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00:05The first one I saw was Seven Steel
00:07I saw it in Paris in the early 60s
00:10and for me it was like
00:12an explosion
00:14and that was the moment Europe
00:16was discovering Bergman
00:19and I said
00:19you are my master, because of you
00:22I became a filmmaker
00:26so therefore I have to do this film
00:30this was Ingmar's favorite restaurant
00:32he liked it because he could see the entrance
00:35and a friend and actress
00:36might come in and he wanted to know
00:38are they seeing somebody
00:40he threw script girls
00:42out through the door all the time
00:44and they also said if he stares at you stare back
00:46and then you stood together
00:48for 30 years
00:50and he stopped and he looked at me
00:52and that was the beginning
00:54he said would you like to be in a movie with me
00:56he allowed the actors
00:58to be creative
00:59I will use my body and my soul
01:02to do this piece that he wants it to be
01:04it's not my will here
01:06Why is it so difficult
01:08if you have such a good understanding
01:10for your own childhood
01:11why can't you understand your own child
01:14One of my sisters said
01:16how would it be
01:17if you just for one single second
01:19said I miss my children
01:21or my grandchildren
01:22and he looked at her
01:24but I don't
01:28The one thing that you shouldn't forget
01:29about Bergman is that
01:30he's showing sides of himself
01:32that he's not proud of
01:34and he dares to go there
01:36and be as honest as possible
01:40He never thought
01:41that he was good enough
01:43This was a moment of deep crisis for him
01:45It was like he looked in the mirror
01:47and he saw your face
01:48that it was his soul he saw
01:50That's why he was so great
01:54As if the filmmaker Ingmar has said
01:56from this day on
01:58this is possible
01:59we can make film like this
02:01and we were born
02:04With it
02:05we do not know
02:06We are so good
02:08We are so good
02:08you're so good
02:08You are so good
02:09You are so good
02:09and for these
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