Gurthukostunnayi Writer Rajashekar Reddy Baddam Exclusive Interview

Mana entertainment

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Transcript

00:00Hi everybody, welcome to our channel Manashtars. Today we have a special guest.

00:04So, we will take a lot of a writer to show a story about emotions and happiness.

00:13This one is not a good idea and a good idea in our life.

00:18We will see a book about a book and a book about a film series.

00:23As a human, as a human, a human, a human, a human and human, a human and human.

00:24Also, we will try this for a whole story about crime and thriller series.

00:26We have a life that takes a major role in their life.

00:36This series will come out as a writer,

00:39To make the memories as a whole,

00:42To make the series as well.

00:45We have to travel a beautiful series, so we have to take a look at the memories of the series

00:53and memories.

00:56Let's go. Hi, sir. First of all, thank you so much.

00:59Because of this introduction, we are great in this series.

01:03Even if you look at any moment, there will be any moment in life.

01:07Even if there is a nostalgia moment in a cinema, there will be one or two moments.

01:11Yes, it will be great. But in this series, there will be a new movie in every episode.

01:16So, we have to take a look at the nostalgia moment. First of all, thank you so much.

01:21We have to create memories of the memories.

01:23So, what was the reception, sir?

01:25It was released on Netflix. It was released on ETV.

01:28So, what was the reception from the audience?

01:32So, the audience is full of support.

01:35We have to take a look at it completely.

01:36So, we have to take a look at the premiere of Sriramulti.

01:39Yes, correct.

01:40After that day, we started.

01:41First of all, we got a very positive talk.

01:46There was a lot of talk.

01:48And first of all, we have to take a look at the first four episodes.

01:51Second of the start of the ending,

01:54We have to take a look at the beginning,

01:56and we have to take a look at the beginning,

01:57and a lot of talk about the beginning.

01:59After that, we also have to take a look at the release.

02:02After that, we have to take a look at Instagram,

02:05and we have to take a look at the feeds and reviews.

02:10The one thing is negative.

02:13It is all positive.

02:15That's why I have to take a look.

02:17And it is all really good.

02:17That's why we are so proud of it.

02:21That's why we are so proud of it.

02:24The audience is very proud of it.

02:26That's why I feel very privileged.

02:28That's why I feel very privileged.

02:29I feel good about it.

02:30It's important for the audience to look at the connection.

02:30Yes, yes, yes.

02:30I think there is no negative talk.

02:32Yes, yes.

02:32I don't know.

02:33I think there are any challenges for you.

02:35But,

02:36you know,

02:37you also have to connect with a person that takes a look at this moment,

02:39and a character in that moment,

02:41That journey is going on in our life.

02:43You have to tell the secret.

02:46You have to tell the audience.

02:47You have to tell the human emotion.

02:50At the end of the day,

02:52if you love yourself,

02:55if you connect with yourself,

02:57if you connect with yourself,

02:58you will be able to connect with yourself.

03:00You will be able to tell yourself.

03:06The idea was very clear.

03:08You will be able to connect with yourself.

03:11You will be able to meet yourself.

03:12You will maintain yourself.

03:17You will be able to design yourself as it is.

03:19Now, if you have a normal way,

03:22you will have to try the writer's full experience.

03:24You will have to cut the points in the cinema.

03:27You will have to do high and low.

03:29You will have to do everything.

03:30But we got surprised.

03:31In the first two projects,

03:33you have to show the plot in the early 20s.

03:37What was your experience of a writer or a series first time?

03:44So, if you want to say anything, you want to say cinema.

03:47If you want to say the first series of cinema, you want to say writing.

03:52Okay.

03:53If you want to say the introduction of cinema, you want to enjoy the influence of the writing.

03:59He has very strong writing.

04:02So, if you want to say about a thought team, if you want to say this, you want to make

04:11it to the YouTube channel.

04:14It's not going to show a short film.

04:15Okay.

04:15You want to do a short film.

04:17That's super.

04:17You want to do a short film.

04:19Then, you want to play a job, you want to make it to the job, and you want to play

04:24a short film.

04:25You want to play a little role in a carnel.

04:27Wow.

04:28That's how we move on to this point, as I show the cinema, I set it all the time.

04:40I set the connection to someone to connect, to another connection, to another connection, to another connection.

04:48We're all in this place just like this, but we're all in the place.

04:53So, you can imagine you can tell that you had a lot of emotions.

04:58When you had a lot of emotions, you could bored and then you were infected with the Emotion.

05:21This is a cinema.

