🎙️ K Leone est l’invité de Story Live sur DHECTAR !
Dans ce nouveau numéro de Story Live, je reçois K Leone pour une interview consacrée à son univers, son parcours musical, ses influences, son actualité et ses projets.
Une émission pour découvrir l’artiste autrement, à travers un échange accompagné de sa musique et de ses titres.
📡 STORY LIVE – DIFFUSION SIMULTANÉE SUR DHECTAR
L'émission est diffusée simultanément :
🌐 sur le site internet de DHECTAR
📱 sur les plateformes et applications radio
📻 en DAB+
📡 DAB+ 7D – Saint-Sébastien
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📍 Zones de diffusion :
Pays basque • Biarritz • Saint-Jean-de-Luz • Bayonne • Hendaye • Saint-Sébastien • Bilbao • Barakaldo • Getxo • Portugalete • Santurtzi • Basauri • Leioa • Sestao • Galdakao • Hondarribia • Errenteria • Pasaia • Hernani
🎤 Invité : K Leone
🎙️ Présentation : Dempsey Laborde
📻 Émission : Story Live
📡 Radio : DHECTAR
🎵 RETROUVEZ K LEONE
▶️ YouTube – https://www.youtube.com/@kleoneoff
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👍 Abonnez-vous à la chaîne, laissez un commentaire et activez les notifications pour ne pas manquer les prochaines interviews de Story Live.
#KLeone #StoryLive #DHECTAR #Interview #Musique #DABPlus #PaysBasque #SaintSebastien #Bilbao #Biarritz #Bayonne
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Mon e-mail ► Contact@dempseylaborde.pro
Dans ce nouveau numéro de Story Live, je reçois K Leone pour une interview consacrée à son univers, son parcours musical, ses influences, son actualité et ses projets.
Une émission pour découvrir l’artiste autrement, à travers un échange accompagné de sa musique et de ses titres.
📡 STORY LIVE – DIFFUSION SIMULTANÉE SUR DHECTAR
L'émission est diffusée simultanément :
🌐 sur le site internet de DHECTAR
📱 sur les plateformes et applications radio
📻 en DAB+
📡 DAB+ 7D – Saint-Sébastien
📡 DAB+ 11C – Bilbao
📍 Zones de diffusion :
Pays basque • Biarritz • Saint-Jean-de-Luz • Bayonne • Hendaye • Saint-Sébastien • Bilbao • Barakaldo • Getxo • Portugalete • Santurtzi • Basauri • Leioa • Sestao • Galdakao • Hondarribia • Errenteria • Pasaia • Hernani
🎤 Invité : K Leone
🎙️ Présentation : Dempsey Laborde
📻 Émission : Story Live
📡 Radio : DHECTAR
🎵 RETROUVEZ K LEONE
▶️ YouTube – https://www.youtube.com/@kleoneoff
📸 Instagram –https://www.instagram.com/k__leone
📘 Facebook – https://www.facebook.com/kleone/
👍 Abonnez-vous à la chaîne, laissez un commentaire et activez les notifications pour ne pas manquer les prochaines interviews de Story Live.
#KLeone #StoryLive #DHECTAR #Interview #Musique #DABPlus #PaysBasque #SaintSebastien #Bilbao #Biarritz #Bayonne
Clique ici pour t'abonner ► https://thao.funnymoment.net/dempseyofficiel
Ecris-moi sur :
x : https://twitter.com/Dempseyoff
INSTAGRAM : https://instagram.com/dempseyofficiel (Dempseyofficiel)
SNAPCHAT : Dempseyofficiel
TIKTOK : Dempseyofficiel
FACEBOOK : https://www.facebook.com/Dempseyofficiel
TWITCH : Dempseyofficiel
Mon e-mail ► Contact@dempseylaborde.pro
Catégorie
🎈
AmusantTranscription
00:01Dectar, Dectar, Dectar, Dectar, Techno & Dance Lesson, It's Techno & Dance Lesson
00:11Watch the Story Live, Watch the Story Live, Music, Artist Interviews with DMC for 1 hour
00:21Well, welcome everyone, hello everyone, welcome to Story Live
00:28On Dectar, and yes, this very first show, I invite you to discover an artist through their journey.
00:38But above all, through the songs that have marked the different stages of its history
00:45My guest is Kaleon, hi Kaleon
00:50Hi DMC, thank you for having me
00:53Well, yes, it pleases me because we've known each other for a long time.
00:58I knew you from another radio station
01:01And also, nice to meet you
01:04Thank you again for receiving and welcoming me.
01:07We're going to be able to spend a nice little hour together.
01:09Well yes, yes, yes, yes, yes, yes, yes, and so we're also going to listen to your music, your
01:18albums, already the album that's going to be released
01:23I think that's it, when is your next album coming out approximately?
01:26So the next album should be released on December 31, 2026.
01:33December 31st, oh yes, so, December 31st
01:35Okay, ah well, perfect for a Christmas present
01:40Yeah, that's it, and it's mainly to close out one year and start something else with d
01:46'other sounds, we can come back to that later'
01:48Like a star dancer
01:54Who breaks his ankle
01:57He's a canvas thief
02:02Who throws themselves into the void
02:06Like a sailmaker
02:10Free your life with its dances
02:14And that we see everything about you
02:18Of your future
02:24Grave, grave
02:26But don't go back to him
02:32Grave, grave
02:34I didn't do it for you
02:40Grave, grave
02:42But I don't follow him
02:48Grave, grave
02:50I didn't do it for you
03:14Like a star dancer
03:18Flying there
03:20Everything is free
03:22Like a star dancer
03:26Throwing himself into the void
03:30Like a canvas thief
03:34Forgetting that he is drunk
03:38A preacher of voices
03:41Who did nothing but lie
03:48Grave, grave
03:50But don't go back to him
03:55Grave, grave
03:58He's not right for you
04:04Grave, grave
04:06But I don't follow him
04:12Fall
04:13Fall
04:15He's not right for you
04:29We can come back to that later.
