What are you going to do?
07:14In the end, the thief learns.
07:18There is no perfect crime.
07:25What am I looking at?
07:27Do you have a seat that suits you?
07:29You've become a receptionist.
07:31I'll cover Julia.
07:32I'm going to the bathroom.
07:33I didn't say the opposite.
07:34Think about it.
07:35Let's keep our heads calm.
07:36If Julia gets sick, we have a substitute.
07:39Ciao.
07:40Ciao.
07:43A substitute.
07:51Where are you going?
07:52Where?
07:54Come here.
08:00He's lost it.
08:01He has to do something with his nerves.
08:04I'll tell you.
08:07Come on, come on.
08:14I caught you, my little bird.
08:16Now, the only thing left is to make you dry everything.
08:21Do you want it or not?
08:24You'll make it dry.
08:25You don't know what you're talking about.
08:50I'm sorry.
08:51I'm sorry.
08:52I'm sorry.
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11:42I'm sorry.
11:43I'm sorry.
11:45Where was I?
11:48Gregory, theekshturas is here.
11:51Excuse me, theekshturas?
11:52Theekshturas.
11:54from the printing shop, you asked to see him.
11:57Yes...
11:59tell him to come in.
12:02Heekshturas, come in.
12:05After you.
12:06Good morning.
12:08Good morning.
12:10Your message...
12:11It's this class...
12:12Good morning, sir.
12:13Did you ask for me, Mr. Exarche?
12:15Yes.
12:17Hector, can you tell me what this is?
12:21A typographic error.
12:23Ah, a typographic error.
12:26And you say it so simply?
12:28Easy. A typographic error.
12:30But it is so.
12:31Look, Mr. Exarche, I...
12:33Leave it, my boy, leave it.
12:35I'm sure you can understand a lot of excuses.
12:38I don't need excuses. Let me tell you something.
12:40Excuses don't sell on the shelves.
12:44Someone will buy this typographic error.
12:48Let me explain.
12:49I'm listening.
12:50Look, I'm not responsible for this error.
12:53It's not my field.
12:55I work in other industries.
12:57What other industries?
12:59What are you saying?
13:00It's not my field.
13:01Where did you come from?
13:03From another printing house.
13:04Look, Hector, I'm good.
13:06I'm tolerant, but to a certain extent.
13:08I can't risk you making me such a mistake in the printing house.
13:12And I can't cooperate with people who are not cooperative.
13:17But I am cooperative.
13:18Ask the company what they want.
13:20Yes, but you are irresponsible.
13:22Me? I do what they tell me.
13:24Yes, but you avoid responsibilities.
13:26What did you tell me before?
13:28What did I say?
13:29It's not my field.
13:32You don't know how bad it seemed to me.
13:35I'm sorry.
13:37I can't do it any other way.
13:39Resign!
13:40What?
13:41Please, don't do this to me.
13:43I have three children.
13:46You have three children?
13:48I have two two-and-a-half-year-olds and one in Cunha.
13:50If you fire me, I won't have anything to feed them.
13:53And what should I do?
13:54Feed them?
13:55Think about that before you do what you did.
13:59But it's not my fault.
14:01I'm sorry.
14:02I can't deal with you anymore.
14:04Get the money from the bank.
14:08And get out of my sight.
14:11Mr. Exarcheia, please.
14:12I said get out of my sight!
14:34I'm really bad.
14:37I'm not afraid of anyone.
14:54Vicky, Grigoris is inside me.
14:56As you go, you'll be alone in the end.
15:00But what can you do?
15:02The top needs to endure loneliness.
15:07It's me and myself.
15:10I love myself.
15:13Grigoris.
15:14What's up, girl?
15:15How did you get in?
15:16Notify me first.
15:17I can come.
15:18Really?
15:19Since when do we follow the protocol?
15:20Since I decide.
15:22Until I decide.
15:23I can cancel it.
15:24What do you want?
15:25What happened to Hector?
15:26Who?