05:23He's called an image and a video of an image.

05:26He's called a cinema.

05:27I'm talking about a lot more about cinema and a lot more about cinema.

05:31When you talk about cinema, you talk about it regularly.

05:34But when it comes to a cinema perspective, you talk a little bit about it.

05:38By the way, I'm doing a cinema somewhere.

05:44I've done a cinema somewhere in my life.

05:48A god gift for you is that you have a talent, and you have a lot of talent.

05:56So, if you have a lot of talent, maybe you can play a film in a journey.

06:04So, when I was in a cinema, I started to start a shivering,

06:08He started to start the film, he started to talk about his life, he started to talk about his life.

06:15That's why Philip started to talk about the film.

06:17Sir, we're talking about the film in the series.

06:21There's a great character in the series.

06:22The character is playing a character.

06:24He's a kid, he's in school, he's in the middle and he's in the middle, and he's in the middle.

06:30He's playing a movie in the movie.

06:32So we're talking about the same pitch, but it's a beautiful character in your life.

06:37It's a cut-down cinema, it's an independence day, it's a lot of cinema, what's the moment in your life?

06:43I'm a young man, I'm a gang leader.

06:47For me, I didn't have a poster.

06:51For me, there was a wall and there was no poster.

06:55There was also a place called Balapur.

06:58I'm very famous in Kuna EKK theater in Yadigiri theater.

07:02I'm very famous.

07:03It's a poster.

07:05I'm a young man.

07:07I'm a young man, I'm a young man and I'm a little more conscious.

07:12I'm a first time I'm a poster.

07:15I'm a gang leader in Kallery, in Janganjiva.

07:18I'm a young man.

07:21That is my first very instant.

07:24Then after, one of the two people would have been in the DNA of Krakash.

07:30Correct.

07:31That's right.

07:32That's right.

07:32You can start with them.

07:32You can start with cricket.

07:35Okay.

07:37So, what is cinema?

07:38What is cinema?

07:40You can do it in the cinema.

07:41How did you start with cinema?

07:46Yes.

07:47You can enjoy the cinema and choose the quality of the cinema.

07:51You can enjoy the quality of the cinema.

07:53That's right.

07:55Do you start with this transition or do you have any forces that will help you in this journey?

08:01In this journey, there are a lot of support systems.

08:04There are a lot of support systems.

08:06I started overnight.

08:08It's been 8 and up to 9 years.

08:10That's right.

08:10When I started my journey.

08:12I started with a small TV channel.

08:17I started with a lot of cinema.

08:20I'm a freelancer.

08:21I started with India because I did the interview with a lot of videos.

08:26If you were looking at a lot of universal events, were like,

08:29I was invited to the entertainment app.

08:30I started with a lot of content.

08:31Okay.

08:31They started with the same content.

08:36They started with cinema.

08:37If you didn't forget the entertainment space,

08:39we started with that.

08:41In a year, I had to spend your work working for two years.

08:45That's right.

08:46Then I started with a lot of respect.

08:49In the period of life, I decided to change the assignment.

08:50In that journey, I started on Facebook and memes.

08:57Okay.

09:00When I started to print and media, the first time the meme started, then I got an opportunity.

09:07Ananda Brahma is a film.

09:09Yes.

09:09When I started to print, I started to print.

09:18Then, Facebook Live is very famous.

09:24Facebook Live is not the same.

09:26It is crazy.

09:27Then, I started to print and print and print.

09:35Wow.

09:37Now, I started to print and print and print.

09:42I started to print and then I started to print.

09:44Super.

09:45Super.

09:46This is what my journey is.

09:48I've done a lot of films.

09:50I've done a lot of films.

09:51I've done a lot of films.

09:55I've done a lot of films behind the content, the interviews, the game show, the plans, the creative space.

10:01I've done a lot of films and then I've done a lot of films on 25-30, the complete films.

10:07What I've done is the performance you've done is the cinema.

10:11I would like to ask you to do a job with the Australian director and to do a job with

10:15the cinema.

10:18If you ask me to do a job with the Australian director, I would like to know.

10:21I would like to know because I would like to see a department.

10:24I would like to do self-observation.

10:26I would like to do a film promotion with the director.

10:31I would like to do a job with the Rara and the Rara coach.

10:34I would like to do a job with the Rara and the Rara coach.

10:36That's when the observation started.

10:38Okay.

10:40What did the director do you have to do in 8-9 years?

10:43No.

10:44No.

10:45No.

10:46No.

10:47No.

