Welcome back to our vintage cinema archive, your ultimate digital space for premium restorations of golden age Hollywood, essential world cinema landmarks, and rare international treasures. Today, we step into a web of crime, family secrets, and forbidden passion with Boris Sagal’s 1977 thriller drama, Angela (also known as Angela: The Fifth Commandment).
Directed with steady dramatic tension by Boris Sagal, this compelling international co-production stars screen icon Sophia Loren in a powerhouse performance as Angela Kincaid. Angela is a beautiful woman married to Pasquale (John Huston), a ruthless mob kingpin in Montreal. Years earlier, following a fierce dispute, Pasquale arranged to have Angela's infant son kidnapped and killed, leaving her heart broken and forever altering her life. Unbeknownst to Angela, her child survived and was raised under a completely different identity: Jean (Steve Railsback), who grows up to become a fiery, volatile young man unaware of his true parentage. Decades later, Jean's path unexpectedly crosses with Angela's in the criminal underworld. Drawn together by an intense, unspoken emotional magnetic pull, the two begin an illicit, deeply complex romantic affair, completely ignorant of their biological connection. As mob turf wars heat up around them and Pasquale's jealousy ignites, the truth behind Jean's origin slowly emerges, driving all three characters toward an unavoidable, tragic collision between vengeance, fate, and morality.
Featuring moody location cinematography by Michel Brault and a beautiful, lingering score by Henry Mancini, Angela is a gripping exploration of tragedy and fate. Our channel is proudly dedicated to preserving historic film treasures, offering a curated library of vintage crime thrillers, rare international dramas, classic film noir, and retro adventures.
If you love exploring premium archives of full-length 1970s international cinema, please support our movie preservation mission by liking this video, leaving a comment below to share your thoughts, and subscribing for daily classic releases!
#ClassicDrama #Angela1977 #SophiaLoren #SteveRailsback #JohnHuston #70sCinema #InternationalThriller #HenryMancini #RetroCinema
Directed with steady dramatic tension by Boris Sagal, this compelling international co-production stars screen icon Sophia Loren in a powerhouse performance as Angela Kincaid. Angela is a beautiful woman married to Pasquale (John Huston), a ruthless mob kingpin in Montreal. Years earlier, following a fierce dispute, Pasquale arranged to have Angela's infant son kidnapped and killed, leaving her heart broken and forever altering her life. Unbeknownst to Angela, her child survived and was raised under a completely different identity: Jean (Steve Railsback), who grows up to become a fiery, volatile young man unaware of his true parentage. Decades later, Jean's path unexpectedly crosses with Angela's in the criminal underworld. Drawn together by an intense, unspoken emotional magnetic pull, the two begin an illicit, deeply complex romantic affair, completely ignorant of their biological connection. As mob turf wars heat up around them and Pasquale's jealousy ignites, the truth behind Jean's origin slowly emerges, driving all three characters toward an unavoidable, tragic collision between vengeance, fate, and morality.
Featuring moody location cinematography by Michel Brault and a beautiful, lingering score by Henry Mancini, Angela is a gripping exploration of tragedy and fate. Our channel is proudly dedicated to preserving historic film treasures, offering a curated library of vintage crime thrillers, rare international dramas, classic film noir, and retro adventures.
If you love exploring premium archives of full-length 1970s international cinema, please support our movie preservation mission by liking this video, leaving a comment below to share your thoughts, and subscribing for daily classic releases!
#ClassicDrama #Angela1977 #SophiaLoren #SteveRailsback #JohnHuston #70sCinema #InternationalThriller #HenryMancini #RetroCinema
Category
🎈
FunTranscript
00:00:28Satsang with Mooji
00:01:52Hold that one.
00:01:53Good.
00:01:55Good.
00:01:57Hold your breath.
00:01:58Lift your head up.
00:02:00Okay.
00:02:01Push.
00:02:01I'm going to die.
00:02:05Oh.
00:02:15Put it.
00:02:16Oh, my God.
00:02:46Oh, my God.
00:03:16Oh, my God.
00:03:27Oh, my God.
00:03:52Oh, my God.
00:04:01Oh, my God.
00:04:02Oh, my God.
00:04:04Oh, my God.
00:04:06Oh, my God.
00:04:08Oh, my God.
00:04:17Oh, my God.
00:04:19Oh, my God.
00:04:33Oh, my God.
00:04:34Oh, my God.
00:04:39Oh, my God.
00:04:40Oh, my God.
00:04:41Oh, my God.
00:04:56Oh, my God.
00:04:59Oh, my God.
00:05:05Oh, my God.
00:05:16Oh, my God.
00:05:29Oh, my God.
00:05:30Oh, my God.
00:05:30Oh, my God.
00:05:35Oh, my God.
00:05:55You're glad to see me?
00:05:56I like a beard.
00:05:58What happened to you here?
00:06:00Forget it.
00:06:03I'm hungry.
00:06:10I'm hungry, too.
00:06:16Okay, I'll cook something.
00:06:17It's not going to be like it was before.
00:06:22I'm going to work today.
00:06:24I didn't go through all that mud and crap in Korea to come back to this.
00:06:28I'm going to pick.
00:06:30I'll call the restaurant and tell them I've got a flu.
00:06:32Oh, never mind.
00:06:34I've got to go to Point St. Charles tonight.
00:06:39Point St. Charles?
00:06:41Yeah, there's a ship and a handguns coming in.
00:06:44I do the pickup, yeah.