15:27Hector from the printing house, Grigoris.
15:29Oh, you mean Amores.
15:31That's none of your business.
15:33You're right.
15:34It's none of my business.
15:36Yes.
15:37I fired him.
15:38What did you do?
15:39I fired him.
15:40He didn't carry out his duties properly.
15:42I fired him.
15:43I threw him out.
15:44You were jealous.
15:45That's why.
15:46You were jealous.
15:47You were jealous.
15:48You were jealous.
15:49Please, my girl.
15:50There hasn't been a woman yet
15:52who will do it to Grigoris.
15:54I'll upset you, Grigoris.
15:55But this woman
15:56is standing in front of you.
15:58You do it just so you don't get sued.
16:00No, my dear.
16:01Didn't you see him?
16:02He was a model for the statue
16:04of the ideal worker of Perissos.
16:06Bah!
16:07Since when do we say
16:08my daughter is a socialist?
16:10Do we like working class now?
16:12Working class?
16:13We like it now.
16:14We don't like your daughter.
16:16The two of us are done.
16:17Come on.
16:18You did it just to make me jealous.
16:20Come on.
16:21I know you adore me.
16:22On the contrary, my dear.
16:24I envy you.
16:26You're making a fuss.
16:35Here.
16:42You're welcome.
16:43Bye.
16:47I hope you don't have any complaints.
16:50No, since all our requests have been met
16:52No, since all my requests have been fulfilled, I have no one.
16:56You can't imagine what I did to convince Karazhan.
16:59Only my feet convinced him.
17:01Really? Tell me.
17:05I knew that George was lying to me.
17:07That he was selling it to me as his own achievement to tell me that he loves me.
17:11As I knew and that I was worth the money I got, but also the terms I set.
17:18Anyway, no matter how we do it, I feel very good about myself.
17:30What's up, Nikolaki?
17:31What's up, Mrs. Eugenia?
17:33I mean, did you settle the issue?
17:36I would settle it, but it's a deadlock.
17:39I'm trying to get a loan, but I'm also unlucky.
17:41All my friends are also deadlocks.
17:43As soon as I get paid, I promise.
17:44Okay, never mind. We'll do something else.
17:46What?
17:47Take these and go to Valta, where you got them.
17:51Are you crazy?
17:52I want them as soon as you get paid.
17:54Oh, okay. Or not?
17:56Until the last penny. And say thank you, because I won't give you a penny.
18:00Thank you very much.
18:01Don't be so stingy.
18:03So, go to Valta now and don't get caught.
18:17I see you now.
18:28Good morning.
18:30Coffee, toast and my orange juice.
18:32Or maybe not.
18:33No toast. I forgot.
18:47I don't like you being here.
18:49Is something wrong?
18:51What's wrong? I'm bored and I'm hanging around.
18:54You're bored?
18:55Did you go to the bank to seal the debit card blocks?
18:58And I was wondering what you were doing there.
19:00What?
19:01What?
19:02What?
19:03What?
19:04What?
19:05What?
19:06What?
19:07What?
19:08What?
19:09What?
19:10What?
19:11What?
19:12What?
19:13What?
19:14What?
19:15And I was wondering what I forgot.
19:17I forgot the bank. I'm leaving.
19:19Go away.
19:29Excuse me, ma'am.
19:31You're a nuisance.
19:33Please.
19:38Let's see what you're going to tell me now.
19:40What are you going to look at me with?
19:42Please, girl.
19:44Tell me. Why did you fire my husband?
19:46Why?
19:47What did he do to you?
19:48Who do you think you are?
19:50And you're playing with people's bread like that.
19:52Oh, it's you.
19:56You're his wife.
19:58Yes, of Hector.
19:59Where's the joke?
20:00I think it's a bit obvious that you came to defend him.
20:04He's my husband.
20:05Who was supposed to come?
20:07His son-in-law, let's say.
20:08Who?
20:09Look, the reason I fired your husband
20:12was because he was wasting hours of his work
20:15to be in bed with one of the directors of the company.