10:48No.

10:49No.

10:51No.

10:58No.

10:59I'd like to do a job with the supernatural a lifenu because it was an important roles play.

11:00Once it Óseodhipples, that I would be OK.

11:07Then I had a beautiful journey with Mahiragavu, I had a beautiful journey with him.

11:13Then I had a beautiful journey with Mahiragavu.

11:20So maybe we had a few of that.

11:23But which cinema, sir?

11:25What's your motivation for the cinema? What's behind the camera?

11:28What's your motivation for the cinema?

11:30Of course, I have a lot of cinema in Allantia.

11:35Then I have a list.

11:37I have a small production.

11:39So I'm heavily influenced by the writing.

11:43Allantia's interest is to start the cinema.

11:46Wow.

11:47When you start and end the cinema, you start and end the cinema.

11:51You don't have any philosophy.

11:55There is a hero in mainstream cinema.

11:58He's got a little bit of opening scene.

11:59He's got a little bit of opening scene.

12:01He's got a little bit of opening scene.

12:03But where are the start?

12:05I don't know.

12:06Because it's mainstream cinema.

12:07It's a film cinema.

12:08Norms break.

12:10But in all the days,

12:13I have a lot of film and I have a lot of influence on the film.

12:18I have heavily influenced the film.

12:22All the scene has been done with me.

12:23I have all the time of short films.

12:23When you do short films,

12:24where is the film?

12:25Where is the film?

12:26The time is on the end of all.

12:30When you say,

12:32you tell me,

12:33when we do short films,

12:34you can do some films.

12:36All you have to write is the proper story.

12:38If you are in good shape and you are in your background, you can perform your performance and you can

12:44get a wonderful job.

12:45You can make a wonderful job and prove yourself to me I am not going to do anything.

12:53I am always in the moment, I am always looking at who I am jealous.

12:58I was watching 27th or 27th day.

13:00I wanted to try it.

13:02I wanted to try it, but I wanted to try it.

13:07I wanted to try it as a cinema.

13:09I got a lot of inspiration.

13:12I got a lot of motivation to try it.

13:14A character who is here or anywhere.

13:19He is a dub, he is a man who is a dub.

13:23He is not a man who is a dub.

13:26There is Swayukrushi cinema.

13:31In this range, when you are in the conference,

13:36you have to try it out and try it out.

13:40You have to be correct.

13:42You have to be honest.

13:44You have to be honest.

13:46You have to be honest with me.

13:48You have to be honest with me.

13:54I have to be honest with you.

13:57I have a contact with you.

14:02So, I had a message.

14:04I am sorry for the film.

14:07I am very sorry for this.

14:09I am very sorry for this.

14:10I am very sorry for this.

14:11I have a lot of inspiration.

14:12I have a lot of inspiration for the film.

14:15I am very motivated.

14:17I have a lot of motivation.

14:20I am very sorry for the film.

14:21I asked 5 minutes.

14:23I have a video call.

14:24Oh my God.

14:25I am very sorry for the film.

14:28This is the first time we are interacting.

14:31This is the first time we are interacting.

14:32He was so happy, he was so surprised. He was very true.

14:49He said thank you.

14:50He was so happy.

14:52Thanks for being here.

14:55He was so happy.

14:56But he was so enthusiastic about the cinema.

15:00He was so happy.

15:03He was so happy.

15:04He was so happy.

15:06He was so happy.

15:07He was so happy then.

15:09That was his motivation to say.

15:11He wouldn't say anything about it.

15:15So the dad was very creative.

15:18I was so happy.

15:19You have to say what was his mind state?

15:22There was a backlash.

15:23He was inspired.

15:24He was so happy.

15:25He got so happy when he did it.

15:30Why would you talk about the development of this what was he saying?

15:33What was his mind state?

15:38He is a very positive person. He is a very positive person and he is still here. That is what

15:46he is.

15:48He is a very positive person. He is a very positive person. He is a very positive person.

15:56In my opinion, he is a very positive person. He is also a very positive person.

16:05He said, he is a big fan of a big fan of the show.

16:07I didn't know how to do the show.

16:09I thought he was a big fan of the show.

16:13I thought he was a big fan of the show.

16:19I thought, you know, I had a great fan of the show.

16:28I thought, that's what my take is.

16:33When I was in the cinema, I would like to play a cassette.

16:37I would like to play a little bit.

16:42From that stage, I would like to discuss it.

16:46I would like to call the call number.

16:47I would like to say something.

16:52I would like to say some feelings.