04:32Yes, absolutely perfect.
04:35Okay, let's begin.
04:37You directed two music videos
04:39For this title
04:41With two approaches
04:43Very different
04:45Why tell the story?
04:47The same song
04:49In two visual ways
04:51So it's
04:52For the beating heart
04:54Which was released as a single
04:56In January
04:57And who will be
05:00The first song
05:02From the next album
05:03To be released at the end of December
05:05So I wanted to do
05:07Two clips
05:08One for
05:10Simply being in front of the camera
05:11And tell a little bit
05:13The lyrics
05:15And one to tell
05:16This is a personal story
05:17What I experienced
05:19By making this song
05:22Okay
05:23That's very interesting
05:26And I
05:29What could I say?
05:31The first music video
05:32It is inspired by a true event
05:35Yes, that's it.
05:36This is a major breakup
05:38Yes yes
05:39And what's more
05:40You travel a lot, especially
05:45In September
05:45How far will this go?
05:46Are you ready?
05:48How far will this go?
05:49Are you ready?
05:49To be transformed
05:50What song
05:53Personal
05:53In artistic work
05:55I don't know if
05:56You understood a little bit
05:57My question
06:00Yes, I understand.
06:01Let's say that
06:02It's true that now
06:03I have a little more dexterity.
06:06On my works
06:08It's true that it's important
06:10To be able to deliver everything
06:11And to arrive at the message
06:13Or at least
06:14To the aesthetic that I have
06:15At the beginning of a song
06:17And on the heart that beats
06:18It's true that it might be
06:20In my top 3
06:21Some of my favorite songs
06:24On my discography
06:25There is a lot of work to do
06:26Above
06:27Many arrangements
06:29Who are
06:30Many of the violins
06:31From the harp
06:32Brass instruments
06:33So there is a new musicality
06:36Which I am tending towards
06:39Who suits me
06:41I believe
06:41And so I didn't want to
06:43Smoothing out the control
06:44On a music video
06:45But so I worked
06:47The music video is huge
06:47With long takes
06:49Drawings I made
06:51I am extremely
06:52Also aided by AI
06:55Because I find
06:55What a very, very beautiful tool!
06:57And then I master
06:59Not bad now
06:59The division
07:02Of
07:03Images
07:04And video editing
07:06So yes
07:07There was approximately
07:09I mean
07:09400 videos
07:10To be used in a music video
07:12That's why there are images
07:13But that's my trademark.
07:14Who are very, very fast
07:17From the music video
07:18And then
07:19So
07:19I find the metaphor
07:20She is very, very beautiful
07:21And it's true that this video
07:22In anime manga
07:24And that's really the story
07:25What happened
07:26In September
07:27Last year
07:28So it's been almost a year
07:29And it's a song
07:30Who was already a little bit
07:32Composed in musicality
07:34But on the other hand
07:35The text came to me all at once.
07:36And then the harmonies
07:37The arrangements too
07:39But you're one of the rare artists
07:41Because
07:42I know there have been petitions.
07:44Against AI
07:46They're even actors
07:50I know
07:51The voice actors
07:52Yes, because they are afraid
07:54Let them steal their jobs
07:55Except that here
07:55The difference
07:56That's my job
07:57You see
07:58So we're not stealing anything
08:00I think AI
08:01That has its advantages
08:01From the moment you create yourself
08:03For me it's often
08:03My drawings that I made
08:04With photos
08:05What I had of myself
08:06In places
08:07Very, very precise
08:08And that I put myself
08:09With AI to animate
08:12But I mean
08:13I didn't steal the story from anyone
08:14I didn't steal anyone's job
08:15Since it's mine
08:16And I think it's very, very good.
08:18There are quite a few films
08:19Who use this
08:20I saw a movie
08:21Not long ago
08:22With Christian Clavier
08:23And I don't remember his name anymore.
08:24The Million
08:25Something like that
08:26Where he uses it precisely
08:28The carcass of a woman
08:29With his own head
08:30It was done using AI.
08:31To make a woman
08:33And I think that
08:34It's very, very good.
08:36Provided that it removes
08:37The work of a person
08:38I agree with you
08:40Your new album
08:42Scheduled for release at the end of 2026
08:43And hasn't yet
08:46A definitive title?
08:48I have a little idea
08:50But since it is in two sequences
08:53This album
08:54I'm going to deliver something to you
08:57That's because I put on a song
08:59In the middle of this album
09:00Which is a musical interlude
09:02And whose name is
09:03Between Mercury and Mars
09:05It lasts one minute and thirty seconds.
09:07I think that's it
09:08Maybe my favorite song
09:10Of my entire discography
09:12It is very short
09:13She is very
09:16Cinematographic
09:18Everyone sees it
09:19The films we want
09:20It's a bit spacey.
09:21This song is important.
09:24So
09:24But I couldn't make it a single
09:26It is too short
09:27But it's possible
09:28That she bears the name
09:30So
09:31It could be
09:32Between Mercury and Mars
09:33The album
09:35Okay
09:38The beating heart
09:39The beauty of the world
09:41And Loli doesn't have any
09:43Envy
09:44Open the door already
09:46From this project
09:47What is
09:49What connects
09:50These three pieces
09:51What connects
09:52These three pieces
09:54Definitely the year
09:572025
09:59I think
10:00There have been quite a few
10:02I think there has been
10:03Wars
10:04Quite simply, too
10:05Which lasted
10:07There was
10:07Violence against women
10:09Finally, a lot of
10:11How can I say
10:13There was
10:14A lot of
10:14Of revelations
10:17Many people
10:17Who have freed themselves
10:18Of
10:19Of
10:20From this madness
10:21Of some men
10:22I'm talking about certain men.