00:06:47He gave me a C-note.
00:06:48It's not bad for a start, huh?
00:06:50I don't like you mixed up with Hogan.
00:06:54He says there's plenty of work.
00:06:57Six months, we're going to be out of this.
00:06:59Didn't you pay any attention to what I wrote you?
00:07:01Oh, shit, you never wrote me a word.
00:07:03That's not so.
00:07:04I wrote you.
00:07:07It doesn't matter, Angela.
00:07:14What the hell is that?
00:07:16Your son.
00:07:18My what?
00:07:19Your son.
00:07:34You bitch.
00:07:36Ben.
00:07:37All right.
00:07:39You're not my other side, huh?
00:07:44What are you talking about?
00:07:47You think I've never seen the way these guys around here get their hearts for you, huh?
00:07:50The way you look back at him?
00:07:52What is your baby?
00:07:53It's your son.
00:07:54I wrote you and told you when.
00:07:56Who is it?
00:07:58A goddamn frog?
00:08:00Another McHadago?
00:08:02Who?
00:08:02He's five months old.
00:08:04When you were home, I...
00:08:05When I was...
00:08:06I got a mummy.
00:08:11I got a lamb.
00:08:12I got my back.
00:08:12What are you talking about?
00:08:12Nobody wants to come here with me.
00:08:34You got a little bit of clue...
00:08:36But your husband, I've heard he is back.
00:08:39He had to do something important, so I go to work.
00:08:41I'll pick him up with you.
00:08:43Okay, bye-bye.
00:09:15Your husband's back.
00:09:18How did you know?
00:09:19Aren't you happy?
00:09:22Sure, I'm happy.
00:09:25You shouldn't be here.
00:09:27Well, he had to do something very important.
00:09:31Oh, come on.
00:09:32What's more important than...
00:09:34Hey, Angela.
00:09:37I didn't think you'd let him get away that quick without.
00:09:40Well, I mean, all those months you've been like a nun.
00:09:45The chances you had, huh?
00:09:49You sure must be good, huh?
00:09:51I wish I had somebody like that.
00:09:55I wish I had somebody.
00:09:57I wish I had somebody.
00:10:04Do you want to.
00:10:04Don't forget my coffee, Anna.
00:10:06I'm not happy.
00:10:10Get out of there.
00:10:11Get out of there!
00:10:12Get the hell out of there!
00:10:14Here, fuck it up.
00:10:22Go get him.
00:10:50You've got big plans for you.
00:10:52You know that, don't you, boy?
00:10:54So I hear.
00:10:57Stink of liquor.
00:10:59So I had a drink, so what?
00:11:00Do not raise your voice in this place.
00:11:02You had a lot of drinks.
00:11:04I expect to be on the ball tonight.
00:11:07Don't worry about it.
00:11:08I do.
00:11:11Look, I want to go out and check the set up.
00:11:13Later.
00:11:15What's the matter with you, boy?
00:11:24She's been screwing around.
00:11:27Angela?
00:11:28One day I'm back home from leave.
00:11:30One lousy day and she's trying to tell me the kid is mine.
00:11:34Could be.
00:11:35Would you believe it?
00:11:35Funny she didn't write and tell you that.
00:11:37She said she did. She's a lying bitch.
00:11:40War on the hills get lost.
00:11:44Did you ever write to her?
00:11:47No, I'm not much for letters.
00:11:50Maybe she thought you were dead.
00:11:52She's a goddamn liar.
00:11:54She's Italian.
00:11:56Should have married us.
00:11:58Irish girl or nice French girls.
00:12:01French girls don't lie.
00:12:03Don't have to.
00:12:04French girls don't fuck around.
00:12:07Good night going out.
00:12:09Suppose it is your kid.
00:12:13Dispose.
00:12:14Look, any time I walk into that house,
00:12:17see that kid in here,
00:12:18the only thing I'll be thinking about is something.
00:12:20Get rid of her.
00:12:21She's a whore.
00:12:22Throw her out.
00:12:29All right.
00:12:33You don't have to worry anymore.
00:12:38You go.
00:12:44I know.
00:12:45I know.
00:12:46I know.
00:12:47I know.
00:12:47You're a little baby.
00:12:49I'm going to prepare something for you.
00:12:52Huh?
00:12:56Nice, nice baby now, huh?
00:12:59Just wait one little second.
00:13:04One second.
00:13:21I'm coming.
00:13:27I'm coming.
00:13:28I'm coming.
00:13:29No.
00:13:30It's coming.
00:13:31Let me go.
00:13:35What?
00:13:35No.
00:13:37No.
00:13:39No!
00:13:40He stopped.
00:13:40No.
00:13:42No.
00:13:46No.
00:13:47No.
00:13:49No.
00:13:49No.
00:13:49No.
00:13:50No.
00:13:52No.
00:14:12Mr. Hogan, I want my baby.
00:14:16Mind telling me what it is you talking about?
00:14:17Mind telling me what it is you talking about?
00:14:18Please.
00:14:20Two of your men came to my place and stole him.
00:14:23What makes you think they were mine?
00:14:26Because my husband...
00:14:28Go home, Angela.
00:14:29I want my baby.
00:14:30Ben will be home soon.
00:14:31He'll be...
00:14:32You stole him!
00:14:33Give him back to me!
00:14:34Hello!
00:14:34Why do you want to come in here making big, attaching noises?
00:14:37You're embarrassing me in front of my friends.
00:14:39You dirty, filthy pig!
