మిరాయి సినిమా రిపోర్టర్స్ మీట్లో టీమ్ ఆసక్తికర విషయాలు పంచుకుంది. కంటెంట్ చాలా బలంగా ఉండటమే కాకుండా ప్రేక్షకులను ఆకట్టుకునేలా ఉందని, అందుకే ఈ సినిమాను ఒప్పుకున్నామని టీమ్ చెప్పింది.
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NewsTranscript
00:00happy as media for the celebrations that went on here for the just for the trailer release you know
00:07are they are you trailer release game the uh uh just i am visualizing and all the best to the
00:18each and every member of the team and most importantly our star producer visvaprasad
00:24gearu asal mbikunna guts me then you know question mema lady dan kundan sir you had a spate of
00:32disappointments uh annyi chala kotlo kotlo me the uh nadi cindada antha koda but still you are again
00:41ready for such kind of a film but prabastu chade one day danny vayoharum veru but ikkada still one
00:49super hit and that side manoj and karthik gattamneny's film previous film is not
00:57come promising asal meeru a raqo in a judgment me the is in man take up to see in the range
01:04in japan jalo mirudini workout chaser sir so industry i think 2017 active involved in
01:18i think one of the first film karthik i have seen him closely and chalaman
01:26so then we had a journey continued with karthik gattugani damaka or eagle so
01:43ee cinema take up changes much before eagle release or anuman the concept with me
01:49and at a very high level so we are super confident so tarwatha in ka ee cinema baitiko chanaka you all
01:57feel and a dhin ki yanduku we are so confident than nadi and a teaser and trailer lalready
02:02chosen taru but cinema is much bigger than this and me go it's not and a teaser trailer lalema
02:08chadangadu cinema lal you can see lot more so dhin mida then you will know why we are so confident
02:13and very good all the very best sir charla peddha hit kaval and korkunth no cinema thank you
02:19teja gandu
02:23trailer charla bombay so
02:25and
02:25ee eru raka rabo yu mounnalo
02:28custom anu edur juse a promising one of the
02:30cinema lalui
02:31mounnali simmal me check kulevu but alis lo mimi simma godo
02:34chindani piti trailer jeeptoni moment for the
02:36congratulations and
02:38and
02:39okay philosophical dialogue is there trailer lho
02:42edhan upay
02:44yuala
02:44How did you do success in this job?
02:49100% sir.
02:51I think the dialogue was written by Rajan.
02:57As you said, this is my presence, this is my God.
03:03This is my sensibility and my God.
03:06Everything is going well.
03:09How did you join the magic of Hanuman cinema in this cinema?
03:18No sir.
03:19It was the core idea of the cinema.
03:21It was the name of Mirai.
03:23When you announced the Hanuman release,
03:26I would say that Mirai was the idea.
03:28So, it was that idea.
03:29I know that Hanuman is not connected to it.
03:32If you are a young man,
03:35I have a little excitement towards the fantasy,
03:39or if you have a cool morality and morals,
03:43I have a little bit of an element.
03:50Sir, are you going to disappoint yourself?
03:52No.
03:53He is going to disappoint yourself.
03:55He is going to disappoint yourself.
03:56How are you?
03:57So far.
03:59No.
04:01No.
04:02You are not.
04:03I have to check.
04:04I have to check.
04:05Not sure?
04:06That's right.
04:07But, the new cinema is going to sign that.
04:08So, the credit goes to my director Vijaygarar and he didn't disappoint me.
04:11I am very happy with Bairou.
04:12Okay, okay.
04:13You are not going to disappoint yourself.
04:15I am going to tell each other.
04:16You are not going to disappoint yourself.
04:17I am going to?
04:18I am going to win.
04:19You are going to win.
04:20Where are you going to win?
04:21Yes.
04:22I am going to win.
04:23I am going to win.
04:24I am a good technician in the industry.
04:31In this film, it is a lot of technical work, but it is a lot of appreciation for you.
04:44If you are down to the script level, you will be down to that film.
04:49So, what do you think about this?
04:52Sir, it has been written for five years.
