- 7 weeks ago
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00:00:00The End
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00:03:24Now, now, don't get nasty, my little friends. Your bum is not going to hurt you one bit. Just relax
00:03:32and sleep. Sleep, sleep, sleep. And in the morning, you'll find yourselves in your new home. In my pits.
00:04:09And in the morning, you'll find me.
00:04:25The end, you'll find me.
00:04:53The end, you'll find me.
00:05:11The end, you'll find me.
00:05:48The end, you'll find me.
00:06:01The end, you'll find me.
00:06:30The end, you'll find me.
00:06:33The end, you'll find me.
00:07:16The end, you'll find me.
00:07:22The end, you'll find me.
00:07:52The end, you'll find me.
00:08:21The end, you'll find me.
00:09:12The end, you'll find me.
00:09:26The end, you'll find me.
00:09:53The end, you'll find me.
00:10:14The end, you'll find me.
00:10:43The end, you'll find me.
00:11:11The end, you'll find me.
00:11:35The end, you'll find me.
00:12:30There's not been.
00:12:46The end, you'll find me.
00:13:00The end, you'll find me.
00:13:27The end, you'll find me.
00:14:15The end, you'll find me.
00:14:22The end, you'll find me.
00:14:50The end, you'll find me.
00:15:16The end, you'll find me.
00:15:55The end, you'll find me.
00:15:59The end, you'll find me.
00:16:01The end, you'll find me.
00:16:27The end, you'll find me.
00:16:46The end, you'll find me.
00:16:48The end, you'll find me.
00:16:49The end, you'll find me.
00:17:01The end, you'll find me.
00:17:04The end, you'll find me.
00:17:33The end, you'll find me.
00:17:35The end, you'll find me.
00:17:48The end, you'll find me.
00:17:59The end, you'll find me.
00:17:59And one thing very clearly, Mr. Zinthrop.
00:18:03I expect absolute proof of what you've claimed in your letter.
00:18:06Tangible proof, not words.
00:18:08Such proof you shall get, madame.
00:18:10And more.
00:18:12But I think I'd better show you in the laboratory, yes?
00:18:18All right.
00:18:20Come on.
00:18:29Look!
00:18:32They look terrible.
00:18:34Why don't you put them out of their misery?
00:18:36Madame, you asked for proof,
00:18:38please be kind enough to look at proof you asked for.
00:18:41May I proceed?
00:19:01Now come, come, come, come,
00:19:03little dear, dear, dear, dear.
00:19:07Come, come, come, come, little dear, dear.
00:19:16In a few minutes, madame, you shall see a miracle you shall not believe.
00:19:21Oh, no tricks. You may look if you like. I have no tricks.
00:19:26Well, don't look at me. I'm not changing.
00:19:50I don't believe it. It's not possible.
00:19:57I see you do not believe one animal, so I bring two.
00:20:03I, uh, I show you again, yes?
00:20:06Yes, I must be sure.
00:20:08Yes, madame.
00:20:35Well, Miss, darling, does my, uh, secret have interest for you? Yes?
00:20:40What are your terms, Mr. Zinthrop?
00:20:43First, I must have a laboratory. It will fit everything I need for my research.
00:20:48If we're successful, well, I ask for a little percentage.
00:20:52But I must get full credit for my discovery. That is most important to me.
00:20:57I'll have Gordon draw out the contracts.
00:20:59Oh, contracts. Contracts, I do not need. You give me your word. Good enough for me.
00:21:08You amaze me.
00:21:11Frankly, when I received your letter, I thought you were just, uh, another eccentric.
00:21:16But there was always a chance you might not be.
00:21:18Then you walk in here and show me nothing short of a miracle.
00:21:21Two miracles.
00:21:23And you say that you'll accept my word that I won't cheat you.
00:21:26You won't.
00:21:28I know you're a good woman, even if you do not like other people to know it.
00:21:34However, uh, my formula may not be good for human beings. I have not tested yet.
00:21:41You will on me.
00:21:43Oh, no, no, no, no. There might be danger.
00:21:46Those are my terms, Mr. Zinthrop.
00:21:48Janice Starlin will be your next guinea pig.
00:21:52Very well.
00:21:54Though it may take a little time to prepare sufficient extract, a week, maybe more.
00:21:59I'll make whatever arrangements you may need for your equipment.