00:14:48I won't forget that.
00:14:52Her baby.
00:14:54Even if I had her baby.
00:14:56Even if I wanted to give him back.
00:14:59I couldn't.
00:15:01Not now.
00:15:03You're removed.
00:15:08What do you mean?
00:15:11Not now.
00:15:14Did...
00:15:18You...
00:15:19You killed him?
00:15:22You killed my baby?
00:15:23You murderer!
00:15:25You are a murderer!
00:15:27Go home, Angela!
00:15:27No!
00:15:29I can't!
00:15:30I can't!
00:15:31Leave it alone!
00:15:32I can't!
00:15:42I can't!
00:16:04I want a police department in Point St. Charles.
00:16:06Point St. Charles.
00:16:09Hello.
00:16:11I want to talk to the man in charge.
00:16:14Listen.
00:16:16There are some guns...
00:16:18coming into your district tonight.
00:16:42You know...
00:16:59We are not together!
00:17:00Thinkk, what's a lie.
00:17:02They took the Oczywiście party.
00:17:02Oh...
00:17:02Now...
00:17:06Here he is.
00:17:07McCleack...
00:17:07Ask their neighbor...
00:17:11Oh, my God.
00:17:32Who tipped you?
00:17:33Shut up.
00:17:35Angelo.
00:17:36What?
00:17:38Nothing.
00:17:39Nothing.
00:17:40You get life.
00:18:05So enjoy feels good.
00:18:07Yes.
00:18:07Yes.
00:18:43Can I do that?
00:18:44No, you're too clumsy.
00:18:48I'll have to learn.
00:18:50In time.
00:18:53A good man.
00:18:54Who?
00:18:55Mr. Hogan.
00:18:57He's not.
00:18:58Come on.
00:19:00He did it for us, isn't he?
00:19:03He knew what we wanted more than anything.
00:19:06The baby, the papers.
00:19:09If it wasn't for Mr. Hogan.
00:19:13So we owe him.
00:19:18John.
00:19:52Hey, Pop, it's fantastic.
00:19:56It wouldn't be better if I'd picked it out myself.
00:20:00If you'd picked it out yourself, it would have had six car parators.
00:20:03I don't get it.
00:20:05And a funny horn.
00:20:06You like it, huh?
00:20:07Oh, it's crazy.
00:20:09Hey, Pop.
00:20:10Yes?
00:20:10What kind of interest terms?
00:20:12Okay.
00:20:14What's okay?
00:20:1628%.
00:20:18Pops.
00:20:19It's robbery.
00:20:20Mr. Hogan's a good man.
00:20:22We owe him a lot.
00:20:24Like what?
00:20:25We owe him.
00:20:26So we owe him a lot.
00:20:28We don't owe him a thing.
00:20:30He's a mafia hood.
00:20:32I don't want you to talk like that about Mr. Hogan.
00:20:34Ever again.
00:20:35Understand?
00:20:39Okay, Pop.
00:20:40Okay.
00:20:42Can I drive?
00:20:44I've got a choice.
00:21:18There's a problem in the kitchen, ma'am.
00:21:25Is that for Mr. Wainwright?
00:21:27That's right, ma'am.
00:21:28How many has he had?
00:21:29Three.
00:21:30I'd serve him this one if he orders any more for me.
00:21:32I've got a face!
00:21:37I've got to see him over there!
00:21:40I've got to see him over there!
00:21:41Stop it!
00:21:45Stop it!
00:21:45Stop it!
00:21:51Now, what's it all about?
00:21:54I'm not working anymore.
00:21:55No? Why?
00:21:57I order a servan de roux-vergneur, just a full servan.
00:22:00Any good shot would have done that.
00:22:01I do not permit you to...
00:22:03All right.
00:22:03I need to put the kitchen at me.
00:22:04He called me a name.
00:22:05He called you a name?
00:22:07Yes.
00:22:08What was the name?
00:22:10I cannot repeat it.
00:22:12You just learned to get off your ass.
00:22:14What?
00:22:15Get off your ass.
00:22:16You would like to, huh?
00:22:17I will not...
00:22:18I love both of you.
00:22:20No more, Paul.
00:22:22Yes, ma'am.
00:22:36Yes, ma'am.
00:22:42Yes, ma'am.
00:23:06Angela.
00:23:08Do you want to see me?
00:23:09Yes.
00:23:10Can you take a few minutes?
00:23:13How's it going downstairs?
00:23:14How's it going downstairs?
00:23:15Road light.
00:23:16You looked out of that.
00:23:18Yeah.
00:23:20Um, I just went through the books.
00:23:23And, uh, you'll be pleased to know we show a 4% profit increase over last month.
00:23:28I'm pleased.
00:23:29And in the two years since you've been manager, up 21%.
00:23:36You are pleased.
00:23:37Yes.
00:23:40Angela.
00:23:42Well, I'm...
00:23:43Drinking coffee.
00:23:46Um, we'll soon need a new sous chef.
00:23:50Roger has an offer to be head chef at the tour d'Or.
00:23:52I told him you should take it.
00:23:54My wife finally moved out last night.
00:23:58I'm sorry.
00:23:59I told you she would.
00:24:01Oh, we should have split 10 years 15 years ago.
00:24:05Marcelo, Marcelo.
00:24:06Listen, I'm going to New York and I want you to come with me now.
00:24:09Please.
00:24:10Please.
00:24:10I want you.
00:24:20I'm sorry.