10:23Because not all men
10:24Who behave like that
10:24And thank God
10:26And then
10:26There was my personal story
10:28Finally
10:28Just love stories
10:29In the end
10:29Which end well
10:30Sometimes things end badly
10:32And I would tell you
10:33That in the musicality
10:34The common point
10:36Between them
10:36It is
10:38Yeah
10:38I think that
10:38It's the emotion
10:39There is nothing
10:39There's nothing to over-sing about.
10:42In these three songs
10:45Unlike other albums
10:46Including the first Nomad
10:48Who was a lot
10:48From the vocal demonstration
10:50But it was also necessary
10:50That I make my place
10:51In this environment
10:53So sometimes
10:54That works too
10:54Through the expression of his art
10:56Because everyone
10:57This is not
10:57That I've been writing since my beginnings
11:00But it's calm
11:01It is serenity
11:02So
11:03The beauty of the world
11:03I have nothing
11:06There is nothing
11:07There is no effect
11:08Placebo
11:08Neither vocal
11:10It's really
11:11A glance
11:11Regarding what is happening
11:12And I believe
11:14What to have made people talk about
11:15Many children
11:16Who don't want to
11:17Of these wars
11:18That is imposed upon us
11:20What divides us
11:21And I'm fed up.
11:23From the division
11:24I think we're not making progress against it
11:25But with
11:27Well, that's a beautiful message.
11:30THANKS
11:31You continue to take charge
11:33You continue to take charge
11:36Music, lyrics, performance
11:38Clip and editing
11:39How do you keep
11:41Taking a step back
11:42When you wear so much
11:44Caps
11:48So there
11:48It's because I don't have any.
11:49Taking a step back
11:50The only one
11:51The only lever
11:53Who can help me?
11:54It's time
11:55That's to say
11:56That I never work
11:58A song
11:59At the same time
12:00I still have some
12:014, 5
12:02In a day
12:04Because
12:06I think that at some point
12:07We become a little
12:08Aboruti
12:09By constantly doing
12:10The same song
12:11Change the rhythm
12:12The bass
12:13The weapons
12:15Third parties
12:16The leads
12:17So that is to say
12:18Voice placement
12:19The melody
12:21If we sing it in a lower register
12:22More acute
12:23With a voice
12:24A little more eccentric
12:26So at one point
12:26You have to let go
12:29And
12:30Yeah, I think it's time
12:31Which means that
12:32When you listen again
12:33After 15 days
12:343 weeks
12:341 month
12:35one and a half months
12:35A song saying
12:36There's nothing left.
12:37Who is assaulting my ear?
12:38There's nothing left.
12:39Who's hooking me?
12:40That's okay.
12:41But I have more difficulties
12:44On voice placement
12:46When I record
12:48After the music
12:50Okay, that's fine.
12:51But it's really the voice
12:52To give the right intention
12:54That it be fair
12:56With the text
12:58That I am trying to serve
13:00Small and sweet
13:02The secret
13:04We're looking for each other
13:06After love
13:08We hope
13:10Eroding everything
13:11For the sake of desire
13:13Laughing
13:13And to love each other
13:161, 2, 3, we'll go to the woods
13:184, 5, 6, than the cherries
13:207, 8, 9, your basket 9
13:2210, 11
13:231, 2, 3, we'll go to the woods
13:264, 5, 6, 8, 6, than the cherries
13:287, 8, 9, your basket 9
13:3010, 11
13:31Tell me why you are the most beautiful
13:35When you break free from your chains
13:39Tell me why you're the one I love
13:43Take me away from my tongue
13:47Tell me why you are the most beautiful
13:51You who dwell in the blood of my veins
13:55Tell me why you're the one I love
13:59Take me away from my tongue
14:03We are
14:04Attached
14:06Like my love
14:08In my arms
14:10In her bedsheets
14:12You will find
14:14The little happiness
14:16Without in love
14:341, 2, 3, we'll go to the woods
14:364, 7, 6, than the cherries
14:387, 8, 9, your basket 9
14:4010, 11
14:421, 2, 3, we'll go to the woods
14:444, 5, 6, than the cherries
14:467, 8, 9, your basket 9
14:4810, 11
14:49Tell me why you are the most beautiful
14:53When you break free from your chains
14:57Tell me why you're the one I love
15:01Take me away from my tongue
15:05Tell me why you are the most beautiful
15:09You who dwell in the blood of my veins
15:13Tell me why you're the one I love
15:17Take me away from my tongue
15:20What I love
15:55I'm trying to serve him.
15:58Okay, so the cover album, the sequel.
16:04You're also preparing a cover album.
16:08Why did you want to open this parenthesis in your world?
16:17So, because the last album that came out was Data Bleu.
16:24And it's an album where I told a lot of stories and which is very sunny.
16:32It was the first album that I made that was actually quite happy, in the end.
16:35With songs like "De Larmes", we're really on a rhythmic level, a little bit like the islands.
16:41In fact, I shot the video here in Péros Guérec because it's just splendid.
16:47And there you have it, I filmed it in 10 minutes.
16:49There was no need, the weather was just beautiful, the setting was perfect.
16:53Me, I'm dressed haphazardly, in a white tank top and black shorts, but so what?
16:59But it was a beautiful day, and so I said, okay, wait, let's film it.
17:05And so, the cover album comes after that.
17:09I think that when you manage to detach yourself from your music and do things that are a bit more upbeat,
17:15We can go back to things that are much more open to interpretation.
17:19And since I've never released a cover album, I had sung a few songs,
17:25that I had put some covers on YouTube, but I thought, listen, I started by making a
17:31album
17:32And from 9 songs, 10 songs, I must have about forty covers now.
17:38So it's going to be very difficult to choose, but I think after all, why choose?
17:44So it's possible I'll release one this year, next year, and the other in 6 months.
17:50After.
17:52But the album is very, very rich; I've made some very atypical versions.
18:00They are very interpreted, and very different.
18:05Yes, yes, because I, how can I say, you're known, I think, for that video.