00:22:02Thank you, madam.
00:22:04Now I see how you've built all this.
00:22:08I'm very close to losing it, Mr. Zinthrop.
00:22:13Maybe, working together, we can save Janice Starlin Enterprises.
00:22:18Maybe even make it bigger than ever before.
00:22:20Yes.
00:22:22Oh, yes.
00:22:24I'm sure the next three months we'll see a rise in Starlin sales that will surpass anything we've dared imagine.
00:22:32Mr. Zinthrop is working on the final stages of a development that will revolutionize the cosmetic industry.
00:22:40He's to have a free hand in his experiments and will be answerable to no one but myself.
00:22:46At the moment, I cannot divulge the nature of Mr. Zinthrop's experiments, but I can assure you,
00:22:52it will bring worldwide recognition to Janice Starlin Enterprises.
00:23:29I don't know.
00:23:30This Zinthrop must be the grandest.
00:23:32The granddaddy of all confidence men to take in a gal like Starlin.
00:23:35Why doesn't somebody wise her up?
00:23:39Like you, for instance?
00:23:42Bill, what makes you think Zinthrop really isn't on the level?
00:23:46After all, we don't even know what he's working on. It could be very legitimate.
00:23:50You're as bad as she is.
00:23:53Oh, women.
00:23:57Men.
00:23:59Every time you're stuck to an answer, you always come up with women.
00:24:04But you're not getting out of this one so easily.
00:24:08I'd like to know why you think Zinthrop really hasn't got something.
00:24:11Well, you can call it male intuition if you like.
00:24:14It's just that there's something about this whole business that doesn't smell right.
00:24:17The private laboratory. The secret experiments.
00:24:20Zinthrop himself.
00:24:22The only thing that's missing is a genie with a lamp.
00:24:26You'd better leave the intuition to me.
00:24:29Come on. I'll let you buy me dinner.
00:24:32Buy you dinner?
00:24:34What's happened to your sporting blood? I thought we were going to toss for the check.
00:24:37Oh, no.
00:24:39You won the last three times.
00:24:41All right. Look, I'll make a deal with you.
00:24:44Dinner is on me if you promise to keep an eye on what goes on in there.
00:24:48Well, what do you want me to do? Read her mail and send her messages and secret code?
00:24:52You could do worse.
00:24:55Oh, no, Mr. Cooper. Not you, too.
00:24:57I've been trying to tell Bright Eyes here that I think Zinthrop is a phony and a confidence man.
00:25:02If I were sure of that, I wouldn't be worried.
00:25:04I think he's a lot more dangerous. A quack.
00:25:07Well, I don't follow you, Coop.
00:25:08Well, a confidence man would just be interested in your money.
00:25:12The only damage they can do is to your pocketbook.
00:25:14A quack can be fatal.
00:25:24So I says to him, I says, listen, I think I'm getting sick of this TV every night.
00:25:30I mean, you know, we can do the same thing in a nightclub.
00:25:32Well, almost.
00:25:37Good morning.
00:25:39Janice Starlin Enterprises.
00:25:43I got two words for you.
00:25:45Drop dead.
00:25:46Twice.
00:25:49Irving?
00:25:50Calls me to tell me Dr. Cyclops is on Channel Nine tonight.
00:25:54What crust?
00:25:55I've seen it twice already.
00:26:00Good morning.
00:26:04Is, uh, is Miss Starlin in her office now?
00:26:08Miss Starlin's in conference.
00:26:10Would you like to speak to her secretary?
00:26:12Oh, no, no, no.
00:26:13Just say to Miss Starlin, I should like to see her when she has time, huh?
00:26:17Yes.
00:26:22Was there something else, Mr. Zinther?
00:26:24No, no, no, no.
00:26:26Goodbye.
00:26:30Goodbye.
00:26:31Goodbye.
00:26:43What a character.
00:26:44A regular two-eyed Dr. Cyclops.
00:26:47Even the bow.
00:26:48Good morning.
00:26:49May I see Miss Zardling, please?
00:26:52He's a real weirdy.
00:26:54I wonder what his game is.
00:26:56Who cares?
00:26:56You know, Morton thinks he's a crackpot.
00:26:59I heard him telling Cooper so.
00:27:02Old Bug Eyes really has the execs worried.
00:27:04About what?
00:27:05That's just it.
