- 1 year ago
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00:00You
00:30You
01:00You
01:30You
01:33You
01:36You
01:42You
01:44You
01:45I
01:50You
01:53You
01:55You
01:56You
01:58You're the one who's in the middle of the house.
02:00You're the one who's in the middle of the house.
02:28I don't want to see any of the things that I can't see.
02:42Eat it.
02:43No, I don't want to see anything.
02:48I can't see any of the things that I can't see.
02:51One more question.
02:52Is it true?
02:54No, it's not true.
02:56It's so important, but it's the manager and the manager.
03:01I knew what I wanted to do when I was able to see the lines of what I wanted to do.
03:06What did I want to do?
03:09I knew what I wanted to see the lines of the lines of the lines of the line.
03:13I was so tempted to die, but I was also a kid.
03:27I was so tempted to die, and I was a kid that was a kid.
03:36No!
03:44The black line of the dark line
03:47will have more meaning to start.
03:59When I saw the dark line of the truth,
04:01I realized that the truth of the dark line
04:03was the first time.
04:06I used to open my eyes and open my eyes.
04:27I want to keep my eyes on my own.
04:36I don't know.
05:06I was completely alone.
05:13I decided.
05:18If I could live here,
05:21if I could live here,
05:24if I could live here.
05:25If I could live here,
05:28if I could live here,
05:31if I could live here,
05:34and how I could live here.
05:50There you go.
06:01I was a couple of days ago.
06:03I was here to buy some chicken.
06:08I had a few days ago.
06:11I was here to buy some chicken.
06:13I was going to buy some chicken.
06:17When I was eating,
06:19I was eating chicken.
06:20I didn't eat chicken.
06:21I was trying to buy some chicken.
06:23Do you like the chicken?
06:25When I was born, I didn't eat it when I was born, but I didn't eat it when I was born, so I didn't eat it.
06:39I'm going to put it in front of you, so I'm going to eat it.
06:55I'm sorry.
07:05I'm sorry?
08:39안녕, 이따가.
08:46형 설마 또 제 차 긁었어요?
08:50야.
08:51무슨 날이야?
08:55네가 왜 이 시간이 등장하냐?
08:57그러게요.
08:58뭐 한다고.
08:59간만에 삼촌 노래 좀 해보려고 했더니만.
09:02역시 사람을 안 하던 짓으로 하면 안 돼.
09:04아, 그 고등학생 조카?
09:06요새 고딩은 상전인데?
09:08나 상전이지.
09:10근데 어쩌냐?
09:11나밖에 없는데.
09:12그럼 한 형사님 결혼하면 어떡해요?
09:14결혼?
09:15나 결혼 시에 올 거지.
09:21나 결혼 시에 올 거지.
09:31나 결혼 시에 올 거지.
09:32나 결혼 시에 올 거야?
09:33나 결혼 시에 올 거야?
09:38나 결혼 시에 올 거야?
09:40나 결혼 시에 올 거야?
09:42나 결혼 시에 올 거야?
09:43I'm going to work on my job.
09:48Why?
09:50What do you think about it?
09:54It's a sexual addiction.
09:57It's a shame.
09:59It's a shame.
10:03Sorry.
10:13It's a shame.
10:14It's a shame.
10:15It's a shame.
10:17It's a shame.
10:18It's a shame.
10:19It's a shame.
10:21Sona.
10:22Sona야.
10:23내가 나대지 말라고 했지?
10:26Sona야.
10:27왜 이렇게 멀리가 있는 거야?
10:30Sona야.
10:31나 좋아.
10:32이리 와.
10:33이리 와.
10:34땅이 나대라.
10:35이리 와.
10:36병신아.
10:38Sona야 괜찮아?
10:39Sona 아빠?
10:40Sona 세어봐.
10:41Sona 세어봐.
10:42Sona.
10:47Sona야.
10:48갖고 오라는 돈은 안 갖고 오면서.
10:50왜 싱구질이야.
10:53네가 있지.
11:00야 잡아.
11:03아이고 Sona야.
11:05Sona야 너 더 나 자야 돼.
11:07일어나.
11:08아이씨.
11:09일어나.
11:12야.
11:13니네 삼촌 경찰이라네.
11:15뻔하잖아.
11:16그리고 내 전화랑 문자는 왜 씹어?
11:19아이씨.
11:20아이씨.
11:21아이씨.
11:22야 무겁네.
11:23아이씨.
11:24야 무겁네 씨.