20:18What?
20:19He had to work here
20:21and he was in bed with his son-in-law.
20:24It can't be. It's impossible. You're lying.
20:26I'm telling the truth.
20:27Hector is impossible. It can't be.
20:29And yet...
20:30It doesn't fit in my head.
20:32And the worst thing, let me tell you,
20:34is that he's at least ten years older than you.
20:36Tell me right now who he is.
20:38Puddin.
20:39If he saves her, I'll kill her.
20:41It's me. Come on.
20:44Do you see her there?
20:45One of those two?
20:46Not her. The one on the far left.
20:48There, there.
20:49The one with the hat.
20:50Vicky, they call her.
20:51Fatima.
21:05Are you Vicky?
21:06Yes.
21:08And you dare to say it, moron?
21:10You're a man, you're a woman.
21:12I'm a man, I'm an old woman.
21:14Leave me alone.
21:15You call him a woman, you call him a friend.
21:17Stop it, girls.
21:18Calm down.
21:19Leave me alone.
21:20Stop it, girls.
21:21You can't find them civilized.
21:23I didn't do anything.
21:24She came and said it to me.
21:25What do you want?
21:26Thank God I didn't break all your teeth.
21:28And you can still talk.
21:29You'll have news again.
21:30I won't let this go on.
21:32What is she saying?
21:33Who?
21:34Shut up.
21:35And you, Soles.
21:36And you.
21:37You're the same.
21:38That's why you support techno-ju.
21:40Get out of here.
21:41Me?
21:42Get out of here?
21:43Mind your own business.
21:44And you'll find me in front of you again.
21:58Vicky.
21:59Are you okay?
22:00Come sit here.
22:01Come.
22:02Sit.
22:03Sit.
22:04I'm very upset.
22:06Julia.
22:07I'll leave early.
22:08I can't work like this.
22:09No, don't say that.
22:10I understand.
22:11I'm leaving.
22:12Yes, yes.
22:13Go.
22:14I'll pack my things.
22:15Vicky.
22:16My God.
22:17My bag.
22:18My bag.
22:19What was that?
22:20I don't know.
22:21My girl.
22:22My girl.
22:23Vicky.
22:24I'm leaving.
22:25Yes, yes.
22:26Let's go.
22:27Let's go out together.
22:28Yes.
22:29Come on.
22:30Let's go.
22:31Come on.
22:32Let's go.
22:33Let's go.
22:34Let's go.
22:35Let's go.
22:36I'll take the taxi.
22:37Be careful.
22:38Be careful.
22:39Easy.
22:48Eugenia.
22:50The money is all here.
22:52How did that happen?
22:54I don't know.
22:55Looks like she feels cheated on.
22:57It happens often.
22:58Who would have done that?
23:00We don't care who did that.
23:01What matters is that the money is back in the box.
23:04and Sarah.
23:05In the end, everything went well.
23:06I made a deal with Saint Phanourios and he agreed to everything.
23:09You see, the Saint is successful.
23:11He has a stable position.
23:12He is unbeatable, even in our days.
23:15Oh, you don't know how happy I am.
23:18Me too.
23:19Me too.
23:20I'm leaving now.
23:21Goodbye.
23:23Eugenia!
23:24Yes.
23:25Are you leaving?
23:26Yes.
23:27Did you finish your work?
23:29Yes.
23:30Are you sure?
23:31Yes.
23:32I'll call you later.
23:37I'm still waiting for you at the office.
23:39Are you sure?
23:40Of course, I'm sure.
23:41You don't sound well.
23:42What are you hiding from me?
23:44I'm worse.
23:45Come on now.
23:46Don't make me look stupid.
23:47Elvira, influenced by God,
23:49made a scene of jealousy towards poor Argyris.
23:52Argyris didn't understand anything at all.
23:54I can't understand you, my love.
23:56Every day that passes, you become more and more difficult.
23:59Where are you?
24:00What?