16:58I was able to explain it in a way that I could explain it.

17:01If you were to explain it, you would say it in a way that you would explain it.

17:07I was able to explain it to Chiranjigar and Chiranjigar.

17:11I was able to score a lot of good score and Chiranjigar was very happy.

17:18I was able to get happy with Chiranjigar.

17:23I am very happy about that.

17:24So that is a professional take away.

17:28Yes sir.

17:29In this day, there are a lot of major points in the M series.

17:33First thing is duration.

17:35If you start the series, you can start the series.

17:38If you start the series, you can start the series.

17:40If you start the series, you can start the series.

17:42There is a big stereotype in general audience.

17:45But you are almost 30 to 35 minutes.

17:49There is only 25 minutes.

17:50The series is made of dates.

17:51You will have� in addiction.

17:53It is a small and important duration.

17:56I just want to make an addition.

17:56So that's the question.

18:02To say time to ask the audience.

18:05We want to know about how we want to know about what experience we want to know about.

18:10While we want to know about how we want to know about how we want to talk about how we

18:12want to know about the context.

18:12We want to create a new dialogue, set in a small moment and make a new context.

18:16I am an expert.

18:17If we are the one who wants us, we will do the same thing.

18:23If we are the one who wants us, we will do the same thing.

18:28We will not do anything.

18:29That's why we will tell you about this episode and the emotion.

18:34We will not be able to do the same thing.

18:37We will not be able to do the same thing.

18:38We will do that.

18:40We will not be able to do that too.

18:43We will not be able to do that.

18:45We will not be able to do anything.

18:46Going to talk about the particular emotion in this episode,

18:51we will not be able to do that.

18:54What is happening as we are talking about?

18:55That was a major task.

18:58Let's do that.

18:59We will be able to do too-to-to-three minutes.

19:01We will no matter how long we were able to do cuttings.

19:06But without any spoilers,

19:08The main plot is memories and gnats.

19:12What is important is that it turns a personal life into a personal life.

19:16So, how did you strike this topic?

19:21How did your journey start?

19:23So, all thanks to Mr. Nitin, sir.

19:27He was ETV content.

19:29It's his call.

19:31He created this opportunity and backed up with Sai Krishnagar.

19:37He is an ETV business head.

19:39He has a page on a rail.

19:43He is a producer.

19:46They wanted to do 60-70 episodes in the format of the page.

19:51But, Nitin, sir.

19:53He wanted to make a web series.

20:00He wanted to make a web series.

20:02He wanted to make a web series.

20:05He wanted to make a web series.

20:06He wanted to make it a web series.

20:08He wanted to make a web series.

20:11He was a producer.

20:12You need to direct this to his name is Vinod.

20:15He's a producer.

20:15Then, he's doing it.

20:18You didn't experience it.

20:20You didn't experience it.

20:21It's a very interesting start up.

20:23Then, we call him Nitin, sir.

20:24As I mentioned earlier, there is a line, and the hero will be finished.

20:34The two of us will blend together.

20:39What freedom is for me?

20:42What freedom is for me?

20:44What freedom is for me?

20:46What freedom is for me?

20:47They trusted me.

20:51What freedom is for me?

20:53What freedom is for me?

20:54In one week, I completed it.

20:55Initially, it was eight episodes.

20:57In one week, I completed eight episodes.

20:59Then, I told you,

21:03Sir, this is how the characters are.

21:05This is Santoshi.

21:06This is Bammanandu, this is Srikanthu, this is Kiranam Ganeshi.

21:10These characters are all behave.

21:12Then comes the principle, the love story.

21:15We will begin the first present line.

21:17It is the first present line.

21:19This is the first present line.

21:21But, every answer will be in a flashback.

21:25That is why, we will start a moment.

21:30If you have any problem created,

21:31then you have a past answer.

21:35No.

21:36If there is a problem, you will create a problem.

21:40The chaos is built and built and built.

21:45Then, one month, I came here and I had a very creative input from Nithilgarh.

21:53He was there for a back-bone complete.

22:07I had a very beautiful journey towards Gurtu Koshnai's time.

22:26I had a very beautiful journey towards this.

22:27He was not part of a E-Dev in now.

22:29But Nithilgarh, after the message of the series.

22:32Yes, he was very happy.

22:34He was like,

22:37Sir, if you want to go to the elevator,

22:42you will get the elevator.

22:44Otherwise, you would have dropped or something.

22:48If you want to go to the elevator,

22:52this is what I believe.

22:54If you want to go to the elevator,

22:56you will get the elevator.

