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സോഷ്യൽ മീഡിയയിലെ വിമർശനങ്ങളെ നിഖില വിമൽ എങ്ങനെയാണ് നേരിടുന്നത്? മലയാള സിനിമയിൽ ഇന്ന് സ്ത്രീകൾ 'ബാങ്കബിൾ' ആണോ? പുതിയ ചിത്രമായ 'പെണ്ണ് കേസിൻ്റെ വിശേഷങ്ങളുമായി നിഖില വിമൽ ഏഷ്യാനെറ്റ് ന്യൂസ് ഓൺലൈനിനൊപ്പം. ചിത്രത്തിന്റെ വിശേഷങ്ങളും പ്രതീക്ഷകളും പങ്കുവെക്കാൻ നിഖിലയോടൊപ്പം നടൻ ഇർഷാദ്, ഹക്കിം ഷാജഹാൻ, സംവിധായകൻ ഫെബിൻ എന്നിവരും.

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Transcript
00:00When I asked him, I said, I was like, I was like, I was like, I was like, I got this.
00:13I was like, I was like, I got this.
00:17I had never met a lot of interviews, I was like, I was like, I got this.
00:24I didn't have any experience.
00:26It was not a film.
00:28I didn't even know the cinema anymore.
00:30That's why I came here.
00:32I came here to Marisa,
00:34and I was like,
00:36I was like,
00:38I was like,
00:40I was like,
00:42I was like,
00:44I was like,
00:46I was like,
00:48I was like,
00:50I was like,
00:52I was like,
00:54I was like,
00:56I was like,
00:58I was like,
01:00I was like,
01:02I was like,
01:06I was like,
01:08I was like,
01:10I am like,
01:12I have been living all over the world.
01:20I feel like living all over the world,
01:22There's no violence or violence, but I'm tempted to write a poem.
01:26So, I'm trying to write a poem to my head.
01:29Yes, I'm trying.
01:33There is a theme.
01:36I've been through the summer and the summer.
01:39There's a theme and a lot of theme.
01:43No, that's not the theme.
01:46It's not the theme.
01:48That's not the theme.
01:51I think it's a real life story.
01:55The first thing is that it's a very cool partner.
01:58It's a very convincing story.
02:01One of them is not available,
02:04one of them is not available,
02:06one of them is not available,
02:08one of them is not available,
02:10one of them is a very convincing story.
02:12In script, basically,
02:14there are some convincing characters.
02:16If you see a lot of them,
02:18you see a lot of them are very interesting and creative,
02:21they are very interesting and creative.
02:23There are some stories.
02:25From there,
02:27I don't know what the film is about,
02:28not talking about female perspective in the film.
02:30So, they all have a lot of perspective.
02:32They have no perspective.
02:34It is like,
02:36they all have a lot of investigations.
02:38They are not relevant to them.
02:41They all have a lot of perspective,
02:43they all have a lot of perspective,
02:45It is all about the details.
02:48And then there is no version of it.
02:53I don't know how to convince me to be convinced.
02:58I don't know how to make any other characters.
03:02I think I am very good.
03:05I don't know how to make any other characters.
03:08You can't do anything with it. You can't do anything with it.
03:11That's right.
03:12Because you say that I'm not going to lie.
03:15I have no doubt.
03:17The truth is that you are the truth.
03:20You are the truth.
03:23You are the truth.
03:25I don't understand that.
03:27I'm not going to lie, but I don't understand that.
03:33I don't understand that.
03:36You can't be confused.
03:38We don't get any questions like that.
03:45But I think that I have no idea about it.
03:48The film is often not good, but that's completely different.
03:51Because I knew that there was a lot of time in the movie.
03:53But there was a couple of times coming across there,
03:56to see a lot of time when I was in the movie.
03:59I think it's very interesting.
04:02It was a lot of characters to see the movies.
04:05After that, I was especially concerned about it.
04:07and the story of the story and the story of the story in the middle of the story.
04:14So, I can tell you something interesting.
04:18Now, what is the answer?
04:20What is the answer you have?
04:22I know you are a problem.
04:24You can ask a question about a heart-to-op question.
