The Con Man Who Became a Saint (1951)
A clever con man finds himself caught between deception, unexpected circumstances, and a surprising change of fate in this entertaining 1951 classic. What begins as another scheme gradually turns into a remarkable story filled with comedy, crime, and unexpected twists.
Set against the atmosphere of classic Hollywood, the film combines humor, mystery, and clever situations with memorable characters. Fans of vintage crime comedies and classic movies will enjoy this unusual story about a man whose life takes an unexpected turn.
Experience the charm, humor, and vintage atmosphere of classic cinema from 1951.
#TheConManWhoBecameASaint #ClassicMovies #ClassicFilm #VintageMovies #CrimeComedy #ComedyMovie #ClassicHollywood #1951Movies #OldMovies #VintageCinema
A clever con man finds himself caught between deception, unexpected circumstances, and a surprising change of fate in this entertaining 1951 classic. What begins as another scheme gradually turns into a remarkable story filled with comedy, crime, and unexpected twists.
Set against the atmosphere of classic Hollywood, the film combines humor, mystery, and clever situations with memorable characters. Fans of vintage crime comedies and classic movies will enjoy this unusual story about a man whose life takes an unexpected turn.
Experience the charm, humor, and vintage atmosphere of classic cinema from 1951.
#TheConManWhoBecameASaint #ClassicMovies #ClassicFilm #VintageMovies #CrimeComedy #ComedyMovie #ClassicHollywood #1951Movies #OldMovies #VintageCinema
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FunTranscript
00:00:00The End
00:00:38The End
00:01:07The End
00:01:46I'll take it
00:01:48Thank you, sir
00:02:17Drinks is safe
00:02:23Yes, we do
00:02:27Get the soda, Manny
00:02:29Yeah
00:02:34Want some?
00:02:35Okay
00:02:37Here's Al
00:02:38Jero
00:02:40Here's Manny, or I?
00:02:45Play cards
00:02:49Want a cup?
00:02:50Cup?
00:02:51Well, of course, yes
00:02:51I do it, uh, thus
00:02:53There
00:02:55You're learning, mister
00:02:57Do you want to get the phone?
00:02:59This is my busy night
00:03:05Yeah?
00:03:06You asked me to call you at 8 p.m., Mr. Williams
00:03:08It's just 8 now
00:03:09Hello, Gloria
00:03:10We're in business
00:03:14Sure, honey, there are four of us
00:03:16Me and the boys and a lady killer
00:03:19Who?
00:03:20Spelvin
00:03:22Nah, you don't know him
00:03:24Yet
00:03:26What's Spelvin like?
00:03:28He's a dreamboat
00:03:30Wait and see
00:03:32We're going night
00:03:32We're going nightclubbing
00:03:33We can have all the creeps
00:03:35That's what you can swallow
00:03:36And listen, baby
00:03:36This is strictly a class date
00:03:38So bring everything you got into it
00:03:42Sure, honey, you know me
00:03:43But save some of that sweet talk for in person, huh?
00:03:46Step on it while the night is young
00:03:48And you're still beautiful
00:03:50All four of you
00:03:53Bye now
00:03:57The suckers wrote
00:03:58They're ready to strip him
00:03:59We're in a police call
00:04:00And get Lieutenant Saunders
00:04:01Out of the barbershop
00:04:03All set
00:04:05Hey
00:04:06Don't go to sleep on us now, dreamboat
00:04:08Mama won't want no deadhead
00:04:10Pull the cards
00:04:11Looks like he's had enough
00:04:12Sorry, I feel quite up to myself
00:04:15A little bit too much to drink, I guess
00:04:18Game
00:04:19It's tense for a while
00:04:28There, a little risk perhaps
00:04:30Before the romantic excitement begins
00:04:33Yeah, 40 weeks
00:04:34And you'll bounce back as good as new
00:04:37Tough kid
00:04:37Three slugs before a countdown
00:04:39Okay, Monk
00:04:40Get to work, huh?
00:04:41All right
00:05:03Lovely
00:05:13Is everything
00:05:15In perfect disorder
00:05:16Perfect for the rude awakening
00:05:20Don't even look natural
00:05:22When it comes to
00:05:23We won't even let our feet out for the cops
00:05:25Ah, the scandal of it all
00:05:26Poor, poor fellow
00:05:28This old lady will beat his brains in
00:05:32Gentlemen
00:05:33Shall we blow?
00:05:34Ugly blow
00:05:42Dames is gonna ruin you, stupid
00:05:46Oh, no
00:05:50Reach
00:05:52Back in the room with you
00:05:55You connivers didn't rope a sucker
00:05:56You hung yourself
00:05:58Just like I figured
00:05:59Sleeping Beauty has your one-way ticket
00:06:01To the state pen
00:06:05The working fair
00:06:06There's gotta be another one
00:06:07Covering the elevator
00:06:08Did you know that?
00:06:09I've had this identical problem before
00:06:11Well, now, wait a minute
00:06:11Wait a minute
00:06:12The couch
00:06:13The two of you go sit on the couch
00:06:15Now, raise your hands
00:06:16Over your head
00:06:16Raise your hands
00:06:17The chick's over
00:06:18You're waiting for the pie wagon
00:06:19You got it?
00:06:20Okay, just hold it like that
00:06:32Okay, Junior
00:06:33Get your hands on the ceiling
00:06:34Turn around
00:06:36That's it
00:06:37Keep them up
00:06:38Keep them up
00:06:38Here, Monk
00:06:39X marks the spot
00:06:40Do I, Donnie?
00:06:41I'll come out and share the door
00:06:42I did my bit
00:06:43Remember, sir
00:06:44I'm doing this under protest
00:06:50Oh, my poor old friend
00:06:55Putting this back is like cutting off my right arm
00:06:57Well, we'd be suckers to keep it
00:06:58We'd wind up in the clink
00:06:59Yeah
00:07:00Okay, let's go
00:07:28Oh, my poor old friend
00:07:31Oh, my poor old friend
00:08:01Oh, my poor old friend
00:08:31Oh, my poor old friend
00:08:32Oh, my poor old friend
00:08:34Oh, my poor old friend
00:08:39Oh, my poor old friend
00:08:42Oh, my poor old friend
00:08:45Oh, my poor old friend
00:08:46Oh, my poor old friend
00:08:49Oh, my poor old friend
00:08:51Oh, my poor old friend
00:08:52Oh, my poor old friend
00:08:52Oh, my poor old friend
00:08:52Oh, my poor old friend
00:08:52Oh, my poor old friend
00:08:52Oh, my poor old friend
00:08:54Oh, my poor old friend
00:08:56Oh, my poor old friend
00:08:58Oh, my poor old friend
00:09:20Come on, Pima Donna, step on it.
00:09:22Come on, get a move on.
00:09:24We're only going to the fight.
00:09:25The Joker wants to be a Clark Gable.
00:09:27And you've got my tie on.
00:09:29Yeah?
00:09:30How can you tell?
00:09:32A wise man once said,
00:09:34Vanity, vanity, all is vanity.
00:09:38He wasn't kidding.
00:09:39Oh, Reverend.
00:09:40Yes?
00:09:40The fight, say.
00:09:41You got him?
00:09:43Courtesy of the Press Department of St. Nicholas Arena.
00:09:46Well, thank you, Reverend.
00:09:48Good night, sir.
00:09:48Good night, Reverend.
00:09:49Have a good night.
00:09:50Oh, Reverend.
