- 5 weeks ago
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00:00:00The
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00:03:49See the guy handing out the soup?
00:03:50Yeah.
00:03:51He's the guy who runs the joint.
00:03:52I'll give you a personal introduction.
00:03:54Gee.
00:03:55Oh, incidentally, buddy.
00:03:56Where are you from?
00:03:57Uh, from?
00:03:58Oh.
00:03:59I'm a transient.
00:04:00Oh, okay.
00:04:09Oh, good evening.
00:04:10Oh, good evening.
00:04:11Oh, good evening.
00:04:12Oh, good evening.
00:04:12I see you brought a needy friend with you tonight.
00:04:15Yeah, he's a pedestrian from Pittsburgh.
00:04:17You're very welcome, my friend.
00:04:20Here you will find food for your body, as well as comfort for your troubled mind.
00:04:25Yeah, but can I have some soup?
00:04:27Of course, my friend.
00:04:29What happened to your hand?
00:04:31Oh, that's nothing.
00:04:32Oh, that's nothing.
00:04:32I just heard it a little bit.
00:04:33Oh, just the same.
00:04:34We better take care of it.
00:04:35Miss Melvin, here's a patient for you.
00:04:38Yeah, but what about the soup?
00:04:39Never mind.
00:04:40There's plenty of soup here.
00:04:42I...
00:04:44I'll just change your bandage for you.
00:04:46Yeah, but I...
00:04:47Oh, he'll keep...
00:04:48Oh, you're in good hands.
00:04:51I think it's cold.
00:04:57Take a bowl of that soup if you don't mind.
00:04:59Certainly.
00:05:01Just be seated.
00:05:16I'll take it off.
00:05:23See, the guy that runs this place sure is one swell guy.
00:05:26Yes, he is.
00:05:28Most places you go to, all they want to do is save your soul.
00:05:32Mr. Wagner realizes a man can get awfully hungry just doing nothing.
00:05:36You bet he can.
00:05:49Have another bowl?
00:05:50No, thanks.
00:05:52Then what about a smoke?
00:05:54A nice cigar.
00:05:56Thanks.
00:05:57Come on, my friend.
00:05:58Follow me.
00:06:01Come on.
00:06:02Come on.
00:06:02Come on.
00:06:03Come on.
00:06:04Come on.
00:06:05Come on.
00:06:06Come on.
00:06:06Come on.
00:06:10Help you, sir.
00:06:12Thanks.
00:06:22Real Havana.
00:06:24I hope you enjoy it.
00:06:26Fingers.
00:06:27Fingers.
00:06:28I'm sorry, mister.
00:06:29You must think I'm somebody else.
00:06:31Oh, no, I don't.
00:06:33I have known you and your work for a long time.
00:06:37I tell you, you've got me pegged wrong.
00:06:38You've got your wires crossed.
00:06:40I don't think so.
00:06:43Don't worry.
00:06:44I'm your friend.
00:06:55Step into my private office.
00:07:05I want to show you something very interesting.
00:07:15What about this?
00:07:17Hey.
00:07:17That's me.
00:07:19What are you doing with this?
00:07:20Never mind.
00:07:21So you are, Fingers Dolan.
00:07:23All right, all right.
00:07:25So you know me.
00:07:26What's the gimmick?
00:07:28It must have been very hard on you to be inactive for such a long time.
00:07:38But that is all in the past.
00:07:40I have great plans for you.
00:07:44Yes, Carl.
00:07:46Hello, Doc.
00:07:47Send Mr. Strathnapp immediately when he arrives.
00:07:51Yes.
00:08:00Sit up.
00:08:21Hi, Doc.
00:08:22The boss is waiting for you, Strathnapp.
00:08:24Did you bring my package?
00:08:25Where is it?
00:08:26No, I forgot to pick it up.
00:08:27But you promised me.
00:08:28I've got to have it.
00:08:29Oh, lay off, you rum-dum.
00:08:32Here it is.
00:08:33I knew you wouldn't let me down.
00:08:35Thanks, Strathna.
00:08:36Thanks for what?
00:08:37That stuff is slow to death.
00:08:38No, it isn't.
00:08:39I'm a doctor.
00:08:40No.
00:08:41Doctor, my eye.
00:08:44I wouldn't let you treat a good case of dandruff.
00:08:57Can you see, Mr. Strathnapp?
00:08:59I'm sure many things will become clear to you.
00:09:03Fingers dulling.
00:09:08Trigger.
00:09:09I thought you were still doing time.
00:09:11Glad to see you, son.
00:09:12What are you doing here?
00:09:13Mr. Strathnapp works for me.
00:09:15You see, I like to bring old friends together.
00:09:19Strathnapp, huh?
00:09:20Yeah.
00:09:20Got a new moniker.
00:09:22There is more than a new name in it for you.
00:09:24If you join our little partnership.
00:09:28Look, you birds.
00:09:29I know I'm not as quick as I used to be.
00:09:31But these.
00:09:33These are still quick, aren't they?
00:09:37Sure.
00:09:38Are we going to crack a box tonight?
