00:00My name is Sophia Reynolds and I'm here in Norwich.
00:03I just said goodbye to my job at Jack's Café in London for six days.
00:08I feel so happy.
00:09I want to laugh and shout and tell everyone about it.
00:13I'm going to be in a film with Fabio Fertelli.
00:17Yes, me, Sophia Reynolds, in a film with Fabio Fertelli.
00:24I love his movies.
00:26And now I'll be in one with him.
00:29Okay, I'm not the star.
00:30There will be many people in the film.
00:32I'm just an extra.
00:33I won't speak.
00:34But I'll still be in the film with Fabio Fertelli.
00:39It's 8 a.m.
00:40I must be at Chapel Field Park by 10 a.m.
00:43I have two hours.
00:45First, I'll take my bag to the hotel.
00:48As I begin to walk, a woman stops me.
00:52Excuse me, can you tell me how to get to Bank Street, she asks.
00:56I smile.
00:58I don't know Norwich well, but I have a map, I tell her.
01:02Thank you, she says.
01:05The map is big, and it's a windy day.
01:08My hair is blowing in my face, and I can't see.
01:11I try to find Bank Street, but the wind blows the map out of my hands.
01:14Oh no, I laugh.
01:18The woman tries to help me, but the wind keeps taking the map farther away.
01:23Come back here, I shout, running down the street after it.
01:26The map goes under a bus.
01:29I wait for the bus to stop, then quickly grab the map.
01:32I walk back up the street, but the woman is gone.
01:36That's strange, I think.
01:38I put the map in my bag, but something feels wrong.
01:42These aren't my things, I say.
01:45This isn't my bag.
01:48Oh no, she has my bag.
01:50I look up and down the street, but the woman is gone.
01:55I don't know what to do.
01:57Everything is going wrong.
01:58First the map, now my bag.
02:01Then I see something.
02:02A police station.
02:03I pick up the woman's bag and start to run.
02:07I rush into the police station.
02:10My bag!
02:11I shout to the policeman behind the desk.
02:13She has my bag!
02:14You must help me, please!
02:16The policeman doesn't even look up.
02:19He's writing something.
02:21Sit down, please, miss, he says calmly.
02:25I don't want to sit.
02:26I want him to run into the street and help me.
02:30You don't understand, I say.
02:31That bag has all my things in it.
02:34The policeman finally looks up.
02:37He has beautiful dark eyes.
02:43Not like Fabio's, of course, but still beautiful.
02:51Wait!
02:53Why am I thinking about his eyes?
02:58That woman has my bag, I repeat.
03:03There are others waiting, the policeman says.
03:09Please, sit down.
03:13I turn around.
03:15There are three or four people behind me.
03:19They all want to speak to the policeman, too.
03:25But I have to be at work by 10 a.m.
03:29I try again, but the policeman just looks at me.
03:36Please, miss.
03:38I know.
03:40I sigh.
03:42Sit down.
03:45So, I sit.
03:48And I wait.
03:49After 30 minutes, the policeman calls me over.
03:55Sit down, please, he says.
04:01I sit.
04:03Name?
04:05Sophia Reynolds.
04:08He writes it down.
04:10And how can we help you?
04:16I explain the situation.
04:19Now she has my bag and I have hers.
04:25I hand him the woman's bag.
04:29He opens it.
04:31No name inside, he says.
04:37We can't find the woman.
04:40What can we do?
04:43I ask.
04:44You must leave the bag here, he says.
04:50Now, tell me what was in your bag.
04:54I tell him, and he writes it down.
04:59Okay, Miss Reynolds, he says.
05:03We must wait for the woman to come in.
05:08Come back this afternoon.
05:11Or call us.
05:13He writes a phone number and gives it to me.
05:18Give me your number, too, he says.
05:23I do.
05:25And get up.
05:27Thank you, I say.
05:31Goodbye, Miss Reynolds, he says, looking away.
05:36Next, please, he calls.
05:41A man comes up.
05:44Sit down, please, the policeman says.
05:49Mr. Sit down, I think.
05:53That's a good name for him.
05:56Out on the street, I look at my map for Chapel Field Park.
06:05Good.
06:06It's not far.
06:09I can get there by ten.
06:11I begin to walk.
06:14Then, I hear something.
06:17A small boy is next to me.
06:22He's about three or four, and he's crying.
06:27Hello, I say gently.
06:31Where's your mother?
06:33The boy doesn't answer.
06:35He just cries.
06:37I take his hand.
06:39Don't cry, I say.
06:40I look around, but I don't see his mother.
06:44I know what to do.
06:46Come on, I smile.
06:48Come and see Mr. Sit down with me.
06:52He's a policeman.
06:54The boy walks with me, still crying.
06:58We go back to the police station.
07:02Everyone stares as we walk in.
07:04He's crying loudly.
07:06The policeman is speaking to a woman at his desk.
07:10I take the boy to him.
07:13Miss Reynolds, the policeman says.
07:16This boy can't find his mother, I tell him quickly.
07:20Excuse me, the policeman says to the woman.
07:24He gets up and kneels by the boy.
07:26What's your name, he asks.
07:28The boy stops crying.
07:31Peter, he says.
07:32Then he looks at the policeman.
07:36Are you Mr. Sit down, he asks.
07:40Oh no, the policeman looks at me.