04:55It has been a lot of time for the execution.
04:58We will do a lot of research.
05:00We will do a lot of research.
05:03So, we will talk about it in the 12th.
05:05Sorry.
05:06Sir, in this film, there is a lot of doubt.
05:10How do you think about it?
05:12It is possible.
05:13It is possible.
05:15It is possible to do a trailer.
05:17It is possible to do a customer.
05:19It is possible to do a lot of research.
05:22Sir, sir.
05:23Sir.
05:24Sir.
05:25Sir.
05:26Sir.
05:27Sir.
05:28Sir.
05:29Sir.
05:30Sir.
05:31Sir.
05:32Sir.
05:33Sir.
05:34Sir.
05:35Sir.
05:36Sir.
05:37Sir.
05:38Sir.
05:39Sir.
05:40Sir.
05:41Sir.
05:42Sir.
05:43Sir.
05:44Sir.
05:45Sir.
05:46Sir.
05:47Sir.
05:48Sir.
05:49Sir.
05:50Sir.
05:51Sir.
05:52Sir.
05:53Sir.
05:54Sir.
05:55Sir.
05:56Sir.
05:57Sir.
05:58Sir.
05:59Sir.
06:00Sir.
06:02Yes.
06:03Sir.
06:04Sinematographer.
06:05Sir.
06:06Sir.
06:07Sir.
06:08Sir.
06:09Sir.
06:10Sir.
06:11Sir.
06:12Without saying that that the Goppa Storyteller coulda, it goes without saying.
06:16Anyway, sir.
06:17Sir, either I know.
06:18Sir, you are ready to go.
06:22Sir, you are ready to go.
06:25Mr. Murtikar, you got clarification.
06:27Karthikar dates also as Director.
06:29Mr. O'Nan?
06:30Mr. O'Nan?
06:31Mr. O'Nan?
06:32Mr. O'Nan?
06:33Mr. O'Nan?
06:34Mr. O'Nan?
06:35Mr. O'Nan?
06:36Mr. O'Nan?
06:37Mr. O'Nan?
06:38Mr. O'Nan?
06:39Mr. O'Nan?
06:40Mr. O'Nan?
06:41Mr. O'Nan?
06:42Mr. O'Nan?
06:42Mr. O'Nan?
06:43Mr. O'Nan?
06:44Mr. O'Nan?
06:45Mr. O'Nan?
06:46Mr. O'Nan?
06:47Mr. O'Nan?
06:48Mr. O'Nan?
06:49Mr. O'Nan?
06:50Mr. O'Nan?
06:51Mr. O'Nan?
06:52Mr. O'Nan?
06:53Mr. O'Nan?
06:54Mr. O'Nan?
06:55Mr. O'Nan?
06:56Mr. O'Nan?
06:57Mr. O'Nan?
06:58Mr. O'Nan?
06:59Mr. O'Nan?
07:00Mr. O'Nan?
07:01Mr. O'Nan?
07:02Mr. O'Nan?
07:03Mr. O'Nan?
07:04Mr. O'Nan?
07:05Mr. O'Nan?
07:06is 100% jargali.
07:07This is what we are doing,
07:09and that's why we are doing it.
07:12Definitely,
07:13Grahal is a great deal.
07:15Grahal is a great deal of moments,
07:16he is a great deal of comments,
07:17he is a great deal of things.
07:19What do we have to do?
07:20Because we are talented people,
07:22because we are the people of the world,
07:23we are the people of the world.
07:25If I have come to the stage,
07:28just because
07:29the audience of me is the God of God.
07:33Panindeshtar Anadhrabhavan.
07:35Mr. I don't know. I was just a few friends.
07:45Mr. I am here.
07:47Mr. I have to reveal this.
07:50Mr. One, two, three, four, nine work will be a occasion.
07:57Mr. No sir.
07:58Mr. I have potential scope in a space sir.
08:01But it depends on the result of it.
08:06Hello, Hari Garu.
08:13Hello, Andy.
08:14Hi.
08:16Last time you have a lot of goosebumps.