24:01Since when do I have to give you a bill?
24:03Oh, I see.
24:04I give you a bill and you don't give me one.
24:06You're nothing to me.
24:09Mr. Argyris.
24:10I have the phone you asked for.
24:14Get up!
24:17Get up, I said!
24:23I'm going to kill him!
24:25I'm going to blow his brains out!
24:28Mr. Argyris.
24:29Mr. Argyris, please, don't kill me.
24:31I have a lot of other women in the world.
24:34Calm down, my boy.
24:35Please, calm down.
24:36I'm going to eat him.
24:37I'm going to tell everyone.
24:39I'm going to blow his brains out.
24:41No, no, no.
24:42Don't do it.
24:43Don't, my boy.
24:44Please, calm down.
24:45Calm down.
24:46Don't do it.
24:47Don't target him.
24:48Don't shoot him.
24:51What happened, my boy?
24:52What did they do to you?
24:53This!
24:54This is the stigma of society!
24:57Calm down, my boy.
24:58Please, calm down.
25:02You're right.
25:04I'm not going to kill him.
25:06I'm going to kill him.
25:08No, my boy.
25:09Now you're right.
25:10What are you saying?
25:11What are you saying, my boy?
25:12Don't do it.
25:13Don't do it.
25:17You're right.
25:20I'm not going to kill him.
25:23I'm going to kill you!
25:27I'm going to kill you all!
25:30No, I'm not going to kill you.
25:31I'm going to kill you!
25:34I'm going to kill myself.
25:36Get back!
25:37Whoever comes near me, I'm going to eat him.
25:41I'm going to eat him and drink him!
25:53What do we do now?
25:54Oh, I can't stand the blood.
25:57Guys, we have to find a way to calm him down.
26:00He says he's going to kill himself.
26:01He can do whatever he wants to me if he doesn't bother the kids.
26:03We were just a man.
26:05Stop it!
26:06We have to see what we're going to do with the man in there.
26:08Poor guy, he looks very desperate.
26:10What happened?
26:11All of a sudden?
26:12A new kid?
26:13Has he gone completely crazy?
26:14What are we going to do?
26:16I say we find his wife.
26:19Go and try to calm him down.
26:22Let's go find her.
26:25Are you going to stay?
26:27Why? To ruin the show?
26:29That's right.
26:30Now tell me, what do you know?
26:32Why is he crazy?
26:33What's going on?
26:34Honestly, I don't know anything.
26:36I've seen him twice in my life.
26:42Hey, are you okay?
26:44I signed my terms.
26:47Yes, Karazhan agreed to everything.
26:50Finally, my life is smiling again.
26:53My life is smiling again.
26:55The moment I'm talking to you,
26:57there's a guy in the office threatening to kill us or to commit suicide.
27:01What?
27:03We have to find a way to calm him down.
27:06Are you crazy?
27:07You found the time to talk on the phone.
27:09What time is it?
27:10We're going to be late.
27:11Leonida?
27:13I'll leave you.
27:14Do you need help?
27:15No, you don't need to help me now.
27:17I'll call you later.
27:18Bye.
27:20She hung up.
27:21So,
27:23only I can help us.
27:27What do you know about crazy people?
27:29Have you been cured?
27:31She didn't need it.
27:32She sees herself in the mirror every day.
27:35Laugh, laugh, Argyris.
27:37I've been a psychoanalyst for 17 years.
27:40Believe me, I know how to calm him down.
27:43I have a special ability for crazy people.
27:47Are you sure?
27:48You didn't tell me that.
27:49Leave him alone.
27:51Tell him to commit suicide outside the company.
28:08I'm Fili.
28:09Fili.
28:11And my name is Ophigenia.
28:13What are you doing?
28:14Leave him alone.
28:15I've got this.
28:16Calm down.
28:17Calm down.
28:18Tell me the truth.
28:19What's your name?
28:20What?
28:21I said, what's your name?
28:23Hector.
28:24Good.
28:25My friend, Hector.