11:43부서?
11:45I don't know if I'm going to go.
11:48I'm going to go here.
11:51Okay?
12:07Hey, you're coming here?
12:09Yeah.
12:10I'm a young man who lives in the house.
12:12I'm a young man who lives in the house.
12:14I'm a young man who lives in the house.
12:18I've been in the cafe, so I've been a manager.
12:20What's your name?
12:22There's no one, and my two are two of them.
12:25I live in the house.
12:27A?
12:29I'll check it out.
12:40I'll check out the house.
12:42The house is clean.
12:44My house is clean.
12:54The house is clean.
12:59You guys have a young man who lives in the house?
13:10Oh?
13:16This is delicious.
13:17It's a famous house?
13:19No.
13:21It's a famous house.
13:27Check.
13:29Yes.
13:30I don't like you.
13:33I don't like you.
13:36I don't like you.
13:37You're actually a driver's license.
13:40You're in the evening,
13:42you're going to get a helmet.
13:44What?
13:46You're at this store store.
13:48You might not know what's wrong.
13:50Oh.
13:52I know that this guy's task is actually nothing.
13:56For money,
13:57there's no missing from any 흔적.
13:59No.
14:00No.
14:01Any other types of police?
14:03No.
14:04Exactly.
14:05I mean, it's not good?
14:06No.
14:07Right?
14:08How about the hotel's shop?
14:10Not right.
14:11I was viendo in the studio.
14:14I was looking for a couple of things like that.
14:16I was looking for one year.
14:21I'll kill you.
14:24Let's see.
14:26Okay.
14:26Hello, everyone.
14:55NPR 뉴스 안주영입니다.
14:587월 25일 화요일 뉴스 전해드리겠습니다.
15:01오늘 오후 신호동 빌라 당체에서 소사식 살인사건이 발생했습니다.
15:0620대 여성 한 명이 숨졌고 최근 신호동 인근에서만 세 번째 살인사건이 일어났지만
15:11아직 범인을 특정할 만한 단서가 나오지 않아 경찰들도 수사에 난항을 겪고 있습니다.
15:17때문에 인근 주민들까지도 모두 불안에 떨고 있는데요.
15:21박성원 기자의 보도입니다.
15:22오늘 날 신호동 한 빌라에서 혼자 사는 20대 여성이 목돌려 숨진 채 발견됐습니다.
15:30경찰은 강제 침입 흔적이 다분한 것으로 무발적인 강도살해 사건으로 보고 수사에 착수했습니다.
15:38최근에도 신호동 근처에서 혼자 사는 30대 여성이 살해된 것으로 보고
15:43수백 개의 S라인을 가진 사람도 있기 힘들지만
15:46단 한 개의 S라인을 가진 사람도 눈에 띄지 않는 건 아니다.
15:55더군다나 살인사건 한 장에서
15:57뭔가를 엿대리려고 하는 사람이라면
16:00지름이
16:05구멍스
16:05이
16:15어느새
16:20현실화
16:21ejerc
16:24What do you mean?
16:25You can't hear any noise.
16:27But it's time to go to bed and night.
16:31You can't hear anything.
16:33I don't know.
16:54Oh, my God.
17:24네, 긴급신고 112입니다.
17:31맞은편집에 헤르스 남자가.
17:37네, 듣고 있습니다. 말씀하세요.
17:41여보세요?
17:54여보세요?
17:55여보세요?
17:56여보세요?
17:57여보세요?
17:58여보세요?
17:59여보세요?
18:00여보세요?
18:01여보세요?
18:02여보세요?
18:03여보세요?
18:04여보세요?
18:05여보세요?
18:06여보세요?
18:07여보세요?
18:08여보세요?
18:09여보세요?
18:10여보세요?
18:11여보세요?
18:12여보세요?
18:13여보세요?
18:14Today's video is simple and isn't out?
18:16It's amazing, isn't out or is out of town.
18:19It's easy to see.
18:29Now we are talking about a lot of people's härplaces in town.
18:32Some of the mountains where there's some nubbeta who's poner of something like this,
18:36they're asking for a part of the people who are taking this.
18:40Then they're asking for what to do.
18:41You're going to be able to get a lot of money.
18:44This is not going on, isn't it?
18:56What's that?
18:58What's that?
19:00What's that?
19:41아, 그럼 제발, 너 학교 안 갔어?
19:52삼촌, 나 돈 좀 줘.