08:21I think your background score is going to add up to 20%.
08:30Welcome to the collections and experience.
08:32Thank you so much.
08:34Thank you so much.
08:35Tejagar, hi.
08:38First of all, very good trailer.
08:42You set the right expectations for the audience to come.
08:46So, one thing, initial first teaser, you guys revealed the concept of Ashoka and Nain Bhushka.
08:52Later on, now, Ramudu Natshin Teatra and Treta Yugam.
08:57So, there is a link in the movie, like it's more towards the Ashoka and Kalinga war or this devotion part?
09:06There are two things.
09:07It means that you have to dwell in the community or others.
09:11I'm very clear about that Ashoka and Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka, Nain Bhushka.
09:17And that was the time that we started the cinema.
09:20So, it will be starting a few more portions for everyone to understand clearly what we are talking about.
09:26After that, the cinema was starting the presentation.
09:30I thought that I was looking for a mother to see the mother to see the mother.
09:35I know that there is a society already in the world.
09:38That society, I have no idea of the society.
09:40I have no idea of the society.
09:42I have no idea of the society.
09:44I will continue in English only.
10:11You have been doing in many languages in India, across all the states and you have been seeing the way the films are being made on a higher and larger scales, more particularly in Telugu. Now you are part of such a big project and a leviathan project now you are doing now, part of being that. And how do you feel being present in this kind of a project?
10:37That is the reason I am asking. That is the reason I am asking. Because you have done, as Mr. Manoj is now referring, you have done in Tribular. Okay. Now that how do you grade this film after doing a film like Tribular?
10:59How do you grade this film?
11:04It is a lot of loaded questions. But I think as an actor, a film is a film. And actor for me, on set, I want to give my hundred percent.
11:19Because every role, every character is important. But when you see the director so driven, and story has so much power, and you know that everybody is so excited about it, there is energy.
11:33When you go on the set, when you go on the set, in front of the camera, you know, everybody is so driven. That is another level of excitement that you have.
11:42So, Kandipa, when I was doing RRR, I knew it was a big film. And it became so big, that is everybody's contribution.
11:50And this film also, of course, Raj Murali sir, I absolutely am a big fan. Comparison, we should not do.
11:59Kani, Ikhada, Gautam Garu, he has written a beautiful script, he has worked really hard.
12:05Karthik Garu, sorry, he has written a beautiful script, he has worked really hard. And to be in front of the camera, to be behind the camera, direct it also, and actually, you know, it's very hard.
12:17He has done a very hard job. First day long when I did that shot with him, and I am like, how are you doing it?
12:22You are a director also, you are a cameraman also, and how are you doing it? But he has done a great job, great visual treat it will be.
12:31It has lots of emotions. And you have seen all the actors have done a great job. So, I think you will love the film.
12:40For me, I enjoy being part of cinema, and I hope that I keep getting roles like this.
12:46Okay, do you foresee Raj Mowli in him?
12:49Huh?
12:50Do you foresee Raj Mowli in him?
12:52Do I see… I think I am a very small person to say that. I think the whole industry… you know, I think it's very important that I don't see…
13:03I don't… I think it's very important I don't say, do I see a Teja Sarja in a new actor? No, it's like, Teja Sarja has worked really hard to be where he is.
13:11All the actors have worked really hard to be where they are. He's worked really hard to be where he is. Comparisons I'll never do.
13:18But I love Raj Mowli, sir. And I love what Kartikaru has done. And I love the hard work he's put in. And I love the film he's made.
13:29Adhik Oswam, please go watch it on 12th. Also because 11th is my birthday, so 12th will be a gift for me.
13:36Very nice. Very nice. Teja, one minute.
13:39Sir, sir, one minute.
13:40Teja, Indakka…
13:41No, no.
13:42You are a Raj Mowli, Kanipistan.
13:45Ah, that's it.
13:46Sir, I know one of the answers.
13:47No, I don't answer.
13:48I'll answer it.
13:49The problem is, okay, Raj Mowli, sir.
13:50Yeah.
13:51That is true.
13:52Okay, Natasimha.