22:57You will get the first initial.

23:00You will get the bonus.

23:01You will get the audience,

23:03you will get the interview.

23:05These all came out of the flow.

23:06Yes.

23:06Okay.

23:07Right.

23:09So,

23:09In the 8-9 years' journey,

23:11you need to do opportunities in the industry.

23:13The first major project is to take a cakewalk.

23:17But it's not possible.

23:18So, what do you think?

23:21If you are back, you will be able to get the opportunity to get the opportunity.

23:25If you are able to get the opportunity, everything plays in a very well place.

23:30So, what do you want to say?

23:32You are going to take a cakewalk, you are going to take a journey.

23:34So, I am going to take a journey into this.

23:43Whatever the past experience is, I am going to take a look.

23:46If I want to get the opportunity, it is part of our independent life.

23:54I have a lot of challenges here.

23:56I am not going to take a look at my father.

23:59I am going to take a look at that.

24:02I am going to take a look at that.

24:05In that process, there are many principles, many principles and many things.

24:10I am going to take a look at the doctor.

24:12I am going to take a look at that.

24:13And, I am going to take a look at that.

24:13So, what do you do, I am going to take a look at it?

24:18On the day, I think that Raja has a lot of problems.

24:22I have a lot of good ideas.

24:24They are a lot of good ideas.

24:24I do know that.

24:26I'm an executive.

24:26Okay.

24:27When I came to the stage, I could speak.

24:31I could speak.

24:35I could speak.

24:38I could speak more than the beginning of the video.

24:39I could speak more than the beginning of the video.

24:43I could speak more to the time.

24:45I could speak more to the narration.

24:47That is great.

24:50Okay.

24:50So, that's what I thought about it. So, more than a cakewalk, I didn't have to do it at a

24:57point.

25:00At this time, I didn't have any support.

25:03I didn't have any support at all. I didn't have any support at all.

25:10I have some people who had a customer, who had a friend, who had a family, who had a family,

25:18who had a family, and I had a family.

25:21By all, I didn't have any support at all. I didn't have any support at all.

25:28So, I didn't have any support at all.

25:30But, when I was a young man, I didn't know what I thought about it.

25:37Just know what I thought about it.

25:47I can't tell you.

25:49You taste it, you taste it.

25:51But eventually you reject it.

25:54If you reject the idea of being a fool,

25:56you will have to reject it.

25:58You will have to be a fool.

26:01You will have to be a fool.

26:02Then the depression started.

26:04Multiple ideas.

26:07Multiple options.

26:09Go. You have a lot of

26:11spaces to go.

26:12There are creative opportunities.

26:14If you have to say anything,

26:16you will know your soul.

26:19That will help.

26:21You also may have to say anything about your friends.

26:27If you are going to tell your goal,

26:30you will have to get a point.

26:35You will be distracted.

26:38You will be completely distracted.

26:40If you are a financial institution,

26:43there is a different kind of thing.

26:44You will be distracted.

26:44Even in this thing, there is a space without creating space.

26:47If you make a green one, and you are not able to figure out how to produce one or two

26:50of them,

26:50you know the biggest impact?

26:57If you're doing a film, you're doing a freelance work, you're doing a subwetting thing,

27:04or you can do a lot of things in you're doing a lot.

27:07But, if you don't want to make a difference, you can get a whole heart out of it.

27:12That's why you are spitting the harsh truth in the 8-9 years experience.

27:27That's why when you look at that immaturity or immaturity,

27:31If you don't want to make a difference in the 8-9 years, then you can get better.

27:38If you are an experienced writer, then you can get an experience.

27:42Great, sir.

27:43But the journey of Kurdhikosna is important.

27:45If you are writing, just we can expect, why can't you direct?

27:49Why can't you do that?

27:52Oh no.

27:52How many discussions have you done?

27:54No, no.

27:55You know, on board, the direction is always there.

28:02Okay.

28:02Direction is always there.

28:03But, if you are interested in the direction, then you can share your interest.

28:08Okay.

28:09Eventually, there is talks are happening.

28:11Okay.

28:12Big productionals and ETV is collaborating for a project.

28:15I need to crack the story.

28:17Okay.

28:17There is a story is happening.

28:20The family drama is not going to talk about the film.

28:23Great.

28:24The film is not going to talk about the film.

28:28The film is not going to talk about the film.

28:29In the direction, I started writing.

28:33I started writing, the film is not going to talk about the film.

28:39Then, I began to make an inspiration for the film.