04:26You can make a balance.
04:28You can tell the story about what you want.
04:30Basically, you have to tell the story,
04:31but let's tell the story about something that you want.
04:33That's the point.
04:34You have to tell the story about the story of the story.
04:36We can't make it anymore.
04:40Can you say that you have a man in the title?
04:46I don't think I have a spoiler.
04:50Can you tell me that you have a cliche in the other side?
04:55I don't think I have a cliche in the other side.
04:58I don't think I have any kind of things.
05:03I think that's the way we're going to do it.
05:06The character is the job that we are doing.
05:09How do you do that?
05:11How do you do that?
05:13I don't think you can tell the character in the first stage.
05:16I don't think I can tell the character in the first stage.
05:24I don't think we can tell the character in the first stage.
05:31We have to get the issues that we have to deal with.
05:34So what did you do with the discussion?
05:36Alright.
05:38I have a right one.
05:40I have a right one.
05:42I have a right one.
05:44I have a right one.
05:46I have a right one.
05:48Discussion?
05:50Hakim, I would say that police officers don't have a nice voice.
05:56It's not a good quality officer.
06:01He always said that his voice is still a little bit,
06:06and he's the same thing.
06:08Every time he comes, he's the same thing.
06:10He's the same thing.
06:12He's the same thing.
06:15You should write the same thing in the language.
06:17You should write the same thing in the language.
06:21And you should write the same thing in the language.
06:25We should write the same thing in the dialogue and the manual.
06:30No, we cannot do it in the script.
06:33So you can do it.
06:35No, we don't have time for it.
06:39It's not like activity?
06:41It's not like activity.
06:42It's not like activity.
06:44I have no problem with this.
06:48Personally?
06:50I have a trauma with the personal trauma that I have.
06:54That is what I do and I do and I do.
06:57I have no problem with this.
07:01I have no problem with this.
07:03I have no problem with this.
07:07So, I think I'm insecure and sensitive.
07:13Okay, okay.
07:14But I think I'm emotionally weak.
07:18That's why I'm the point.
07:21I'm the only one who's in the movie.
07:24I don't know how much we can do it.
07:28I don't know how much we can do it.
07:33I think we're going to be able to do it in a way.
07:35It's a good thing to do with the character.
07:42Shraddhika, this is a very good thing.
07:46This is a very good thing.
07:48This is a very good thing to do with the character.
07:52That's a very humorous work out.
07:54You know what I'm talking about in the artistry,
07:56and you know what I'm talking about.
07:59This gigantic figure is a cute thing.
08:02Are you aware of any combination of the actors?
08:08No, it's not a combination of the actors.
08:10It's not a combination of the actors.
08:13That's it.
08:14That's why I'm afraid of the actors in the film.
08:19In this film, this film is the same as the script in this film.
08:25This film is the same version of the film.
08:29I had to write a poem in my book.
08:32I was writing a poem in Bhagavad Gita Asana,
08:35and I was writing a poem in my book.
08:36I kept writing a poem in my book.
08:41When I was reading a poem, it was like a poem.
08:47I also knew the story of the story,
08:50when I was reading that poem,
08:54and I was thinking about it.
08:56I said, Innocence, I am going to be in the business of the JD and JJ, and I will go to the Soos Center.
09:03That's not me. I am going to be in the business of the Soos Center.
09:08They are going to be in the business of the Soos Center.
09:11They are going to be doing something.
09:13You can balance your balance.
09:15You can balance your academic and commercial.
09:18You can do the same thing in the same time.
09:22I don't know if you're interested in this film.
09:27How did you say that Alan Sir?
09:30It's not a good thing.
09:32There is a lot of cinema.
09:34There is a lot of cinema.
09:37There is a lot of cinema.
09:40There is a lot of commercial cinema.
09:42There is a lot of cinema.
09:45There is a lot of exercise.
09:49There is a lot of money.
09:51We had no idea where we could have been lined up for 5 seconds.
09:54We had to kick off that.
09:56If you know someone who's a friend who's a friend who was a friend who was a brother,
10:00he came in with a little bit.
10:02This is something.
