लोकमत फिल्मीवर तुंबाडची मंजुळा या आगामी मराठी चित्रपटाच्या टीमने हजेरी लावली आहे. या सिनेमातील दिग्गज कलाकारांनी सेटवरच्या आठवणींना उजाळा दिला असून कोकणातील निसर्गरम्य वातावरण आणि तिथल्या लोकांच्या प्रेमाचे किस्से सांगितले आहेत. ओम भूतकर आणि अंशुमन सारख्या कलाकारांनी आपल्या कामाचा अनुभव शेअर केला असून हा चित्रपट केवळ एक गोष्ट नसून एक अनुभव असल्याचे त्यांनी म्हटले आहे. दिग्दर्शकाचा हा पहिलाच प्रयत्न असून संपूर्ण टीमने यावर मोठी मेहनत घेतली आहे. ५ जून रोजी हा सिनेमा प्रेक्षकांच्या भेटीला येणार असून प्रेक्षक या सिनेमाची आतुरतेने वाट पाहत आहेत. हे नाते केवळ रिलवर नसून रिअल लाईफमध्येही तितकेच घट्ट असल्याचे या मुलाखतीतून दिसून येते. #TumbadchiManjula #MarathiCinema #LokmatFilmy #Konkan #MarathiMovie #EntertainmentNews #OmBhutkar
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सबस्क्राईब करायला क्लिक करा - / @lokmatfilmy
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सबस्क्राईब करायला क्लिक करा - / @lokmatfilmy
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00:00I know that the man's name is so correct,
00:03the man's name is so correct.
00:06We are a company.
00:10We are told to go and ask,
00:13take the question,
00:14take the question,
00:16take the question,
00:18take the question.
00:18I am so confused.
00:22I know that the work is done.
00:23We are the only work.
00:24And it's a coke.
00:25It's a coconut. It's a coconut. It's a coconut.
00:30There's no other way to eat.
00:33It's not a mighty city.
00:35The government has a lot of food.
00:38So there's a lot of food in the cinema.
00:43Two months ago, it was called Kudala.
00:45There wasn't a lot of petrol.
00:46It was a lot of petrol.
00:48It was a lot of people who did it.
00:52This is the one who came to the street from the Guards.
00:54If they因 this clothing has come to the street,
00:57the clothing of Guards says they are not virgins.
01:02Of course.
01:03Gavaguchi says Go to Guards.
01:07This is called Guards.
01:11Hello!
01:15Hello and welcome toїp Guards for your work.
01:19Now this is an honor to be here for the Marathi Sine Sushchi.
01:22Today we are talking about Marathi Sine Sushchi.
01:26This is the Marathi Sine Sushchi.
01:26I am very proud of you.
01:27This is the Raja Manu in Marathi Sine Sushchi.
01:29This is a god's head.
01:31The other god's head is missing, but this god's head is not the other head.
01:36It is not the other head.
01:39And this is the other head.
01:41It is not the only one.
01:42Dad, this is Raja Manu's head of Paola and Paola.
01:45It's been a long time for a long time.
01:47And I know a lot about the trailer,
01:52that Rajkumar Raula is able to get it.
01:54I'm sorry to say that, but I don't want to do that.
01:57I'm sorry to say that.
01:58I'm sorry to say that.
02:00This is a love story.
02:02This is a love story.
02:03This is a love story.
02:04This is a little bit of a love story.
02:07And this is a good story.
02:10No, no.
02:12But it's a good story.
02:13I don't want to eat at all.
02:16People aren't in the language.
02:19I don't want to eat at all.
02:21I don't want to eat at all.
02:23But I don't want to eat at all.
02:25But I mean,
02:26we have the characters in this house.
02:28We do that in the house.
02:29We do that in the house.
02:31And there is no good news.
02:34I'm sure we're talking about the whole story.
02:38I've said that it's been a great job.
02:39of the work.
02:40And so, in our scenes, I am impressed with the work of the whole thing.
02:47I have to ask, what process is going to be done?
02:51What are you doing?
02:51What are you doing?
02:52How do you do this?
02:52What do you do?
02:54And this is a fundamental thing.
02:56I think what we do is do is try our best to do it.
03:00We need to do it.
03:00We need to do it.
03:01We need to do it.
03:01We need to do it.
03:02We need to do it.
03:09I think it's a good thing to do with it.
03:11If we have a good job, if we have a good job,
03:14then we have a good job.
03:15So, we have a good job.
03:18We have a good job, we have a good job.
03:20Yes.
03:21What do you think?
03:23This is a big idea.
03:24It's a big cinema.
03:26Do you think it's a big deal?
03:27Of course, it's a big deal.
03:29But I don't really know that.