00:09:40Mr. Strathnapp, don't be so crude.
00:09:43You mean you lay out a job?
00:09:45Chase the place?
00:09:47Can I tune the dial?
00:09:48The language is rather picturesque.
00:09:50The meaning is perfect.
00:09:52And there's nobody like Carl for his end of the job.
00:09:55How do you like that?
00:09:58A flop house for a blind.
00:10:00Well, you guys had me coming and going.
00:10:29I think that's got it.
00:10:34Good work, Fingers.
00:10:36For a minute, I thought I lost the magic touch.
00:10:52It's okay.
00:10:56Fingers, it's his job.
00:10:58Now it's your turn to Strathnapp.
00:11:01Fingers?
00:11:01You heard what I said.
00:11:03But he's a valuable man.
00:11:05He was a valuable man.
00:11:07Hey, are you guys kidding with that talk or what?
00:11:10Do your job, Strathna.
00:11:12But Carl, I...
00:11:13I'm going off your nerve.
00:11:14Go ahead.
00:11:16Please.
00:11:17Please don't kill me.
00:11:18Give me a chance.
00:11:19I only did you ask me to.
00:11:20I can show you.
00:11:21I can show you.
00:11:50Did you have any trouble?
00:11:51No trouble at all.
00:11:52Everything was perfect.
00:11:53You act like there's something bothering you.
00:11:55Didn't you get a big haul?
00:11:56I told you everything was perfect.
00:11:58We got a swell haul.
00:12:00I still say there's something bothering you.
00:12:02Is it that new man, Fingers?
00:12:05No.
00:12:07Fingers won't bother anybody.
00:12:09Anymore.
00:12:10You mean to say he got rid of him without letting me have the body?
00:12:13He can't do that to me.
00:12:14He promised me.
00:12:16It seems he can do anything he pleases.
00:12:19Didn't you get a big enough cut in this last job?
00:12:22I'm not griping about the cut.
00:12:25You know, Doc.
00:12:27That Fingers was a good man.
00:12:30What would stop him from getting rid of us in the same way?
00:12:33Carl wouldn't do that.
00:12:34He's our friend.
00:12:36Maybe your friend.
00:12:38Me?
00:12:38I'm getting fed up.
00:12:40You know, it ain't healthy to talk like that.
00:12:43I don't scare so easy.
00:12:46Some of these days I'm going to tail him and see what he does during the day.
00:12:50A couple of men tried that before you and now they're buried.
00:13:02Come get your breakfast, little boy.
00:13:04Come on.
00:13:06Now say good morning to mommy.
00:13:08Good morning.
00:13:11Come on.
00:13:11Say good morning.
00:13:13How about feeding your hungry husband?
00:13:16Flood me, darling.
00:13:17And I have a surprise for you this morning.
00:13:21And I have a surprise for you, too.
00:13:27You finished your book?
00:13:31Oh, another present.
00:13:34To remind you of my love.
00:13:36Oh.
00:13:41They are beautiful.
00:13:43Just like you, my dear.
00:13:47But they must have cost an awful lot.
00:13:52Nothing is too good for you, my darling.
00:13:58How can you afford to give me such expensive gifts and so often?
00:14:03To what better use could I put the money from my writing?
00:14:08You should save your money.
00:14:11It's not you as I want.
00:14:13It's you.
00:14:14Your companionship.
00:14:20Freddie.
00:14:21I get so lonesome at times.
00:14:25Why do you have to stay away from me night after night?
00:14:28How much longer are we going on like this?
00:14:31Not long, my dear.
00:14:33Research for my new book will be finished soon.
00:14:36And then we go far away from here.
00:14:51Good morning, Miss Beers.
00:14:53Good morning.
00:14:53Good morning.
00:14:57Ah, there's nothing more invigorating than a nice cool drink
00:15:01or fresh mountain spring water.
00:15:03Mr. Adler.
00:15:05Every morning for three years you start out with the same stimulating time.
00:15:11How do you feel?
00:15:12No, I'll be working out in the night.
00:15:16No, I'm late.
00:15:32You have never been eating for a night.
00:15:34But you're still keeping up in the night.
00:15:38leaving the body of an accomplice on each job
00:15:41proves that.
00:15:43Some of you uniform men are up for promotion.
00:15:46It's up for you to earn it.
00:15:48As far as the plainclothes men are concerned,
00:15:51they'd better be on their toes
00:15:53or they'll find themselves back in uniform.
00:15:56That's all.
00:16:09Well, Mac was sure letting off steam, wasn't he?
00:16:12You ever see an Irishman, didn't you?
00:16:14Oh, I'm going to be missing all this soon.
00:16:17Say, you start drawing that pension next month, don't you?
00:16:19Yep.
00:16:20I kind of hate to retire,
00:16:22but of course it would be nice being home
00:16:23without those kids yelling cheese at the cat.
00:16:26Kids.
00:16:27How I love them.
00:16:29You know, Mark, someday I'm going to have a dozen.
00:16:32Yeah?
00:16:33Well, you know you have to get married first, don't you?
