00:09The People's Cumanas
00:10The People's Cumanas
00:10here in Coquimbo
00:11the guy of the Cumanas
00:13is a complete success.
00:14The group,
00:15he consolidated
00:17in a very rapid way.
00:18He listened to the sound
00:19and said,
00:20he wants a long play.
00:23We have started producing lots of events
00:25that Hernan Gallardo Paredes
00:28so that the group can do it.
00:30This is a futurist for that time.
00:34That's what we did.
00:36In those years it was hard to win a group of provinces.
00:42The one who received the money was the Marinero,
00:46with 36.000 copies at that time.
00:48It was a forgetful experience to go to Peru.
00:51It's like to go to Mexico and bring a group of ranchers here in Chile.
00:54It was a group that we did visualizing some kind of development,
00:58but we never had to come to the United States, never.
01:01When we were on the beach, we were on a scene,
01:04and we were on that scene.
01:06It's a dream.
01:08It's a dream.
01:10It's a dream.
01:11It was one of the first discotheques that they did in Coquimbo.
01:14All this was, look at this table,
01:17the tables with the sea.
01:20There was a scene and there was a piano vertical,
01:24and a black one too, that they played.
01:34But now it belongs to a casino that there was.
01:38Dansung Kumaná, it was called.
01:40It was called.
01:41First of all, the language was difficult.
01:42It didn't understand anything.
01:44Only the people who speak a little Spanish could speak.
01:49The music had to start at the 10.30am
01:54and not stop playing until the 5.00am.
01:57The rhythm of the Kumaná was very close.
02:01It's easy to dance.
02:03So the Belgian boys were going to wave the patties.
02:13I would like to play with my friends, with Lush, with Tito, with my brother Juan, but I don't know
02:19if I will be able to play that.