28:27What do you want?
28:29No one here wants to see you suffer.
28:32We all love you.
28:34We all love you.
28:36Leave me alone.
28:37I want to commit suicide.
28:39Listen to me.
28:40Leave me alone.
28:41I don't want any of you.
28:43I want to die.
28:44Problems are not solved this way.
28:47They are solved through dialogue.
28:49And who told you that I want problems to be solved?
28:52The only thing I want is to commit suicide.
28:54No.
28:55Hector.
28:56Leave me alone.
28:57I don't want any of you.
28:58I hate you.
28:59I want to die.
29:00Hector.
29:02Hector.
29:03Hector.
29:06Let me tell you something.
29:07You can't work like this.
29:11Hector, listen to me.
29:13Leave me alone.
29:14Do you feel a burden inside you?
29:16Yes, a burden.
29:18Do you want us to help you get rid of this burden?
29:22Yes, to get rid of it.
29:23Good.
29:24Come with me.
29:26Inhale.
29:29Exhale.
29:32Inhale.
29:35Exhale.
29:39Calm down.
29:41Now.
29:42You will unlock the door.
29:44You will open it slowly.
29:47And you will give me the gun.
29:50Unlock it.
29:54I open it.
29:55I open it.
29:56I open it.
29:57I open it.
29:58Give me the gun.
30:02I will commit suicide.
30:04Leave me alone.
30:05I don't want to see you.
30:06I hate you.
30:07I will commit suicide.
30:10I will die.
30:15I will die.
30:27What a surprise!
30:28Am I bothering you?
30:29Not at all.
30:30Come in.
30:32Welcome.
30:33Welcome.
30:39I brought you a glass of wine.
30:40That's nice.
30:41But it's not necessary.
30:42Thank you, Maggie.
30:43I'm sorry.
30:44My phone is ringing.
30:52Yes?
30:53Come here.
30:54The madman is still locked inside and threatening.
30:56You can't imagine how worried I am that you are there.
30:58Don't worry.
30:59We will take care of the matter.
31:00Eni is going with him and he is trying to calm him down.
31:03Anyway, the guy has a very serious problem.
31:05Although I imagine that he will calm down at some point.
31:07Keep calling me.
31:08Keep me updated.
31:09Okay?
31:10I'll be waiting.
31:11Okay.
31:16Hara?
31:17What are you doing here?
31:18Drinking wine?
31:19Don't call me for wine.
31:20It's me now.
31:21I went crazy with Lola because I was dealing with a huge problem in her job.
31:26I'm sorry, but I took the courage to come here because I was at home and I was looking for my things.
31:31And I found the material we were working on then.
31:34Oh, nice.
31:35And I'm saying.
31:36I can't wait to drink a glass of wine and see how you feel.
31:39Now.
31:41Do you want us to drink?
31:44Let's drink.
31:45A glass for the good.
31:46To celebrate with your contract.
31:51Hector, calm down.
31:53Everything will be fine.
31:55Everything will happen as you want.
32:01Tell me.
32:02What do you know?
32:03Nothing.
32:04I don't know anything.
32:05Then why did you punch someone else first?
32:07Because I'm the most handsome.
32:10Stop it.
32:11Stop it and tell me what you know.
32:12I dumped him.
32:13What?
32:14And then I told his wife that I was marrying her.
32:18He's married?
32:19Yes.
32:20He has three children.
32:21What did he do?
32:22What did you do?
32:23What did you do?
32:24How can I know that you will get to this point?
32:28Hector, love yourself.
32:30You deserve it.
32:32You deserve it.
32:35What happened, Foti?
32:36I arranged for his wife to come.
32:38What wife? Do you know his wife?
32:40Of course.
32:41I know him.
32:42He works at the printing house.
32:43Why don't you talk to him?
32:44What can I say?
32:45I arranged everything.
32:46His wife will come and maybe he will change his mind.
32:49Look what's going to happen.
32:50I'm going downstairs.
32:51Okay, I'll arrange it.