00:16:35I am if I ever get that promotion.
00:16:38You will, son.
00:16:39You'll be a detective before you know it.
00:16:43When that happens,
00:16:44I'm going to buy a little place in the country
00:16:46just like yours.
00:16:47Work in that garden.
00:16:48Yeah?
00:16:49You know, you've no idea
00:16:51how being a detective will help you catch them going.
00:16:55Be seen there, Peter.
00:16:57So long, Mark.
00:17:07The study of abnormal psychology
00:17:09recognizes paranoia
00:17:11as one of the most dangerous types of insanity.
00:17:14Perhaps Mr. Dennison can inform the class
00:17:16why paranoia is so dangerous.
00:17:19Well, the patient suffers from delusions of grandeur.
00:17:22He thinks he's very important,
00:17:24way above those around him.
00:17:25He has a superiority complex.
00:17:28Is that all?
00:17:29No, it's also coupled with a persecution mania
00:17:32caused by an intense feeling
00:17:34that everyone's against him.
00:17:36So far, you're correct.
00:17:38But you haven't explained why
00:17:40such cases are dangerous.
00:17:43Well, I guess it's because he acts logically.
00:17:45If you didn't study him,
00:17:47you wouldn't know he was maladjusted.
00:17:48And he doesn't hesitate to use force
00:17:51to assert his personality.
00:17:53This leads to an antisocial conduct.
00:17:56Then, Mr. Dennison,
00:17:57I take it you imply
00:17:59they might even enjoy a life of crime.
00:18:09Eat?
00:18:09How about nice corned beef sandwich?
00:18:11Well, that's a deal.
00:18:12But this time the treat's on me.
00:18:13Goldberg's?
00:18:14Goldberg's it is.
00:18:42Don't mind me, Pete.
00:18:44Get after him.
00:18:46He's your promotion.
00:18:47Goldberg's name.
00:19:17Goldberg's Daten
00:19:40Hello this is Sergeant Crawford. Give me Captain Mitchell right away.
00:20:15I'm sorry Mr. Wagner. I didn't mean to disturb you.
00:20:17Oh you never disturb me. What is it Judy? Well I thought I'd consult you before ordering those supplies.
00:20:23If you need them get them regardless of cost. Those unfortunate souls depend upon us.
00:20:30You must not feel them. I thought you'd see it that way. I'll attend to it at once.
00:21:08You'd better let me take care of that for you. I can take care of it. It might become infected.
00:21:13Let me clean and bandage it for you.
00:21:18Don't worry. I won't hurt you. Right this way. Come on.
00:21:38Now if you'll just sit down here I'll fix you up right away.
00:21:50How did this happen? The guy sliced me with a knife. He tried to take my dough.
00:21:55That's too bad. This will sting just a little bit.
00:22:09That didn't hurt much did it? It don't hurt at all, Reddy.
00:22:14Very well. Let me know when he gets here.
00:22:36There. There's some nice hot soup out there. That is if you care for any.
00:22:39Thanks.
00:23:02Bill, you and Joe, take a look in the pool hall.
00:23:11Yes? What can I do for you? Keep your mouth shut.
00:23:17Well. If it isn't Frankie Mill.
00:23:23It's too bad you recognize me, mister.
00:23:27What's the matter? Are the police after you?
00:23:30Yeah. And you better not do anything to accept this baby.
00:23:36Don't worry. I will not betray you.
00:23:41Yes? Who is there?
00:23:43Police. Open up.
00:23:44Just a moment, please.
00:23:48Move safe inside here.
00:23:59Good evening, Sergeant.
00:24:01Do you make a habit of keeping this door locked?
00:24:02Oh, just a precaution. You see, otherwise my guests would be all over the place.
00:24:09Is there something wrong?
00:24:11Yes, there's a dangerous killer loose somewhere in the neighborhood.
00:24:14Really?
00:24:15We've got orders to search all these Bowery places.
00:24:23I'd be glad to show you around.
00:24:25What's up there?
00:24:26Just the dormitory.
00:24:28A couple of you boys see what you can find upstairs.
00:24:42Is there anything wrong?
00:24:43Yes. The police is looking for someone.
00:24:46And thought he might be hiding here.
00:24:48He's a young fellow by the name of Frankie Mills.
00:24:50About 23 years old, medium height and dark hair.
00:24:53Baby face.
00:24:54Why, a man of that description was here a few minutes ago.
00:24:57He was?
00:24:58Are you sure?
00:24:59I'm positive.
00:25:00I bandaged his injured wrist.
00:25:01Where did he go?
00:25:02Well, if he isn't out there, I guess he must have gone.
00:25:08No sign of him up there.
00:25:09You folks keep your eyes open.
00:25:11If you see him again, notify police headquarters immediately.
00:25:13Certainly.
00:25:13I'd be happy to cooperate with the police.
00:25:16All right, boys.
00:25:30I love him.
00:25:31Yes, mother.
00:25:35But I can't leave now.
00:25:39Well...
00:25:40All right.
00:25:41I'll be home in about an hour.
