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La cinéaste primée aux Oscars Julia Reichert revient sur les dynamiques sociales, économiques et personnelles qui ont façonné sa carrière de documentariste d'avant-garde.

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Transcription
00:00Do you feel it's important for women to be feminine?
00:02Very, very much so.
00:04I think every woman should be feminine.
00:06I think that every man wants a woman to be feminine.
00:09Recognizing a man's masculinity and making him feel more masculine, this is femininity.
00:16When I think about a woman being feminine, the way that she can prove that she's a woman,
00:20she can have a child, you know, and she can cook and she can soak.
00:23It was filmed in basically 10 days over spring break in March and early April of 1970
00:30in towns around Yellow Springs, Ohio.
00:35It has a two-to-one shooting ratio, so most of what we shot is actually in the film.
00:42We edited it right after the students were killed by National Guard at Kent State and Jackson State.
00:49We edited on an upright moviola that broke down every day and that we had to fix.
00:57One day, I edited.
00:59One day, Jim edited.
01:01One day, I edited.
01:03The next day, Jim edited.
01:05We believed that the only way to achieve equality was to actually live it.
01:10Even though Jim found it easier to edit, we always made it equal.
01:19We did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did, we did

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