00:27:06They don't know.
00:27:07Oh.
00:27:08So anyway, back to Irving.
00:27:28Good morning, Miss Zardling.
00:27:29Good morning.
00:27:30Good morning.
00:27:31I couldn't get away any sooner.
00:27:33Is it important?
00:27:34Miss Starlin,
00:27:36do you remember the big cat I showed you last week?
00:27:40No.
00:27:41What about it?
00:27:43Well,
00:27:44I want you to look at him.
00:27:46Come.
00:27:53No.
00:27:54Quite the difference, yes?
00:27:56Oh.
00:27:58That's incredible.
00:28:01And the same mark.
00:28:03It's a cat.
00:28:04You're young again.
00:28:06Can you realize what that means?
00:28:08You're a kitten again.
00:28:10Your whole life to live over.
00:28:13How does it feel?
00:28:15I think perhaps you'll be able to find out for yourself, Miss Starlin.
00:28:20Today...
00:28:22Today will be your first injection.
00:28:26Come.
00:28:42It's a doctor.
00:28:45You might.
00:29:13I'm sorry.
00:29:25Mr. Gleeson of Accounting on line three.
00:29:31What is it, Gleeson?
00:29:33I sent you a memo.
00:29:36Mr. Zinthrop has carte blanche to order anything he requires.
00:29:40It is no concern of yours, Gleeson.
00:29:42Make out a check for the full amount.
00:29:49Sue?
00:29:51Mary.
00:29:52Can I talk to Mr. Lanham over?
00:29:59Bill?
00:30:01Hey, listen.
00:30:02Gleeson just got a bill for $2,300.
00:30:06Zinthrop.
00:30:11Enzyme extracts.
00:30:26Yes, yes, yes. We are making progress. There's great improvement in the tissue.
00:30:33Why is it taking so long?
00:30:35It's the third week.
00:30:37You forget, my dear, there's more to you than a little kitten, no?
00:30:42Besides, there's a difference in metabolism.
00:30:45Why not increase the dosage?
00:30:47Wouldn't that step up the process?
00:30:50Patience, my dear, patience.
00:30:52We must tread lightly with care, your arm, please.
00:31:11There.
00:31:13You know, I've been experimenting with the concentrate solution of the enzymes.
00:31:19Oh, a great deal more powerful than the solution I've been using in your injection.
00:31:23Oh?
00:31:24Yes.
00:31:26And I think...
00:31:27I think it will be better for lotions.
00:31:30As an emollient lotion, it'll make estrogenic creams and all such products.
00:31:33Old-fashioned.
00:31:35My dear, Stalin will be world famous, bringing you to millions.
00:31:41If you're right, Zinthrop, there are going to be a few red faces in my advertising department.
00:31:47But I am right.
00:31:49Why, your own mirror will tell you that I am right.
00:31:51Why, you look at least five years younger than you looked three weeks ago.
00:31:56I know.
00:32:11What do you think so many years ago?
00:32:12I, you know.
00:32:18You look a lot more...
00:32:18I know.
00:32:18I know I have to leave you step back to the door.
00:32:27You look at me.
00:32:27I know.
00:32:30I know.
00:32:30I know.
00:32:31You look at the door, but start them.
00:32:33I know.
00:32:33I know.
00:32:37I know.
00:32:39Will you let me talk to Bill a minute, Sue?
00:32:42Thanks.
00:32:45Bill, I think I've got it.
00:32:48Yeah, I'm a nervous wreck.
00:32:51Lunch. Lunch.
00:32:53You'll have to translate for me, Coop. I'm not very good at that technical stuff.
00:32:57Pseudo-technical.
00:33:00Mr. Zinthrop is a very capable confidence man, from what I read in this letter.
00:33:04He claims he can stimulate the processes of rejuvenation through the use of enzymes extracted from wasps.
00:33:11Oh, for...
00:33:14Well, what are you two sherlocks going to do about it?
00:33:17Right now, I don't know.
00:33:18Frankly, I'm getting tired of the whole business.
00:33:20That woman's so intent on holding back time, she's ready to fall for the first phony line she hears.
00:33:24Wasps.
00:33:25Bill.
00:33:26Face the facts. Mary Janice Starland has built her whole life on youth and beauty.
00:33:31Now that she's losing them, she's scared to death.
