00:03Una de las cosas que he aprendido en Thrones es que siempre me decía a mí, ¡oh mi Dios! ¿Por
00:07qué han ido a esa locación?
00:08Y luego se ve en la finalidad y se dice, ¡por supuesto, eso es por qué!
00:12Decidimos que necesitamos al menos un número de locaciones en un show para permanecer real.
00:18Es una expectativa que la gente tiene de la show.
00:21Span had un gran legado de volver a la original serie, así que nos querían honor de encontrar visuales y
00:26cosas que podrían tiempos,
00:27incluso que 200 años ha pasado, tiempos a la original serie.
00:30Y hay muchas cosas en España que queríamos volver a hacer en servicio en la serie,
00:34y es un lugar tan bonito para grabar.
00:35Es algo cuando estás en locación, que es solo especial.
00:39Es realmente otherworldly, es como volviendo en tiempo de volver.
00:42Infortunadamente, yo solo estaba en España por dos días.
00:45Es muy agradable estar aquí, mirar y ver el mar, y estar en hermosa jardín.
00:57Llegar la show back to Spain es muy divertente.
01:00Es crea toda la esperanza y también la esperanza,
01:03porque hemos sido elegidos a hostar todavía otra parte de toda la saga.
01:10Cuando empezamos a trabajar en Game of Thrones en 2014, en Season 5,
01:15fue como un sueño de ser contratado para eso,
01:17y luego se convirtió en una especie de anualidad.
01:20Cuando llegamos a ser parte de la prequel,
01:23estuvimos emocionados.
01:24Este es el único lugar que queremos estar.
01:29El escala de este momento es enorme.
01:32Es, en realidad, más grande que lo que hemos hecho en el pasado.
01:37El equipo de Spanish y de Portugués en el pasado son increíbles.
01:40Empezamos a hablar en julio sobre las complejidades de esto.
01:43Había un montón de reccesos que van a visitar las locales,
01:46porque algunos de ellos son muy extranjeras.
01:48No podemos hacerlo sin ellos, porque son tan en la tierra.
01:51Ellos tienen tantas relaciones con estas locales y diferentes ciudades,
01:55y las reglas, y las reglas, y las reglas.
01:57Y ellos hacen que funcionan increíblemente,
01:58así que podemos llegar a comenzar y comenzar a shooting.
02:03Es decir, esto es un lugar muy exótico.
02:05Es un lugar muy exótico que abre el mundo en una gran manera
02:07que no vas a conseguir en Londres o en Greater England.
02:11Y mezclan esos mundos,
02:12el mundo de la ciudad de King's Landing
02:14a la mundo exterior de la que ves en España.
02:17Muchos de los tiempos,
02:19los producers dicen,
02:21¿Dónde hay que ir aquí?
02:23Y, de pronto,
02:23empiezan a decir esa cosa de,
02:25oh, no,
02:26es así, es así, es así,
02:27yo pienso,
02:27eso es el lugar correcto.
02:50No, no, no, no, no,
03:04Catrilles, en sí,
03:05es probablemente el mayoritario de este trío
03:08porque estaríamos aquí un de dos semanas,
03:10que es un desafío diferente
03:11porque toda la ciudad de Catrilles
03:13nos da igualdad,
03:14como si fuera un balón.
03:15Pero no es un balón,
03:17es la ciudad ciudad,
03:17y la gente vive aquí,
03:18sus negocios y restaurantes,
03:19y todo lo que sea.
03:20Entonces, cerrarme de todo por dos semanas
03:22y hacer que funcionar,
03:23para que la ciudad y funcionar,
03:24y co-existar,
03:26Exist is a huge challenge.
03:28The good thing is that they are used to having us.
03:31It's not their first time that they receive this show.
03:33So that was very beneficial for our side because they're very collaborative with us.
03:38The locals like to be involved and they like to know what's happening.
03:42They like to sometimes even play as extras.
03:45So it's very interactive when we go into a town like that, if the town is willing to help us.
03:51Trujillo is one of the most famous villages here in Spain.
03:54We saw that massive plaza to the showrunner, Miguel, and as soon as he saw that plaza, he said, oh,
04:00I want to shoot here.
04:07They were so collaborative. Being an open plaza, it's impossible to completely shut down.
04:13But the fact that it was so beautiful and that people loved it, it helped us as well not being
04:18so intrusive.
04:20One of the main locations on the first one we sit here in Spain was like a La Horra castle.
04:25That was a real achievement from locations.
04:28We know from our bands, but we never have stood in there.
04:30It's a really nice castle that is just up on a hill and a mountain in a little village on
04:35Granada.
04:36It looks like sad colors and red colors that would match with the brief that they gave.
04:41Yeah, it was beautiful, wasn't it? A beautiful old castle down in the south of Spain.
04:44I think it's important. I think a show like this, a lot of it is studio-based.
04:48And I think the more big, grand location stuff you can do, you're better.
05:06You have to be aware of the fact that our film is nothing in comparison to what this monument actually
05:11stands for.
05:12And it needs to be preserved and conserved.
05:15There are always a lot of contracts involved in order to be able to shoot in there.
05:19What happens most of the times with the sets we're going is that we make them more beautiful.
05:24So in this particular case, the castle is beautiful, but the way they're painting,
05:29the art department did an amazing job that it looked so natural that at the end, they ask if they
05:34can keep it.
05:34But obviously, as policies, we leave the locations exactly as we found them.
05:41Your Grace, I'm glad we could meet.
05:45I know tempers are in heart today, but I wanted to assure you how much I value the bond between
05:49our houses.
05:51We are now in Santa Clotilde Gardens in Jornet de Mar.
05:55The brief was like half a private and really awesome gardens.
05:58We were looking all along Spain.
06:00We were scouting Sevilla, some parts of Madrid.
06:02Madrid, we were scouting also Lisboa, and we never expected to come to Barcelona.
06:07It's so far away to our unit.
06:09But Miguel saw this, and we saw this, and they said, we want to go there, guys.
06:13It was absolutely stunning.
06:15It was like a dream.
06:16You couldn't have imagined or built it or wanted it to be anything.
06:19It's on the water.
06:20It steps up.
06:21The Red Keep perfectly connects to it.
06:24I had been to Barcelona before.
06:26It's one of my favorite cities.
06:28I didn't know anything an hour outside of it.
06:30We go there, and it's just glorious.
06:32I would recommend it.
06:33It's a very, very beautiful place.
06:34Again, it makes it so much easier.
06:36You know, and it also gives you an idea of the scale, of how these people live.
06:41This is what they get to look at.
06:42You know, it's marvelous.
06:46In spite of all the difficulties, I have to say, I have rarely ever experienced a crew
06:52that has supported each other in not only professional, but in a human way, and it's overwhelming.
06:58When the UK crew arrives here, for them, it's also, you know, a new location, and they have
07:03to adapt very quickly.
07:04But then you have the Spanish crew waiting.
07:06Then they have to adapt and work in collaboration, and that's precisely what film crews do.
07:11You know, they adapt, and in the end, we are a big family.
07:14Working is a big will.
07:16It's very rare when you have 600 people working together to have this friendly, professional,
07:23heartful environment, and that's the best.
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