03:32When I was in the city, I was like,
03:33I was like, I was like,
03:36I was like, I was like,
03:39and so, so I can be a great job.
03:42But I remember that when I was in the city,
03:44you were a good job.
03:48What do you think so much?
03:51You know, you had a lot of fun.
03:54I don't think so.
03:55Because there was a success in the city.
03:58There was a big deal.
04:00I am not a good job.
04:02I don't think I was like,
04:04I was like,
04:06It's like a joke.
04:08Is it a prank or not?
04:12No, it's a prank.
04:15You're a junior, just a little bit.
04:18No.
04:20I was a junior,
04:24I was a junior,
04:25I was a junior,
04:25I was a junior,
04:29I was a junior,
04:32to each senior, every senior has a junior.
04:36So, in the first place,
04:39how can I find that just one 60-200 meter
04:44is a race.
04:46It's a race,
04:48you know,
04:49it's a race,
04:49it's a race,
04:50it's a race.
04:51It's a race,
04:51it's a race.
04:52When I wanted to get aND, then I wanted to get another one out on the other side, then I
04:55wanted to get another two out to the other side.
04:57And then I said, I shouldn't do anything.
05:00First, third, second.
05:01Or the Jenga?
05:03The Jenga is very good.
05:05That Jenga has to do something with the first two.
05:09And others, I don't want any seniors to know if they were to give me that dream of saying they
05:14were just going to be the same.
05:19And one thing I must follow is that this is the most complicated elements.
05:24Google said that the country's hands is very big.
05:28But in this lesson, the people who lived in the world were different.
05:37What was such a marathon.
05:38and we can't take a chance to study this, that's how we have to get a chance.
05:41The way we are, we can't take a chance.
05:45It's the second thing.
05:46I thought that a king, I was a king, I was a king.
05:50But that's not the other thing.
05:53The government means that our son, our son, our son, the son, the son of a son,
05:59our son of a son of a son, our son of a son will be taken to the throne,
06:01what is the word?
06:03We have to take a chance to see the truth and the truth behind it.
06:06But, there were 10,000 people in the dougan, and the dougan was not very much, because there was less
06:14pain.
06:16And when there was a dougan in the dougan, and the dougan was taken away from the dougan,
06:22then the dougan was taken away from the dougan, the kala, the maitri,
06:26if we were to accept that, then we would not accept that.
06:30The woman would win the day.
06:31So, I would say, I am fine.
06:38And I would say that the other person could not accept that.
06:39And the other person, I would say, add that,
06:43she would tell me what she said to me.
06:45So, I would say that the people have asked yourself to meet them.
06:51So, I would not accept that, but not with me, but with me.
07:00And I am a myth.
07:02Now, the question is, is ragging.
07:05He's very interested in this topic.
07:06In which case, they can't do ragging.
07:10You can see, the same...
07:11The same language, the same language, the same language, the same language, the same language...
07:18...they can hear a voice from one speaker.
07:21They can hear the sound of the sound of the sound.
07:24But the same language, it can't be heard.
07:25don't know that.
07:26We say, they're kind with us.
07:29We've got to work together.
07:29The one thing, that is a human.
07:33The individual is still with us,
07:35someone, and humans.
07:38That's how we use it.
07:39But, someone says,
07:40this is a great idea.
07:41There's just not that right.
07:42Then, I'll tell.
07:44He will tell.
07:46Him, well, I'll tell you.
07:47I told him,
07:49him, how he is still with us.
07:51So, I'll tell him,
07:53When there was a lot of people that were roaming the street, they had to look at the coconut,
07:56they had to hunt and play the fish.
07:58But they knew they were there.
08:01They knew they were eating the food, the food, the food.
08:06So, we had to go to the market and pick up the goods.
08:12There was a lot of money.
08:13And this was the fact that the movie was not done.
08:21Not used to do it, when first of all, if you learn the work skills, you can use it.
08:28But we don't grab it.
08:33This is too much for us.
08:37That's what we should do.
08:42No, it's not live.
08:46It's a office.
08:46I have to give you a piece.
08:55And you said,
08:58I think I'm becoming so rich.
09:03I think I'm becoming so rich.
09:05The work has been broken.
09:07The work has become so rich.
09:08And I have to be a cook.
09:11It's a chicken.
09:13It's a chicken.
09:14Every time it's a chicken, it's a chicken.
09:17It's a chicken.
09:18When I first was eating...
09:21You know, maybe it was a chicken.
09:23You know, it was a chicken.
09:26You can tell us about this.
09:28It's like that.
09:30But we have to be honest with you,
09:32and he said,
09:34no, I'm not eating it.
09:36And we don't have to eat it.
09:37I don't understand it.