13:54And I think it's okay for Kartikar.
13:57Oh, aye.
13:58If you're watching the television, you can show me a film from the television.
14:01You can support all the blockbusters.
14:04Yeah, I think we should support each other, support everybody's good work.
14:09Whoever does, I mean, in this industry, it's very important.
14:13Comparisons are not needed.
14:16And for me to say who I… I love them both, but yeah, this I really enjoyed being part of.
14:22Very nice.
14:23Teja, one minute.
14:24One minute.
14:25You are going to hit the bullseye with Mirai.
14:37And this is going to be a blockbuster by all standards.
14:40I am telling you.
14:41We will meet in this success meet and you will repeat my words on the dais.
14:45Teja, sir.
14:48Teja, sir.
14:49Teja, sir.
14:50See, the trailer is very good.
14:53Thank you, sir.
14:54Thank you, sir.
14:55Thank you, sir.
14:56Looks like a very promising film.
14:58Thank you, sir.
14:59Thank you, sir.
15:00Thank you, sir.
15:01Looks like a very promising film.
15:02One thing, Hanuman is a pattern.
15:05Especially for Hanuman, there are a lot of cinema.
15:09Obviously, there are a lot of teamwork and hard work.
15:12You have to work with the customer's design signature.
15:13Many people are doing this.
15:14But, they are helping the customer.
15:15They have helped.
15:16They have helped toale the company."
15:17Once the film, they have helped to take a bit of comportement.
15:18But, they have to be a section which we are told the credit to be ongoing.
15:23And many people try to make the details of the credit.
15:28That is true.
15:29But, they have all other things in history.
15:32Do you know how it is?
15:33Dear friend, sir.
15:35My question is, is there great time?
15:37Sir, this is what I am talking about.
15:40Any industry.
15:43In any industry, everyone has a little bit of ambition,
15:48and everyone has a problem.
15:50First time,
15:52when I was in doubt,
15:54it would start with me, sir.
15:57God, it is not.
15:59If I was a hero in cinema,
16:02my friends would start with me.
16:04I was in doubt,
16:07you and I was in doubt,
16:09and I was thinking about it,
16:11and I was thinking about it.
16:13And I was thinking about it,
16:15and I would ask you about it.
16:17It is an never ending process.
16:19I am not going to prove it in the same way.
16:25I am not going to prove it clearly.
16:30I am not going to prove it in the same way.
16:32If you have any audience or any audience, that is our producers.
16:44Our producers are so happy to know you all in the cinema.
16:49We will talk about Vishwagar.
16:53I have a question.
16:55The biggest asset is the ticket pricing.
16:59Across the board, we have US work.
17:03In the US, we have $5.3 million.
17:07It is very affordable.
17:09In this film, we have already had a success.
17:14What do you plan for this film?
17:22It is too early to answer, sir.
17:24There is a lot of time.
17:26I will talk about Vishwagar and distributors.
17:30But I will confirm that we are making a film.
17:33What is this?
17:34The film is relevant to everyone.
17:39When they are in the film, they are in fantasy.
17:41They are in magic.
17:43When they are young adults, they are in the elevation.
17:47They have connections to everyone.
17:51The film is the priority of the theatre.
17:53For me, I will tell you about Vishwagar.
17:59I will tell you in the near future, sir.
18:02I have already heard of it.
18:03I have already heard of it.
18:05Vishwagar.
18:08Vishwagar.
18:09Kamath Gürg
18:20I am not a kid.
18:22I am not a kid, I am a kid.
18:23I have a question.
18:25I have said that I have said that the objective of 100 families and the subject is not a surprise.
18:31Wishwagaru.
18:32Wishwagaru.
18:33Wishwagaru.
18:34Sir, Rajasav has a lot of doubt about the question on December 5th.
18:40Rajasav will show the press tweet.
18:42Sir, you will want to show the producer and the other questions.
18:45Hello.
18:46The two questions you have asked on January 9th.
18:50Hello?
18:51Vishwagar, Vishwagar, Vishwagar.
18:56Vishwagar, actually, you can see VFX, trolls, shake and social media.
