00:03I got my kids here tonight, which is a first. I haven't really done a lot of movies that they
00:07can see, and so I'm a little nervous to have them watch it, and also excited that we got to
00:15do a little bit of the press line together as a family, and it's always nerve wracking, you know, as
00:24much as I say that I do this just purely for my own pleasure and kicks,
00:28because at the end of the day, I hope the movies do well and that people respond to them so
00:34that I can keep doing movies.
00:36Well, I never really had done anything like it. It had so many different elements that I'd never done before.
00:42It has kind of this action thing and this salty, you know, FBI cop, and it has the magic.
00:50It's a really high-concept film that could probably go terribly wrong, and I want to do something fun. I
00:58haven't really done something that was just quite so fun.
01:02Ed Solomon came to meet me here right as Occupy Wall Street was sort of winding down and kind of
01:11blossoming into the rest of the world.
01:13And I felt that the mood of the world and the nation was really captured by what was happening at
01:24Occupy Wall Street and this kind of idea of social justice.
01:27And so I was pushing heavily on, even more than made it into the movie, on this idea of Robin
01:34Hood and this idea of social justice.
01:36And I really felt like when this movie came out, it would be landing in a world that that had
01:41even taken deeper root in.
01:43And so I'm thrilled by the, I mean, it's still a popcorn movie, and so I don't know that we're
01:49going to make any great changes,
01:51but I do think that it's important to have art reflect the times that we're living in.