10:03They also came in with involvement.
10:06If you go, that's right.
10:08But you think he'll be ready because he's ready to preach it.
10:12We know that the character's will be as well.
10:16You will learn how to speak English and tally because of it.
10:19We talk there.
10:21And then one minute now.
10:23Now, I'm going to talk about Prasmeet.
10:27It's been a long time for me to talk about Prasmeet.
10:30It's not just morality, it's completely fun.
10:34It's been a long time to backfire.
10:37It's been a long time to talk about the risk elements.
10:40It's been a long time to talk about it.
10:43It's been a long time to talk about Prasmeet.
10:47It's been a long time to talk about Prasmeet.
10:53It's been a long time to talk about Prasmeet.
10:57We've been discussing some of the things we've seen.
11:03It's been a long time to talk about it.
11:07We've seen a long time in the past,
11:10we've seen a lot of recent recent events.
11:14We've seen a long time in the past,
11:19but it has been a long time to talk about that character.
11:24We've seen some of the events that I was watching.
11:26Which dates before,
11:28it's been a long time to play around the past and the future.
11:32Just saying, you are not bad, you are better.
11:35We are both vitrified, we have to improve our future.
11:41We have to do some things for future future future.
11:45If you agree with the future, you should not.
11:49That is not for anyone.
11:50Not for any reason, and not for the future, we have to predict.
11:54I think there's one thing here.
11:56That is for me to be home, if anybody is home or to help me,
12:01We cannot suffer from that.
12:08We cannot suffer from that.
12:14We cannot do this.
12:19I have the purpose of that we have.
12:23We cannot be able to do this.
12:25I have the perspective of that.
12:29That's why we didn't get hurt at all.
12:33I said that we had to go to the cinema and go to the cinema.
12:37That's why we kept it.
12:41That's why we kept it.
12:45Fahadi, I think it's true.
12:47I think it's true.
12:49I think it's true.
12:51I think it's true.
12:53There was discussion on the dining table and all the actors are being used to be a good actor.
13:00In terms of the performances, they are influenced by the film,
13:05they become influential,
13:07the actors are being influenced by the actors,
13:11and it's a very effective feeling.
13:13We also have the influence,
13:16they are influenced by the film,
13:18they are influenced by the characters,
13:20they are influenced by political characters,
13:22What is the difference between the two and the two?
13:25I think it's a big difference.
13:29When I started to celebrate, I had a lot of films.
13:33I had a lot of films that I had to do.
13:36I had a lot of films that I had to do.
13:39I had a lot of films that I had to do.
13:44I had to say that I had two films.
13:51I think it's important that all the films are in the same place.
13:58We are going to the IFFK and we are going to the commercial space,
14:05and we are going to the commercial space.
14:10We have to learn about the cinema from the other than that.
14:14We have to learn about all the other cinema in the different countries.
14:20There are both right-hand books.
14:22We call it a, a, a, a, a, a, a and a, a, a, a.
14:29A and a, a, a, a. a. a. a. b. c.
14:30The BC cinema can be applied.
14:33What we call the BNC can be applied.
14:35I used to teach Shashiumas to make a lot of people.
14:41Then, I used to teach all that own cinema.
14:43What became the name I used to call?
14:45The BNC.
14:46I used to teach all that.
14:48I became a member of the family,
14:51and I grew a very flex on all that I was able to teach.
15:00And then, I spent their time processing and
15:03There are many fans in BNC.
15:09We don't know how to do it.
15:12We don't know how to do it.
15:15We don't know how to do it.
15:19We don't know how to do it.
15:32We don't know how to do it.
15:37We don't know how do it.
15:39If we do it, we'll see all the actors in the beginning.
15:45You're starting the movie.
15:49You're starting the scene of all the audiences.
15:55We don't know how to do it.
15:56We'll never learn the movie theater.
15:58It's not that we have to go to a commercial space.
16:02That's why I felt like the audience,
16:06I felt like I was like a couple of films.
16:10We felt like we did.
16:12That's why I felt like we were in the same place.
16:16I remember that I was not in the same time.
16:22I remember that.
16:24I don't want to do anything on the show.