00:25:50you can't relax now your friends are gone who are you what are you soft-soaping me for
00:25:56because I have a proposition that I think you will like that's it
00:26:08what do you do make this stuff no this represents the difference
00:26:13between my intelligence and the power minds of my fellow men what is with that
00:26:20just my house home hello tell him to wait I'll be right down how would you like to
00:26:36join my organization sure why not my associate is downstairs I want you
00:27:03to meet him
00:27:04that I want you to meet Frankie Mills Frankie Mills huh
00:27:12no one in the neighborhood is full of cops this is my janitor what's the
00:27:19matter with him he's afraid of you naturally the way I like it what are you
00:27:27afraid of don't get gay kid just because you're handy with the heater it seems we
00:27:33all have our little fears all but you Frankie you wouldn't believe it's
00:27:40that but I am afraid of you
00:27:45that's a hunt don't laugh I'm afraid of you because you lost your nerve
00:27:53what I do thank you if you want stratton's job you can have it now don't fall for that
00:28:02line of talk kid you'll cross you like it has everybody else
00:28:14you're not afraid of now are you good work Frankie what are you going to do with the stiff you
00:28:20shall see
00:28:27take care of Mr. Stratton
00:28:34the dormitory of the dead never saw a guy with more angle
00:28:43these mildewed skeletons who sleep so quietly now were once my partners like stratton
00:28:53but how often have I told you to keep that cat from desecrating my graves
00:28:58let's go Frankie our place is not with the dead
00:29:01their work is done how it is just beginning don't take too long doc that guy a real doctor
00:29:13yes once you are a great doctor now he's just a human derelict
00:29:25just a derelict eh and still a great doctor
00:29:31and I'll prove it
00:29:47I will save you stratton save you from the dead
00:29:50then you belong to me
00:29:56please Richard you'll be home any moment now
00:29:59always late why can't you be on time just once
00:30:02well you know Judy time is not her own these days
00:30:07Mrs. Malvern when are you going to put a stop to all this
00:30:10why can't you stay away from that place
00:30:11well after all Richard you're the one that can make her understand
00:30:15you think so
00:30:16I have a doubt with her
00:30:17I'm certain you can prove to her which is more important
00:30:20you or that uh Carl or whatever his name is
00:30:23who runs that awful place on the Bowery
00:30:26I'll try
00:30:28oh Richard you're a dear boy
00:30:32oh it'll make me the happiest woman in the world
00:30:37well how's closing
00:30:39Judy
00:30:42maybe I'd better leave
00:30:43Judy
00:30:44I want to talk to you
00:30:46and I suppose mother will be the interpreter
00:30:48Judy Malvern what's come over you
00:30:50Richard has been waiting patiently for over an hour to see you
00:30:54of course what is it
00:30:56goodnight mom
00:30:58sit down Ali
00:31:00won't you please sit down
00:31:01oh this won't take very long
00:31:03now what have you to tell me that's so important
00:31:06Judy I
00:31:07I want you to give up that silly job
00:31:09saving humanity
00:31:10it's ridiculous
00:31:11and I suppose I should spend the rest of my life on your yacht
00:31:14oh I'm not asking so much
00:31:16considering that
00:31:17considering what
00:31:17considering that I don't want my future wife wasting her time
00:31:21your future of what
00:31:22mm-hmm
00:31:23I practically told your mother already
00:31:26now suppose you'd be a good little boy and run along
00:31:29come back tomorrow
00:31:30and tell my mother I think you're both having hallucinations
00:31:34okay
00:31:35see now how you feel about it
00:31:37let's forget it
00:31:39oh Richard
00:31:46I'm sorry
00:31:46I didn't mean that
00:31:49I guess it's just because I'm
00:31:51I'm so tired
00:31:52that's just it
00:31:53you've stopped working down at that mission
00:31:55and take stock of yourself
00:31:57Judy
00:31:58do you realize you've given up your friend
00:32:00your social life
00:32:01everything
00:32:02for what
00:32:04for the opportunity of helping the underprivileged
00:32:07you should be proud of me for that Richard
00:32:10proud of you
00:32:11for working in the Bowery
00:32:14that's no place for a girl like you
00:32:16and that Wagner
00:32:17runs the place
00:32:19and what about him
00:32:21I'd like to meet him
00:32:22that's all
00:32:23you and Mr. Wagner
00:32:24have nothing in common
00:32:26nothing
00:32:27except you
00:32:29oh so that's it
00:32:32I never thought of that
00:32:33you see it's true
00:32:35I knew there was another reason
00:32:36for you and Carl
00:32:37spending half your nights down there
00:32:40you've no idea
00:32:41what a mysterious fondness
00:32:42I have for that man
00:32:45it's no mystery to me
00:32:47you're infatuated with it
00:32:50so you found out
00:32:54do you really believe that
00:32:56sure I do
00:32:57go ahead and have all the fun you want
00:32:59you and your social work
00:33:12oh
00:33:21oh
00:33:23oh
00:33:25oh
00:33:28oh
00:33:29oh
00:33:32Frederick. Frederick. Wake up, darling.