00:09:52Yes?
00:09:53What time is Kirkjew?
00:09:54The main event won't be over until after 11.
00:09:56We're supposed to leave Kirkjew to your individual and collective conscience.
00:10:02Right, Reverend.
00:10:03I'll bring you a souvenir.
00:10:04Yes?
00:10:05A cauliflower ear.
00:10:06Oh.
00:10:07Good night, Reverend.
00:10:08Good night, boys.
00:10:10Good night.
00:10:12Good night, Reverend.
00:10:13Good night.
00:10:14Good night, boys.
00:10:31I don't have time to put a person in the aisle.
00:10:33Lieutenant, you'll be kind enough to wait a moment.
00:10:35I don't have time to wait.
00:10:36Then you can just take the time.
00:10:38Reverend Miles, this man, a lieutenant of...
00:10:40Founders, Lieutenant Saunders, police department.
00:10:41Well, I knew it.
00:10:43Is there a way to get inside the church into the rectory?
00:10:47Yes.
00:10:48Into the basement.
00:10:51Why, there's three cooks down there.
00:10:53And strapped by the way it looks.
00:10:54Okay, my man, you may first remove your hat.
00:11:00Now, these three men.
00:11:02If I might ask their crime, there isn't time for a plan to make.
00:11:06Yes, but the three men are driven to seek the shelter of the church.
00:11:12I'm being detained in conference, men.
00:11:15Stay close.
00:11:18Okay.
00:11:20Okay, Reverend.
00:11:21You're an angry man, Lieutenant.
00:11:23And angry men are seldom responsible servants of justice.
00:11:28With all due respect to you, Reverend.
00:11:30Save your Sunday talk for Sunday, huh?
00:11:34Now, may I use the phone?
00:11:45Reverend Miles, our clothes.
00:11:47They came back from the cleaners, and they were hanging up in the basement by the locker,
00:11:50but they've gone.
00:11:52The bag is down there, but the clothes are gone.
00:11:54Who could possibly have taken them?
00:11:55I don't know.
00:11:56Get him down the fire escape.
00:11:58Well, of course it hurt.
00:11:59We travel as far as the church and got him trapped in the basement.
00:12:02Radio 21 to meet me in front.
00:12:03Tell car 17 to cover me in the back alley.
00:12:05Okay, read back what you got to me.
00:12:11You may distribute the hymnal's world, but...
00:12:14Can the church business wait until I nab those three crooks in the basement?
00:12:18The basement is through that door, down the hall, down the stairs, up to the left.
00:12:26Murphy!
00:12:33Three crooks.
00:12:36For miles.
00:12:39Blood!
00:12:40You better get your hat.
00:12:41Yes.
00:12:42Hats.
00:12:43Yes.
00:13:14Good night.
00:13:15Good night.
00:13:16Good night.
00:13:17Peace.
00:13:21There.
00:13:22They're not in the basement.
00:13:25They couldn't vanish in the thin air.
00:13:30That is, if they were there at all.
00:13:33Well, I'm sorry to cause you this trouble for nothing, Reverend.
00:13:36I'm sorry I was a little edgy there.
00:13:38No matter.
00:13:40These three men, what will you do now?
00:13:44Oh, I'll catch them sooner or later.
00:13:46Crooks always repeat themselves.
00:13:48Yeah, they'll pitch their tent someplace else.
00:13:50And when they do, guess where I'll be.
00:13:53Good night, Reverend.
00:13:54Good night, Lieutenant.
00:13:59Reverend Miles, why didn't you speak?
00:14:03I suppose because...
00:14:11Because the lieutenant was an angry man.
00:14:15But by my pants.
00:14:17Thieves wearing the cloth.
00:14:20Think what lies before them, Wilbur.
00:14:24They not only must escape from the police,
00:14:28but from the cloth, too.
00:14:36From the cloth, too.
00:14:42We must say some special prayers, Wilbur.
00:15:04Now what?
00:15:07Police suits, we've got to peel them off.
00:15:09Oh, couldn't we wear them a little longer?
00:15:11Are you brownie?
00:15:12Why?
00:15:13Those cops tipped their heads.
00:15:16It was a rare moment.
00:15:17Yeah, and roping that sucker was another rare moment.
00:15:19That cute idea of yours died with McKinley.
00:15:21We should have died with McKinley for falling for that two-bit Funko game of his.
00:15:25But had our scheme materialized...
00:15:27But what scheme of yours ever materialized?
00:15:29No, I'm afraid not.
00:15:32I suppose I've been uncomfortable to you and to myself.
00:15:40Therefore...
00:15:41Goodbye.
00:15:43Best of luck to you both.
00:15:46Matthew, you.
00:15:48Come here.
00:15:51Sit down.
00:15:54What's the matter with you?
00:16:07See over there?
00:16:09When I was a kid, I used to jump off that dock every July and August.
00:16:17You look around here?
00:16:19Yeah, until I beat it.
00:16:21Took a walk one night and lost the address.
00:16:24About your age.
00:16:25Young punk.
00:16:26You know, we're an odd combination.
00:16:29What's in it for you, Benny?
00:16:34Kix.
00:16:35Your last lady.
00:16:38I never really lost that address.
00:16:40Two-two-two Boyer Street.
00:16:43Joint where the cockroaches were so big, you had to charge them rent like borders.
00:16:49Five years in all the places I've been, and here I am, back, remembering the address.
00:16:56How long does it take a guy to get an amnesia?
00:17:00Who is she, Monk?
00:17:02Who is she, Monk?
00:17:02She's two-two-two Boyer Street.
00:17:04Monk's back.
00:17:05Same dump, same Monk.
00:17:07Nothing's changed.
00:17:11Here we go again.
00:17:14Here we go again.
00:17:15Here we go again.
00:17:20Here we go again.
00:17:30Here we go again.
00:17:37Meanwhile...
00:17:38That was the end!
00:17:45The End
00:18:13The End
00:18:34The kids might have ducked in here, Sergeant.
00:18:35Have a look.
00:18:36Throw a beam.
00:18:39Okay, kids.
00:18:40Come on out of there.
00:18:46Just a homeless bum.
00:18:51It's Mr. Kovacs.
00:18:53Well, he's got a farm to go to.
00:18:54Not what he's stinking.
00:18:57Hand me the flashlight, McAvoy.
00:18:58I think I'm having a nightmare.
00:19:03Don't tell me I'm seeing three ministers.
00:19:06Ministers it is.
00:19:07And lined up against the wall.
00:19:10Reverence, is it?
00:19:12Check.
00:19:13Yeah.
00:19:14You're no stranger to the cloth, Sergeant.
00:19:17I'm afraid I'm not.
00:19:18I'm a good man, even if I am a policeman.
00:19:22No doubt you're here now, your reverences, on some Christian errand.
00:19:26Of course.
00:19:27What other reason could there be?
00:19:29Uh, we, uh, we wanted to see the sea side of life firsthand, don't you know?
00:19:33Sure.
00:19:34We figured to pitch salvation right here, where the devil hangs his hat.
00:19:37What better place, Sergeant?
00:19:39Well, there's no better place.
00:19:42A change of clothes.
00:19:44Sometimes a change of wardrobe works mythical.
00:19:51Yeah, it's a lousy's a guy.
00:19:57There, my good man.
00:19:59It's a suit for you.
00:20:01Oh, yeah.
00:20:02Here.
00:20:02Don't go and rock it.