16:28It's not a show.
16:29It's not a show.
16:31Now, how does comedy track play?
16:35We don't know where to play.
16:37We don't know how to play.
16:39We don't know how to play.
16:45So, we don't know how to play.
16:48We don't know how to play.
16:50We don't know how to play.
16:57We don't know where to play.
17:02I'm not a show.
17:05I don't know how to play.
17:07I'm not a show.
17:09I agree with you.
17:16Then I thought about it as a subject to the point of view.
17:20He is a person who is living in a very different way and is a person who is living in a very different way.
17:27Okay.
17:28I thought the truth was that these characters were the correct people.
17:34I was wrong with that and when I came to this place, I wasn't sure.
17:43Hakeem, the film is a great film.
17:50The film is a female following.
17:53It's a great film.
17:56This film is a great film.
17:59The film is a favorite film.
18:04We have a lot of film.
18:07There are a lot of action movies.
18:09It's not a good choice.
18:11The film is a great film.
18:15We have a great film.
18:19The film is a great film.
18:24The film is a great film.
18:29It's not a personal choice.
18:32It's not a testosterone-filled madness.
18:38It's not a good choice.
18:39It's not a good choice.
18:40It's a good choice.
18:42But I tell myself, the movie is just a good choice.
18:46It's a good choice.
18:48It's a great choice.
18:50I don't prefer to go to choice, but I don't prefer to go to choice.
18:57There are options like light-hearted, feel-good, classic things like that.
19:04I don't have a preference in our country, but I don't prefer to go to choice.
19:11When I'm looking at the person, I'm looking for everything else.
19:14In the cinema, I don't want to be the value of my...
19:19As a human being.
19:21I don't want to be the influence of my own in the cinema.
19:24There's no value.
19:26It's a collective value.
19:29There's a value of a lot.
19:33If you're looking for a lot of the villain, you know the value of your own.
19:38I think that there is a lot of value for us.
19:43But it is not a lot of violence.
19:46For the sake of the fact, we have to be in violence.
19:50That is, if we put a cigarette in the back of the house, and the other one, we will put it there.
19:55No, I am not a problem.
19:58I am not saying what I am saying.
20:00Well, I am not saying anything about it.
20:05Actually, if you look at BGM, you will be there.
20:09You will be there, and you will be there.
20:11You will be there.
20:13That's why we look at the shelf-size.
20:17We are going to get to the point,
20:19and we are going to get to the point.
20:21We will get to the point, and we will get to the point.
20:25We will get to the point.
20:29What are we going to do with that?
20:31That's the point.
20:32I think it's all about the world.
20:33Yes, but I forgot about that. I didn't get it in a box.
20:37I didn't get it in a box. I couldn't find it.
20:41I would say that I would be a psychopath.
20:45But that would be my preference.
20:50I didn't get it. I didn't get it.
20:54I didn't go anywhere.
20:57Now, we have to get to the bank.
21:01Shukshmayı are the same,
21:05the feminist, the feminist, the political climate upside down.
21:11You have to get a bank.
21:17Do you have to talk now?
21:19A lot.
21:21I just don't think of it.
21:22But even in the cinema.
21:25I don't understand the same way too.
21:28Of my side?
21:29Because, even if there is a film as a film,
21:33there is a lot of stuff like that.
21:36I also think the story is a very interesting story.
21:41It is a very profitable film.
21:46It is a very interesting story when I was talking about it.
21:49I think it's a good thing.
21:52I think it's a good thing to do with our industry.
21:56Now, I don't think it's a good thing to do with the association.
22:03But I think it's a good thing.
22:06I don't think it's a good thing to do with the future.
22:12If there are other films, there are other films, but there are other films that come out of the film.
22:18That's why it's an ultimate night.
22:21The producer association is a big part of it.
22:24If you have a mood of it, you have a big part of it.
22:28What kind of thing is that?
22:30That's why it's a big part of it.
22:32That's why it's a big part of it.
22:34It's a big part of it.
22:36It's a big part of it.
22:38Why are you doing it?
22:40It's a big part of it.
22:42It's a big part of it.