00:33:35Yes, let us.
00:33:37You were having one of those horrible nightmares again.
00:33:40Yes.
00:33:43Is there anything I can get you?
00:33:47A glass of water, maybe?
00:33:52Go back to this.
00:33:53You sure?
00:33:54Mm-hmm. Good night.
00:33:56Good night, darling.
00:33:57Good night, gentlemen.
00:34:16Oh, uh, Professor.
00:34:17Yes?
00:34:18I'd like to ask a question, if I may.
00:34:20Certainly.
00:34:21Well, it's about my term paper.
00:34:23I suddenly realize that I know very little about real people.
00:34:26Hmm.
00:34:28What gave you that idea?
00:34:30Well, after all, you can't learn about life cruising around on a yacht.
00:34:33You see, I was thinking of writing on what a man thinks just before he dies.
00:34:37It's very unscientific.
00:34:39That's what I mean.
00:34:41So, with your permission,
00:34:42I'd like to change to a paper on the psychology of the underprivileged.
00:34:46Very interesting.
00:34:48If you feel qualified to handle it,
00:34:50by all means make that your subject.
00:34:51Thanks a lot, Professor.
00:35:00Sergeant Crawford reporting.
00:35:01You, uh, sent for me, sir?
00:35:03I did.
00:35:05Crawford,
00:35:06I want you to turn in your shield.
00:35:10Turn in my shield?
00:35:12You heard me.
00:35:14By the time Johnny Martin's recovered,
00:35:15he'll be on the retired list.
00:35:19The question of the shield be given to you.
00:35:22I trust you know your first assignment.
00:35:25You bet I do.
00:35:27Good luck, boy.
00:35:32Thanks.
00:35:41Who'd have thought yesterday
00:35:42that I'd be working with Frankie Mills on a high-class job?
00:35:44Yes.
00:35:45Each day brings its little surprises.
00:35:48I'll meet you later, Frankie.
00:35:49You know where.
00:35:49I'll be all set.
00:36:05You have the idea now, haven't you?
00:36:07Oh, sure.
00:36:08We cover Frankie's getaway from here.
00:36:10It's a natural.
00:36:10That's right.
00:36:11See, you're smart to figure all this out.
00:36:24I'm sorry, mister.
00:36:25You'll have to keep moving.
00:36:26Just keep on.
00:36:45Wait.
00:36:48Fuck!
00:36:56Whoa!
00:37:04Back up people back up quick back up come on move back move back keep those people back over there
00:37:14please please help I've been robbed you stay here Jim George you come with me
00:37:27I can feel the hot breath of the outrage public on my neck these crimes are a
00:37:32disgrace to the city and a menace to our citizens you will have to produce
00:37:35results or resign
00:37:46chief is on the warpath we've got to deliver the goods or we'll all be
00:37:51pounding the paper I want the Bowery search from one end of the other
00:38:09yes
00:38:10things are sure tough aren't they how would you know slumber you wouldn't think
00:38:14it'll look at me but I'm down on my luck too well you wouldn't think the look at
00:38:19me that I'm rolling in dough would you say but that's the girl
00:38:22sure
00:38:27hey aren't you forgetting something yeah you got a match
00:38:31yeah hey um mind answering a few questions
00:38:35why don't you run up and down park Avenue go and beat it
00:38:54up and down
00:38:54yeah
00:38:55yeah
00:38:55yeah
00:38:55yeah
00:38:56yeah
00:38:56yeah I want to try that suit on the window
00:38:58of course you can try it on but not in the window in the back
00:39:02oh that's a nice piece of material
00:39:04what's the matter with the one you got on
00:39:05I need some old clothes can you make me look like a tramp
00:39:08can you imagine that he wants to look like a tramp she's coming into my place
00:39:11listen Sonny I want you to understand this is a first class establishment
00:39:14how much is that suit
00:39:16you want to rent or buy
00:39:18I want to buy
00:39:19a cash customer why don't you say so in the first place
00:39:36thank you mom
00:39:37you're welcome
00:39:38Richard
00:39:39what on earth are you doing here
00:39:41Judy
00:39:42you'll give me away
00:39:43where did you get that suit
00:39:46I sold our yacht
00:39:47is this your idea of a joke
00:39:49look Judy I want you to help me
00:39:51I'm going to write a term paper on the psychology of the underprivileged
00:39:56underprivileged
00:39:57why don't you try the millionaire club
00:39:59I'm on the level Judy
00:40:01remember what you said last night
00:40:03I've been giving a lot of thought I think that
00:40:05I'm sorry but you'll have to move on I'll talk to you later
00:40:23what kind of people are letting them here nowadays
00:40:30hey look at this
00:40:32not bad
00:40:33not bad at all
00:40:34the Asterfields announce the coming out of their daughter
00:40:39coming out
00:40:41coming out of what
00:40:43well I guess they keep their kids locked up
00:40:49what's the matter you literate or something
00:40:52come on let's get to a clean table
00:41:06I'm sorry
00:41:06Professor what are you doing here
00:41:08I beg your pardon
00:41:10you mean to say that you're not Professor Brenner
00:41:12Brenner
00:41:14I'm afraid you mistaken young man
00:41:24Look, Professor, I'd know you anyplace.