28:46I began to make an inspiration for the film.

28:48I began to make an inspiration for a writer.

28:52Then, I became a director.

28:57And I was also a director.

29:03It means that a good writer is also an author.

29:07Let me give an inspiration.

29:11I am happy.

29:13If you create an individual identity,

29:16you can create a bond in the writing.

29:22If you want to do that,

29:25we will have a plan for you.

29:28Yes, in my country,

29:30we will create a new character.

29:32You guys have new characters.

29:35We are painting a new character.

29:35After that, we can make them a new character.

29:38We have a very useful character.

29:40We can use your own character.

29:42They are so inspirational.

29:43They are so inspirational.

29:45They find the same name and I know a new character.

29:48They will change the stage.

29:51We can do a lot of fresh characters in the first time.

29:54Do we adopt a new character?

29:56That was a smart move. No one expected that.

30:01He was very villainous. No one expected such kind of character.

30:09My brother who was really a guru and I have a lot of writing, and my philosophy was very good.

30:20You too know, so I used to write a book about certain things and a book about it.

30:27Because I used to write a book about it.

30:34I was sitting in front of my guru, and I'm narrating the story to him.

30:48I didn't want to do anything.

30:50So, when I was talking about the discussion, I was talking about who I idealized.

30:57I was talking about my future.

31:04I'm not at all, I'm not at all.

31:11I was talking about what I'm talking about.

31:14After the results of the series, I was talking about a couple of things.

31:17So, I'm talking about my own model and I'm talking about the same questions in one minute.

31:29I don't know if I was a writer, but I don't know if I was a writer.

31:33If I was a writer, I don't know if I was a writer.

31:37I don't know if I was a writer.

31:43Wow, you're a guru.

31:46It made me emotional. It was a very surreal experience.

31:54Great, sir.

31:57She's a social media trending star.

32:00She's a social media star.

32:02Who's call it was?

32:04She's on board and she's on board.

32:07Team.

32:08Team call is complete.

32:09She's a fresh person.

32:11She's a fresh person.

32:15She's a little bit of a feeling.

32:17She can act as an influence.

32:21She's a thought process.

32:23I was just a friend.

32:25I was just a friend.

32:27She's a monologue.

32:31She's not from the Telegram.

32:34She's a freelancer, but it's not a happy person.

32:41She's a perfect perfect lip sink.

32:44She's doing a whole workshop.

32:46She was doing a work for 20 days.

32:49She's doing a monologue.

32:51She turned into a challenge.

32:53She was able to work with a digital creator.

32:56She said this is my moment.

33:01She practiced.

33:02Even the same happened with Virajashvinyar.

33:06Virajashvinyar, it was our jackpot.

33:13He comes from cinema.

33:16I thought, sir, I didn't want to do a web series.

33:21But I didn't do it.

33:23He thought, but he thought,

33:27He said,

33:29I'll tell you,

33:33You have a scope for the last episode.

33:37He said,

33:38You have a great time.

33:42You have a great time.

33:43You have a great time.

33:46I'm waiting for you.

33:47That's what the seventh episode is.

33:49He showed you that.

33:53You have a great time.

33:58Sir, this is a series.

34:00You have to look for nostalgia and love.

34:03That's one episode.

34:04But that's why,

34:05You have to look for nostalgia and love.

34:07Family bonding.

34:09Yes.

34:09Did you talk about the writing process?

34:11Did you talk about the ongoing process?

34:16I thought,

34:17You have to look to nostalgia all the time.

34:20You have to look for nostalgia.

34:22They started in the 90s,

34:24And the way they started in the 90s.

34:26They started in the 90s.

34:28They started in the 90s.

34:28They had no identity.

34:31They started in the 90s.

34:39Essentially,

34:40They had no idea.

34:41They had no idea.

34:43They had no idea.

34:45They had nothing to do with it.

34:47If you choose something, you don't have to do anything, but you don't have to do anything.

34:52We are busy.

34:57There is a meeting, there is a morning meeting, there is a Saturday appointment, there is a Sunday family.

35:04If there is a family that has a foundation, we don't have that emotion, we don't have that emotion.

35:13That is what we want to do.

35:17We don't have to do anything with nostalgia, we don't have to do anything, we don't have to do anything.

35:26We don't have to do anything in the present moment.

35:31We have to talk about it.

35:34We have to talk about it and we have to start our family.

35:38We want to take it as a family.

35:41We don't have to do anything and we don't have to do anything without any friends.

35:46I have to go out of my friends.