00:24:23No need.
00:24:27Have a nice drink.
00:24:48Hey, Pops.
00:24:50Remember our deal?
00:24:52You'd carry the pork chop.
00:24:53I'd carry the pig.
00:25:15I thought you had a date.
00:25:17Hmm.
00:25:18So did I.
00:25:19Maybe his wife found out.
00:25:21Of course.
00:25:22I've been stood up by single ones too, you know.
00:25:25Sure.
00:25:39Don't you ever think of anything else?
00:25:41Yes.
00:25:42Is there anything else?
00:25:44What?
00:25:45How do you manage?
00:25:47Manage what?
00:25:50Sometimes.
00:25:51When you wake up in the middle of the night and you reach out.
00:25:55If there's nobody, you know, you're not.
00:26:02When is everybody going to learn?
00:26:04I don't need anybody.
00:26:06I don't want anybody.
00:26:07Okay, okay, okay.
00:26:09Okay, okay, okay.
00:26:27Aren't you coming?
00:26:32The baby.
00:26:34No.
00:26:54You did everything you could.
00:26:57All those years you've looked.
00:27:00You've hoped.
00:27:03Now you should forget.
00:27:06It is the baby again, isn't it?
00:27:10You're always reading my mind.
00:27:12Not always.
00:27:14Too often.
00:27:16I used to bring him here in this neighborhood every day.
00:27:20I guess that's why, when I got the little money together,
00:27:25I moved into one of these houses.
00:27:28Probably not the greatest idea in the world.
00:27:33Hey, come in and let's have some tea.
00:28:10You want something to eat?
00:28:13Coco?
00:28:15No, no, I'm not hungry.
00:28:20I forget how nice this place is.
00:28:23It's a place.
00:28:25I've got to get some money together myself and move out of my lousy neighborhood.
00:28:31So bad down there that even the cockroaches are leaving.
00:28:35Hey, what's the matter?
00:28:37Nothing.
00:28:39Why?
00:28:40I don't know.
00:28:41You're so jumpy.
00:28:43Yeah.
00:28:44Well, uh...
00:28:45Who likes to be stood up?
00:28:47Hmm?
00:28:52Smells like Chinese tea.
00:28:54I made it especially for you.
00:28:56Me?
00:28:56Mm-hmm.
00:28:58How long have you been saying you want to read my tea leaves?
00:29:02How long have you been saying no?
00:29:05Tonight I say yes.
00:29:07What did you learn?
00:29:08My aunt.
00:29:10She's...
00:29:10I don't know.
00:29:11Some kind of a gypsy.
00:29:14What do you want to know?
00:29:17Well...
00:29:18Will I be successful?
00:29:21Hmm.
00:29:21Success is yours.
00:29:28Wow.
00:29:29What?
00:29:31And I really mean...
00:29:32Wow.
00:29:33What is it?
00:29:35Only you're not going to like it.
00:29:36Why, tell me.
00:29:38You're going to fall in love like you've never been in love before.
00:29:43Why, you must be joking.
00:29:45He's going to fall in love with you to sing.
00:29:49The biggest thing in his life.
00:29:51Wait a moment.
00:29:52Hmm.
00:29:52I knew you wouldn't want to hear it.
00:29:54Hmm.
00:29:55But you know what?
00:29:55The tea leaves do not lie.
00:29:59The tea leaves.
00:30:06Coco.
00:30:08Hey.
00:30:09I have to go.
00:30:10What do you mean?
00:30:11Yeah, well.
00:30:12That's all there is.
00:30:13Coco.
00:30:14I don't mean to run off like this, but I almost forgot it's Saturday night, and there's this bar on
00:30:22St. Denis, where the action's not bad at this time of life, and thanks for the ride. See you Monday.
00:30:40Day's over.
00:30:41Last stop, Pops.
00:30:42Yeah.
00:30:43The last stop.
00:30:47One more.
00:30:48Right?
00:30:49One more.
00:30:49Hey, Pops.
00:30:50We need one more.
00:30:53Before Dane is one more layout.
00:30:56Pops.
00:30:58Hey, Pops.
00:30:59Hey, Pops.
00:31:00Hey, Pops.
00:31:04Hey, Pops.
00:31:05Please.
00:31:07Listen.
00:31:10Sean.
00:31:14Wait.
00:31:16Oh, wait.
00:31:18Oh, wait.
00:31:20Oh.
00:31:21Oh, wait.
00:31:23Oh.
00:31:26Oh.
00:31:27Oh, God.
00:32:40Hogan?
00:32:59Where can I find Hogan?
00:33:03Mr. Hogan.
00:33:05Where is he?
00:33:07Just who are you?
00:33:09John Lebrick.
00:33:12Your father was a good man.
00:33:15You're one quarter as good as he was.
00:33:17My father made his loan payments on time.
00:33:20So will I.
00:33:23What did you want to see me about?
00:33:25Oh, I always like to see people that owe me money.
00:33:29Something else.
00:33:31From how long your payments will be made on the 15th of the month.
00:33:34That's no good for me.
00:33:36Why not?
00:33:37The company I job meet for doesn't pay me until the 20th.
00:33:41Rosar's Packers, isn't it?
00:33:43That's right.
00:33:44Uh-huh.
00:33:46They pay earlier.
00:33:48I do business with them.
00:33:50From now on, you're delivering to restaurants.
00:33:53I'll speak to Rosar.
00:33:58Set them up.
00:34:07Thanks, darling.