00:33:33Right now, she's on cloud nine with that quacked Zinthrop, but I'd hate to be around when she comes back
00:33:38down to earth.
00:33:39Well, maybe we can let her down easy.
00:33:41I think we owe her that much.
00:33:42Yeah.
00:33:44What are we going to do? We can't just let Zinthrop build up her hopes and then knock the props
00:33:48out from under her.
00:33:49How can he do such a terrible thing?
00:33:52Poor Jan.
00:33:54There must be something we can do before it's too late.
00:33:57He's got a mighty convincing argument.
00:34:00Very impressive to the layman.
00:34:02Ten to one, he's got a record just as impressive.
00:34:05There are ways to find out.
00:34:07The answer might be right here in her hands.
00:34:11Heads.
00:34:15I'm going to keep this letter for a day or two.
00:34:17Wait a minute.
00:34:18Suppose she finds out it's gone.
00:34:20I'm the only one with access to that desk.
00:34:22She'll know I took it.
00:34:23Well, it's a chance you have to take, Mary.
00:34:25I think we can be pretty sure that Coop knows what he's doing, honey.
00:34:29Well, come on, young lovers.
00:38:04What is it, Maureen?
00:38:06It is you, Miss Starlin.
00:38:09Of course it's me.
00:38:10Who did you think it was?
00:38:12Well, you look so different.
00:38:16Finish your nails.
00:38:22Maureen.
00:38:23Hmm?
00:38:24I think your phone is ringing.
00:38:26Oh, yes, Miss Starlin.
00:38:30Good morning.
00:38:31Janice Starlin Enterprises.
00:38:34Gentlemen, Janice Starlin Enterprises is about to start on the most widespread publicity campaign in the history of the cosmetic
00:38:44industry.
00:38:45Our slogan will be, return to youth with Janice Starlin.
00:38:51When Mr. Zinthrop arrives, there will be a press interview and all questions regarding the rejuvenation process will be referred
00:38:58to him.
00:39:01That will be all for now, gentlemen.
00:39:03That will be all for now, gentlemen.
00:39:03It's amazing.
00:39:04It's wonderful.
00:39:05It's wonderful.
00:39:05Look, Mar.
00:39:06I said that will be all for now, gentlemen.
00:39:10Good morning.
00:39:11Good morning.
00:39:12Good morning.
00:39:16Oh, not you, Mary.
00:39:17Wait a moment, please.
00:39:19Yes, Miss Starlin.
00:39:28Mary, isn't it wonderful?
00:39:31It's a miracle.
00:39:33A wonderful, incredible miracle.
00:39:36We were so worried about you.
00:39:38We really thought you were in danger.
00:39:40We even went to plotting how to rescue you from Mr. Zinthrop.
00:39:46It all seems so silly.
00:39:48It seems ridiculous.
00:39:50Oh, Mary.
00:39:51Mary, how old do I look?
00:39:53Tell me.
00:39:54How old?
00:39:56How old do I look?
00:39:57Tell me!
00:39:58How old?
00:40:0323.
00:40:04Maybe 22.
00:40:0612.
00:40:06Well, that's how old I was when I started Janice Starlin Enterprises.
00:40:13Do you realize what that means?
00:40:16I'm back where I started, 18 years ago,
00:40:19with what it took 18 years to accomplish.
00:40:24It's like a dream.
00:40:55I'm back in the field.
00:41:2230 years ago a bunch of quacks
00:41:24were treating people with monkey glands seemed to work for a while and then the deterioration
00:41:30set in that's awful do you think that will happen to jan i don't know if i could just
00:41:37get inside of his lab and run a breakdown on what he's using
00:41:59so
00:42:11ORCHESTRA PLAYS
00:42:59ORCHESTRA PLAYS
00:43:25ORCHESTRA PLAYS
00:43:30ORCHESTRA PLAYS
00:43:32ORCHESTRA PLAYS
00:43:46ORCHESTRA PLAYS
00:43:53Mr. Zinthrup!
00:44:04Mr. Zinthrup?
00:44:10Mr. Zinthrup?
00:44:27Mr. Zinthrup?
00:44:28Mr. Zinthrup?
00:44:34Mr.
00:44:35Mr. Zinthrup?
00:44:59I want you to find him, Mr. Hellman.
00:45:00I don't care what it costs.
00:45:02We'll find him, all right.