00:41:27Come in.
00:41:31I see it is useless to try to deceive you, Mr. Tennyson.
00:41:35You must be here for the same reason I am, to do some research.
00:41:38You're right.
00:41:39But I intended to keep it a secret until I'm ready to reveal my findings.
00:41:43You don't have to worry about me, Professor.
00:41:45I can keep it a secret.
00:41:46I have no doubt about that.
00:41:48What did you bolt the door for?
00:41:50Oh, so we will not be disturbed.
00:41:52You see, Mr. Tennyson, I'm conducting this rescue mission for the purpose of studying men.
00:41:59I'll bet you've gathered some wonderful material.
00:42:02Indeed I have.
00:42:03Would you like me to show you around?
00:42:06That would be great, Professor.
00:42:07Come.
00:42:11Step in.
00:42:19This is my private office.
00:42:21Here you will find a world of valuable information.
00:42:24I imagine I could.
00:42:26But you're going to that later.
00:42:28First, I would like you to meet some very interesting characters.
00:42:38Follow me.
00:42:54Mr. Mills, I want you to know Mr. Tennyson.
00:42:58I, uh...
00:42:59I've got an eye on him.
00:43:01This man is an interesting study in psychosis.
00:43:04I suppose you have never met a...
00:43:06a homocidal maniac before.
00:43:10You mean he's a...
00:43:11What are you talking about?
00:43:13Ask Frank some question.
00:43:16Well, I...
00:43:17I don't know where to begin.
00:43:19Ask if it gives him pleasure to take human life.
00:43:26You, uh...
00:43:27You enjoy...
00:43:29killing people?
00:43:33Sure.
00:43:34When I get in my way.
00:43:37Come.
00:43:39Over here, you will see a perfect specimen of schizophrenia.
00:43:47Doc.
00:43:49Get up.
00:43:53Would you like to question him?
00:43:56I guess not.
00:44:01I see you're losing your enthusiasm, Mr. Tennyson.
00:44:06Perhaps I should ask you your own question.
00:44:09What question?
00:44:10The one you brought up this morning in the classroom.
00:44:18You see what fear does to one's memory?
00:44:22This morning you wanted to know
00:44:24what a man thinks about just before he dies.
00:44:29That's unscientific.
00:44:31You said yourself you can't ask a dead man.
00:44:33But you can ask yourself,
00:44:35Mr. Tennyson.
00:44:38You must be joking.
00:44:41Frankie Muir doesn't joke.
00:44:44Do you, Frankie?
00:44:46You can't be serious.
00:44:48This is like a crazy nightmare.
00:44:51Think.
00:44:52You have 30 seconds to answer that question.
00:44:56I'm getting out of here.
00:44:58I'm afraid not, Mr. Tennyson.
00:45:01Think.
00:45:03Please, Professor.
00:45:04What are you thinking?
00:45:06You're mad.
00:45:07Insane.
00:45:08All right, Frankie.
00:45:10Don't!
00:45:17Don't!
00:45:18It's all yours, Doc.
00:45:21Don't!
00:45:37How are you, my pets?
00:45:39Hungry, eh?
00:45:40Well, you shall have food.
00:45:42And a new companion, too.
00:45:51Judy?
00:45:52Judy!
00:45:54Oh, what time is it?
00:45:55Well, it's only nine o'clock.
00:45:57I woke you because Mrs. Denison just phoned.
00:45:59Richard didn't come home last night, and the whole family is frantic.
00:46:02They thought perhaps you might have seen him.
00:46:04I did see him last night.
00:46:06Where?
00:46:08You're important, Mr. Denison, came into the nation last night dressed like a tramp.
00:46:11Richard did that?
00:46:13Well, I can't believe it.
00:46:14Nevertheless, it's true.
00:46:16Well, I'll call her back, and you talk to her.
00:46:20I don't know why she's in such a divot.
00:46:22I mean, dozens of men every night have been missing for years.
00:46:26Somebody gets excited over them.
00:46:33Hello, Mrs. Denison.
00:46:35This is Judy.
00:46:37I just wanted to tell you not to worry about Richard.
00:46:40Yes, he was doing research in the Bowery last night.
00:46:43Oh, Judy.
00:46:45The Bowery.
00:46:47Oh, how can you say he's all right in a place like that?
00:46:51But nothing could possibly happen to him down there.
00:46:56But I don't think that's necessary.
00:46:58Just a minute.
00:47:00She wants me to go to the police.
00:47:02Well, perhaps you're better, dear.
00:47:04But it's so ridiculous.
00:47:06We'll do it.
00:47:06Just to make her feel better.
00:47:10All right, Mrs. Denison.
00:47:11I'll go.
00:47:18Young Denison explained why he came to the mission.
00:47:21He said he was studying types, doing research work for a college thesis.