19:03So, you can see that in the trailer.
19:06In the trailer, you can see VFX shots.
19:09You can see VFX, you can see VFX.
19:14Just tell us about the Q&A.
19:18Frame by frame, comment, we will stand up.
19:22So, VFX will be up to the mark.
19:28Actually, Karan Johar has presented the cinema.
19:32So, there is no reason for the film to be a presenter.
19:37So, this cinema is allowed.
19:39So, you can see the content and confidence.
19:41100%, sir.
19:42Only content.
19:43Like this, there is a friendship here.
19:45Plus, if you want to talk about the film,
19:47there is no reason for the film.
19:51I am glad that the cinema is relevant in other languages.
19:56I am very thankful for Karan, sir, for joining on board with our team.
20:03Along with Hombale Films.
20:10Hombale Films, Vijayaga, AGS, Archanaga, Goglan Gopalam Films.
20:15So, I will see the film in the film.
20:16And there are a few names in the film.
20:17And there are a few names in the film.
20:19And you have also associated with each other.
20:20So, I will tell you that India-wide has a great release in the film.
20:24The film is found in both sides.
20:26Super, that's right.
20:27Harigar.
20:28Harigar.
20:29First of all, we are going to the trailer.
20:31You are very good.
20:33In this cinema, we are already released in this film.
20:37We are also going to be released in this film.
20:39We are also going to be released in this film.
20:41So, why are you released in this film?
20:43Sir, I will tell you, sir.
20:45I promise that the song will be released in this film.
20:49After the film, you will be back to the cinema.
20:53Sir, you are making a high movement.
20:55You are making a goosebump.
20:57Karthikar, Karthikar, hi.
20:59Karthikar, hi.
21:01Ma'am.
21:02Karthikar, hi.
21:03Hi.
21:04So, I love the statement you made just now.
21:08We shot in mostly real locations and to make it look like realistic way.
21:13So, as cinematographer, what is the importance of real locations according to you?
21:20One real location he made me shoot was intense.
21:30It was in Nepal and it was a ghat and then it was very intense.
21:36It was very most difficult scene.
21:39And I think I just had like an emotional breakdown after shooting that.
21:44Karthikar will explain later why.
21:46Yeah.
21:47Yes.
21:48What is that?
21:49In a little bit, I think the feeling of real capture is a little better.
21:55So, sometimes completely blue mat, I would prefer something, at least for a structure.
22:02Then enhance yours and VFX, it's a more collaborative work.
22:07So, leaving the extensions ahead, how much is it real?
22:11Like percentage if you can say.
22:13Most of it is real.
22:14We shot in Nepal, we shot in Sri Lanka.
22:16Nothing like complete blue mat and…
22:18Mat is not.
22:19Even bird sequence, we created a prototype.
22:22Then VFX came in.
22:24They have done a spectacular job.
22:26But mostly we have done something in the camera.
22:31As a director and cinematographer, who dominates more for you?
22:36It's just the storytelling.
22:39Scene and storytelling.
22:41How do we…
22:42Hi, Manoj.
22:43Anna.
22:44So, whatever films you have done, you are looking very smart, very fit and very lean.
22:55Thank you, Anna.
22:56So, how did you manage to do it?
22:59All of a sudden.
23:01I think you are getting married and you lost me.
23:04Yeah.
23:05That's right.
23:06You are getting married then.
23:07You lost me.
23:08Yeah, that's right.
23:09So, this cinema started at the time.
23:11I am going to play with you.
23:14I am going to shoot you, sir.
23:18Okay.
23:19You're going to play with me.
23:20These are similar people who the hero and our hero and their negative roles, or my strategist,
23:24So there are these daring things.
23:25At the same time, you are encouraging it.
23:29That means you are encouraging it.
23:31The only thing is that you can do it.
23:33So, I love you. We are a team. We are a team. We are a team. We are a team. We are a team. We became a family over the three years. So, it's a simple concept.
23:59Sir, I don't want to say anything about you.
24:03Black sword, sir.
24:06In a simple role, we will form a lot of cinema in our cinema.