00:45:04Sooner or later, we find them all.
00:45:07Time is vital, Mr. Hellman.
00:45:09Every hour he's gone, it means more than you can possibly imagine.
00:45:14Well, you haven't given me very much to go on.
00:45:17No home address, no former employer, no phone.
00:45:19This is just like starting from scratch.
00:45:23Mr. Zinthrop wasn't a conventional employee.
00:45:28He didn't go through regular personnel.
00:45:31Uh-huh.
00:45:32You say he came here about a month ago.
00:45:35Well, how did he come here, Miss Starlin?
00:45:36He just didn't walk in off the street, did he?
00:45:40The letter.
00:45:42Right here in my drawer.
00:45:48Maybe one of the other drawers.
00:45:52So that's what she meant.
00:45:54What who meant?
00:46:00Miss Starlin.
00:46:03The letter's been taken and you think you know who took it, is that right?
00:46:08My secretary, Miss Denison.
00:46:10You got her address handy?
00:46:13Her phone number.
00:46:14It might be better if I busted in on her cold.
00:46:16This way she'll have a chance to prepare a story.
00:46:18I know what I'm doing.
00:46:20All right.
00:46:22Mary.
00:46:23Janice Starlin.
00:46:25But before I went to lunch, I made a duplicate copy of Mr. Zinthrop's letter.
00:46:29I was going to take that one to Bill and Mr. Cooper at first.
00:46:34But then I thought that the original would be better.
00:46:37Have you got the copy?
00:46:39Yes, it's in my desk.
00:46:40Get that copy, Miss Denison.
00:46:43Uh-huh.
00:46:45946 West 73rd Street, Manhattan.
00:46:48Yeah, that's right.
00:46:50Get right on it, Jerry, and check back with me as soon as you can.
00:47:22I'll see you next time.
00:47:51I'll see you next time.
00:48:22I'll see you next time.
00:48:52I'll see you next time.
00:49:09I'll see you next time.
00:49:14I'll see you next time.
00:49:17I'll see you next time.
00:49:21There's no identification on him, but he was wearing a lab smock and Phil Zinthrop's description.
00:49:26Mary, get my coat in.
00:49:27I'll see you next time.
00:49:53I'll see you next time.
00:49:55I'll see you next time.
00:49:57I'll see you next time.
00:50:21I'll see you next time.
00:50:30I'll see you next time.
00:51:13I'll see you next time.
00:51:13I'll see you next time.
00:51:34I'll see you next time.
00:51:37I'll see you next time.
00:52:12I'll see you next time.
00:52:33I'll see you next time.
00:52:35I'll see you next time.
00:53:07I'll see you next time.
00:53:07I'll see you next time.
00:53:13I'll see you next time.
00:53:36I'll see you next time.
00:53:44I'll see you next time.
00:53:47I'll see you next time.
00:53:48I'll see you next time.
00:53:48Return to Youth with Janice Darlin.
00:53:50Excuse me, Miss Darlin.
00:53:53What is it, Thompson?
00:53:54I think we should be a little conservative, Miss Darlin.
00:53:57Cosmetics are one thing, medications another.
00:54:00We're liable to run into trouble.
00:54:02Yes.
00:54:05All advertising copy will be cleared through your office.
00:54:08Well, it's a touchy business, you know.
00:54:10Max is right, Miss Darlin.
00:54:11You don't have to second the motion name.
00:54:19I want one thing understood very clearly now, gentlemen.
00:54:23Janice Darlin Enterprises is going to bring the most fantastically saleable product ever developed by modern cosmetics to the public.
00:54:34And I don't intend to be restricted by timidity on the part of my own staff.
00:54:39Is that clear?
00:54:45Are you all right, Miss Darlin?
00:54:48It's just a little headache, Mary.
00:54:51I'm fine.
00:54:53Can I get you something?
00:54:54I'm all right.
00:54:55I'm all right.
00:54:56I have some aspirin in my purse.
00:54:59It's all right, Mary.
00:55:03Well, that'll be all for now, gentlemen.
00:55:23Thank you, Miss Darlin.
00:55:24Hi, Sweetie.
00:55:26Gee, I sure hope they give the girls working at Starlin the first crack of that new stuff.
00:55:31Imagine being 18 again?
00:55:33I guess if it can take 15 years off Starlin, it can take 10 off you.