07:45His eyes are smiling.
07:48I'm PC George Cooper, he tells Peter.
07:52George, I think.
07:54His name is George.
07:57Suddenly a woman rushes into the station.
08:00Peter, she shouts, running over to him.
08:04Mommy, Peter cries.
08:08George smiles at me.
08:10I smile too.
08:13Everyone is happy.
08:16Thank you for your help, Miss Reynolds, George says.
08:21Excuse me, says the woman at his desk.
08:24I must be at work in ten minutes.
08:26Work, the film, I'm going to be late.
08:31Goodbye, I call to George.
08:33See you this afternoon.
08:36And I run out of the police station.
08:39As I wait to cross the street,
08:42I think about Fabio Fatelli.
08:45Is he already at Chapel Field Park?
08:48A red car is speeding.
08:51The car in front of it stops,
08:56but the red car crashes into it.
09:00Crash!
09:01I rush to the front car.
09:04Are you okay?
09:06I ask the man.
09:08My new car, he says, getting out.
09:14He walks to the red car and starts shouting.
09:19Look at my car!
09:22The man in the red car gets out.
09:26He looks angry too.
09:28Look at my car, he says.
09:31People are stopping to watch.
09:35They're going to fight.
09:37Why don't they go into the police station?
09:41But they don't, so I do.
09:45Inside, George is still at his desk.
09:51Miss Reynolds, he says.
09:54Please come, I tell him.
09:57There's going to be a fight.
10:00He quickly comes with me.
10:04Outside, the two men are yelling and shoving each other.
10:11George takes control.
10:14He handles it like a professional.
10:19I watch him and suddenly think about Fabio Fatelli.
10:25In his films, the bad guys always lose.
10:30But now, I must get to the park.
10:35I leave George and run up the street.
10:40I reach Chapel Field Park at 9.59.
10:45I'm not late, but I don't look good.
10:49My hair is a mess.
10:51It's a bad hair day.
10:53By 10.30, though, I look like someone from the 1960s.
11:00That's the film's theme.
11:03Beautiful Young Things, a 1960s movie.
11:09All the extras have big, 60s-style hair.
11:12Fabio Fatelli plays Ricky Burns, a famous singer.
11:23All of us extras are there to cheer for him.
11:26Okay, the director shouts.
11:29You're all big fans of Ricky Burns.
11:33He'll be here any minute.
11:36Start shouting for him.
11:39Everyone starts to yell.
11:41Ricky!
11:43Ricky!
11:43Then, a tall man with dark hair and cold eyes walks over.
11:51Fabio.
11:52I shout, Fabio!
11:55Stop, the director says.
11:59Shout, Ricky!
12:01Not Fabio!
12:03Oh, no.
12:06Sorry, Fabio, I whisper.
12:08His eyes are cold.
12:12That's strange.
12:14They never look cold in his films.
12:17The director yells again, and we keep shouting.
12:22After 30 minutes, I lose my voice.
12:26We stop for a drink.
12:28I check my phone.
12:31It's a message from George.
12:33He's found my bag.
12:34Okay, everyone, the director yells.
12:40I put my phone away and run out.
12:44Crash!
12:45I run into someone.
12:48It's Fabio Fatelli.
12:50Why don't you look where you're going?
12:53He yells.
12:54Look at my trousers!
12:57I'm sorry, I start to say.
13:01But he walks away.
13:03I watch him go.
13:04You have beautiful eyes, I think.
13:10But you're not a beautiful man.
13:14Then I think about another man with beautiful eyes.
13:19PC George Cooper.
13:22We finish work at 5.
13:26What a day!
13:28I'm so tired.
13:31I walk slowly to the police station to get my bag.
13:38Outside, I hear a voice.
13:41Miss Reynolds, is that you?
13:44It's a man on a big motorbike.
13:47George!
13:49I smile and walk up to him.
13:54Thanks for your text, I say.
13:57He smiles.
13:59He looks great in black.
14:02I'm just doing my job, Miss Reynolds, he says.
14:08He's looking at my hair.
14:10Sofía.
14:11Is that why you're smiling?
14:14I ask silently.
14:19Or...
14:20Do you like me?
14:22Please call me Sophia, I say.
14:27Well, thank you for your help today, Sophia, he says.
14:32Your hair is very big this evening, he adds.
14:37I laugh.
14:39Yes, I'm having a big hair day.
14:43They are making a film in Chapel Field Park.
14:46I'm an extra.
14:48You are going to be famous then, he asks.
14:52Yes, I think about Fabio Fatelli and his cold eyes.
14:59But George is smiling and I don't feel sad.
15:04No, I say.
15:06I'm not going to be famous.
15:09George looks at me.
15:12Are you going to get your bag?
15:15He asks.
15:17Yes, I say.
15:19But I don't want to walk away from him.
15:21Then he says.
15:24Do you want to go for a drink?
15:27Get your bag first, I wait for you.
15:31I smile.
15:33A very big smile.
15:37Yes, I say.
15:38Yes, please.
15:41We don't just have a drink.
15:44We talk.
15:46We laugh.
15:48And then...
15:49He kisses me.
15:53It feels like a film.
15:56But this isn't a Fabio Fatelli film.
16:01It's a George Cooper film.
16:03And George Cooper films are very, very good.
16:09Good.