00:20:05I suppose we've got to crop up another suit.
00:20:07No, it's not a suit of clothes that this one needs.
00:20:09Good talking to instead.
00:20:10Here.
00:20:11Leave him here when he's got a plane home for Google.
00:20:13Hey, Mr. Golbath.
00:20:15Mr. Golbath.
00:20:16That's what he needs.
00:20:18He needs the Lord's guidance, not the end of a night stick.
00:20:22Good night.
00:20:23I was wondering, do you mind taking him home, reverend?
00:20:26Oh, not at all.
00:20:27Where does he live?
00:20:28Where does he live?
00:20:29180 South Street.
00:20:30Come on.
00:20:32Let's go.
00:20:32Come on.
00:20:33Reverend.
00:20:34Reverend.
00:20:35Hey.
00:20:36You forgot his ukulele.
00:20:40Will you be here after I take the Boston Symphony home?
00:20:44Reverend.
00:20:45We'll be here, reverend.
00:20:47Check, rev.
00:20:48Swell.
00:20:49Come on, let's go.
00:20:51Well, Sergeant.
00:20:53Yes, reverend.
00:20:54Them police whistles and you're prowling around here.
00:20:57What's the rap?
00:20:58Oh, two Thieblin lads.
00:20:59They broke a jewelry store window.
00:21:01Did you see them by chance?
00:21:02Well, I...
00:21:03No, you're...
00:21:03You're the only guest we had all night.
00:21:05Oh, it's an endurance being a policeman on these streets.
00:21:08You reverend's plan staying here tonight?
00:21:10Well, we thought perhaps we...
00:21:12Oh, sure.
00:21:13You know, wrestling the devil is an all-night deal.
00:21:15Ah, but then we leave you to your work.
00:21:18Good night.
00:21:19There's an uncanny coincidence, reverend.
00:21:23Uncanny coincidence, sergeant?
00:21:24Yes, for you to be rotten the devil in a fine old tabernacle.
00:21:28This is a fine old tabernacle?
00:21:30You know, this was once a mission for all the derelicts around.
00:21:33There are all the old benches.
00:21:35Father Smith, please do him, ran this place as a mission once before he passed on.
00:21:39It's an uncanny coincidence, your being here.
00:21:43Well, good night, your reverences.
00:21:50A mission.
00:21:51Soup and gospel.
00:21:54How about getting some shalline before he gets back?
00:21:57Oh, excuse me.
00:21:59Reverend Benjamin.
00:22:01The Lord giveth and the Lord taketh away.
00:22:06It was just the same with you, reverences.
00:22:09I go it.
00:22:12Peace be with you.
00:22:27Reverend, I know you're bending, buster.
00:22:29I'm in no mood, huh?
00:22:30I haven't been to church in 20 years.
00:22:33You should force yourself.
00:22:34Now, come on.
00:22:35I'm a musician.
00:22:37I will play for you some Mendel.
00:22:40Some other time, huh?
00:22:42Say, there's quite a joy for the neighborhood, huh?
00:22:44Like an institution.
00:22:46Concrete without a soul.
00:22:48They forgot how to plant trees.
00:22:51Come on, buster.
00:22:53Or this suit goes out of style.
00:22:56Now, this is...
00:23:00I cannot go in.
00:23:03What's the matter?
00:23:03You afraid your daughter will give you what for?
00:23:05No.
00:23:05Linda will say nothing.
00:23:07Only her eyes.
00:23:09It's an unusual girl.
00:23:11My Linda.
00:23:12Hello for her.
00:23:13To culture, you wouldn't believe.
00:23:16She reads books.
00:23:17Tolstoy.
00:23:18Um, Rousseau.
00:23:20Dusto, Dusto.
00:23:22Dusto, Dusto.
00:23:23Yevsky, Yevsky.
00:23:25Yevsky, Yevsky.
00:23:27This is the right place.
00:23:29Right place.
00:23:51The eyes.
00:23:55I told you.
00:24:00There are too many saxophones.
00:24:03Yes, Papa.
00:24:04Too many terrible saxophones.
00:24:06Terrible.
00:24:10Come on, Papa.
00:24:17Good night.
00:24:19Good night.
00:24:21Good night.
00:24:41Big boy, you're going to get nice and rest.
00:24:42Good night.
00:24:46You, too.
00:25:00You, too.
00:25:04You, too.
00:25:21I suppose you'd like an explanation.
00:25:23I know, my father.
00:25:24Well, uh, wait for the music.
00:25:27Too much bebop, too little Beethoven.
00:25:31Oh, a long hair.
00:25:32Yes.
00:25:33When he worked at a wedding party or a banquet.
00:25:36Everybody drinks.
00:25:38Papa drinks to drown out the saxophones.
00:25:40They drive him crazy.
00:25:42I suspect he drinks more than anybody.
00:25:45Why play?
00:25:46Why eat?
00:25:48Yeah, that's right.
00:25:50Well, thanks for bringing him home.
00:25:55Reverend?
00:25:56Oh, no, Benny's the name.
00:25:57I'm not quite used to this yet.
00:26:00Benny's been my name a lot longer than this get-up.
00:26:04Oh, you're, uh, newly ordained.
00:26:08Yeah.
00:26:10Brand new.
00:26:12Say, uh, you're, uh, you're an artist, huh?
00:26:16An illustrator.
00:26:18Oh.
00:26:22Nice.
00:26:24You've got, uh, you've got quite a talent.
00:26:37Thanks again.
00:26:39Benny?
00:26:41Yeah, I guess it is getting late, isn't it?
00:26:43Well.
00:26:46Good night.
00:26:47Good night, Reverend.
00:26:50Oh.
00:26:52Good night, big boy.
00:27:02Reverend Miles, if I may speak.
00:27:05The tongue wasn't meant to wag like a tail.
00:27:09Very well, Wilbur, speak.
00:27:11This, uh, this sudden idea
00:27:14to lose our sleep after having gone to bed,
00:27:17to, to wander through the streets.
00:27:22To look for three men
00:27:23in a city of eight million.
00:27:27Why, elementary arithmetic alone.
00:27:29When elementary arithmetic fails,
00:27:31we must take up another yardstick.
00:27:34Hmm?
00:27:35Elementary faith, my son.
00:27:38Oh.
00:27:40Oh.
00:27:42Oh.
00:27:46Oh.
00:27:52Reverend Miles.
00:27:53Yes, Wilbur?
00:27:54I've thought it over
00:27:55about, uh, taking up another yardstick.
00:27:58And, Wilbur?
00:27:59I've tried to,
00:28:01but I cannot.
00:28:02I only keep thinking
00:28:03of the mathematical impossibility
00:28:05of finding three men
00:28:07in a, in a city of eight million.
00:28:09In that case, Wilbur,
00:28:11you must find a fourth man.
00:28:13A fourth man who?
00:28:15Yourself.
00:28:16You must first find yourself.
00:28:19Four men in a city of eight million.
00:28:23That does make the arithmetic
00:28:25more promising.
00:28:30It's half of the moment
00:28:31to you, Reverend.
00:28:35It's half of the time,
00:28:36you Reverend.
00:28:37It's practically the middle of the day.
00:28:48Good morning.
00:28:59Ah, it's a selfish thing
00:29:00on your reverences.
00:29:01Turn away from your fine houses of worship
00:29:04to run this old mission.
00:29:06Hey, Simon.
00:29:07Hey.