00:34:11Thanks, darling.
00:34:32François, the French gentleman has been complaining again about the love order.
00:34:39François, you promised.
00:34:41Of course.
00:34:43What now?
00:34:46I am a chef, a chef, not the butcher.
00:34:50I've ordered steaks and chops and roasts,
00:34:52and the pig has tried the whole cow into my kitchen.
00:34:56What are you talking about?
00:34:57Huh!
00:35:02Made up your mind where you want it?
00:35:10Where do you want it, lady?
00:35:16Who are you?
00:35:17Jean Lebrec.
00:35:21You've brought the wrong order.
00:35:24It's what I've got.
00:35:27If you don't want it, I'll take it away.
00:35:36Why can't we get what we order around here?
00:35:39What?
00:35:39The meat.
00:35:40What do we need with the whole cow?
00:35:42Oh.
00:35:42For what?
00:35:44I forgot to tell you.
00:35:45If we just change suppliers.
00:35:48First delivery or two will have to be butchered in the kitchen.
00:35:50We pay for cut up meat.
00:35:52The company just switched from supermarkets to restaurants.
00:35:54That's not our problem.
00:35:56Yes, well, uh, that's the way it has to be.
00:36:00Why?
00:36:00Because it has to.
00:36:01Because it has to.
00:36:02Why?
00:36:04Why are you so upset?
00:36:05I've never seen you like that.
00:36:11Even if I just want to ferment.
00:36:19Where is the meat?
00:36:21In the cold locker.
00:36:23That's all right with you?
00:36:25What can you do?
00:36:26He even offered to come back and help me cut it up.
00:36:28Where is he?
00:36:42Thanks for offering to help cut up the meat.
00:36:44That's okay.
00:36:50Who are you?
00:36:52I told you.
00:36:53John Labreck.
00:36:56Where do you come from?
00:36:58East End.
00:37:00What's your name?
00:37:02Angela Kincaid.
00:37:04I've never seen anybody so beautiful.
00:37:44I'm not hungry, Mom.
00:37:45It's your favorite.
00:37:48You work hard, you see.
00:37:51I wasn't going to say that.
00:37:52What were you going to say?
00:37:55Well...
00:37:58You're a good boy.
00:38:00I enjoy cooking for you.
00:38:04Thanks, Mom.
00:38:10Say good to the waiter.
00:38:12Where are you going?
00:38:14To my room.
00:38:15John, you work hard.
00:38:17You should...
00:38:18Mom?
00:38:18Huh?
00:38:20You're a good boy.
00:38:34You've got my room all right?
00:38:38You're a good boy.
00:38:41I'm sorry, you're a good boy.
00:38:44I'm sorry.
00:38:46You're a good boy.
00:38:48I was hard to get on you.
00:38:48I'm sorry.
00:38:56He made it.
00:38:59I didn't think he would.
00:39:02Nice job.
00:39:45I didn't think he would.
00:40:15I didn't think he would.
00:40:18I didn't think he would.
00:40:34François, I'm going to the market first thing in the morning.
00:40:43And I would like you and Coco and Roger to give me a list of what you need.
00:40:50But, madame, Roger is gone.
00:40:54Fernand has been our sous-chef for a week now.
00:40:57Well, of course I've got.
00:41:02Could I have the list before you leave tonight?
00:41:05Certainly, madame.
00:41:20Angela?
00:41:22Sorry, I didn't mean to frighten you.
00:41:24Oh, you didn't.
00:41:25You scared me half to death.
00:41:27Sorry.
00:41:28I just wanted to ask if I could take you home.
00:41:31Can I?
00:41:36Why not?
00:41:38Great.
00:41:39It's right around the corner.
00:41:41Okay.
00:41:45This is it.
00:41:47Oh.
00:41:49I know.
00:41:50First I said taxi.
00:41:52Then I said, no, I want to take her myself.
00:41:56But this is all I've got.
00:41:59What are we waiting for?
00:42:01You don't mind?
00:42:02Of course not.
00:42:04Well, let's go.
00:42:07You're sure it's not out of your way?
00:42:09No, I don't live far from you.
00:42:11With your parents?
00:42:12My mother.
00:42:14Your father's dead?
00:42:16That's why I don't have a car.
00:42:18He bought this just before he died.
00:42:20And I'm still paying it off.
00:42:23He was...
00:42:25What?
00:42:25I don't usually talk about him to anybody.
00:42:28I miss him very much.
00:42:31I know.
00:42:33You lose somebody close to you?
00:42:35Your husband?
00:42:40No.
00:42:42You're not married?
00:42:45Divorced.
00:42:46That's what I thought.
00:42:47I knew your original name couldn't be Kincaid.
00:42:51My father wasn't all that well,
00:42:54so I decided I should help him out.
00:42:58Susan always said I should go on to university,
00:43:01but it's probably a little late for that now.
00:43:05Susan, you're a girlfriend?
00:43:08Sort of.
00:43:10What does sort of mean?
00:43:12Just I've always been kind of...
00:43:16I don't know, kind of alone.
00:43:20Especially since my father died.
00:43:25And Susan just never seemed to...
00:43:31With her, it...
00:43:35It just never seemed like what I really wanted.
00:43:44And now I know why.
00:43:51Thank you for driving me out.
00:43:53I'll walk you through the door.
00:43:55You don't have to.
00:43:55Oh, I want to.
00:44:13The restaurant's closed on Sunday, isn't it?
00:44:15Yes.