22:46It's a big part of it.
22:48Are you interested in it right now?
22:50I am sure I am interested in it.
22:52That is a big part of it.
22:54You are not interested in it.
22:56You are interested in it.
22:58It's not just that specific idea.
23:00We don't have to go to it.
23:02We don't have to go to it.
23:04We don't have to go to it.
23:06Are there anything else you think about?
23:09Yes, that's it.
23:10I don't think I'm going to go to a lot of the revenue sources.
23:14You mentioned a few things about Chakochana?
23:17Yes. They're not going to go to a lot of things.
23:21I think there are interviews.
23:25There are interviews.
23:28There are many other interviews that we can't do.
23:34I think it's a logical way to get it.
23:37I think it's a logical way to get it.
23:40There's a backlash in social media.
23:42There's no backlash in any way.
23:47It's a logical way to get it.
23:48It's a limit to the end of the day.
23:52Who is that?
23:54No, it's not.
23:56I don't know, I don't know, I don't know.
24:00I don't know.
24:02That is not true.
24:03But when I am younger, I'm not a little old.
24:10I'm not a little old.
24:12I don't know what to do.
24:17I don't want to do that.
24:20I don't want to work hard on that.
24:23I'm not a lot of experience.
24:25I was asked to talk to my interview.
24:30I asked him to come back.
24:33So, I didn't get to experience.
24:35Life and a cinema?
24:37Yes, I didn't get to experience.
24:39I was a little bit of a thought.
24:40If you're a 20-year-old, you're a 20-year-old.
24:44If you're a 20-year-old, you're a 20-year-old.
24:47We have a lot of conversations, life experiences,
24:52and we have a lot of time.
24:54So, I've been able to learn a lot of movies.
24:57I've been able to learn a lot of movies.
25:00Definitely.
25:01I've had a lot of experience in my life.
25:05I've been able to learn something about it.
25:10I've been able to learn something about what I've been able to do.
25:15I've never been able to learn something about that.
25:18I've been able to learn something about that at a discussion point.
25:21When I was in a interview, I asked him to talk to him.
25:24I didn't want to learn something about it.
25:26I wasn't able to learn from this person.
25:27I was alright then.
25:28I was able to learn something about it.
25:31I asked him if he took me to the interview.
25:32I asked him if he was looking for that content.
25:36He asked me to be a backlash.
25:38I was able to learn a lot of things.
25:41And then, I went to work at my computer.
25:46I didn't understand anything about it?
25:47Yes, I can.
25:48Then, if you're using my computer, you're going to go to my computer.
25:53That's why I just don't like it.
25:56This is the same for me.
25:57Because when I do whatever that person doesn't,
26:02there's no reason for it.
26:08That's why I still use it.
26:10I can't see it anymore.
26:12I can't see it in my experiences.
26:15But if it's as a result, it also seems to be a good one.
26:19When I was working on my career, I had to learn about my career.
26:23I had never done anything before.
26:25I had to learn about my career and I had to learn about my career.
26:30I had to learn about my career and I had to learn about my career.
26:36Do you have a SEO and social media content?
26:40I am not sure of that.
26:43Ready material.
26:45Now I will come and meet you in New York in the past,
26:51like you're from New York.
26:53They're used to be a couple of weeks,
26:55but they're used to be a couple of weeks.
26:58But he will be a couple of weeks.
27:00But when you do a couple of weeks, I will speak a couple of weeks later.
27:04I don't even want to watch the interview space.
27:09So if you've come back at that place,
27:12you'll be getting started.
27:14But I think it's a professional etiquette for me.
27:21I don't think it's a professional etiquette for me.
27:26The first thing is that you have to be an actor.
27:33You have to be an actor.
27:35You have to be an actor.
27:37You have to be an actor.
27:42I don't know.
27:43I don't know.
27:44There are many different ways there.
27:47They say, I'm a little confused, but also I'm a little confused.
27:51They say, I'm a little confused.
27:54But I'm confused with the fact that I'm a little confused.
27:58I don't know.
28:00I have a lot of jokes about myself.
28:03I have a lot of jokes about myself.
28:06I'm a high concept.