00:55:39What do you mean, 10?
00:55:40Face it, honey. This is Maureen you're talking to.
00:55:44Yeah? Well, if I were you, I'd take a double dose.
00:55:48Then maybe Irving wouldn't watch television so much.
00:55:50So who says he looks at it?
00:55:52I can't imagine what else he does.
00:55:55Three guesses.
00:55:58Say, did Cooper come in yet?
00:55:59Mm-mm. Missed a board meeting this morning.
00:56:02I bet Starlin's having a fit.
00:56:04He should wear it.
00:56:06Oh, see you later. Bye, honey.
00:56:15Hi, pretty puss.
00:56:17You know where, um, Miss Starlin's office is?
00:56:25Sweet number one.
00:56:28La-dee-da, the Duchess of Flatbush herself.
00:56:31How'd you like to have this phone wrapped around your ear, wise guy?
00:56:36It's more like it, sister.
00:56:43Sweet number one.
00:56:54Miss Starlin.
00:56:55Oh, what is it, Mary?
00:56:57Is there anything I can do?
00:57:00Yes. Is, uh, is Mr. Zinthrop's room ready?
00:57:04Oh, uh-huh.
00:57:05The nurse is fixing the emergency equipment now,
00:57:07and the ambulance is due any minute.
00:57:10Well, be sure to let me know when it arrives.
00:57:13Oh, Mary, please, before you go,
00:57:15could you see if you could work that thing?
00:57:18Oh, sure.
00:57:21I've seen lots of these.
00:57:27Oh, simple enough.
00:57:30That'll be all, Mary. Thank you.
00:57:31All right.
00:57:36We've had a room especially made over for you, Mr. Zinthrop,
00:57:39and Miss Warren has a room adjoining yours,
00:57:41so there'll be someone near you at all times.
00:57:45When you're feeling better, Mr. Zinthrop,
00:57:49there are a few things I'd like to discuss with you.
00:57:52Good, good.
00:58:03We'll do everything we can to make you comfortable, Mr. Zinthrop.
00:58:06Yeah.
00:58:08I'm going to spend the nights here in my office,
00:58:10so if anything develops, I'll be in hand.
00:58:17Mr. Zinthrop.
00:58:21Only...
00:58:22Only something...
00:58:24Something...
00:58:25I must tell you...
00:58:27Something important.
00:58:30But...
00:58:31Important, but...
00:58:33I cannot remember.
00:58:39I'm sure it can wait.
00:58:41Right now, the main thing is to get you back to health.
00:58:46Take good care of him, Miss Warren.
00:58:48Yes, Miss Starlin.
00:58:50Sure is funny about old Coop.
00:58:52And this is one day of work, and you're ready to call Miss in person.
00:58:55Well, he's a pretty conscientious guy, honey.
00:58:58If he felt sick or something, he'd have called in.
00:59:01Relax.
00:59:01He'll probably be in Brighton, Chipper, in the morning.
00:59:05Okay.
00:59:05Interrupting something?
00:59:06Oh, we were just having a little coffee clutch, Miss Starlin.
00:59:09We were talking about Mr. Cooper.
00:59:12What about Mr. Cooper?
00:59:13Well, about his missing the meeting this morning.
00:59:15Nobody's been able to reach him all day.
00:59:17I wouldn't worry about that.
00:59:19Mr. Cooper's been here a long time.
00:59:23Probably feels he's entitled to take a day for himself now and then.
00:59:27That's what I've been trying to tell Mr. Lane.
00:59:29Oh, by the way, Miss Starlin, how is Mr. Zinthrop?
00:59:33Oh, fine.
00:59:35In a few days, we'll start the layouts for the campaign.
00:59:38Oh, I'm ready when you are, boss.
00:59:42Look those over.
00:59:44Hey, Bill.
00:59:45Huh?
00:59:46Don't go get any ideas about the boss.
00:59:49Well, me?
00:59:49Don't be silly.
00:59:50I just wanted to know that I'm an eager member of the team.
00:59:53Still, she is looking a lot younger these days, isn't she?
00:59:58You think Zinthrop would give you any of those treatments?
01:00:01You know, break the watch or something?
01:00:10Guaranteed on this, too.
01:00:41What's that?
01:00:42What's...
01:00:43Here, lie back now.
01:00:45You just had a bad dream.