18:13I discovered you through the music video, yes, but how can I put it, it was the first radio interview I did
18:19with you
18:19It was, I think, with the video clip, like you said, in a white shirt, Greek aperitif.
18:25So no, it wasn't this one, no, no, it wasn't this one, because Data Bleu, there, I
18:30I filmed it last year.
18:31Oh no, well no, no, so no.
18:33You're confused, but there's no problem.
18:35I think you're confused, because what did we do?
18:39I think you made a music video by the sea.
18:42Ah yes, but then it wasn't the same one, I think it was a remake.
18:49I think so too.
18:50I think it was actually taken from Bruel, I believe, by the water's edge.
18:56But there was also "Tell me why", which moved a little more.
19:01It could be that, maybe "Tell me why", it's possible.
19:04I'm sleepless because she's no longer available.
19:09Ever since I told her "I love you", she's run away, my dear.
19:13She disrupts all my dreams, it's the same every day.
19:17I think I know the story, ever since she bewitched me with it.
19:24It's bewitching me.
19:30Maybe, maybe I'm lying to myself, maybe, maybe I'll be rejected.
19:34Perhaps, just perhaps, we will become those beautiful lovers.
19:40Who's dancing a crazy farandole?
19:44Who's dancing a crazy farandole?
19:47Weapon, weapon, sinking weapon.
19:49Deep down, it freaks me out.
19:51I have no weapon, no weapon, I have no weapon left.
19:53She mustn't notice.
19:55Weapons, weapons that flow in the dark.
19:58Deep down, I can no longer believe it.
20:00Of the weapon, of the weapon that conceived my soul.
20:02She mustn't see my despair.
20:04Weapon, weapon, sinking weapon.
20:30I will fulfill her dreams, her joys, but also her sorrows.
20:34From the in-between, but I love you, moving from Paris to Athens.
20:39It comforts my life, too often beautiful and mine.
20:43The Antilles love her, she is everything I love.
20:47Maybe, maybe I'm lying to myself.
20:49Maybe, maybe, I'll get blown off.
20:51Perhaps, perhaps, the water will become...
20:54It's your lovers dancing a wild farandole.
21:01Who are dancing a wild farandole?
21:04Weapon, weapon, sinking weapon.
21:06Deep down, it freaks me out.
21:08I have no weapon, no weapon, I have no weapon left.
21:10She mustn't notice.
21:13Weapons, weapons that flow in the dark.
21:15Deep down, I can no longer believe it.
21:17The weapon, the weapon that counts on my soul.
21:19She mustn't see my despair.
21:23Weapons, weapons that flow in the dark.
21:40Deep down, I can no longer believe it.
21:43The weapon, the weapon that counts on my soul.
21:45She mustn't see my despair.
21:47It's possible.
21:51Voyage, voyage and the blue words are among your announced titles.
21:57How do you choose a song to cover?
22:02I remember my beginnings.
22:07When I sang, the songs that touched me.
22:11And that's a lot of years.
22:14So, no, I was about to say something stupid.
22:16I was going to say the 70s, 80s, 90s.
22:19That's part of it too.
22:20But I also had fun revisiting Theodora.
22:25The song made him laugh, completely stunned.
22:28Acoustic version, piano.
22:32But here's the thing, there's going to be a lot of traveling involved.
22:34There will be Christophe's blue words.
22:39There's going to be some Barbara, tell me when you'll be back.
22:45There will be...
22:46What am I...
22:48Without giving away too much.
22:49No, I can't give away too much because then I'll reveal too much.
22:51But there are a lot of them.
22:53No, honestly, there are a lot of them.
22:55And then, there's whatever you want.
22:57And what you also can't put in.
22:59But there's Dancing Queen, for example.
23:02There is a song from this year's Eurovision.
23:04Which I loved.
23:04There's a bit of Falling in Love in there.
23:08There is a song by a singer who is not well-known.
23:11Her name is Aurea.
23:13Who sings a little bit of Bob Marley.
23:17I really went into...
23:19Many, many styles.
23:21There was also some Charles Aznavour.
23:23In a modern version.
23:26So there you have it, that gives a little hint about this double album that will be released.
23:32Well, we're also going to talk about when we cover such a well-known piece.
23:39How do you find the balance between respecting and being original?
23:48And Caléon identity.
23:52So, it always has to go in the direction I'm going.
23:59And currently, it's a matter of interpretation.
24:02All the tracks I released as pre-release singles before the album's release at the end of...
24:09the year
24:09are very much interpreted.
24:12So I try to find music that goes in that direction.
24:18There aren't any at all, not even electronic ones.
24:22Although I've done a lot of it.
24:23The only electro song I've made that's semi-electro is "Loli n'en a pas"
24:29envy.
24:31This is the new single that just came out.
24:33And there's a remixed version of course, because that's also part of my identity.
24:39So there you have it, I would tell you to always respect the words and intention of each song that has touched me.
25:03You didn't know what to do, or who you were.
25:07I didn't want to lose you, nor did I want to hate you.
25:12I should have just left you, but I preferred to stay.
25:16I saw you, I observed you, then I comforted you.
25:21Fly, butterfly, fly, I forgive you, when you mess up, when you fly away, nothing else matters, until you wake up
25:34which rings.
25:36When you mess up, when you knock yourself out, he gets out of your prison.
25:42You're asleep, as long as it flies away, nothing else matters, until the alarm clock rings.
26:06When you mess up, when you knock yourself out, he gets out of your prison.
26:18You extended a hand to me, without speaking to me.
26:23I thought it was nothing, just a summer.
26:27We got lost in the shadows and the wind, but we were walking ahead.
26:32Then I saw your eyes tremble, and all I could think about was catching up with you.
26:36Fly, butterfly, fly, I forgive you, when you mess up, when you fly away, nothing else matters, until you wake up
26:50which rings.
26:51When you mess up, when you knock yourself out, he gets out of your prison.