00:29:08Aren't you jumping at conclusions?
00:29:11Or forcing him, maybe?
00:29:12Oh, no.
00:29:13I'm only a humble volunteer
00:29:15in the Grand Army of the Lord.
00:29:17Faith, if there's good work to be done,
00:29:19Monaghan can do no less
00:29:20than roll up his sleeve.
00:29:34We were talking it over
00:29:35down to the station house.
00:29:41Faith was regular revival meeting
00:29:42we held down at the station house.
00:29:45And all of us worry
00:29:47in your reverences
00:29:47about the size
00:29:49of your undertaking.
00:29:51Uh, the size
00:29:52of our undertaking?
00:29:53Bad enough,
00:29:54we told ourselves.
00:29:55Bad enough
00:29:56that you should struggle
00:29:57with the human souls
00:29:58that'll come before you.
00:30:00But to struggle
00:30:01with all the filth
00:30:02and the discomfort, too.
00:30:04Ah, that,
00:30:05we told ourselves,
00:30:07was too much
00:30:07even for the strong souls
00:30:09that you are.
00:30:10So?
00:30:11So, Sergeant.
00:30:12We passed the word along.
00:30:14You, you what?
00:30:15You passed the word along.
00:30:17To everyone
00:30:18with a drop of caimedness
00:30:19in their blood.
00:30:22Let's get out of here.
00:30:23Yeah, but how?
00:30:24Come on in,
00:30:25all of you.
00:30:27That's right.
00:30:28Come on in.
00:30:28Come on, get in here.
00:30:29Wait a minute.
00:30:31All right, let's go.
00:30:32Come on.
00:30:33Come on.
00:30:49What's going on in here?
00:30:50Yeah, what's going on?
00:30:52Who are these busy people?
00:30:54Well, let's just
00:30:54clean it up a bit.
00:31:01Oh, for love me.
00:31:07Oh, for love me.
00:31:11Oh, for love me.
00:31:27Mrs. Fulgertie,
00:31:28she has a warm desire
00:31:29to get the bums
00:31:30off of the street
00:31:31and enter this old mission.
00:31:32Right, Sergeant.
00:31:33It's off the streets with them
00:31:34and good riddance.
00:31:36Mrs. Fulgertie
00:31:37has a very warm desire.
00:31:39So, as you see,
00:31:40you reverences,
00:31:41you're not alone
00:31:41in your undertaking.
00:31:42No, we're surrounded.
00:31:44Say, Sergeant,
00:31:45this idea of yours
00:31:46about our, uh,
00:31:47sort of staying around here
00:31:48and making a career
00:31:49of bums.
00:31:50I mean, uh,
00:31:51running this mission.
00:31:53Was it just an idea
00:31:54or were you, uh,
00:31:55sort of planning
00:31:55to make up our minds for us?
00:31:57Well, now,
00:31:58to tell you the truth,
00:31:59I was hoping
00:32:00that you were thinking
00:32:00like that.
00:32:01Oh, you were?
00:32:02I was burned
00:32:03to see a miracle
00:32:04of prophecy come to pass.
00:32:06A miracle of prophecy?
00:32:07Father Smith
00:32:08feasted with him
00:32:09and predicted
00:32:10that this old mission
00:32:11would one day
00:32:11raise itself from the dust.
00:32:13He stood right there.
00:32:15Oh, excuse me.
00:32:17Stood right there
00:32:18when he predicted
00:32:18that in a large good time
00:32:20some others
00:32:21would come along
00:32:22to take up his work.
00:32:24That's us.
00:32:25That's you.
00:32:25That's us.
00:32:26These ears of mine
00:32:27heard Father Smith
00:32:29and in your reverences
00:32:30these eyes of mine
00:32:32have seen his words
00:32:33come true.
00:32:40Sergeant,
00:32:41you're overlooking
00:32:41one thing.
00:32:42It takes Edith
00:32:43to run a mission.
00:32:44The Long Green,
00:32:45dead presidents.
00:32:47Oh, you mean
00:32:47Spondolix.
00:32:49Yeah.
00:32:50The gospel's free
00:32:51but the soup ain't.
00:32:52Yeah, that's right,
00:32:53Sergeant.
00:32:53You're a little shy
00:32:53of cash.
00:32:54In these circumstances,
00:32:55no funds are provided
00:32:57for us
00:32:57in this great undertaking.
00:32:59So you'd better call
00:33:00up Mrs. Fogarty
00:33:00before she gets
00:33:01Housemaid's name.
00:33:02Oh, the money
00:33:03would be no hindrance.
00:33:04Mac of White.
00:33:07Open up the briefcase.
00:33:10We passed the hat
00:33:12down at the station house.
00:33:13Faith was stone broke
00:33:14to a man
00:33:15now on the payday.
00:33:16And the whole neighborhood
00:33:17will open up their hearts
00:33:18and their purses to you
00:33:20for the great work
00:33:21that you contemplate.
00:33:22Come with me.
00:33:46The old mission doors
00:33:47are open.
00:33:48Praise the Lord.
00:33:55The Clover Street Mission.
00:33:57Well, you reverences.
00:33:59Add the armed around.
00:34:05Come on, let's blow.
00:34:07What are we going to do
00:34:07about this?
00:34:08Take this scratch
00:34:09and scram.
00:34:10I'm with Monk on that.
00:34:11That cop's playing
00:34:12us for chumps.
00:34:12You don't think
00:34:13the sergeant's on the level.
00:34:14Are you kidding?
00:34:16Well, what's his angle?
00:34:17Look, we're not waiting
00:34:18to find out.
00:34:18Come on.
00:34:19Do you have to be coaxed?
00:34:21What's the percentage
00:34:22in staying?
00:34:23It might be profitable.
00:34:24Here we go again.
00:34:26This phony prophet's
00:34:27talking about
00:34:27phony prophets again.
00:34:29You've got another reason
00:34:30for wanting to stay,
00:34:31haven't you, Matthew?
00:34:33He tipped his cap to me.
00:34:36A sergeant of the police
00:34:37tipped his cap to me.
00:34:41That he is a fruitcake.
00:34:49Hello.
00:34:50Hello.
00:34:52Oh, the mission.
00:34:53That's your project.
00:34:55Among other things.
00:34:59Do you pass this way
00:35:01every day?
00:35:01I have to,
00:35:02to go to work.
00:35:06Then it's my project.
00:35:09You are new to the club.
00:35:17Come on.
00:35:18Let's go.
00:35:29But why?
00:35:31Why what?
00:35:32By a mission in the store.
00:35:33What's the matter
00:35:34with the church?
00:35:37Ask a bum.
00:35:39Too many eyes
00:35:40staring at him.
00:35:41Nice people
00:35:42in their Sunday best.
00:35:43If you can't bring
00:35:44the men to the gospel,
00:35:45bring the gospel
00:35:45to the men.
00:35:47God is everywhere
00:35:47you find him.
00:35:50Did I just say something?
00:35:51Yes.
00:35:52You surprised?
00:35:53Yeah.
00:35:53As surprised I remember.
00:35:54Sunday.
00:35:56Yeah, I heard it
00:35:57on an island once.
00:35:58Someone had just
00:35:58caught a bullet
00:35:59and someone else
00:36:00was yelling for a priest.
00:36:01No priest.
00:36:03That's when someone
00:36:04said God is everywhere
00:36:05you find him.
00:36:07Yeah, that's right.
00:36:11Is that what
00:36:11you're traveling on?