01:00:46Lie down now.
01:00:48Go to sleep.
01:00:49Such...
01:00:49Such horrible sound.
01:00:52Like...
01:00:52Like a nightmare.
01:00:53It's a bad dream.
01:00:55Lie down.
01:00:56Just a dream.
01:01:01Tell Mr. Green that personnel is his responsibility.
01:01:06I have other things to think about than worrying whether the night watchman walked off the job.
01:01:10Well, that's just it, Miss Starlin.
01:01:12Mr. Green feels that the watchman never left the building.
01:01:15His lunch pail and his raincoat are still in the basement.
01:01:20I don't want to hear anything more about it, Mary.
01:01:25I'll let him, Starlin.
01:01:28We'll use these.
01:01:30Oh, fine.
01:01:34She swears she heard a scream from one of the other floors.
01:01:38Zinthrop heard it, too, but she convinced him he was having a bad dream.
01:01:42Oh, maybe they both were.
01:01:45That's not funny anymore, Mary.
01:01:47There's something going on in that building.
01:01:50And I'm going to find out what it is.
01:01:52How?
01:01:53Have a look around Cooper's lab, for one thing.
01:01:55After that, I...
01:01:57I don't know.
01:02:01Hold it steady.
01:02:03Bill, this is crazy.
01:02:05We can really get in trouble.
01:02:13I won't tire him, Miss Warren, but it is important.
01:02:19All right, Miss Starlin.
01:02:20I'll be in my room.
01:02:25Zinthrop.
01:02:27Zinthrop, you've got to help me.
01:02:29Something's happening.
01:02:31Something's happening to me.
01:02:33I can't control it.
01:02:34There is something I must remember, but I can't.
01:02:40Try to think.
01:02:41The wasp enzymes.
01:02:43The extracts you were experimenting with before the accident.
01:02:47Try to think.
01:02:49I can't.
01:02:50I can't.
01:02:53Well, this is Zinthrop's notebook, Mary.
01:02:56Notes on his experiments with Jan.
01:02:58Well, how did Cooper get hold of it?
01:03:00I don't know.
01:03:02If only Cooper would show up.
01:03:06Mary, look.
01:03:11It's Mr. Cooper's pipe.
01:03:13Well, don't you get it?
01:03:14He'd sooner go out without his pants than leave that pipe behind.
01:03:18He's still somewhere in the building.
01:03:19I bet a year's salary on it.
01:03:22If he is, he...
01:03:23He's dead.
01:03:26And the night watchman.
01:03:32There's only enough left for one more injection.
01:03:35One more.
01:03:36You've got to make more, Zinthrop.
01:03:38Help me, Zinthrop.
01:03:40Please, please.
01:03:41My head, help my head.
01:03:43Zinthrop, help me!
01:03:45Help me?
01:03:46Help me!
01:04:04Help me!
01:04:24Is he asleep?
01:04:26I don't know.
01:04:35Bill, don't touch him.
01:04:36If anybody knows what's behind all this, it's him.
01:04:41Mr. Zinthrop.
01:04:44Bill.
01:04:47Look it.
01:05:06I'll see you again.
01:05:08Good morning, Mr. Ajahn.
01:05:33Well, her coat, purse, and everything else
01:05:36is still in there.
01:05:37She wouldn't go out without her purse.
01:05:39Bill, let's get out of here.
01:05:41I don't like it.
01:05:41And the cat, and the cat must warn her.
01:05:48Mr. Zinthrop.
01:05:52Who are you?
01:05:53Well, there's nothing to be alarmed about, Mr. Zinthrop.
01:05:55I'm Bill Lane, and this is Miss Denison,
01:05:57Miss Starlin's secretary.
01:05:59Miss Starlin, the cat.
01:06:01What about a cat?
01:06:03Must warn her.
01:06:04Injections.
01:06:05Must not take any more injections.
01:06:08Is Miss Starlin in danger?
01:06:10Terrible danger.
01:06:11I was...
01:06:12Take it easy, Mr. Zinthrop.
01:06:13You're still pretty weak.
01:06:14Mary, see if you can get Jan on the phone.
01:06:15All right.
01:06:17All right.
01:06:35All right.
01:06:36We're in the building.
01:06:38We're in Mr. Zinthrop's room.
01:06:39Something's happened down here.