26:57When the alarm rings.
27:12When the alarm rings.
27:28When you mess up, when you mess up, when you knock yourself out, he gets out of your jail.
27:54When you knock yourself out, when you knock yourself out, when you knock yourself out, he comes out of your giant.
28:04Let's say you're passionate about other things, yes, so you spend time on them, so you
28:12Work on your art indirectly, you see, I'm just briefly mentioning it here on the show, but
28:20You see, this show is one of the first and I'm already trying not to stress.
28:25because it's still one of the first songs from the first solo interviews and
28:32So, I try to do this, it goes well, you're relaxed, we know each other, everything's okay, that's it.
28:39It is
28:40That's why I preferred to interview you first, because, well, I know you, and then...
28:46Then
28:46There you go, and you know, after all, we make mistakes, it's not a big deal, we correct them thoroughly and...
28:53death of
28:53people and then I like I I how to say I can equip I calibrate a little bit of everything I
29:00I don't know how to say that, I mean, since it's one of the first shows, I'm trying to
29:06Finding my place, yeah, calibrating everything, yeah, and then you have a guiding principle, you respect it, if
29:13You don't respect it, it's my life, I know it by heart, you see where you're going?
29:17I want that, that's it, let's go
29:20will continue after more than thirty songs composed and produced, what is this
29:28which still gives you the feeling of discovering something new, so it depends on the under
29:38What point, but I would tell you that for creation, if that's the question, it's necessarily about seeing what
29:44se
29:44things happen around me because I'm a human being like everyone else, so if there are things that
29:50They affect me, I know that indirectly it will make its way, its journey, so I'm going to start to
29:58Writing music often starts with a melody that I record on my phone and then...
30:04I try to transcribe it, create the weapons, and sometimes I find myself wanting to tell a story.
30:11or what was happening, and then make completely different music, and in fact the story started
30:16In another story, okay, what is the artistic project or dream today that...
30:27It would make you say, "I've reached a new level here," that's for sure, writing and composing
30:42For artists who have inspired me, it can be something very big, but with time I
30:51'ai
30:51I learned that dreaming too big could also lead to despair and all that follows.
31:01Despair, therefore sorrow, and if I don't feed on that, I believe I have no expectations.
31:07Frankly
31:07I might have had some at the beginning, and then when you have the expectation, well, that's precisely why you're
31:17Looking forward to
31:17You're in a nation, I prefer to tell myself, listen, as long as I have inspiration, do the work, compose
31:23I'm publishing because, all things considered, in a year I'll have released... yeah, almost a year and a half
31:35between the
31:37Covering the covers but composing the remixes, more than 25 songs, I think that's still huge.
31:46Work is also part of my style; I think people who follow me can see that I work hard.
31:51A lot, and there you go, so I'd say that the dream, yeah, to answer your question, that
31:57would be
32:00to contribute in my own artistic way to the elevation of an artist or perhaps their continuity
32:11or add my personal touch which might give my musicality some meaning, that's it
32:34I have dreams that stick, stick, stick to my skin, and love that gives what's needed.
32:42but when night
32:44It resonates, resonates, resonates a little too much, I'm still searching for everything in the echoes, I have dreams that are falling away
32:52They fall, they fall into the water, and the footsteps rumble on my skin. I move forward, but deep down, deep down...
33:01I'm up there watching
33:04Your shadow, like a flaw, makes my heart ache.
33:14My heart is pounding
33:34the flowers of the sea
33:41And time, turning, turns without rest, bringing back your heavy words, or on my skin I pretend to
33:50'To be strong, and up there it is your absence that burns like a torch'
33:56I get up, I fall again immediately, and the days go by.
34:03pass through the echo
34:04But deep down, I'm alone on the table, and your absence is etched on my skin.
34:15My heart is pounding
34:23on my skin
34:28hit, hit, hit, hit on my skin
34:35he hits, hits, hits, hits
34:40the flower of the sea
34:59My heart is pounding
35:03My heart is pounding
35:27We're going to talk about recovery, keep this in mind.
35:32What exactly do you mean by that?
35:37So you know, we all have childhood dreams
35:41wanting to share the stage with the artists
35:44who inspired us
35:47I didn't do it quite like that.
35:50but all the artists I wanted to see
35:55with which I fell asleep at night thanks to news reports
35:58through their broadcasts through their music
36:01I watched their concerts a lot, a lot
36:04I'm a bit serious
36:05when I like an artist, an actor, a singer, a female singer
36:11an athlete a cook
36:13I'm doing everything
36:14all the reports, interviews, films
36:17And if I like a movie, I'm capable of typing it for 3 months.
36:21every night as I fall asleep
36:23but I am a passionate person
36:25I love the detail
36:27and I like to understand when I see, for example
36:30I adore Christian Clavier
36:33I like to understand how he manages to embody his roles with such perfection.
36:41So I also need to be interested in the life he had.
36:46So I'm rewatching all the interviews he's done since he...
36:49So, a film where I go off the rails and I end up watching 92 hours of the interview
36:53So imagine that there are several films and several artists
36:55it lasts a long time
36:56so I often spend 8 hours
37:01I'm going to tell you, yeah
37:022 x 8 hours a day of YouTube, interviews, in addition to the music I make daily
37:07So I'm someone who easily spends 16 hours
37:1015-16 hours a day on the PC, TV and phone
37:16who is still there
37:17Sometimes I'm with
37:18I'm watching TV, I have the PC on my lap.
37:21and at the same time I have the phone in my hand
37:22I thought, go!
37:22one hand remains
37:23buying a Tamagotchi, you never know
37:26Oh well, you see, I have a TV in my office
37:28so I can watch at the same time
37:29Well, there you go, you do the same thing
37:33I disappeared
37:34I have the PC screen and the phone next to me
37:36Well, for me it's funnier because I watch
37:38you know I'm someone
37:39I am very athletic
37:40I love sports
37:40So I sometimes watch trail running
37:42football or anything else
37:45You're watching football right now.