00:47:26Tell me, Miss Melbourne, how well do you know this fellow that runs the mission, Carl Wagner?
00:47:30Quite well.
00:47:32Why do you ask?
00:47:33Because Denison and Frankie Mills were last seen in Wagner's mission.
00:47:36Oh, but surely you don't suspect that Mr. Wagner had anything to do with their disappearance?
00:47:41Well, I don't know.
00:47:42But I intend to find out.
00:47:44Robert, you better drop around and see Mr. Wagner right away.
00:47:48Right.
00:47:48He's there only at night.
00:47:50Where is he during the day?
00:47:52I really don't know.
00:47:54But Captain Mitchell, couldn't something be done about it right away?
00:47:57We're doing everything that's humanly possible, Mrs. Denison.
00:48:01Crawford, you better follow through on this case.
00:48:03Yes, sir.
00:48:03And if it's all right, I'd like to take Thompson with me.
00:48:06Good enough.
00:48:07Will you pardon me?
00:48:07Of course.
00:48:13Is that him, lady?
00:48:15No.
00:48:27Why, Judy, did you know him?
00:48:30Yes, yes, he was staying at the mission.
00:48:33What happened to him?
00:48:34This one fell from a tall building.
00:48:36How dreadful.
00:48:37Across the street from the jewelry store, just as it was being robbed.
00:48:47I'll see if I can get you a copy.
00:48:50Pardon me, is this Professor Brenner's office?
00:48:52Why, yes, it is.
00:48:53May I see him?
00:48:54Oh, I'm sorry.
00:48:55He isn't in.
00:48:56I believe he just left for home.
00:48:58I wonder if you'd give me his home address.
00:48:59Well, I can't give out that information.
00:49:02I'm Detective Crawford from police headquarters.
00:49:05I wanted to talk to the professor about one of his students, Richard Denison.
00:49:09Oh, I see.
00:49:10Well, just a minute and I'll give it to you.
00:49:17Here you are.
00:49:19Thank you very much.
00:49:20You're very welcome.
00:49:21All right, Thompson.
00:49:31Oh, Professor.
00:49:33I thought you'd gone home.
00:49:34There were two men here to see you.
00:49:36Policemen.
00:49:37Police?
00:49:38Yes, they just left.
00:49:39I'll try and stop them.
00:49:40Never mind.
00:49:41Did they say what they wanted?
00:49:43They wanted to talk to you about Richard Denison.
00:49:45I gave them your home address.
00:49:47Was that all right?
00:49:49Yes.
00:49:50It's quite so late.
00:50:02Mrs. Brenner?
00:50:03Yes.
00:50:04We'd like to talk to your husband.
00:50:05He isn't home.
00:50:06But I'm expecting him any moment.
00:50:08Won't you please come in?
00:50:09Why, yes.
00:50:14I'm Detective Crawford, and this is Detective Thompson.
00:50:17Detective?
00:50:18Oh, don't be alarmed.
00:50:18We merely want to question the professor about one of his students.
00:50:21Oh, I see.
00:50:23Won't you please be seated?
00:50:35Is this the professor?
00:50:37Yes.
00:50:38A lovely picture, don't you think?
00:50:40Yes, it is.
00:50:45Thompson.
00:50:50Where have you seen him before?
00:50:53Why, that's Carl Wagner.
00:50:55Down in the Bowery.
00:50:57Or his double.
00:50:59What are you saying?
00:51:07Mrs. Brenner, have you ever had reason to suspect your husband of leading a double life?
00:51:13That's ridiculous.
00:51:15My husband is a famous psychologist.
00:51:17That's only the half of it.
00:51:19This man is also known as Carl Wagner, and he operates a mission in the Bowery,
00:51:23the one where Richard Dennison was last seen.
00:51:29That explains his nightly absences from home.
00:51:34The expensive jewelry.
00:51:38And those horrible nightmares.
00:51:46I'm sorry, Mrs. Brenner, but we'll have to take you to headquarters for questioning.
00:51:51I understand.
00:51:55I understand.
00:51:55I'm quite willing to go.
00:51:59I get my hat and coat.
00:52:18I get my hat and coat.
00:52:21Captain Mitchell, this is Pete Crawford.
00:52:23I'm at the Brenner home.
00:52:24You'd better prepare yourself for a thunderbolt.
00:52:27I've just discovered that Professor Brenner is none other than Carl Wagner of the friendly mission.
00:52:33That's right, and we're bringing Mrs. Brenner in for questioning.
00:52:36Yes, sir.
00:52:38Oh, uh, Thompson, you'd better run her in.
00:52:40And I, uh, I think I'll stay here and pick up the professor.
00:52:43It's taking long enough to get that coat.
00:52:50Mrs. Brenner?
00:52:52Oh, Mrs. Brenner?
00:53:10Oh, Mrs. Brenner.
00:53:27Gin.
00:53:28There, I blitzed you again.
00:53:30That's seven times in a row.
00:53:34Afternoon, Miss Judy.
00:53:35Good afternoon, boy.
00:53:36Getting to work kind of early, ain't you?
00:53:38I have things to do.