00:36:12No, this
00:36:15is what
00:36:16I'm traveling in.
00:36:17No.
00:36:18No.
00:36:19No.
00:36:30No.
00:36:38The End
00:36:56Stew's ready.
00:36:57Can we all serve?
00:36:59Food first? Why not? First gospel.
00:37:02On an empty stomach, the only thing holding here is their stomachs.
00:37:05Feed these characters first, and they'll lamb out of here, but fast.
00:37:07Well, I suppose a sermon first.
00:37:11Hold off on the heat until the Reverend here gives him a piece of his mind.
00:37:15Okay.
00:37:16Shoot. Right into him.
00:37:18What'll I say? Search me.
00:37:21Say anything that comes into your head, and the harder the better.
00:37:23Nothing comes into my head.
00:37:26Suppose you.
00:37:27Nah, if I said what's in my head, it'd be murder.
00:37:29Oh.
00:37:31Reverend Benny?
00:37:33Not me.
00:37:34Oh, well, I suppose...
00:37:39Gentlemen and...
00:37:41Gentlemen.
00:37:43Unaccustomed as I...
00:37:45No. I mean...
00:37:47Now that I look at you, I see your faces, an odd notion comes into my head.
00:37:55Yes.
00:37:58Did you know that it's later than you think?
00:38:03A word to the wise.
00:38:05I, uh...
00:38:07Don't throw on trees.
00:38:09Yeah, it is later than you think.
00:38:11Remember that.
00:38:12It's later than any of us think.
00:38:13You out there and us up here.
00:38:15Thank you, Reverend Monk.
00:38:17And that, I think, will be ample food for thought.
00:38:20So, peace that you had, you guys.
00:38:23And they'll come around later saying you aren't pipped off.
00:38:25Amen.
00:38:26Now for the challenge.
00:38:29Wait a minute.
00:38:30Wait a minute.
00:38:30Line up here by the counter.
00:38:32Come on.
00:38:32Come on.
00:38:33Come on.
00:38:34Hey, throw your weight around.
00:38:36I'll throw you right out of the joint without even bothering to open the door.
00:38:39That was the shortest salmon I ever.
00:38:42Oh, listen.
00:38:43Wise guy.
00:38:44The less we tell you, the less you have to forget.
00:38:46Now, mush.
00:38:48All right.
00:38:49Keep it moving.
00:38:51That's right.
00:38:52Thanks.
00:38:53All right.
00:38:55You're supposed to stand in line, you know.
00:39:01Bars.
00:39:02Just like home.
00:39:03What are we doing here, Monk?
00:39:05Time.
00:39:06We've got to bust out.
00:39:07Yeah.
00:39:08Oh, disappoint all these good people?
00:39:13Look.
00:39:14Compliments of Berkowitz's furniture stores.
00:39:18Good luck from the 21st Precinct.
00:39:21Cops.
00:39:23Ye white elephant gifties, Sharpie.
00:39:26They finally got rid of it.
00:39:29Star Linen Company.
00:39:31How nice.
00:39:55Rats.
00:39:58Sleepers, perhaps.
00:40:06I'm going up and see.
00:40:07Get the bed set.
00:40:09All right.
00:40:28All right.
00:40:29All right.
00:40:30All right.
00:40:39All right.
00:40:41All right.
00:41:01THE END
00:41:48THE END
00:42:05THE END
00:42:08THE END
00:42:24THE END
00:42:26THE END
00:42:34THE END
00:42:38THE END
00:42:40THE END
00:42:41THE END
00:42:43THE END
00:42:45THE END
00:42:49THE END
00:42:50THE END
00:42:50THE END
00:42:52THE END
00:42:54THE END
00:42:55THE END
00:43:10THE END
00:43:16THE END
00:43:17THE END
00:43:21THE END
00:43:22THE END
00:43:23THE END
00:43:23THE END
00:43:25THE END
00:43:26THE END
00:43:38THE END
00:43:39THE END
00:43:52THE END
00:43:54THE END
00:43:54THE END
00:43:56THE END
00:43:59THE END
00:44:08THE END
00:44:10THE END
00:44:22THE END
00:44:25THE END
00:44:29THE END
00:44:31THE END
00:44:43THE END
00:44:46THE END
00:44:47THE END
00:44:47THE END
00:44:48THE END
00:44:51THE END
00:44:52THE END
00:44:53THE END
00:44:53THE END
00:44:54THE END
00:44:55And only to him.
00:44:58You're a humble man, Reverend Matthew.
00:45:00Oh, not at all, it's hard stuff.
00:45:07Hi.
00:45:09Have you gone nuts?
00:45:10I'm going out.
00:45:11Like a light, you mean.
00:45:12All Monaghan has to do is get a load of you in that outfit and we're dead.
00:45:16Oh, Monaghan won't see me.
00:45:17I'm going out that way.
00:45:18Say, Monk, you want to do me a favor?
00:45:20Get a cab.
00:45:20Have him wait at the back door, will you?
00:45:23Who is it?
00:45:24The Kovac chick?
00:45:26What makes that pigeon so special?
00:45:27She draws pictures.
00:45:28Now, will you go get the cab?
00:45:29Listen, you're fooling around with respectable merchandise.
00:45:32What are you going to tell her about Benny?
00:45:35The usual.
00:45:36One eye right after another.
00:45:37Lay it to the one you don't.
00:45:39Don't what?
00:45:39Lie about Benny.
00:45:40Not the way she's got you hitting the tie.
00:45:42Oh, come on, funny man.
00:45:43Do me a favor.
00:45:44Go get that cab, will you?
00:45:45All right, Romeo.
00:45:47Your louse is so locked.
00:46:20Hey, why don't you watch where you're going?
00:46:22It's an accident, I'm sorry.
00:46:24She's been walking clumsily.
00:46:26Hey, aren't you that minister?
00:46:29Yes, I am.
00:46:31My, uh, my frocks at the cleaners.
00:46:34An emergency brought me here.
00:46:35A very sick woman upstairs.
00:46:37Poor soul.
00:46:38In the emergency, I, uh, had to borrow this suit.
00:46:41It certainly fits you well for a borrowed suit.
00:46:44Does it really?
00:46:45Say, friend, would you know where the nearest drugstore is?
00:46:47It's around the corner, two blocks.
00:46:49Oh.
00:46:49Well, maybe you can do me a favor.
00:46:51What's that?
00:46:52Could you, uh, could you change the bill?
00:46:55Well, uh, well, they'll change it at the pharmacy.
00:46:56Well, $20 is all poor Mrs. Stevenson had.
00:46:59Such a large bill.
00:47:01Okay, sure.
00:47:04Something along?
00:47:05My, my wallet, I, I haven't got it.
00:47:08You haven't?
00:47:09No.
00:47:09It's funny, I could have sworn I...
00:47:13It's home.
00:47:14I left it home on the bureau.
00:47:16Can you die that?
00:47:17It happens.
00:47:18Well, I'm no good without my wallet.
00:47:20Say, friend, if I can be of any help.
00:47:22No, no thanks.
00:47:27Oh.
00:47:28Hello.
00:47:29Fancy meeting you here.
00:47:30It's a small world.
00:47:32Reverend.
00:47:33Yes.
00:47:35Isn't it?
00:47:37You going out?
00:47:38I had it today.
00:47:40Oh.
00:47:40Oh.
00:47:41Well, he had to go.
00:47:42He forgot something.