01:06:40Here, let me talk to her.
01:06:41Hello, Miss Starlin.
01:06:42This is Lane.
01:06:43Why are you and Mary still in the building?
01:06:45It's after 10.
01:06:46I must help.
01:06:47Don't let me get up, Mary.
01:06:49I must help.
01:06:52I can't explain now, Miss Starlin.
01:06:54I must...
01:06:54I must go.
01:06:55Hang on to her.
01:06:56I must help.
01:06:57You must not hold me back.
01:06:58I'm...
01:06:59Don't worry, Mr. Zinthrop.
01:07:00We won't let anything happen to Miss Starlin.
01:07:02Hello.
01:07:03Hello, Miss Starlin.
01:07:05What's going on down there?
01:07:06Stay in your office.
01:07:07I'll be right up.
01:07:11Keep an eye on Zinthrop, honey.
01:07:12I'm going upstairs.
01:07:13Oh, no.
01:07:13No, no.
01:07:14The insects.
01:07:15The insects.
01:07:16Take it easy, Mr. Zinthrop.
01:07:17You do not understand.
01:07:19Miss Darling.
01:07:20She's in danger.
01:07:21I must warn.
01:07:22I'll have to stay here.
01:07:23You go for Jan.
01:07:24Okay.
01:07:25When you get up there, call the police.
01:07:26You can't get outside on this phone.
01:07:28All right.
01:07:28All right.
01:07:29I'll hurry.
01:07:35That's nothing for us.
01:07:36I'm out of place.
01:07:50Miss Starlin.
01:07:52Miss Starlin.
01:07:57It's me, Mary.
01:08:00Miss Starlin, please, open the door.
01:08:10What is that?
01:08:11Miss Starlin, please, will you please call the police?
01:08:14What for?
01:08:15Look, I don't have time to...
01:08:17Never mind.
01:08:18Mary.
01:08:22I'm sorry I had to do that.
01:08:24There's no type of hysteria.
01:08:25Now, what is this?
01:08:29The enzymes.
01:08:31The enzymes.
01:08:32They've gone crazy.
01:08:33Sure, Mr. Zinthrop.
01:08:34Now, you just relax and take it easy.
01:08:36Everything will be all right.
01:08:37We'll take care of those...
01:08:38Whatever you call it.
01:08:39You do not understand.
01:08:39You do not understand that girl.
01:08:41You shouldn't have sent her upstairs.
01:08:42She's in danger.
01:08:43You must stop her before it is too late.
01:08:45Okay.
01:08:45As soon as the cops get here, we'll take the...
01:08:47Oh, you fool.
01:08:48You fool.
01:08:49Miss Starlin will kill her and tear her body to shreds.
01:08:52Miss Starlin, kill Mary.
01:08:55Miss Starlin is not a human being any longer.
01:08:59The enzymes have changed her.
01:09:00She will destroy the girl as a female wasp will destroy her enemies.
01:09:04And then defour the remains.
01:09:09Then Bill found Mr. Zinthrop's notebook in Cooper's desk.
01:09:15Now, there's no mistake.
01:09:17We've got to call the police now.
01:09:20Now, Mary, you're just getting a little excited.
01:09:23Now, who could possibly want to hurt Mr. Cooper?
01:09:27I don't know.
01:09:29It's not only Mr. Cooper.
01:09:32What did my...
01:09:49It's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper,
01:09:49it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper,
01:09:50it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper,
01:09:50it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper,
01:09:50it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper,
01:09:50it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper,
01:09:54it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr. Cooper, it's not only Mr
01:10:07I told you a word, Terry.
01:10:09Mary!
01:10:22Mary!
01:10:23Wait, I'll find you a word here.
01:10:26I can't wait, I'm going to take a stab.
01:10:28Oh, look!
01:10:28Laboratory.
01:10:29She's going to laboratory.
01:10:31Get up the stairs faster.
01:10:39Mary!
01:10:44Mary!
01:10:45Mary!
01:10:46Mary!
01:11:11Mary!
01:11:12Oh!
01:11:17Oh!
01:11:19Oh!
01:11:19Oh!
01:11:20Oh!
01:11:21Oh!
01:11:23Oh!
01:11:45Get away from her.
01:12:11Mary.
01:12:14Oh, Mary.
01:12:23Oh, Mary.
01:12:53Oh, Mary.