32:53Foti, I'm sorry.
32:54Okay.
32:56I'm sorry.
32:57For what?
32:58For losing it there.
32:59At the party.
33:00Yes.
33:01The truth is that you have a heavy hand.
33:03Yes, but it really has nothing to do with me, Foti.
33:05I mean...
33:06I was completely shocked at that moment.
33:08I took it to my head and threw it at you.
33:10I wanted to thank you.
33:13That's why I took the picture with Gregorio.
33:15Thank you very much.
33:16First of all.
33:17And you should know that I'm next to you.
33:19I'm your friend.
33:20Yes.
33:21I am.
33:22I have to go and see what's going on with the kid's wife.
33:25Because...
33:26And...
33:27We'll talk later, okay?
33:28Yes.
33:35Oh!
33:38It's Elvira.
33:39I have to answer her.
33:40But cover up first.
33:41Come, my love.
33:42Where are you?
33:43Where am I?
33:44I'm still in my office.
33:46You can't leave because...
33:48Something terrible happened.
33:49An employee of our printing company
33:51locked himself in the meeting room
33:53and threatens to commit suicide.
33:54An employee threatens to commit suicide?
33:56In which office?
33:57I told you, my child.
33:58In the meeting room.
33:59Look, you know what?
34:00Let's get this over with first.
34:01Because it's a little dangerous.
34:02And I'll call you later, okay?
34:03Yes.
34:04Okay, bye.
34:11An employee, he says,
34:12locked himself in the meeting room
34:13and threatens to commit suicide.
34:14An employee threatens to commit suicide?
34:17Tell us about it.
34:19What is he up to?
34:21That's what he told me.
34:22Well done.
34:23You're getting more and more inventive.
34:25So you believe...
34:27So you believe, Elvira,
34:29that an employee wanted to commit suicide?
34:31They called me to inform me.
34:34What do you mean?
34:35That he's working for me?
34:37I'll tell you.
34:38Look, the truth is that
34:40you're such a good, honest woman
34:42that you can't imagine
34:43that people are lying.
34:47Especially for my husband,
34:48I don't want to believe it if I don't see it.
34:52How innocent you are, Elvira.
34:54And how much it hurts you.
34:56Don't ever change.
34:58Don't ever change.
35:01Don't ever change.
35:26Hector.
35:28Hector.
35:32Hector.
35:34I give up.
35:36I can't make him find a single reason
35:38not to commit suicide.
35:41I'll try, too.
35:44We said Hector, right?
35:45Yes.
35:52Hector!
35:53Buddy!
35:55What's up, buddy?
35:57I heard you're a little bit angry.
36:00Go away, or I'll get shot.
36:02No, no, boy, no.
36:03Stop it.
36:04Wait, I mean,
36:05what do you think,
36:06that things have gotten worse for us?
36:09What?
36:11Everything is bad.
36:13Bad, bad, bad.
36:16And for me, everything is bad.
36:19Bad, bad.
36:20Difficult.
36:21And I have a life of my own.
36:23Difficult.
36:24Wait a minute.
36:30You're black, aren't you?
36:31Don't say that, my boy.
36:33Then I'll kill you, too,
36:35if you want to live.
36:36Get back!
36:39Let him go.
36:40Let him go.
36:41Let him go.
36:42Let him go.
36:43Let him go.
36:44Let him go.
36:45Let him go.
36:52Hector!
36:53Hi, Hector.
36:54I'm Lola Lalou,
36:56Leonid Lalou's sister.
36:58I'm going to blow her mind.
37:01You fired me.
37:02My wife fired me.
37:04I'll never see my kids again.
37:10That stupid Grigoris
37:12went and told her
37:13that I hit her with the gun
37:15and threw me out of the house.
37:18How will my kids grow up, you tell me?
37:22Why should I live?
37:25Why should I live?
37:28Come on, Hector.
37:29Come on.
37:30Slow down, my boy.
37:31How can you be like this?