37:46When are you doing my interview?
37:47no no
37:48Wait, but if I'm bothering you, you tell me.
37:50no no
37:51a small Namc café
37:52everything is fine
37:54no no no
37:55uh
37:56do you remember the exact moment
37:59Where did you get that idea?
38:02uh
38:02The idea for the new album?
38:04Yes
38:05yeah then
38:07Yes
38:07Of course
38:08but I didn't know it was going to be an album
38:10uh
38:11That was last year, actually.
38:12then there was a break
38:13like everyone else
38:14I said it, I'm not going to talk about it 50 times.
38:16if I'm going to talk about it 50 times
38:18Damn, huh?
38:20No, I was dumped like an old dog on the road.
38:22bulk
38:23we're not far
38:24we're not far from the image
38:26So I had to travel 1200 km
38:28Suddenly, you find yourself back in the family.
38:30it doesn't matter
38:32it doesn't matter
38:32it doesn't matter
38:33It inspired me to write a beautiful song.
38:34so uh
38:36Yeah, that's how it started.
38:37I thought to myself, there might be a story to tell.
38:39And it's true that I'm not really used to it.
38:42to talk about me in songs
38:45it's often
38:45How's it going
38:46loli
38:47Helen
38:49the girl with sapphire eyes
38:50a star dancer
38:52uh
38:54So, it's true that I opened up a bit more there.
38:57and uh
38:58And besides, I'm not the only one on earth.
38:59so uh
39:00The whole album will be around, that's it.
39:02of these encounters I've had
39:04uh
39:04in 2025
39:06And
39:082026
39:09So yes, there is
39:10as I was telling you earlier
39:11There is
39:11two things that happen on this album
39:14uh
39:15which will be in two parts
39:18and uh
39:18There you go, it will be in Italian too.
39:22OK
39:22Well
39:23Ah, so you have
39:24Ah yes, you know how to speak Italian at the same time
39:26eh
39:26prefer to speak Italian
39:27because easier
39:30but uh
39:31but uh
39:31as you were talking, uh
39:32Well, about history, uh
39:33Well, it's true that
39:34well
39:35we follow
39:36how to put it we have stories
39:37Well, that allows you to have
39:38inspiration
39:40Yeah, it's a pain, isn't it?
39:41Still, right?
39:42it's not
39:43No
39:44Yes, but when you've made a beautiful song
39:46which works well
39:47that people like
39:48are you happy
39:49but you
39:51you're freaking out at the moment
39:54Oh dear!
39:55So, uh
39:56What would you have, uh
39:58What would you have written, uh
40:01this song in the same way
40:03Today ?
40:05uh
40:06uh
40:07No
40:08no because
40:09the pain and anger are gone
40:11So you're more at peace.
40:13there I would tell a story
40:15I
40:17differently
40:17I wouldn't talk about my heart
40:18Who
40:18That's what a beating heart is.
40:20it simply means
40:21uh
40:22uh
40:23thinking
40:24to this story
40:25My heart doesn't give a damn.
40:26I have tachycardia.
40:28It is
40:29it was a metaphor
40:30There
40:30on the heartbeat
40:32but as
40:32There have been lots of songs
40:34with the word beat
40:35I thought to myself, well, my heart is pounding
40:37It's quite original.
40:38So no, I won't rewrite, uh
40:40the thing
40:42and uh
40:43I believe that if we
40:44We are often asked the question
40:45yes uh
40:46Would you do it all the same way again?
40:49Never in my life!
40:50I'd rather die!
40:51no no
40:52I wouldn't do it again
40:53My heart couldn't take it twice
40:54SO
40:55I wouldn't write the song
40:57uh
40:57it wouldn't even be the same title anymore
40:59if it were today
41:00but when things are digested
41:02everything is fine
41:04uh
41:05And if you're watching us
41:06hold !
41:09what is uh
41:11uh
41:12What is the public?
41:13doesn't see
41:14behind this piece?
41:17so uh
41:18Well, he saw everything.
41:19because with the two clips
41:20uh
41:21that much
41:22the first
41:22where I am facing the camera
41:24uh
41:25There
41:26I sing a song
41:27but the second
41:28I really told the story
41:29of what happened
41:30the return
41:31out
41:32You're leaving with your suitcase
41:33It is 6:15 AM
41:34you take your train
41:35with your cat
41:36uh
41:37you're going back to Brittany
41:39with Mont Saint-Michel
41:40and your mother
41:41Who
41:41who welcomes you into his arms
41:43That's exactly it.
41:44and then the
41:45at the end
41:45the final scene
41:46That's when I close the book
41:47I blow out the candle
41:48Everything goes dark
41:49So, we see a sort of
41:51of the little death
41:52but the little death
41:52It is
41:53it is also a resurrection
41:55Is there an anecdote?
41:58uh
41:59studio
41:59or filming
42:01related to this title
42:03Yes
42:03there is one
42:05uh
42:06when I sang the song
42:09for the first time
42:10so it was more
42:11let's say
42:12just piano
42:13and
42:14and the battery
42:15or at least a rhythm
42:17and I thought
42:18well, we would have to put
42:19a little bit of violins
42:20except for me
42:21the violin
42:22I don't know
42:22but since I work
42:23on PC
42:24MAO
42:25you create your notes
42:26As you wish
42:27and the whole part
42:29violin
42:30of harp
42:31bass
42:32contralto
42:34It came to me
42:35but then as
42:35as if I were
42:37struck by lightning
42:37from top to bottom
42:38I went to my keyboard
42:40and I played the chords
42:41Don't ask me why
42:42I had never done it before.
42:43everything came out at once
42:45and I remember
42:46I got that fucking chill
42:48when I was doing stuff
42:49and when I listened again
42:50That's when I thought to myself...
