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  • 2 months ago
Sei anni prima di Arancia meccanica di Kubrick, Andy Warhol propone la sua versione del romanzo di Anthony Burgess – o meglio, dei momenti salienti – raccontando nello spazio di 4 lunghi piani-sequenza l’allucinante esperienza di un giovane teppista, Victor (Gerard Malanga), sottoposto alle torture del trattamento di rieducazione che lo renderanno innocuo, remissivo, schiavo e vittima del sistema contro il quale si era ribellato. Esperimento cinematografico di Andy Warhol realizzato all’insegna di una estetica sado-maso e di una provocazione stilistica che ignora volutamente le più elementari regole del “fare cinema”.
Transcript
00:00In light, I do not give a hot damn about what is the reason for all the bad I do.
00:11Nobody wants to know what is the reason for all the good that the squares do.
00:18The squares do good because they dig it.
00:23And so I do bad because I dig doing bad.
00:28And I don't tell anyone to follow me or not to follow me.
00:33They can damn well do if they plead.
00:56It's like I think badness is being yourself.
01:00It is being me, victor, the victor, like God in heaven made me for his shrinking happiness.
01:09But goodness is following the cops because the cops cannot permit the just me.
01:17This city cannot permit victor.
01:20So ain't I really good because I am against the cops who are against what God in heaven made me.
01:30Maybe I do not know what I am talking about.
01:33But I know I do what I like because I like it.
01:39And I goodies.
01:40I wah-ha-ha-ha-ha-ha.
01:43I wah-ha-ha-ha-ha-ha-ha-ha.
01:45Ah!
02:15Ah!

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