00:47:42Yes.
00:47:43I saw.
00:47:45You saw?
00:47:47You have, uh, nimble fingers, Reverend.
00:47:52I, uh, have?
00:47:53Hmm.
00:47:55You mean, uh, this?
00:47:59I mean that.
00:48:01Here.
00:48:03Give it to him the next time you see him.
00:48:05You picked Walter's pocket very, uh, expertly.
00:48:10Yes.
00:48:11Yes.
00:48:11Well, you see, a professional taught me that trick once.
00:48:14It was in Omaha, I think.
00:48:15Yes.
00:48:15Yes.
00:48:16If I remember right, it was in Omaha.
00:48:17I was, uh, sort of telling him the error of his ways, you know.
00:48:20Sort of, uh, reforming him.
00:48:22Uh, so you, uh, sort of, uh, picked up his trade.
00:48:25Yes.
00:48:26Uh, no, no.
00:48:27Uh, uh, it helps, you know.
00:48:28It always helps.
00:48:29If you get down to a man's level, uh, uh, you win his confidence.
00:48:34Well, now that we got that settled, how do I look, huh?
00:48:39Oh, fair.
00:48:41Well, thanks a lot.
00:48:43Well, what are we waiting for?
00:48:47Oh, come on.
00:48:48One day for Betty, huh?
00:49:05An operatic star.
00:49:08I wanted to be a great...
00:49:14Huh?
00:49:15An operatic star.
00:49:17Mr. Sabatini taught me every Friday from six to eight.
00:49:21Two dollars an hour.
00:49:25Two dollars an hour.
00:49:27I, I was going to be another Lily Pond.
00:49:30Mr. Sabatini took an oath on it.
00:49:32Well, good for Mr. Sabatini.
00:49:33I even had a debut.
00:49:35Oh, I bet you pecked him in it.
00:49:37Relatives and friends.
00:49:39We had 600 seats and we sold...
00:49:4240.
00:49:44Poor Papa.
00:49:46All the savings.
00:49:49One skinny notice in the Times.
00:49:52Skinny?
00:49:53Oh.
00:49:55My career was over.
00:49:58Am I boring you?
00:50:01Oh, maybe I'm fascinated.
00:50:03What came next?
00:50:05The dance.
00:50:06Debut?
00:50:08Audition.
00:50:09Billy Green.
00:50:10Billy Green?
00:50:11Producer.
00:50:11Oh, yeah.
00:50:12Musical review.
00:50:13Well, I bet you were hired on the spot.
00:50:16Hired on the spot.
00:50:18Oh, no.
00:50:20Now, I'm just Linda Kovacs.
00:50:23Illustrator.
00:50:25What about tomorrow?
00:50:27Linda.
00:50:31Housewife.
00:50:32Oh, no.
00:50:33Don't wish that on yourself.
00:50:34But I do wish that on myself.
00:50:36Oh, honey.
00:50:37You get stuck with a broom and you're permanently dead.
00:50:39Oh, no.
00:50:40Alive.
00:50:41Permanently alive.
00:50:42Oh, no.
00:50:43You're sure pretty.
00:50:48But you talk too much.
00:50:50All right.
00:50:51You say something.
00:50:52What do you want me to say?
00:50:55June, moon.
00:50:57Gee, aren't the stars like diamond bugs tonight?
00:50:59Name you into Star Wars.
00:51:00Is that what you want me to say?
00:51:00What are you afraid of, then?
00:51:02Can I guess?
00:51:02Afraid of.
00:51:04Old age.
00:51:06The atom bomb.
00:51:09Also inquisitive dames.
00:51:14Who are you, Benny?
00:51:16That's quite a question.
00:51:18Do you, uh, always get serious at a time like this?
00:51:21What better time is this?
00:51:23Well, you saw the frock, didn't you?
00:51:25Not the frock.
00:51:27The man.
00:51:28One date and you're already getting kids dressed for school.
00:51:31Yes.
00:51:32Kids need help getting dressed.
00:51:34Look, Linda.
00:51:36But supposing the man is a...
00:51:39phony.
00:51:41Do you still want to hear the story?
00:51:43Everybody's a little phony.
00:51:45Thanks.
00:51:49Okay.
00:51:51Not the frock.
00:51:55The man.
00:51:58I had a choice as a kid.
00:52:00Graduated from a public high school
00:52:02or get my diploma at the Empire Pool Room.
00:52:05Later, I had another choice.
00:52:07The infantry or the Marines.
00:52:10After that, I had a third choice.
00:52:13Take a job and stay put.
00:52:16Or pull a job and drift.
00:52:20Outside of a slight postscript,
00:52:21that's the end of the scene.
00:52:22The postscript, then.
00:52:26I didn't stay put.
00:52:28And the frock?
00:52:32Ask any cop.
00:52:39Tears.
00:52:42What for?
00:52:44For this kid who got his diploma in the Empire Pool Room.
00:52:48Horrible.
00:52:49Thanks for the tears and all that, but...
00:52:50confessors are over, huh?
00:52:52What now?
00:52:52Let's get married.
00:52:53What?
00:52:54Let's get married.
00:52:55What for?
00:52:56For the normal reasons.
00:52:58To my kind of a guy?
00:52:59What's in it for you?
00:53:00A husband.
00:53:01What are they, scarce around here?
00:53:03Very scarce.
00:53:04Look, sister, I thought I was a fast worker,
00:53:06but you beat my time a mile.
00:53:07Be good.
00:53:08Where are you going?
00:53:10On the land.
00:53:10You can't hang that long a wrap on me.
00:53:12Not for just one date.
00:53:40You told her about Benny, huh?
00:53:44Yeah.
00:53:48All she said was, let's get married.
00:53:50What'd you say?
00:53:53I'll give you one guess.
00:53:55You did yourself a favor.
00:53:57This way you ain't got nobody to worry about.
00:53:59This way you never do back nowhere.
00:54:17It's after midnight.
00:54:19How much longer?
00:54:21Not much longer now.
00:54:23Not much longer.
00:54:26Is there something I should know, but do not?
00:54:30Wilbur, there is a great deal you should know, but do not.
00:54:38Well, why are we stopping here?
00:54:44If I'm to share this nightly ordeal, I do think I should share your thoughts, too.
00:54:50You gibber too much, my son.
00:54:53Come now.
00:55:10Good evening, Reverend.
00:55:11Well, don't you mean good morning, Sergeant?
00:55:13Good morning, it practically is.
00:55:15And you, Reverend, still know what about?
00:55:17Why is it?
00:55:17There's a new mission in your precinct on Clover Street.
00:55:21Not a new one.
00:55:23Father Smith, please do them.
00:55:24It's his old mission, reopen, glory be.
00:55:27And doing a job that's long been wanted.
00:55:29Doing a good job, Sergeant?
00:55:31The best.
00:55:33Were you the ones that doubted?
00:55:34Not after hearing your reassuring testimony.
00:55:37If you'll give this to the good shepherds who are attending Father Smith's restored mission.
00:55:42Bible!
00:55:43Bible!
00:55:44For Sunday services.
00:55:46From an anonymous well-wisher.
00:55:48Now, mind you, Sergeant.
00:55:50From an anonymous well-wisher.
00:55:53Good morning, Sergeant.
00:55:55Good morning, Reverend.
00:55:56Come with us.
00:56:00Come with us.
00:56:04Good morning, Sergeant.
00:56:06Come with us.