42:50I, who don't really like it
42:53what I do
42:53I am very difficult
42:55I understand 50 times
42:56things
42:56well, that's a one-time thing
42:58I managed to do
42:5940 seconds of violin
43:00all at once
43:01and then for a moment
43:02what is called in music
43:03It's a moment of grace
43:04it happens
43:05It only happened to me once.
43:08In any case
43:09in 2025
43:10It only happened to me once.
43:11but even before
43:13and it happened to me a second time
43:14on the title
43:15that I was telling you about earlier
43:16the interlude
43:17between Mercury and Mars
43:18There
43:21if you had to
43:22If you had to summarize
43:24This period in pictures
43:25Which one would it be?
43:33in one image
43:41very difficult
43:42in one image
43:43I think it would simply
43:46the faces of my loved ones
43:48There
43:49I think that's what makes you
43:52That's not all I'm going to say.
43:53But it's so true.
43:54so true
43:55when you're in moments like that
43:57where you have more
43:58when you have a couple basically
44:00when you passed air
44:02The person who loves you breathes for you
44:04when you've passed tears
44:05She's crying for you.
44:06when you stopped laughing
44:08She's laughing for you.
44:09but when you no longer have that person by your side
44:13if you are not lucky enough to have a close-knit family
44:16who loves you
44:17you could lose your mind
44:19you could lose your life
44:20You can especially use it for people who are super passionate like me
44:24And so I would tell you about the family
44:27Yeah, I think it's family.
44:29and if there was an image
44:30It would be full of food on the table
44:32here with the family
44:33and enjoy all those moments
44:35who anyway
44:37even if you are in a sentence
44:39It will pass
44:40and if you decide to transform it
44:44and not to forget this story
44:45who fed you at some point
44:49Well, you've made a nice memory of it.
44:51and that can be promising
44:53for the people who will listen to this song
44:55and who identify sooner or later
44:59Well, I'm going to give you
45:02So, to ask you a few quick questions
45:06Yeah
45:07It's a section that's a little bit like that.
45:09just like that, without thinking
45:13Okay, let's go!
45:14a piece from your discography
45:17to be discovered first
45:20the beating heart
45:22write at night or during the day
45:25night
45:25piano
45:27piano
45:28or electronic texture
45:30piano
45:31studio
45:32or music video shoot
45:36studio
45:38a city or a country
45:39which particularly nourishes your inspiration
45:43It pisses me off to say it
45:45But Brittany nonetheless, right?
45:47a song by another artist that you wish you had written
45:57so as not to live alone
45:59Davida
46:00the most difficult title to finish
46:04It's not finished yet.
46:05It is
46:08It is
46:08I can't
46:09I can't give you the title, it's in Italian.
46:11which will be on the next album
46:12I would be happy to listen to it
46:14when he comes out
46:15uh
46:16SO
46:16uh
46:17the title you are most proud of today
46:25I believe for
46:27not just for the text
46:28really is
46:29it's between Mercury and Mars
46:30that I quoted
46:31which will be the interlude
46:32because I think that
46:34everything is
46:35Everything fits together perfectly.
46:37the texture
46:38the voices
46:39the harmonies
46:40the text
46:42uh
46:42the space for uh
46:43for the instrument
46:45and the originality of the title, I think
46:48one word to define the new album
46:53orchard
46:54your message to Dectar listeners
47:00uh
47:01Well, I don't know you.
47:02So, uh, hello
47:05uh
47:05and if I have a message to convey
47:06listen to music
47:08Don't close yourself off to anything
47:09uh
47:10I believe that music is life.
47:11It's like a domed shape that you place on
47:14on the table
47:15when one is invited
47:16or when one receives
47:17uh
47:18it's necessary
47:18There
47:19must
47:20We mustn't close ourselves off
47:21to music
47:22you have to listen to it
47:23And
47:24and perhaps we need to be a little more careful
47:26uh
47:27one-hour lesson
47:28do a little
47:29uh
47:29pay attention to the text
47:31because it's true that we tend
47:32NOW
47:33has
47:34listen to anything
47:36as long as there is rhythm
47:37Yeah
47:37and then
47:38uh
47:39often the songs in foreign
47:40when you see English songs or something
47:42You're getting into it.
47:44you say, but finally
47:45That
47:45that doesn't mean
47:46nothing to say
47:48There
47:48perhaps listen to the lyrics a little more
47:50and don't hesitate to support the artists
47:52when you like a song
47:53because for you it's
47:55it's nothing
47:56but for us it's a huge amount
47:59engine
47:59of our art
48:00And
48:01There you go, I'll give you a kiss.
48:02uh
48:03do you have
48:04Well, we've finished with those quick questions now.
48:06just a few questions
48:08but
48:08Do you have any projects?
48:09So, uh
48:11I don't know
48:12TV studio
48:13why not
48:13or uh
48:15uh
48:16I don't know
48:17projects
48:18even at a concert
48:19so uh
48:21I did a concert last year
48:23A great concert, huh?
48:25in the cinemas of Guingamp
48:27at the Corrigan
48:29uh
48:29It was great!
48:31I had worked on all the visuals.
48:33therefore projected
48:35uh
48:35behind
48:36so they explained the texts a little bit
48:38that I was defending
48:38It was to defend the album
48:39blue data
48:40with two tears
48:42flight flight flight
48:43etc
48:44and uh
48:45listen
48:46I was
48:46I have an appointment soon.
48:48just now
48:49in half an hour
48:50uh
48:50to integrate
48:52a
48:52a sung play
48:54There
48:55so it's something voluntary
48:58but uh
48:59There
48:59I
48:59maybe next month
49:01there will be a short video
49:02with my participation
49:03in there
49:04So we might talk about it again next year.
49:08OK
49:08Well, with pleasure!