28:09You can't talk about that.
28:11I was like, I'd rather not like this.
28:29I didn't know anything about it.
28:32That was a good thing.
28:35I was like, I was like, I was like, I was like, I was like, I was like, I was like a high society.
28:40They have to say that they have to be connected.
28:43They have to say, hey, what are they going to do to find an uncanny?
28:46So, I don't think I have to be connected.
28:52If it's a bad thing, if it's an uncanny to be able to get to the uncanny,
28:56if it's an uncanny to entertain, it's very easily like that.
29:00I think sometimes it's important to be able to start a uncanny.
29:05The main thing was that there were more of our characters as a minimalistist state.
29:11That is our limit.
29:13We now discuss a terrorist.
29:16We've seen a movie that is so important.
29:19So, we want to be able to discuss,
29:22we want to discuss the characters,
29:23we want to discuss the characters and we want to focus on the hero.
29:29We need to get on with all the characters.
29:31We want to go take on the job and take on the job.
29:33They want to go high-toad?
29:33We all think they are successful.
29:37We are successful.
29:39We are successful in the movie.
29:40But then we can take the movie from all the movies.
29:45But we can take it as a look.
29:49We are able to take the movie from the movie.
29:54Then we have to take the movie from all the movies.
29:58So we can take a look.
30:03When I came to Vishnu and I came to a EMI actor, I would just say I would go outside and I would go outside and where I would go.
30:18I would go outside and I would go outside and have a new EMI.
30:22I would go outside and have a new certification.
30:29or a dream of a man,
30:31and that's why I should have a judgment.
30:34I think,
30:36when you have a judgment,
30:38it's a hit,
30:39it's a character,
30:41it's a judge,
30:43it's a judge.
30:44I think,
30:45there are limitations on my choice.
30:47You have to be a privilege to be in the coming future.
30:53I think,
30:55I'm satisfied with this.
30:58I had the same experience as a person who went to the M.I.Q.
31:01I was told to say,
31:03"...the end of the end of the end of the end."
31:04You have to accept the theatre as a person who went to the M.I.Q.
31:08It's all about it.
31:10They are not all about the mentality of it.
31:12If you do that as a person who went to the M.I.Q.,
31:15you have to accept the M.I.Q.
31:16or even the M.I.Q.
31:18You have to accept someone who has an opportunity to accept them.
31:21Seriously?
31:22It's about survival.
31:24It's not survival. Jolie, I don't know if I was a character or a crew, but I didn't do it.
31:33I didn't do it for Jolie. I didn't do it for Jolie.
31:38I didn't do it for Jolie.
31:42I didn't do it for Jolie.
31:46You take a little job at home.
31:49Now, for 5-7-8 years, you have no option for finding a job.
31:56You must be enough.
31:58You don't take it or you are working.
32:02It's not so much for spending this year.
32:08You have fired up now.
32:10You have no one year.
32:12I can't do this yet, Come on.
32:15That is the truth.
32:18Well, if you can't do it, you can't do it.
32:26You can't do it, you can't do it, you can't do it.
32:32Then, you can't do it.
32:35You can't do it, then you can't do it.
32:39That's the reason for it.
32:41But he does not do anything like that.
32:44He doesn't do anything like that.
32:46He will not do anything like that.
32:48He does not do anything like that.
32:52He doesn't go well.
32:54He doesn't go well.
32:55He doesn't go well.
33:00How many years ago?
33:01So you are still a career.
33:07You were able to get a tension early then?
33:09You don't have to worry.
33:12When time starts, you get a tension?
33:18We have had a few results,
33:21but we died in the last year.
33:24They would get a tension to the same time.
33:26We didn't get a tension.
33:28I think we did this all.
33:31If you have one person in the world, I would say,
33:33And I would say, this is the 17 person in the world.
33:36The 17 person in the world.
33:38No, he would say that.
33:40He would say that he would say that.
33:43He would say, you know,
33:46He would say, you know,
33:48You have to say, you know,
33:51I think there is a lot of tension.
33:53I don't think there is a lot of tension.
33:57Are you there?
33:58Not that.