37:32Don't you know women?
37:34Don't you know them?
37:35As soon as they find out
37:36that you lied to them,
37:37they bring destruction to the world
37:38and say that you're clean.
37:39But they don't mean it.
37:42They don't mean it.
37:43They don't mean it at all.
37:44Do you understand?
37:45And you're smart.
37:46And so you give them
37:47a little more attention.
37:49And so you hug her,
37:50you caress her,
37:51you cuddle her,
37:52you give her kisses
37:54and you tell her,
37:55my child,
37:56my love,
37:57none of them are like you.
37:59They'll be real, my boy.
38:00Real.
38:02Let her be the one
38:03who wants to prove to you
38:04that she's better than the other.
38:06Do you understand?
38:07I'm right.
38:08Right, Hector?
38:14You probably got him, guys.
38:19No!
38:20No!
38:21No!
38:22No!
38:23Lola!
38:24Are you okay?
38:25I'm fine, I'm fine.
38:26Don't tell me.
38:27Don't tell me you killed yourself.
38:29I was in the air.
38:30Don't go back.
38:31Wait.
38:33Cheers.
38:34Cheers.
38:39So, what was I saying?
38:40Show me,
38:41remind me a little.
38:42We had left
38:43all the thoughts about...
38:45Oh, right,
38:46I remember.
38:47About the show.
38:48Wait, let me see.
38:49Here.
38:50Yes, yes.
38:51Okay, we'll see
38:52how we'll proceed with it.
38:53Yes, here.
38:54It was a very good idea of yours,
38:55wasn't it?
38:56Yes, it was.
38:57And...
39:02So, you know...
39:04My cell phone, sorry.
39:08Come on, Lola.
39:09What happened?
39:10What do you mean what happened,
39:11my dear?
39:12We've been here
39:13for a long time,
39:14nothing.
39:15He's in there,
39:16and he's threatening to kill himself.
39:17What?
39:18We're being followed everywhere.
39:27I came to ask
39:28for the signature of the contract.
39:34Yes.
39:35I'm coming.
39:36I'm coming in.
39:37Yes.
39:40I'm on the phone with Lola.
39:42I won't take long.
39:43Wait for me.
39:44I'm coming.
39:48Let me tell you, my dear,
39:49maybe...
39:50I mean, maybe...
39:51Man doesn't have
39:52so much evil
39:53that he wants to kill himself.
39:55Let me tell you, my dear,
39:56don't joke around.
39:57The situation is very bad.
39:59Fotis is coming
40:00with his wife.
40:01His wife is coming.
40:05Hector,
40:06your wife is here
40:08and she wants to talk to you.
40:11Put the gun down
40:12and she'll come
40:13to talk to you.
40:15Put the gun down, Hector,
40:16and your wife is coming.
40:19Bravo.
40:20She's coming.
40:24Bravo.
40:25Bravo.
40:27Hector, it's me.
40:30I came to ask you
40:32not to ask you
40:33but to take you in,
40:35to beg you
40:37to press the button
40:38and kill yourself.
40:40You've made everyone jealous.
40:42Who knows
40:43who else has lied to me?
40:45I don't believe it.
40:51Wine?
40:52Leave it.
40:54I brought my own.
41:00Guys,
41:01guys,
41:02because I have
41:03a very serious problem
41:04here,
41:05I would like you
41:06both to leave.
41:09All right.
41:13Let's go.
41:18Look at that.
41:19We made him jealous.
41:21I'm not moving him out of here.
41:25If you don't explain to me
41:26what Stefanos wanted here.
41:28My dear,
41:29the kid came to show me
41:30some of your notes.
41:31Please, don't exercise.
41:32Me?
41:33I'm the one who's exercising?
41:34Giorgos,
41:35show some understanding.
41:36Don't be so selfish.
41:37Now I'm selfish too.
41:38Thank you very much,
41:39my dear.
41:40Finally,
41:41you're going to reveal
41:42your real opinion about me.
41:48You have your own.