20:11일단 이걸로 쓰고 있어. 나 일 더 뽑아다 줄게.
20:21얼마 더 줄 수 있는데?
20:33야, 너 얼굴 왜 이래?
20:44맞고 다니냐?
20:46뭔 상관인데, 얼마 더 줄 수 있냐?
20:49돈이 왜 필요한데?
21:01돈이 왜 이래?
21:17돈이 왜 이래?
21:23형.
21:33어, 왜?
21:34그 어제 신고전화 하나가 들어왔었는데,
21:36헬멧 얘기를 하면서 신고를 했었대요.
21:38아니, 배달원이 용의자일 수도 있다는 거 사나간 적 없잖아요.
21:42신고일치가 어딘데?
21:43잠시만요.
21:45신우동이고요.
21:46완성빌라 나동?
21:49어, 근데 여기 형 집 아니에요?
21:51나동?
21:53방주경찰사 한지옥 형사입니다.
22:18아내 계십니까?
22:21S라인 이렇게 많은 사람을 가까이에서 본 건 처음이다.
22:28안녕하세요.
22:42아, 이거 소용없어요.
22:44안 나올걸요?
22:45동네에서 히키코너리로 유명한데,
22:47쓰레기 버려주는 사람들도 일테니깐요.
22:50하..
22:52하..
22:53하..
22:54하..
22:55하..
22:56하..
22:57하..
22:58하..
22:59하..
23:00하..
23:01아..
23:02잠깐이면 됩니다.
23:03어제 경찰로 신고하셨죠?
23:04목격하신 게 있으시면 말씀을 해주세요.
23:08인근에서 발생한 살인사건의 중요한 증거가 될 수 있습니다.
23:12하..
23:13하..
23:14하..
23:15하..
23:16하..
23:17하..
23:18하..
23:19하..
23:20하..
23:21하..
23:22하..
23:23하..
23:24하..
23:25하..
23:26하..
23:27하..
23:28하..
23:29하..
23:30하..
23:31하..
23:32하..
23:33하..
23:34하..
23:35하..
23:36하..
23:37하..
23:38하..
23:39하..
23:40하..
23:41하..
23:42하..
23:43하..
23:44I think that he's a helmet on my plane.
23:48He thinks that she's dangerous so she's a man.
23:51A woman?
23:53She's a woman of the house,
23:55204号.
23:59She has to be a lot of cases,
24:02but she's a woman.
24:07But...
24:10You're a student?
24:12You're a school?
24:16Oh, these are the bitches.
24:26But I don't know how to do this?
28:09It's not going to come out.
28:11It's famous in the city of Hikikomori,
28:13but there are people who have to do it.
28:17303 of them,
28:19and they all have to kill each other.
28:23That's right.
28:25That's right.
28:27That's right.
28:31We can't do anything else.
28:39You're welcome.
28:45You're welcome.
28:50Yes.
28:53You're welcome.
28:55I'll go to the house.
28:58Yes?
29:09You're welcome.
29:19Hello!
29:20How are you?
29:21Yes, our patients are suddenly there now.
29:23We're coming around and hearing a touch.
29:24So, we're all going to the house.
29:27So, you're going to be surprised at some time.
29:30I'll take it.
29:31I'll do it.
29:32I'll do it.
29:49Wait.
29:50Charlie...
29:52Why don't you go here with the fine sheet?
29:59Oh, my feet are gone.
30:00Hey, but...
30:01O, see, aku where you can go?
30:05Oh, my feet are a град, get here at night...
30:08Hurry, hurry,ければ...
30:12Alright, the police is gone.
31:52Oh, this is what it is.
32:20Ah, I'm going.
32:27What is your weird?
32:29What is your weird?
32:30Did you get in?
32:31What is your weird?
32:34What is your weird?
32:37What is it?
32:38Aunt.
32:39Aunt.
32:40Aunt.
32:41Aunt.
32:43What is it?
32:46What is it?
32:48I don't know.
33:18I don't know.
33:48I don't know.
34:18I don't know.
34:48I don't know.
35:18I don't know.
35:48I don't know.
36:18I don't know.
36:48I don't know.
37:18I don't know.
37:20I don't know.
37:22I don't know.
37:24I don't know.
37:28I don't know.
37:30I don't know.
37:38I don't know.
37:40I don't know.
37:48I don't know.
37:50I don't know.
37:52I don't know.
37:54I don't know.
37:56I don't know.
38:02I don't know.
38:04I don't know.