24:14We don't want to approach that.
24:18There is a lot of well-written back story.
24:22It's a lot of reasoning and understanding.
24:25There are many experiences in our lives and that we can bring power to our lives.
24:32We don't want to do anything.
24:34We are going to approach that.
24:37And I am very happy that Manoj Garu has done. Thank you, sir.
24:40And it's not a regular…
24:43Sir, we did track this.
24:45I am sure many people will do it.
24:48But at the end of the film,
24:51Karthik Garu did the twist in the film.
24:54If you choose, then decide.
24:56Like what character, how it behave.
24:58It is a very tricky character.
25:01And in my life, I don't want to enjoy this character.
25:06Manoj Garu.
25:07Manoj Garu.
25:08Manoj Garu.
25:09What do you think about this new collaboration?
25:11You came from Bairu Vangani, Mirai Gani.
25:13You came from one place.
25:14Yeah.
25:15What do you think about this new collaboration?
25:16What do you think about this new collaboration?
25:18What do you think about this new collaboration?
25:21I was not first in the first place.
25:24I was open and now.
25:25Not now.
25:26First, we came from a major collaboration.
25:28We came from Vedam cinema.
25:30So, we also came from Alvarjan Garu, Meemu,
25:33and all of us.
25:34We also collaborated with Krishgarth.
25:36In 2009, it was a very new thing.
25:38And I was also a film by Natta cinema.
25:42Even in New Days,
25:46I don't want to do collaborating films,
25:49and it's a very healthy thing.
25:51And so, I think these days also,
25:53I think these days also,
25:54I think the first ego clashes,
25:58there are insecurities.
25:59So, we are going,
26:02it's happening.
26:03And same way with Bairu.
26:06They didn't have any feeling.
26:10So, when that is not there,
26:14and we have a great captain and a producer,
26:16we are going to go to Safi.
26:18Karthikar.
26:19Ritika.
26:20Karthikar.
26:21And this subject deal,
26:22we are also working on a lot of things.
26:24We are working on the biggest role.
26:26We are working on research.
26:28It's very important.
26:29In your research,
26:30but,
26:31you know,
26:32there is a seed.
26:34So,
26:35there is a seed.
26:36Where does the seed start?
26:37Really?
26:38Basically,
26:39research is not.
26:40Basically,
26:41it's myth.
26:42A short code 9 books is a myth.
26:43I have to read the knowledge
26:44because we are very good,
26:45we are completely connected.
26:46It's basically,
26:48I have to read the books,
26:50and I have to read the books,
26:51and the cinema.
26:53These are the examples.
26:55It's basically not historic. It's a fiction. It's a proper mythological fiction.
27:03Do you have a team? Do you have a writing team? Do you have a discussion team?
27:07In writing, he's been with it for like three and a half years.
27:11Before one year, we both travelled. Then two or three years later.
27:17So then again, we put it up in a nice way.
27:24Great way. We're looking at the trailer, the visuals, especially a bird shot.
27:30We're looking at the international standard movie. All the best.
27:35Thank you. Thank you. And one last question.
27:38Yeah, last question.
27:41How he's working in this big project here?
27:53Because Manoj sir is the greatest thing here.
28:07I'll say thank you for the question.
28:13Thank you for the question. I think this is my second project after Afshoka Banam.
28:17And I'm so glad that Kartia Garu gave me this opportunity to be part of Mirai.
28:21And I remember Kartia Garu narrating me the story.
28:25And at that very moment, I was like, I want to be a part of this.
28:28My character, the story, everything is just so amazing.
28:31And working with such an amazing cast and crew, the production, my co-actors, everyone.
28:36Teja, Manoj Garu, Shriya Ma, Jagu sir, everyone.
28:40It was so much, there was so much to learn from all of them from on screen.
28:46And I had a blast and amazing experience.
28:49And I'm so glad and grateful to be a part of this project.
28:52And this Mirai being my second project after Afshoka Banam.
28:55What was the challenging for you?
28:57Would be the Telugu.