00:53:40Say, have you seen Mr. Wagner around?
00:53:42No, ma'am. I ate.
00:53:43Thanks.
00:54:25Oh, Doc.
00:54:26Hello, Miss Judy.
00:54:28What is this? Where did you come from?
00:54:30I can't tell you that.
00:54:31Why not?
00:54:32Carl would kill me.
00:54:33You mustn't let him know you've even seen it.
00:54:36Oh, don't be fantastic.
00:54:38Carl wouldn't hurt anybody.
00:54:39I know that. I mean, he just wouldn't like it.
00:54:43Well, I'm your friend, Doc.
00:54:45You know you can trust me.
00:54:47I know that, Miss Judy.
00:54:48And I want you to do me a favor.
00:54:51I'll be glad to.
00:54:53If you show me what's behind that bookcase.
00:54:54No, no, I mustn't. Carl wouldn't like it.
00:54:58What was it you wanted me to do?
00:55:00I want you to get a prescription filled for me.
00:55:02Will you? Right away.
00:55:04It comes in small bottles.
00:55:06What do you want this for?
00:55:07It's good for me. I'm a doctor.
00:55:09I know what's good for me.
00:55:11If I get this filled, will you show me what's in there?
00:55:15If you keep it a secret.
00:55:16And get it for me right away.
00:55:18All right.
00:55:19You stay here.
00:55:21I'll be right back.
00:55:22What do you got?
00:55:24Oh, that's another thousand I owe you.
00:55:26That's six G's.
00:55:27All the get of you owe me.
00:55:28What do you mean, six?
00:55:29Five.
00:55:30Six.
00:55:31Five.
00:55:32Trying to make a liar on me for a crummy thousand.
00:55:34Why, I'll take you out.
00:55:37Will you do me a favor, please?
00:55:39Sure, Miss Judy.
00:55:40Run down to the drugstore and get this prescription filled.
00:55:43Yes, ma'am.
00:55:44Where to?
00:55:47Sorry you break up your game, but he'll be back soon.
00:55:50Oh, that's all right.
00:55:51You just saved me $5,000.
00:56:04I sent one to the boys after it.
00:56:06Come on now, open up.
00:56:07But don't you ever tell a soul.
00:56:50See, it's just the cellar.
00:56:52Let's go back now.
00:56:53What's behind that door?
00:56:55It's just a little closet where I keep brooms and things.
00:56:59It's only my cat.
00:57:01But you can't keep a lot of stuff like that.
00:57:03She likes it in there.
00:57:06Don't be silly.
00:57:07She's crying, poor thing.
00:57:09Open the door.
00:57:10I can't.
00:57:11You must go now, Miss Judy.
00:57:13Not until you let the cat out.
00:57:14No, no.
00:57:15You must go back.
00:57:24You want that prescription, Bill, don't you?
00:57:28Well.
00:57:55That's horrible.
00:57:56This is horrible.
00:58:02Remember, you must never say a word about this.
00:58:36Why did you allow her to come down here?
00:58:37It had nothing to do with it.
00:58:38Keep quiet.
00:58:39The police are right.
00:58:40You're a fiend.
00:58:41Richard Dennison did you no harm, and you, you killed him.
00:58:44What do you propose to do about it?
00:58:47It was a little surprise for you, Frank.
00:58:49You didn't tell me the girl was in on this deal.
00:58:51She's not.
00:58:53So you know what to do.
00:58:54Nothing doing.
00:58:56Don't get it.
00:58:56You didn't tell me that you are getting sentimental.
00:58:58Killing women ain't a part of my racket.
00:59:01Do what you are told.
00:59:02Why don't you let her alone?
00:59:03She didn't do anything.
00:59:05Oh, shut up, you fool.
00:59:10Need help the girl.
00:59:11Then I get the stuff.
00:59:14Outside.
00:59:14All right, you boys, stay out of here.
00:59:17No, outside, outside.
00:59:37Hold it.
00:59:45Come, let's.
00:59:46Let's play.
01:00:18I know the very place for you to hide, where no one will ever find you.
01:00:22Call with me.
01:00:32I've prepared this for just such an occasion.
01:00:39Miss Meadowlite.
01:00:41Quick, Miss Meadowlite.
01:00:43Quick, Miss Meadowlite.
01:00:48Let's let him.
01:00:50Let him.
01:00:51He he he he he.
01:00:53He he he he.
01:00:53He he he he.
01:00:54He he he he.
01:01:04What takes care of the professor?
01:01:08Richard.
01:01:10And we'll be married.
01:01:12Yes, Richard.
01:01:14And you can do your social work anywhere but the Bowery.
01:01:17Yes, Richard.
01:01:18We'll have six kids.
01:01:21Three boys and three girls.
01:01:23Yes, Richard.
01:01:26Come here.
01:01:32Can't you do anything besides say, yes, Richard?
01:01:36Yes, Richard.
01:01:38I saw you in.
01:01:41Well, I'm, for all of them.
01:01:48Yes, Richard.
01:01:56We will be there again.
01:01:58I'll wait.