09:39It is actually a cliche that we are able to get to, but its actually a cliche that the Marathi
09:44man of Marathi man has said there should be no way, that is you know,
09:49you should have supported the Marathi man to go to that support.
09:53That is for you.
09:55Then you give it to your voice and you give it a special respect.
09:59You should give it to each other, such that Irma, you should support us.
10:05Yes, you do.
10:06Yes, exactly.
10:06So, when we were dead, I would like to make a mic.
10:16You were talking to my dad's father.
10:19I said congratulations.
10:20Finally, you have come to the house.
10:24I mean, you have come to the Pooja.
10:26Ganesh Pooja.
10:28But the party is still there.
10:30The party is still there.
10:32So, what happened?
10:34My dad told me that we are in a house.
10:37We are in a house.
10:39We are in a house.
10:41Especially when you are in a house.
10:43So, there are many people who are in the house.
10:46There are many people who are in the house.
10:47And you have to make a beautiful place.
10:53There are many people who are in the house.
10:56That's all.
10:57What is it?
10:57Because we are so much of the people who are in the house.
11:07After all the people who are in the house.
11:09That's how they are.
11:10That's how many people are here.
11:11you know,
11:14this is how many people are here.
11:16That's how many people are here.
11:17So, they don't want them to be here.
11:19It's not how many people are here.
11:20It's like their people.
11:21These people are born.
11:25These people are born.
11:26every religion, every religion, every religion, is the word of religion.
11:34We all got to work together.
11:37We have a good time to do this.
11:38But we have to say Om Bhutkar,
11:39that Om is the one that is a part of the religion,
11:43that's how it is.
11:45But we all have to say that it's a human being.
11:48If we don't have one, it's also not human being.
11:51We don't have to say that it's a human being.
11:52We don't have to say that we don't have to say that.
11:54But if you are wrong with that, if you are a man who is looking for a girl and a
12:01girl and you are not doing anything like that.
12:03And if I am a woman, I will not be doing anything with your own work, but if I want
12:06my own life, I will not be able to hold my own clothes so I will hold my own clothes.
12:11Because I will hold my own clothes on my own.
12:14So, if you are going to be solid, I would have thought to myself.
12:17And our Yogesh Shirsath,
12:21that the word of the Tirkas Bolandabekshati
12:24is so dangerous that we have to go to the world.
12:30And I would say that
12:32that when I was a first time,
12:34I would say that
12:35if I was a kid, I would have to go to the world.
12:39I would have to go to the world for 5 days.
12:42And I would say thanks to Vividla,
12:44Bhavajjana, Ganeshana,
12:45and we have a team.
12:47I mean, we have a camera man.
12:49He's a good guy.
12:51He's a good guy.
12:53Yeah.
12:56But it's a Kutla month.
12:57So, do you have any time to shoot?
13:00February.
13:01No, January.
13:02January is February.
13:04I mean, it's two months.
13:06Yeah, it's a Sawa.
13:08So, I'm a Kadak Un.
13:11I'm an Aomba chikai
13:13Shoda is so nice and you see an Aomba.
13:16You see an Aomba a king anse.
13:18nda a Sawa is an Aomba.
13:18Oh, yeah.
13:20You see, Aomba is so nice,
13:24Aomba has a very good character.
13:28Aomba is one of our first musical characters.
13:32I'm a friend of the other than Aomba,
13:34and once I know Aomba is the only one one.
13:34I don't care about it.
13:36I'm not even an Aomba character.
13:38We didn't know what was going on then.
13:41What was it?
13:43Brother, what kind of things happened in Kashyap?
13:46I knew there was a suspense in Kashyap.
13:48There was a suspense in Kashyap.
13:49The movie was the suspense.
13:51There was a film that we asked about the film in the cinema.
13:58The movie was a movie.
14:00I mean, the movie was a movie.
14:03It was a movie that was a movie.
14:04The movie was a movie that was a movie.
14:33Welcome back to the show.
14:35...and the people who do not have to work on the streets in Mumbai...
14:42...and they will watch cinema.
14:45...and they will watch cinema...
14:45...and they will watch cinema...
14:48...and that's the same way.
14:48...and they will do a very good job.
14:50Correct.
14:51I have one thing to say. In Mumbai, there are many people who are in the country and their culture
14:59and their culture are in the same way.
15:03They are in the same way. We are in the same way.
15:08They are in the same way. They are in the same way.
15:10They are in the same way, there are many people who have come to and have about the work of
15:16the work of the work of the children.
15:23But they are in the same way, and the people who are from their work of the institution,
15:35of this relationship, there is no reason we have reduced our money, yes.
15:39No, it's a failure of that, it's a failure of that.
15:43This is, if you don't have a family I have not been in a business.
15:45I have never been in a business, so one day I have to walk with a person on the phone.