38:06I don't know.
38:08I don't know.
38:18I don't know.
38:20I don't know.
38:22I don't know.
38:24I don't know.
38:34I don't know.
38:36I don't know.
38:38I don't know.
38:48I don't know.
38:50I don't know.
38:52I don't know.
38:54I don't know.
38:56I don't know.
38:58I don't know.
39:00I don't know.
39:02I don't know.
39:04I don't know.
39:06I don't know.
39:08What are you doing?
39:38I'm sorry.
39:49Yeah.
39:51You're not alone.
40:05If you're not alone, you're dead.
40:21Oh yes, yes.
40:22What did you do?
40:24Elmer's birth was a pretty good one.
40:27That's very good, obviously.
40:32Oh!
40:33Uh-oh!
40:34Ah!
40:35Ah!
40:36Uh!
40:37Ah!
40:38No!
40:39Ah!
40:40Ah!
40:41Ah!
40:42Uh!
40:43Ah!
40:44Ah!
40:45Ah!
40:46Ah!
40:46Ah!
40:47Ah!
40:48Ah!
40:49Ah!
40:49Ah!
40:49Ah!
40:50I don't know what the hell is going on.
42:20I'm gone.
42:50No, you're not going to go to the hospital?
42:56The only one who died in the past, who is it?
43:03I'll tell you later. I'll come back to the police.
43:07What happened?
43:10What happened?
43:11What happened?
43:12Why don't you contact me?
43:19The sun glasses...
43:26Do you know each other?
43:37Why?
43:38Don't you pay attention to me?
43:41Are you a ATM?
43:44Don't you try new to us?
43:50Are you better?
43:52What do you think about the end?
43:54You don't need the end to be able to let your wife in the park
43:58miami too
43:59You speak this way
44:02You say you're a mess of what?
44:04A mess of my problem when trouble I have
44:06Security? To look for what problem can I help you?
44:08What is solving your right?
44:10You're parasing me as a follow-up man
44:11You're friendly at me with me
44:12Let's go to an office!
44:14He was like, he's also going to fall out.
44:18I'm going to take you out of him, you idiot.
44:20What, you idiot?
44:21This guy is really...
44:28That's it.
44:31But...
44:34Your sister...
44:36Why was she outside?
44:38You're a kid, how are you?
44:41He was a kid.
44:44She was young when she was a kid, she died.
44:47I didn't know?
45:08When I first saw S-Line, I thought I'd be able to save a person.
45:15But now I'm going to do what to do now.
45:38Transcription by CastingWords
46:08CastingWords
46:38CastingWords
47:08I'm disgusted.
47:10What?
47:11Why did you kill me?
47:13I don't understand why I killed you.
47:15I'm going to have you still?
47:17Of course.
47:18Did you eat anything wrong?
47:19I'm going to be wrong.
47:21Why am I wrong?
47:23Sonah, I'm going to kill you.
47:28I'm going to kill you.
47:38You don't pray for church.
47:40It hurts.
47:45How can we know?
47:47I'm as deceived as you are denied.
47:52We're connected to the light.
47:57Like a sign in the sky, so clear there's no need to seek.
48:14I follow the line that takes me to the land of the truth.
48:22Can you believe this?
48:25That everyone gets read for reasons.
48:28There's nowhere else to hide the past.
48:31Late.
48:32I think we just gotta say.
48:38Between the lines.
48:40What is real?
48:41What is not?
48:43How are you so sure?
48:45Still insecure by myself?
48:52How can we know?
48:54It's a never, ever ending lullaby.
48:59We're tangled with the lies.
49:08Denying.
49:10Yeah, we're tangled with the lies.
49:17The end is yellowyyy you've emerged.
49:20Never deliver the lies.
49:21What's real?
49:22How are you Mill Mountain?
49:23Where you?
49:24Yeah.
49:25What is real?
49:26What a random girl does.
49:27How far and what broken the habitualinaعger is?
49:28I had no procrastination to think.
49:29Until then, we're in theofficial format.
49:30Today.
49:31The end is the map of theعة Fenway.
49:33I'm a mansionist.
49:34IWatch severalертв�� Dublin's app.
49:35What is real?
49:36A humble nature.
49:37αν uma unseen zenya's attitude in the city.
49:39For over 400 000 Transparency,
49:41It's not happier people and at work local하세요.
49:42It's not back where em are created.
49:43If you just double或者 stroke,
49:44kaufen which runs away through here,
49:47You