00:44:16How about going somewhere with me?
00:44:19We could drive up to the Laurentians.
00:44:22Or rent a car.
00:44:26Good night.
00:44:46You look good.
00:44:48Well, thank you.
00:44:49You won't be mad if I say something?
00:44:52How can I know till you say it?
00:44:54You're ready to get laid.
00:44:58You really think that?
00:45:00You're not mad.
00:45:02Why should I be?
00:45:03A few weeks ago, you would have been.
00:45:06Mind reading again?
00:45:09This time, it's not your mind I'm reading.
00:45:12Oh.
00:45:12Oh, wow.
00:45:14I have to go.
00:45:15Was he the artist again?
00:45:16No.
00:45:17I petted him out.
00:45:18You did?
00:45:25Did you want some of the queen?
00:45:26Madam.
00:45:27Yes?
00:45:28You know the table, Monsieur Gagnon ordered for a special guest.
00:45:30Yes?
00:45:31Well, the man is here.
00:45:32And Mr. Gagnon, is it?
00:45:33Not yet.
00:45:34Well, sir, we may have a difficulty right there.
00:45:37Yes, madam.
00:45:40Oh, that looks beautiful, Professor.
00:45:47Waiter.
00:46:07I didn't know you worked here.
00:46:09I thought you were dead.
00:46:12Whatever could be a bad idea.
00:46:14Maybe because I wished it so much.
00:46:20Murderer.
00:46:21Murderer.
00:46:22Murderer.
00:46:23Murderer.
00:46:33Murderer.
00:46:48Murderer.
00:46:55Murderer.
00:46:58Something wrong?
00:47:00No.
00:47:02Here it is.
00:47:04No.
00:47:04Oh, can I help?
00:47:08You already have.
00:47:10Can I see you tonight?
00:47:19Yes.
00:47:21I'll pick you up.
00:47:22I've got my car.
00:47:25Why don't we just meet here at the closing time, and then go somewhere.
00:47:30I'll see you tonight.
00:47:33Enough.
00:47:38If I help, I'm glad.
00:48:05You arrived.
00:48:07I thought you had a date.
00:48:09We'll drop you off wherever you want to go.
00:48:12Angela, you have to be alone with him sometimes.
00:48:17Let's go.
00:48:20Come.
00:48:37Let's go.
00:48:37Maybe he had to work tonight.
00:48:40Will you read Mighty Leaps again?
00:48:44Why do you want to hear that crap for?
00:48:47It's all phony anyhow.
00:48:49Please.
00:48:59Put your cup upside down on the saucer.
00:49:05Use your left hand and turn it three times like the clock moves.
00:49:11Yes.
00:49:15You didn't mean what you said before.
00:49:17What?
00:49:19About it being phony.
00:49:21Oh, sorry.
00:49:22No.
00:49:25I kid you a lot about reading minds, but you do.
00:49:30You know things that are going to happen.
00:49:32You do.
00:49:33Angela.
00:49:34Something is happening to me, Coco.
00:49:36Something I can't...
00:49:39You were saying about love.
00:49:44Still there.
00:49:45What else?
00:49:50I don't know.
00:49:52What else, Coco?
00:49:53I don't know.
00:49:54Something...
00:49:56What is it?
00:49:58I don't know.
00:50:14Hi.
00:50:15I'm sorry.
00:50:16It doesn't matter.
00:50:16I was on my way, but somebody went through a red light and put the front of my trunk.
00:50:19Come in. Come in.
00:50:20It's okay.
00:50:21The police came and I was going crazy trying to find out how to call...
00:50:24It doesn't matter.
00:50:26For sure?
00:50:27For sure.
00:50:33For sure.
00:50:34You brought me a present.
00:50:36How'd you ever guess?
00:50:41Nobody ever did before and you shouldn't have.
00:50:43And I love it.
00:50:44You haven't even found out what it is.
00:50:48I love it.
00:50:54Did you pick this out yourself?
00:50:56I just had the lady keep showing me things until I found something I liked.
00:51:05Hey, you know something?
00:51:08You've got taste.
00:51:10It's okay?
00:51:11It's beautiful.
00:51:12It's beautiful.
00:51:15Hey.
00:51:16How did you know my size?
00:51:18Well, I, uh...
00:51:21You know, I, uh...
00:51:24You know, I...
00:51:25You know, I...
00:51:28Describe...
00:51:30Uh...
00:51:34Uh...
00:51:35Oh...
00:51:36Put it on.
00:51:39All right.
00:52:09I was worried when you were in the restaurant.
00:52:14I phoned when the police left.
00:52:17But by that time it was too late.
00:52:19You...
00:52:21You're here now.
00:52:23That's what comes.
00:52:49You...
00:52:53Please go.
00:52:55Angela?
00:52:55Please.
00:52:56What's the matter?
00:52:58But what did I do?
00:52:59It wasn't you.
00:53:00For sure?
00:53:03For sure.
00:53:30Please.
00:53:32Please.
00:53:50You...
00:53:51Oh.
00:53:53Oh.
00:53:57Oh.
00:53:58Oh.
00:53:59Oh.
00:54:04Listen.
00:54:05Yes?
00:54:05I've been up all night and I've made up my mind.
00:54:08I...
00:54:08I've got to talk to you.
00:54:09Later.
00:54:10Now.
00:54:10I'm busy.
00:54:11Now?
00:54:12Okay.
00:54:12Talk.
00:54:13Oh, my.
00:54:13Oh, my.