49:09could you
49:10uh
49:11if you want to give uh
49:12your networks, uh
49:13to the listeners
49:14the listeners
49:15of course it's very simple
49:16you type
49:17k.leone
49:19l-e-o-n-e
49:21You can find me on
49:22YouTube
49:24Instagram
49:24and Facebook
49:27so uh
49:29There
49:29it's a plan
49:29I reply to everyone
49:31Feel free to leave short comments
49:33if you want
49:34if you liked the
49:36the songs
49:37uh
49:37on each of the titles
49:39So there I removed uh
49:41for two months
49:42my entire discography, uh
49:44on uh
49:46streaming sites
49:47but they will return in a different format
49:50so uh
49:51with surprises
49:52with uh
49:53small bonuses
49:54and then the
49:55THE
49:56the remade covers
49:58But in the meantime, my entire discography is available on my social media.
50:01including, uh
50:02YouTube
50:03OK
50:04and uh
50:05Well, you're doing well, uh
50:06Well, you're obviously available on YouTube, uh
50:08Can people listen to you on...
50:10Apple Music, Spotify, Deezer
50:12yeah then
50:13That's what I was saying, uh
50:14uh
50:15It will be back in November
50:16november
50:17OK
50:17I'm taking everything out again
50:18in another form
50:20uh
50:21so that people don't get lost
50:23because they have
50:23they have
50:24They messed up with my name, uh
50:25I don't know what they did with the points and stuff
50:28so we can't find me properly
50:30So I need to go out
50:30of
50:31from this platform to re-enter
50:33and I think I'm going to do a kind of best-of
50:35with all the songs to fit on a single page
50:37so that people will click on it
50:39and discover the latest album, uh, uh
50:42uh
50:42Blue Data
50:43with uh uh
50:45I'm just going to take the liberty of bringing up something we haven't talked about.
50:48on the latest album uh
50:50Blue Data
50:51So, which came out last year?
50:53I made a song, uh
50:55uh
50:55which is called
50:56Until the Alarm Clock Rings
50:58I invite you to discover it
51:00because it's uh
51:01I think we don't talk about it enough, uh
51:04uh
51:05That's it, that's it.
51:06people who get drugged in nightclubs and such
51:09about the addictions it can create, uh
51:12all these synthetic drugs
51:13So there really is a message of
51:17how to put
51:17of insurance, uh
51:20Faced with this nonsense, uh
51:23There you go, we can have fun in other ways
51:25there's more than just alcohol and drugs
51:28Surround yourself with people who are sunny and positive.
51:30I can assure you that it will provide you
51:32much more pleasure and inner enjoyment
51:35uh
51:36than to leave into those shadows
51:38So yes, it's true that there are songs
51:40that I write texts
51:41They are very, very tough, but set to such light music.
51:43and until the alarm clock rings
51:45that's it, if I hadn't delivered, uh
51:47this version
51:48who is theft theft theft
51:49flight
51:50butterfly flight
51:51until the alarm clock rings
51:53These are people who take GHB
51:55who hand in an alarm clock
51:56to take a second dose
51:58So there are double meanings that are very interesting.
52:01And that was the little message to get across.
52:04because there are too many people
52:05that I open my news on Instagram and Facebook
52:08I see lots of people jumping out of windows
52:12who die as a result of substance use
52:15Stop with that, and we don't need that to be happy
52:18Well, that makes me think of that, so...
52:21So, this is a personal thing, but I went to check it out there not long ago.
52:26because I live in Toulouse
52:27And so, at the Zenith in Toulouse, there was Kenji
52:30and my mother is a Kenji fan
52:32So she wanted us to accompany her to the Kenji and Girac concert.
52:38So, because she's afraid to go alone.
52:40Because, well, she's afraid of needles.
52:42because there have been so many stings at concerts and all that
52:45well, so without his knowledge
52:46So we went with her.
52:48Everything went well, but there you go, no worries, okay?
52:51Well, everything went well.
52:52We woke up naked in a field.
52:54everything was fine
52:57So, there you have it, that's why, well, I'm talking about it, but it's true that
53:01But we need to talk about it, you know, because we're not just here to
53:04We're not brainless octopuses
53:07We make music for that reason too.
53:09It's not just about telling beautiful love stories.
53:12And here, in these texts, is what I write.
53:14There are often second meanings
53:18and it's true that if I don't talk about it
53:22My fans don't particularly understand.
53:25I'm not saying they're idiots, you know.
53:26Not at all, no.
53:28But anyway, what I mean is that I also write songs.
53:33who I hope will also loosen tongues
53:37to free oneself from harmful people
53:39and to approach life with a little more lightness
53:43to realize that we are still in a country
53:46We are lucky when we see what is happening around us
53:49even if our country is not perfect
53:52I believe we must still maintain uniqueness.
53:55and not to hate oneself
53:57not to take oneself into
53:59in shadows
54:00which do not correspond
54:01and pay particular attention
54:03even if we are alone
54:06not to go near the darkness
54:09Well, Kaleon
54:11Thank you for sharing this nomadic journey with us.
54:15nomad
54:16until the new title announces the sequel
54:22We will obviously be following the arrival of the next album
54:24of your takeover project
54:28Tell us the date again
54:29so for the cover album
54:32There is no date
54:32but that will be next year
54:34because I'm letting the next album, which is about to be released, take its course first.
54:39So I teased it well because I've released 3 singles since the beginning of the year.
54:42And there you have it.
54:43So I'm letting all of this happen quietly.
54:47And I think we'll see each other again very, very soon.
54:51for the release of this album
54:52and to see what has been accomplished by then
54:56With pleasure, Kaleon
54:59Thank you for being my guest on this first show.
55:04in Story Live
55:06And thank you for following us on Dektar.
55:10See you very soon for another meeting!
55:13Hi Kaleon
55:14Hi, thanks.
55:15And thank you again for the welcome.
55:16take care of yourself
55:17ciao ciao
55:18ciao
55:18ciao
55:20ciao
55:20ciao
55:21ciao
55:21ciao
55:22ciao
55:23ciao
55:23ciao
55:23ciao
55:23ciao