35:47The friends friends are really proud and we need to wait until we die.

35:53We don't have to teach these things.

35:55Why don't you give them a fancy life?

35:58In the seven episodes, what are the favorite episodes of your family?

36:01For me, there are three of us.

36:07That is an episode of Ammamagari.

36:11While I was writing, I was narrating,

36:15then I was really sure that this is hard to say.

36:19This series is called the CORE Team ETV WinRFC.

36:25I was writing a book about the CORE.

36:27I was writing a book about eight hours.

36:33I was writing a book about eight hours.

36:34I was writing a book about eight hours.

36:39After the episode of Ammamagari,

36:41I was writing a book about 20 minutes.

36:42I was writing a book about it even though my paternity MBA was a great book.

36:55The Dream of the Ne Plaid happened to be a prescriberman and his plans of view.

36:56It was, it does include something that I would like to do on his office.

37:01According to 싹 at your school every month,

37:04I was taking things from hurt,

37:06I was writing one of my favorite people from all.

37:07Then I was writing an account of a grandmother.

37:09It's a bit easier to get out of it.

37:12You know, we've been looking for a lot of money in the Settam market.

37:15So that's why I have a fresh feeling.

37:17We've got to get a little bit of money, we've got to get a little bit of money.

37:22So, when we've done it, we've got to get a lot of money.

37:30That's correct.

37:31Because of that, we've got to get a lot of money.

37:34And we've got to get a lot of money.

37:37We've got to get an album or delete.

37:40The other thing is the first thing that you can say,

37:42it's all the justification for people to serve.

37:46We're not getting at all.

37:47We're not getting at all.

37:49We can tell you,

37:50but I'm sure I'm going to show you a lot of the content.

37:52But one thing is, friends are also allowed.

37:55Where did you find it?

37:56Friend is a mother.

37:59A pair of...

38:00A pair of people,

38:02A pair of people who can say something.

38:05It was a lot of emotional sequences.

38:09If you think about it, what is it?

38:14If you think about it, you are going to go to the theater.

38:18The theater is a surprise.

38:21If you don't expect it, if you don't have friends,

38:24if you don't have a distance,

38:26if you don't know what to do,

38:28if you don't know what to do,

38:29then the audience will get it.

38:32That is a lot of my favorite sequences.

38:35Especially when I was very favorite.

38:38I had a lot of expectations.

38:42The third is the climax.

38:45The third is the climax.

38:47The last one is Mahesh.

38:51The outcome is one of the two characters.

38:55I have a lot of sequences.

38:58I have a lot of sequences.

39:00The second is the climax.

39:13I have a lot of characters.

39:17I have a lot of characters.

39:19I have a lot of characters.

39:28One of the two characters in this episode is important.

39:31I have the best about this.

39:32The book is maybe more dangerous than 직

39:34This is how we're working on our daily lives.

39:35We can't talk about it.

39:37But if you have a conversation with us,

39:39there's no need to be in the office meeting.

39:40The last time I saw a person in Kalastan,

39:42I didn't do the urgent project.

39:44I didn't do any more work.

39:48Now we are going to the stage.

39:51We are doing a message.

39:53Then we reply.

39:54Now the reaction is.

39:59That's why we have to be tired.

40:01We are still getting tired.

40:02to get to the end of the day.

40:02So it's like my wallet is still there.

40:06I think I am happy with that.

40:10If you want to know that happy character,

40:12and if you want to die,

40:14you'll want to see a disease without you.

40:15The patient is patient,

40:17because you have to be happy with that.

40:19So if you want to know that character's feeling,

40:22you'll never know the dream of a young person.

40:24They will not be a big dream of a young person.

40:27Double experience.

40:29Correct.

40:30I won't go out there.

40:31I'll give you all the time.

40:34I said, I could tell my story about that.

40:39I don't know.

40:39I'll do it, I'll do it.

40:42When I get to the time, I'll do it.

40:48What I do is that I'm a Ganesh character.

40:52It's very very emotional.

40:56It's very important to hear about the social messages.

40:57You can also take a picture of a plastic bag.

41:00You can also take a picture of a plastic bag.

41:02There are a lot of people on YouTube, Instagram, etc.

41:07They are doing a lot of things like childhood.

41:10You can see a lot of people on the phone.

41:14You can take a picture of a phone.

41:16You can take a picture of a contradiction.

41:18You can take a picture of a phone.

41:22Why?

41:24You can take a picture of a person.

41:27He is a friend.

41:29You can take a picture of a little bit.