00:54:15stay away from that boy what do you mean stay away from him a week ago you were pushing me
00:54:23to bed with him have you what gone to bed with him have you I'm spending the day with him
00:54:31tomorrow
00:54:32no go go are you crazy please you'll get hurt oh you mean his girl I know about that okay
00:54:46she's young
00:54:47she's pretty but she doesn't matter I don't mean this girl listen to me you're ready for a man now
00:54:55and I know a hundred would fell on top of you if you just looked at them okay you're saying
00:55:00that a
00:55:00woman all right get a young man get a dolphin but not this what are you trying to tell me
00:55:08well
00:55:11when I was at your place last night
00:55:27I don't know how it happened I don't even care all I know I have fallen in love with him
00:55:38Angela I don't want to hear anymore
00:55:50hi
00:55:55you got the whole day did I finish here
00:55:59yeah
00:56:14you got the whole day
00:56:28yeah
00:56:57Oh, my God.
00:57:00No, not here. I know where.
00:57:10I think you'll like it.
00:57:12I found it last summer.
00:57:14It's a big old hotel with a couple of crazy stone lions.
00:57:21And I think you'll like it.
00:57:42Angela?
00:57:48Angela?
00:57:59I'm sorry, Jean. I can't.
00:58:02Why?
00:58:05I don't know. I...
00:58:08It's okay. There's time.
00:58:14You're not that old.
00:58:16How come you're so wise?
00:58:20Maybe because I love you.
00:58:34I'm sorry.
00:58:38I don't know.
00:58:39I don't know.
00:58:40I don't know.
00:58:42I don't know.
00:58:43I don't know.
00:58:44I don't know anything.
00:58:46Yeah, I don't know.
00:58:47I don't know anything.
00:58:53Yes.
00:58:54Ty ?
00:58:56Yes.
00:58:59You want me to take you home?
01:01:55Mr. Benjamin Kincaid.
01:02:08Sit down, if you can hear.
01:02:13I'm not going to take that.
01:02:15No explanation, no reason.
01:02:17You're just...
01:02:17Susan, I'm trying to explain.
01:02:19Yeah, it's a good thing going.
01:02:25Susan.
01:02:27Susan.
01:02:35Susan.
01:02:52Susan.
01:02:56Susan.
01:02:57Susan.
01:02:58Susan.
01:02:59Susan.
01:03:03Susan.
01:03:03Susan.
01:03:12Susan.
01:03:17Susan.
01:03:27Susan.
01:03:29Susan.
01:03:29Susan.
01:03:29Susan.
01:03:30Susan.
01:03:39Susan.
01:03:44Susan.
01:03:48Susan.
01:03:50Susan.
01:03:56Susan.
01:03:57Susan.
01:03:58Susan.
01:04:07Susan.
01:04:13Susan.
01:04:14Susan.
01:04:14Susan.
01:04:14Susan.
01:04:20Susan.
01:04:21Susan.
01:04:21Susan.
01:04:21Susan.
01:04:21Susan.
01:04:23Susan.
01:04:23Susan.
01:04:23Susan.
01:04:23Susan.
01:04:23Susan.
01:04:24Susan.
01:04:24Susan.
01:04:24Susan.
01:04:24Susan.
01:04:49Susan.
01:04:52Susan.
01:04:52Susan.
01:04:54Oh.
01:04:57Well, let's go.
01:05:15Please come in.
01:05:23My son has been in here. Of course. Of course.
01:05:30Have you no shame?
01:05:32You seduced my son.
01:05:35You stole him away from a sweet, beautiful girl who loves him.
01:05:41I love Jeanne too, madame.
01:05:43Love? I didn't know none of your age.
01:05:47All right, I'm older.
01:05:49You think I haven't thought about that?
01:05:52You think he didn't hurt me, and yes, make me feel ashamed.
01:05:56But only at first, not now.
01:05:58Because I tell you, I don't know what will happen.
01:06:03I don't know how it will end, but I know he loves me.
01:06:06Oh, please, I thank you.
01:06:09If he do help, I will put on my knees.
01:06:13Please, leave him alone.
01:06:18Maybe I'm no judge of love.
01:06:21But I know that I love this boy since the first day he was brought to me.
01:06:27He's brought to you?
01:06:28Yes, brought.
01:06:30You mean, Jeanne isn't your real son?
01:06:33No. He doesn't know that, and I don't want him to know that.
01:06:36Do you think that because he was given to me, I love him less?
01:06:41Madame Le Brac, who gave him to you?
01:06:45Who?
01:06:46What difference does that make?
01:06:48Just leave him alone.
01:07:21What do you think about the time he was given to you?
01:07:29No matter what you did, because he slept before he ended up.
01:07:30In his eyes he was opened andrijed.
01:07:30This is a natural atmosphere that seemed to me and was not my will.
01:07:30He liked him as a punishment.
01:07:30Someone at bedroom都 did not walk except to him or any other people,
01:07:36That means there were other things he did onlyproductive.
01:08:22Just passing by. Sorry I missed you. See you tonight. I love you.
01:08:27I love you.
01:08:32I love you.
01:08:33I love you.
01:08:37I love you.
01:08:37I love you.
01:08:39I love you.
01:08:39I love you.
01:08:46I love you.
01:08:49I love you.
01:08:50I love you.
01:09:05I love you.
01:09:06I love you.
01:09:08I love you.
01:09:10I love you.
01:09:23I love you.
01:09:26I love you.