28:58Because the Telugu that I'm speaking in this movie is not just like a conversational Telugu,
29:03which we speak day to day, which I try to understand as much as I can.
29:07But this is slightly different, so that was the challenge.
29:09Shriya Ma, Shriya Ma, one question for you.
29:12One question for Shriya Ma.
29:14Okay.
29:15Ma'am, you are so beautiful and glamorous.
29:22So, what is the reason for choosing mother character in this?
29:28Again, tricky question.
29:33So, when I heard the narration, Kartik Garu had a very one-line simple narration,
29:40the first time, no?
29:42And it changed.
29:43And it changed.
29:44And it changed.
29:45But I love the film.
29:49I love the story.
29:52And I think every character is interesting to do.
29:57I don't see it as a mother or any character.
30:01It's just a beautiful, very powerful character.
30:04And I wanted to be part of this film.
30:07It takes a lot to produce, direct and be part of a film like that, write a film like that.
30:14And to, I mean, again, I'm repeating myself, but all the actors were part of the film.
30:19It takes a lot.
30:20Two years, Teja and Manoj, they have put in and it's a very powerful film.
30:29And I think as an actor, what is more important to be in a beautiful film and a strong character?
30:35And it's all of that.
30:37Teja Garu.
30:38Teja Garu.
30:39Teja Garu.
30:40Teja Garu.
30:41You are a great guy.
30:42You are a great guy.
30:43You are a great guy.
30:44You are a great guy.
30:45He is in love with you.
30:46Who?
30:47Look at his romantic eyes.
30:48Teja Garu.
30:49Teja Garu.
30:50Teja Garu.
30:51The noir guy.
30:52Now there have a lot, a little fan-based who apparently dropped.
30:55It has a lot of popularity on India and also from the fan-based.
30:58You have spent the time through the�이 car.
31:01And he will take nearly 2 of the day.
31:02So, we will perform the next one piece and then we re await the wrong process.
31:07Thema Garu.
31:08Now, pay attention to that documentary.
31:10I wish we will find the media wasted in a different time.
31:13I enjoyed it.
31:14I really enjoyed it, sir.
31:16I did not yet donate very удow on the visual.
31:20But what cinema is doing, sir?
31:25So, Karthikar.
31:28Sir, actually, last Ramudu sequence is very high in the trailer.
31:34Is there any special appearance or special appearance?
31:41No Ramudu reference.
31:43So, Rama is Rama.
31:45Hero, special hero reference.
31:48No Ramudu reference is not Ramudu.
31:55There is no actor doing it.
31:57All the very best is Tejagar.
32:00Okay.
32:01Tejagar and Manushagar are all different.
32:03If you have a characterisation,
32:05you know that there are costumes,
32:07you know that there are costumes,
32:09what do you try to do in this particular theme,
32:14how do you try to do costumes or get-ups?
32:16I had many trials.
32:18That's right.
32:19Not everyone.
32:20Not everyone,
32:21but in the cinema,
32:22there was a lot of effort in the cinema.
32:25There was a lot of effort in the cinema.
32:27So, there was a lot of effort in Karthikar.
32:29I had to do 15 trials easy to do.
32:32There was a lot of makeup,
32:33hair,
32:34costumes,
32:35and
32:36if you are busy,
32:38if you are in the cinema,
32:39if you are in the cinema,
32:40if you are in the cinema,
32:41if you are in the cinema,
32:42if you are in the cinema,
32:43you are in the cinema.
32:44If you are in the cinema,
32:45you are in the cinema.
32:46So,
32:47you are in the cinema.
32:48So,
32:49you are in the cinema.
32:51Yeah.
32:52If you are in the cinema,
32:53I would like you to do it.
32:57All the very best.
32:59Yes, sir.
33:00Karthikgaru,
33:01three years back,
33:02he did a lot of trials
33:03on each character.
33:04And
33:05once after the release,
33:08these are the things which has to come out,
33:10how he worked,
33:11and
33:12Rekha Garu did the costume.
33:14She is fantastic.
33:15Karthikgaru,
33:16she made everybody look
33:18differently good.