33:59I know how the car was going to be in the air.
34:03I'm pretty sure you're getting tired of getting tired.
34:08It's a tiring one.
34:09Don't be sure you're getting tired of getting tired.
34:12No, I'm not.
34:13That's why I'm prepared to be in the air.
34:15I'm prepared to be in the air.
34:17Now, I'm ready to be here.
34:19I'm ready to have to work with you today.
34:22Now, I'm going to be the same vibe as well.
34:25No, it's not true.
34:27It's not true.
34:29You can put a name, a title or a title.
34:32Why did you say that?
34:34Viji is the first character in the world.
34:37You just never saw it in the world.
34:40You just said that Viji did not have the first character in the world.
34:45She is the first character in the world.
34:48Who is a Thug star?
34:50No, she is the first character in the world.
34:53I didn't know how much I was talking about.
34:55You should be surprised if I was in the future, bro.
35:00No, it's not the same. You're not the same.
35:03You're not the same.
35:05You're the same.
35:06All that is, I'm not the same.
35:07But it's not the same.
35:11A few times, we got to register for a few films and we got to get OTT value.
35:22So, we were making a film for the film.
35:27So, when we got a film like a film like a movie and a film like a movie, the film was open.
35:36It's good to be in the industry.
35:38Yes, it's good to be in the industry.
35:39In this case, we went to Srinivasan Sard.
35:45We saw a film in the film.
35:49That was a great idea.
35:52We had to present that character in the film.
35:56We didn't have any character in the film.
35:59I liked it.
36:01I liked it.
36:03I was very pleased to be in the film.
36:07Even in the film, we did not have any character in the film.
36:11I think I did not have a touch on them.
36:16I believed that I was very happy for everyone.
36:21I was very happy to be in the film.
36:24I was very happy to be in the film.
36:26I was very pleased to be in the film.
36:29Even now, there's no value in the time.
36:36For me, there's no value in the time.
36:42I think it's a great value of cinema as well.
36:51It's a great experience of cinema as well.
36:55I don't think it's true. I've been working at the first time. I've been working at the first cinema in 24-7. I've been working at Arvindan Narasimhal.
37:07What do you mean? I've been working at LRD as well. I've been working at LRD as well.
37:15I have been working at the beginning of the year. I've been working at the beginning of the year. I've been working at the beginning of the year for my life.
37:33In the industry, it is not a big impact.
37:45It is a big impact.
37:47How do you think about it?
37:50I think it is a big impact.
37:54I am very concerned about it.
37:56I am very concerned about it in the industry.
37:59We should share a screen space with the screen space.
38:08I'm so happy to have people who are like,
38:11I can't see you, I can't see you.
38:15I have to be happy.
38:17When you come to the holidays,
38:20we can't do anything.
38:22I'm so happy to be here.
38:24We can't do anything.
38:26We can't do anything.
38:27So, that's how we miss him as creator.
38:30So, we will be able to give you a reference to him.
38:34I think I am a feminist and a feminist,
38:37I have seen a lot of people in the cinema.
38:40I have seen a lot of people in the cinema.
38:43So, Sri Aanthu Kharam,
38:46I am a man who is a man who is a man who is a man who is a man who is a man.
38:51There are so many people who are interested in that story, but I think it's a great reference to that story.
39:05It's a great story.
39:07I think it's a great story.
39:09It's a great story.
39:11It's a great story.
39:16What are you doing?
39:17Look, there were many videos.
39:18I didn't say that you heard it.
39:19I don't know.
39:20I don't know.
39:21I didn't even know what you were saying.
39:22It's funny.
39:23I don't know.
39:24That's exactly what you heard.
39:25I don't know.
39:26I don't know.
39:27Sivavijayayal is a major part of the reviews.
39:31If I'm a fan of a fact, I'm not going to tell you.
39:37I got a lot of reviews from the reviews.
39:39I didn't tell you.
39:40I was a fan of the reviews.
39:42I was a fan of the reviews.
39:43I was a fan of the reviews.
39:44In this video, we will be able to learn more about the science-oriented topics.
39:51We will be able to learn more about the science-oriented topics.

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