00:56:12We're waiting.
00:56:18The End
00:56:22The End
00:56:50Say, the monkeys look almost like human beings today
00:56:53They are human beings
00:56:55They're bums?
00:56:56Yes
00:56:57And what you're doing here with a bull fiddle?
00:57:03I've come to explain myself
00:57:06I haven't been to church in 20 years
00:57:08But I've never lost God
00:57:11A man plays in here
00:57:13In his own cathedral, do you understand?
00:57:16Indeed I do
00:57:17For 20 years I've prayed in my own way
00:57:20Beethoven
00:57:22Mozart
00:57:23Fine music, Reverend is a good prayer too
00:57:27But today I'm tired of praying alone
00:57:30Only for myself
00:57:33Today I like to
00:57:34To bring my music to church
00:57:36And you came here
00:57:41If I'm welcome
00:57:43If my music is wanted
00:57:45Oh, it is indeed
00:57:50I've come to the right place
00:57:56And he chose this mission
00:57:59Want to know something?
00:58:00You've been selling this religion for a week
00:58:02And you're your own best customer
00:58:05Where's Benny?
00:58:07I'll get him
00:58:07But I don't think the Reverend Benjamin is with us no more
00:58:11Oh
00:58:12Spiritually, that is
00:58:15This Bible somebody gave money in for us
00:58:18Have you figured out who that somebody is yet?
00:58:20Simple act of kindness by someone anonymous
00:58:23Why?
00:58:23Question it
00:58:24A simple act of disaster, you mean?
00:58:27I'll go get him
00:58:33In the beginning God created the heaven and the earth
00:58:36And the earth was without form and void
00:58:39And darkness was upon the face of the deep
00:58:41And the spirit of God moved upon the face of the waters
00:58:45And God said, let there be light
00:58:47And there was light
00:58:49And God saw the light, that it was good
00:58:52And God divided the light from the darkness
00:58:55And God called the light day
00:58:57And the darkness he called night
00:58:58And the evening and the morning
00:59:00For the first day
00:59:02And God said, let there be a settlement
00:59:04In the midst of the waters
00:59:07Hey, Benny
00:59:09You want it out there?
00:59:11It's Sunday
00:59:12Followed by Monday, then comes Tuesday
00:59:14So what?
00:59:15But the old man's reading him
00:59:16Tell him he'll get eye strain
00:59:18From the small print
00:59:19Well, turn off full house
00:59:21Even Kobach is here with his fiddle
00:59:22All right, so what do you want from me?
00:59:24Well, they got all shaved
00:59:26Didn't got their hands combed
00:59:28I once read somewhere
00:59:29That a heathen is only a guy
00:59:31Trying to sneak into church the back way
00:59:34Too mythological for me
00:59:37All right, monk
00:59:38We'll give your bums a big finish
00:59:40Come on
00:59:45You know, it's the last day of church
00:59:48Next stop, Shemokin
00:59:53And God blessed the seventh day
00:59:55And sanctified it
00:59:56Because that in it he had rested
00:59:58From all his work
00:59:59Which God had created
01:00:00And made
01:00:02Oh
01:00:04We will now pass the hymn books
01:00:27Turn to page 261
01:00:45Come on
01:00:48Come on
01:00:50Love, love, and grieving
01:00:56Oh, happy in the land
01:01:02Oh, if thou died with me
01:01:09Happy in the land
01:01:13Oh, if thou in my living
01:01:22I believe in the weather
01:01:26The sun makes a fella feel strong
01:01:30And the sweet smell of rain
01:01:33Fills the meadow with grain
01:01:36As the wind sings a God-given song
01:01:44I believe in the mountains
01:01:47The Lord made them mighty and tall
01:01:52So that fellas like you could get close to the blue
01:01:58When the devil is paying a call
01:02:02Oh, I got no mansion, got no king
01:02:08I'm at home beneath the bright blue sky
01:02:16Don't believe in worrying
01:02:18Cause I got faith that the sun will rise
01:02:28I believe in the freedom
01:02:32To live any way that I choose
01:02:37Maybe drifting a while
01:02:40Maybe living in style
01:02:43But I'll lead with my chin
01:02:46For I'll know what I'm in for
01:02:49And grin if I win
01:02:53For I lose
01:02:57But I can try to live
01:03:02What I believe
01:03:07To live any way
01:03:17Okay, monkey
01:03:19You got your ring finished
01:03:30Gentlemen, that concludes the service.
01:03:33I'll bless you all.
01:03:56I'm going to rinse that top right out of my curls.
01:03:59I'm lovely.
01:04:00I'm engaged.
01:04:01I use...
01:04:34I left on a Friday and I'm going back on a Sunday.
01:04:382-2-2, boy, a stream.
01:04:41Friday to Sunday, like I was only out on a weekend, too.
01:04:46Wonder if the landlord fixed a leak in the toilet yet.
01:04:502-2-2, boy, a stream.
01:04:52That's where I'm going.
01:04:53Where you going to, Benny?
01:04:55Circulate around.
01:04:56Then the mission is out.
01:05:06I'll change later.
01:05:10You'll be back?
01:05:12Just for the night, maybe.
01:05:19Then I'll be seeing you.
01:05:48The mission is closed.
01:05:50That was a beautiful service, Reverend.
01:05:53Was it really?
01:05:54I've thought of my life.
01:05:57I've been a shadow on the earth, Reverend.
01:06:00Maybe another play.
01:06:02Kind.
01:06:04Kind.
01:06:06Will you be my pastor?
01:06:08Will I be yours?
01:06:10This is the house I live in.
01:06:15My sister.
01:06:17Fine face.
01:06:19Her address is on the back.
01:06:21All right.
01:06:23If you will take these and send them to her soon.
01:06:27Soon?
01:06:28Promise me, Pastor.
01:06:30Well, I promise, of course.
01:06:34And keep this for the mission.
01:06:41Money?
01:06:42Well, how can you live like this and have so much?
01:06:47I couldn't spend it and have nothing.
01:06:51Really?
01:06:52Have nothing?
01:06:55You don't understand, Pastor?
01:06:58I'm afraid I don't understand.
01:07:01I don't understand, either.
01:07:05Now, wait.
01:07:07Why not give this to your sister?
01:07:13But to entrust me with...
01:07:16With so much money.
01:08:00Want somebody, mister?
01:08:02Yeah.
01:08:02Mrs. Mary Williams.
01:08:04You know?
01:08:04Yeah.
01:08:05What do you want to walk?
01:08:07I'm a...
01:08:08I'm a friend.
01:08:10Upstairs.
01:08:11Third floor.
01:08:12Thanks.
01:08:31Well, Mary.
01:08:33Okay, if I come in?
01:08:37Thanks, Mary.
01:08:47You're looking great, Mary.
01:08:58You're going to change the furniture around, huh?
01:09:03How do you want to say something, Mary?
01:09:06Where have you been?
01:09:07Around Chicago, San Francisco, Georgia.
01:09:12How was Georgia?
01:09:14Hot.
01:09:15In the summer.
01:09:17You wouldn't like Georgia enough the way you're...
01:09:19You never could stand the heat.
01:09:24Um...
01:09:25You tie up with somebody, Mary?
01:09:28Really blind with your looks?
01:09:30There were too many of us for somebody.
01:09:33There were too many of us for you, too.
01:09:38I got a kettle of tea on the stove.
01:09:41Yeah, tea'd be good.
01:10:02Thanks.