01:09:30I love you.
01:09:42I love you.
01:09:47I love you.
01:10:04I love you.
01:10:14I love you.
01:10:21I love you.
01:10:38I love you.
01:10:56I love you.
01:11:02I love you.
01:11:21I love you.
01:11:31I love you.
01:11:35I love you.
01:11:37I love you.
01:11:40I love you.
01:11:42I love you.
01:11:49I love you.
01:11:54I love you.
01:12:13I love you.
01:12:14I love you.
01:12:18I love you.
01:12:37I love you.
01:12:44I love you.
01:12:49I love you.
01:12:50I love you.
01:12:50I am not happy to leave.
01:12:51I love you.
01:12:51I Love You.
01:13:03I don't wanna believe I'm alive.
01:13:07Okay. Where do you want to go?
01:13:10Well, out west Vancouver, even further. Australia.
01:13:15We can.
01:13:16No. We should go now, Jean. Tomorrow.
01:13:23No, I can't do that.
01:13:28No.
01:13:30I have to have time to settle things.
01:13:33My mother...
01:13:34Maybe I could go ahead, and when you finish...
01:13:36No.
01:13:37I'm not letting you out of my sight again.
01:13:41We go back to Montreal.
01:13:45We take time in getting ourselves together,
01:13:49and then we go anywhere you like.
01:13:55Okay.
01:14:15You were so out of nowhere.
01:14:16You are so out of nowhere.
01:14:16Never the soldiers were standing up here.
01:14:16Clear.
01:14:25Clear.
01:14:32Go away.
01:14:32So you don't want to leave your car here and ride back in comfort?
01:14:37See you tonight.
01:14:42For sure.
01:14:43Sure.
01:14:44Hey!
01:14:46Glad to see you.
01:14:51Sit down.
01:15:01You never talked, never fingered anybody.
01:15:04I said you'd be taken care of. I met.
01:15:07I got something going. Maybe next week, maybe as early as tomorrow.
01:15:11Good Brad, you want in?
01:15:13Where's Angela?
01:15:14I want her.
01:15:17What for?
01:15:19By getting me busted.
01:15:21That makes you think she did it.
01:15:23Did you?
01:15:27You're crazy. You know that, don't you?
01:15:29It's in your eyes.
01:15:31You're crazy.
01:15:32Where is she? I know she's not at the old place.
01:15:36I heard somewhere she left town a few years ago.
01:15:39Don't bullshit me.
01:15:40You put a slug in that whore and you're right back in the slam.
01:15:43Tell me where she is.
01:15:44I don't know. Ben.
01:15:46All kinds of bread floating around.
01:15:49Some of it's here marked for you.
01:15:51I want to see you get it.
01:15:53What are you going to tell me?
01:15:55Ben.
01:15:56I owe you.
01:15:58That's why I'm giving you this advice.
01:16:00You're fresh out of the can.
01:16:02Everything always looks different when you first get out.
01:16:04Take it easy for a few days.
01:16:06See how you feel.
01:16:09Wait until after your first job.
01:16:16I'm on my first job.
01:16:18I'm on my first job.
01:16:42I'm not...
01:16:52Hey, what are you doing?
01:16:55What do you want?
01:17:03What is it?
01:17:10What's going on? Say something.
01:17:35What do you want?
01:17:39I've come to warn you.
01:17:41About what?
01:17:43Your husband's out of prison.
01:17:45I have no husband.
01:17:48He's looking for you. He means to kill you.
01:17:50You'd better if you went away for a while.
01:17:53Why are you telling me this?
01:17:55Shouldn't I?
01:17:56Hmm?
01:17:57You hate me?
01:17:58Hate's a big word.
01:17:59You hate me.
01:18:01I hate violence.
01:18:03You don't call murdering my son violence?
01:18:05If you hadn't come into my place that day and done what you did.
01:18:08Cheap murdering mafia hood.
01:18:11I don't kill children.
01:18:21But you said...
01:18:22You spit in my face.
01:18:24You attacked me.
01:18:25My son.
01:18:27He's alive.
01:18:59Francois.
01:19:01Francois.
01:19:01Let me speak to Coco.
01:19:04What do you mean she phoned in sick?
01:19:08Coco?
01:19:13Coco?
01:19:14Coco!
01:19:42What's your address, sir?
01:19:44What's your address, sir?
01:19:46What's your address, sir?
01:20:17What's your address, sir?
01:20:17What was your address...
01:20:24The End
01:20:46Hi. Hey, you look fantastic.
01:21:02I'm coming away.
01:21:06Away?
01:21:08I don't understand.
01:21:10It won't work, Sheldon.
01:21:12I just fooled myself for a while.
01:21:17What do you mean?
01:21:18It won't work.
01:21:20Just what I said.
01:21:21You love me?
01:21:22Of course I love you.
01:21:24I love you.
01:21:26I love you, Angela.
01:21:28No, Jean.
01:21:29No.
01:21:30Please.
01:21:34Jean.
01:21:36Jean.
01:21:39Jean.
01:21:40Jean.
01:21:41Jean.
01:21:41Jean.
01:21:42Jean.
01:21:51This is for everything you've done to me.
01:21:55Everything.
01:21:58No!
01:22:32The End
01:22:58The End
01:23:34The End
01:23:56The End
01:24:14My darling
01:24:23My pain
01:24:35My darling
01:24:44My darling
01:24:54My darling
01:25:07My darling
01:25:24My darling
01:25:44My darling