41:32Why is he done it?

41:34He is his friend.

41:36We can take a picture of everything.

41:41What's the situation like?

41:42You know, it's not the situation like climate.

41:45You know, I think it's correct.

41:47What are you talking about?

41:48He is a big fan of Mahartarev.

41:50Yes sir.

41:52I am a medium.

41:54I am a medium.

41:57I am a medium.

42:00How do you get to the Ganesh Cat?

42:03The Ganesh Cat is last for payoff.

42:05I am surprised.

42:06I am a Srikan Cat is a surprise.

42:08Please tell me.

42:09I am a big fan of the Ganesh Cat.

42:12He is a big fan of the Ganesh Cat.

42:13He is a great fan of the Ganesh Cat.

42:15I am a 은hsha Cat is surprised.

42:19I am a very surprised by him.

42:20I am a little surprised by the Ganesh Cat.

42:23He is very surprised by them.

42:24I am very surprised by them.

42:25You don't have any time at all.

42:28I am really surprised by him.

42:35He is very surprised.

42:36I am very surprised by him.

42:38I was about to wait so much.

42:39He is a huge fan of the Ganesh Cat.

42:45I am so happy.

42:45I don't know if you're a fan of the film.

42:47No one is expected.

42:49If you're a 4th episode, you're an expert.

42:52If you're a fan of the story, you'll have to change the genre.

42:56You'll have to change the genre.

43:00If you're a 3rd, you'll have to change the world.

43:02Finally, I'm an expert in future.

43:05From Rajshikhar's writing, I'm going to die.

43:10What about the film?

43:11Whatever it is, sir.

43:13Whatever I'm writing, I'm going to be expert.

43:18Humor and human emotions.

43:22Now, there's a social satirical character.

43:25It's not satirical.

43:26There's no point.

43:28There's no character.

43:30If you're happy to go to the theatre,

43:32even if you're looking at the OTT space,

43:36if you're looking at it,

43:37you're going to be able to do it.

43:39If you're looking at it, you're going to be able to do it.

43:42You're going to be able to do it.

43:43That is my promise.

43:45If you're looking at it,

43:47I'm going to be the target.

43:50Next instance depends.

43:52Any plan, yes.

43:53In the next instance,

43:54it's a two-three project,

43:56a writing piece.

43:59It's happening.

44:00It's happening.

44:01It's happening.

44:01I'm probably going to have one-two months of shooting.

44:05It's happening.

44:07Then I'm going to talk about the directorial.

44:08Then it's there.

44:10I'm going to talk about it.

44:14It's happening.

44:17Thank you so much.

44:18Thank you so much.

44:19And you're going to start a series with many more.

44:21In 2 to 3 years, you may start a series with a new journey.

44:24Thank you so much.

44:25We wish you that.

44:27We would use a lot of different characters in Santosh.

44:29You might go to a regular character than usual.

44:32But the way we play humor is,

44:34we play with the audience and smile from the audience.

44:38This is something different from Santosh's character.

44:40We can use a lot of characters.

44:42That's a lot. I literally enjoyed the series.

44:45So, the series will start and complete.

44:47Because of the duration.

44:48You say, respect your time.

44:51Love, love, love, love.

44:54You should go to the end.

44:56Sir, finally, some audience is missing.

44:59You have a fair meeting.

45:01You have to wait for time.

45:02What you are really missing?

45:04Audience of the audience is missing.

45:06They are missing.

45:07They are missing.

45:09They are missing.

45:11They are missing.

45:12This is the celebration of life.

45:15If you are missing, you don't want to celebrate life.

45:19Yeah.

45:19Point.

45:21Correct.

45:21To celebrate your life.

45:25Friendship.

45:26Love.

45:27Family.

45:29You are missing.

45:30You are missing.

45:31You are missing.

45:33You are missing.

45:34You are missing.

45:35You are missing.

45:37You are missing.

45:39You are missing.

45:41You are missing.

45:43You are missing.

45:44You are missing.

45:45Personally, you are missing.

45:45Nice to meet you.

45:48First, the big product is promising.

45:51I have already found you the one who's ready.

45:53I have already known you as a good product.

45:57So, all of you is also waiting for the future projects.

45:59So guys, it's also a beautiful nostalgia moment.

46:02You can see your memories, you can see your Jelsquolam.

46:05You can see Netflix and TV.

46:08And it's a beautiful love series.

46:10It's a series that will be completed in the time of the cinema.

46:12So, you can see your family friends in the intro.

46:15Thank you so much.

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