01:10:18No sugar.
01:10:20I used to take one and a half.
01:10:23Yeah.
01:10:24I used to.
01:10:29Them.
01:10:30I've seen them a couple of times.
01:10:32I've been back, but I didn't want to come up right away.
01:10:35The kids, what I saw, wasn't so good.
01:10:40What did you expect, Monk?
01:10:46Tea's good.
01:10:58Fisher has still got that fleet of cabs?
01:11:02Same old, Fisher.
01:11:04Do you think if I talk to him?
01:11:07If you talk to him?
01:11:09Them.
01:11:11How do you think they'd take it, me being around?
01:11:14I don't know, Monk.
01:11:15I don't know.
01:11:18How are you going to take it, Mary?
01:11:21I don't know.
01:11:37I don't know.
01:11:39What's with him?
01:11:44How'd it go at 2-2-2?
01:11:47Old.
01:11:48They get older without a guy around.
01:11:50Guess a guy gets older without a dame around.
01:11:54You get old sitting in the pickle jar.
01:11:57Startin' tomorrow, I'm pushin' a hack again.
01:11:59For a guy named Fisher.
01:12:02He'd already lectured me about ridin' with a flag, yeah?
01:12:05Same old Fisher.
01:12:07Same old Monk.
01:12:09Nothing's changed.
01:12:11The kids?
01:12:13Mary's tellin' them about me.
01:12:15Preparin' them.
01:12:16They figure they hate me like poison.
01:12:19You'll win them, okay?
01:12:20I'll throwin' punches at them.
01:12:22Best I can get is to get them straightened out.
01:12:34How many times do I have to tell you?
01:12:35Ring your mouth face.
01:12:38Oh, why don't you leave them alone?
01:12:44What are you so chipper about?
01:12:45Oh, yeah.
01:12:47Say, Matthew.
01:12:48You know, from tomorrow on, you'll be on your own.
01:12:51Monk's got his hack.
01:12:53Me, I'm driftin'.
01:12:54Make any plans?
01:12:57Oh.
01:12:59Rio?
01:13:00I might spin down to Rio.
01:13:03Might spin down to Rio?
01:13:05Hmm.
01:13:07Uh, a mutter?
01:13:09White sands.
01:13:11They're attractive.
01:13:13White sands.
01:13:14If you have to dream, dream with your mouth shut.
01:13:17I gotta get down to Hack Bureau early.
01:13:34Benny.
01:13:35Monk.
01:13:38I'll meet you in Bermuda.
01:13:40No.
01:13:46I'm not going.
01:13:47I'm not going.
01:13:48I'm not going.
01:14:02I'm not going.
01:14:17You two know each other?
01:14:19I see you do.
01:14:22Wilbur.
01:14:23Mm-hmm.
01:14:23Wait outside.
01:14:28I was just leaving, but I suppose that wouldn't do.
01:14:34It would not do.
01:14:36I suppose a man must face the music.
01:14:40Face a man must.
01:14:41And even face a pipe or two.
01:14:43Isn't that so, Your Reverend?
01:14:45The premise has much merit.
01:14:47Gentlemen, I yield to your wisdom.
01:14:51In that case, won't you unpack?
01:14:57Unpack?
01:14:58Your suitcase.
01:14:59Is there any reason why not?
01:15:01No, but I don't understand.
01:15:04You know of any better atonement than running this mission?
01:15:08But me, a fraud?
01:15:10I've never known a fraud to read the Bible.
01:15:13Out loud to 50?
01:15:14Oh, I'm not the man you take me for.
01:15:18Only, yes, there's a temptation to steal this contribution.
01:15:23Who of us is above temptation?
01:15:26He'll not be without supervision, what with me at the back door and his reverence at the front door.
01:15:30I'm with Reverend Monk under the eye of the hack bureau of the police.
01:15:33He'll not be without supervision either.
01:15:36You're a busy man, aren't you, Sergeant Monner?
01:15:38I'm a very busy man.
01:15:39Mm-hmm.
01:15:40I had no idea.
01:15:41I'm only a humble sergeant at the police.
01:15:44Befriend the Lord.
01:15:46And also, befriend the taxpayer, too.
01:15:50A man of your diligence would doubtless know where Benny is.
01:15:54A man of my diligence does.
01:15:57Your reverence.
01:16:02Your reverence.
01:16:03Your reverence.
01:16:10The End
01:16:37Linda, for heaven's sakes!
01:16:53Unfinished?
01:16:57Say what you came to say.
01:17:00I was a mile across town at the bus depot and the bus left one passenger shy.
01:17:04But I just couldn't take off without...
01:17:06Well, not without...
01:17:09Not without what, Betty?
01:17:12Not without...
01:17:13Saying goodbye?
01:17:15Yeah. Goodbye.
01:17:18You're ready to go by.
01:17:20Thanks.
01:17:21Oh, listen, I didn't mean it that way.
01:17:23But I've never said goodbye before to anyone, anytime, anyplace.
01:17:26What did you do before?
01:17:27I just took off.
01:17:32I fell in love with a locomotive at the age of 14.
01:17:36Linda, can't you see it's no good?
01:17:38You're way out of my league.
01:17:40What you want is a...
01:17:41What you want is a nice guy who...
01:17:43Who earns an honest buck and...
01:17:44And makes with a lawnmower on Sundays.
01:17:48I couldn't be that guy.
01:17:51My life's against it.
01:17:52What guy are you?
01:17:53I'm a guy on the move, on a boat, a plane, a train.
01:17:56You'd never have a man all your own.
01:17:58All you'd ever get from me is a picture postcard that says,
01:18:00Having a wonderful time, wish you were here.
01:18:06Now you see why it's no good?
01:18:10No.
01:18:10No?
01:18:11No.
01:18:11What do you mean no?
01:18:12What do you mean?
01:18:12Marry me, Benny.
01:18:14Are you nuts?
01:18:15Now look, look.
01:18:16I came to say goodbye, you see?
01:18:18And that's what I'm going to say, and I'm saying it right now.
01:18:19Goodbye.
01:18:21Linda.
01:18:22Linda, wait a minute.
01:18:25Oh, you're not going to get that stubborn.
01:18:28You didn't.
01:18:36Look, as an American citizen, I have a perfect right to go where I please, when I please.
01:18:40Now give me that key.
01:18:41No!
01:18:42Look, I also have a right to be a bachelor, as long as I want to.
01:18:45Now give me that key.
01:18:46No!
01:18:46I can get married if I want to, as an American citizen.
01:18:49All right, swell, great, wonderful, but not to me.
01:18:51And furthermore, as an American citizen, I have a right to have children.
01:18:54I'm asking if you have 20.
01:18:55No!
01:18:55As many as I want to.
01:18:57Look.
01:18:58And you can't tell me.
01:18:59You're the right to this team I've ever met my whole life.
01:19:05You pushed me!
01:19:18Look, I don't want any more to this fool.
01:19:21Now listen, you've got to stop this fooling.
01:19:24What are you crying for?
01:19:27I'm going to leave.
01:19:29I'm going to leave.
01:19:30I'm going to leave.
01:19:30I'm going to leave.
01:19:31I'm going to leave.
01:19:32I'm going to stop crying.
01:19:34I'm doing anything.
01:19:35You can stop crying.
01:19:36I'm going to leave.
01:20:06Goodbye, Benny.
01:20:08Bye, Benny.
01:20:10Bye, Benny.
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