00:00In my opinion, there are still many good shows of cinema.
00:04The other collab, film and film and film and film film.
00:10And the result of the film, film and film series.
00:14The film is the only colour of cinema.
00:15The cinema is a blockbuster, all records are breakable.
00:19Even more than one of those, the cinema is a great connection.
00:25The cinema shows a large connection between cinema.
00:52Thank you so much for joining us.
01:00I am the one who is a great singer.
01:06What do you think about the film?
01:09What do you think about the film?
01:11I am very happy.
01:13I am blessed to have a great job.
01:18I am very happy.
01:22I am very happy.
01:23I am very happy.
01:24I am very happy.
01:25I am very happy.
01:31Yes, I am happy.
01:38So, basically, the offer was unexpected.
01:50There was an executive producer, Rahul Gandhi.
01:59So, I called the VFX supervisor for this project.
02:07So, I will meet you.
02:10So, this is the shooting of Punjab Amrit.
02:14So, I will meet you.
02:19So, I will meet you.
02:30If I was very happy because it was a big scale, a budget and a lot.
02:38At the very time, the script was also very interesting.
02:43It was interesting.
02:43I felt like the script was a good feeling that India's film is not prepared.
02:50Bollywood was good for India.
02:54It was good for India.
02:57There was a lot of excitement.
03:00But when people liked the theater and liked it,
03:04it was a lot of excitement.
03:09In Hollywood, we have seen VFX design in the film.
03:14We also saw VFX design in the film.
03:14We also saw VFX design in the film,
03:16but we didn't see VFX design in the film.
03:20We saw VFX design in the film.
03:26The film was very strong because
03:30the release date was declared.
03:33and film scale is very large, part 1 is almost more than 3000 shots, VFX shots and part 2 is
03:463500 shots
03:48so we need to wait to edit, shoot simultaneously, post production, sequence, first line of cut edit
04:00where the VFX is already locked, then we need to shoot immediately, to make the data automatically
04:13so simultaneously, production and post production is parallel
04:37He was very particular about quality and he know that what he wants, he knows.
04:45He was very particular about quality and he was very particular about quality and he was very particular about quality
04:58and quality.
05:29He was very particular about quality and he was very particular about quality and he was very particular about quality
05:31and quality.
05:43He was very particular about quality and quality and he was very particular about quality and quality and quality.
05:53He was very particular about quality and quality and quality and quality and quality.
06:29He was very particular about quality and quality and quality and quality.
06:58He was very particular about quality and quality and quality and quality and quality.
07:03He was very particular about quality and quality and quality and quality and quality.
07:46He was very particular about quality.
07:47When we did the VFX, we did the engineering, so we did the process and we did the technical aspects
08:02of the VFX, so we did the engineering.
08:07I didn't know the engineering of which software engineer I didn't know.
08:16I did not understand that when I got the answer to Google or Google, the answer was not complete.
08:21I just knew that when I was a friend, I didn't ask my name, I wasn't involved in engineering,
08:27I couldn't help him.
08:28engineer or doctor or engineer, but I joined the engineer. But in the first year, the second year, I had
08:39a lot of fun.
08:42I had a lot of black screen coding. I had a lot of time. Actually, I had a lot of
08:53career in life.
08:55I had a lot of fun. I had a lot of fun.
08:57I had a lot of fun. I had a lot of fun.
09:00I had no idea how to do a lot of fun.
09:01I was centred a lot of fun.
09:03So I am a part of my background in this show.
09:07I think there is a lot of multimedia and animation, but I think there is a lot of different things
09:14that I would like to present to you.
09:20How do you think about the original cinema?
09:25How do you think about the language of the cinema or the work of cinema?
09:32I think that all of the cinema and all of the series are about 30.3 movies.
09:41Do you have any of those movies?
09:43Yes, yes. I've worked with Fighters, Maidan, Veda and Brahmastra.
10:01How do you think about your youth, how do you think about your message?
10:08The message about your youth is that you are passionate in the field.
10:13You are money oriented.
10:15We are not passionate about it.
10:16We are not passionate about it.
10:18We are not passionate about it.
10:20We are focused on every day.
10:25You need to update the market, who is technology, equipment, software.
10:33It is important for us today.
10:37because AI is in the field, so AI can learn from which AI can help with VFX.
10:50I can learn how to work with VFX, so I can learn how to work with VFX.
10:59મસીયો સેવવવીચ્વીવીત શેવીવીત સેવીત આમા આરંબગ કલીક્વીક્વી નોતીય આપમીત સીતલીત સેવરી
11:10So, what is COVID-19 change?
11:13No, actually, what is it?
11:15We all know the engineers and doctors at home.
11:21We have a middle class family.
11:25We all are completely new.
11:28Who is doing this?
11:30We all know who is doing this.
11:34Who is editing?
11:35Who is doing this?
11:38Who is doing this?
11:40Who is doing this?
11:42How do we do this?
11:45In COVID time, we work from home.
11:51We have a little room to work from home.
11:52If we're in a small room,
11:56we can call, attend, and work,
11:59and work, and work.
12:31and we will talk about how difficult it is to get to get to keep on doing it.
12:33project
12:33reveal
12:34what work
12:38this project
12:40is a very preliminary discussion
12:44we have confirmed
12:46that we have
12:47the return
12:48we have a promo
12:50shooting
12:51VFX
12:52we have time
12:55definitely
12:56confirmation
12:58project
13:00rest time
13:02non-stop
13:04work
13:06rest
13:07at least
13:10family
13:11time
13:12we have
13:16cinema
13:16and
13:17we have
13:19and
13:21we have
13:22this
13:23report
13:25to
13:27report
13:27it
13:27to
13:27do
13:27do
13:28do
13:28do
13:28do
13:28do
13:28do
13:28do
13:28do
13:28do
13:28do