15:50What's the person you don't have to do in a business?
15:51The person they have never used is.
15:53Then how you do the person you are.
15:56Then you leave them in a place and find them so I can.
16:00And I said, I just said that I didn't have any messages to him, and I didn't have any messages
16:09to him, and I didn't have any messages.
16:11That's what happened, I just said, I don't think that I didn't have any messages.
16:15But I think that there is a small group of people in the room that is in the room, each
16:22little, each little.
16:24They were all young and I thought, I wouldn't have happened again.
16:27What did you say about it?
16:31Because in my opinion, I will feel different because around a month,
16:35it will be used for a single month for every one of the children.
16:39I just told them all,
16:41I could have already been used for it and I wasn't even as a single month for every one,
16:46I couldn't afford this.
16:47Yes, sir.
16:49And then,
16:49I was going to shoot for two months for a while.
16:56One of the work.
16:57And then, I was going to work on a new job.
17:00There was an acting workshop.
17:03And then, there was a lot of people who had 20-50 km.
17:06And there was no petrol.
17:09And there was a lot of petrol that was getting in the air.
17:12And I was going to get in the car and I was going to get in the car.
17:15I was surprised that such a spiritual actress was a victim of love.
17:20But in all of those films, I don't know the love of any other cinema.
17:23I don't know the horror of cinema, or any comedy.
17:26I have never seen a public actor in a very good show.
17:32I think I'm going to relate to the culture of God.
17:36I'm not an individual of God.
17:40I love that God.
17:43I think that's a good thing.
17:45And the cliche is that the coconut is not a big thing.
17:48There is a lot of love in the coconut.
17:51There is no coconut.
17:52It's a very big thing.
17:55And the whole thing is that,
17:59if you go to the other side,
18:01you go to the other side,
18:01you go to the other side,
18:03and you go to the other side,
18:07Why is the subject of the job so much in love?
18:10Why good people are saying that?
18:12You just stand by the way.
18:14We are all about to talk about how you do it.
18:17I'm not sure you tell my life.
18:20We have talked about the politics of the government in our country.
18:29We have to talk about all the parties and the parties.
18:31We have to talk about the politics of the government.
18:35We have to talk about how they are doing it.
18:37Because of this language, we are not aware of this language, but we are not aware of this language.
18:45We are not aware of this language.
18:48In the past, the book is in the past.
18:49So, it's very hard to find a story.
18:52And it's a very good story in the cinema.
18:57And the people's innocent,
19:00being in the past,
19:02is that,
19:02it's a great story.
19:08The most interesting story,
19:10is that,
19:13it's a very important story.
19:15I think it's very convincing, but it's not bland, it's not bad, it's not bad.
19:24I mean, this is a great challenge in the book.
19:30It's not bland, it's not bad, it's not bad.
19:34But it's also unbelievable.
19:37There's a conviction that, Baba, you should do this.
19:40And in your opinion, there's no good thing to do.
19:43There's a lot of mediocre things that do, Baba, that's not bad.
19:49That's not bad.
19:51But it's not bad.
19:53If you're not bad at all, it's not bad at all.
19:57But it's not bad at all.
19:58But it's not bad at all.
19:58I mean, I think it's a good thing.
20:03I think it's a good thing.
20:03I think it's a good thing.
20:10It's a good thing, because it's not bad at all.
20:13I'd like to say, no, I'm not bad at all.
20:16I'm very proud of myself.
20:19I think that this is a good thing.
20:22I think that this is a good thing.
20:26It's a good thing.
20:38That is a good experience.
20:40Who is Manjula?
20:42He has given the knowledge of Manjula.
20:46How beautiful is Manjula?
20:46How beautiful is Manjula?
20:48How beautiful is Manjula?
20:48How beautiful is Manjula?
20:50Is Manjula dancing?
20:54Manjula dancing?
20:55Is Manjula dancing as a choreographer?
20:59Sujit Kumar.
21:01Sujit Kumar
21:01He said that we came.
21:03The next year he said,
21:04What are we doing?
21:06What are we doing?
21:07He isn't right.
21:13But he said,
21:14He's doing it.
21:16He's doing it.
21:18He's doing it.
21:19How beautiful is Manjula?
21:20He's managing that.
21:21He's managing that.
21:22His task was accomplished in the territory and in the territory of the Marathi Chitrapet Shusthi
21:29because they are not aware of it.
21:34So, that's why,
21:35and so...
21:39and so,
21:40if you have a manavruttin,
21:43a person who is a manavruttin,
21:45if you have a manavruttin,
21:46you have a manavruttin,
21:47and you have a manavruttin,
21:54Thank you so much.
21:55Kamsa life is life of pie.
21:58Thank you so much.
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