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00:00:06Are there any dead people down here?
00:00:07No, he's telling me it's a cemetery.
00:00:12Are you OK?
00:00:17Lady.
00:00:18Lately, I haven't lasted long in my life.
00:00:20Is there anything that worries you?
00:00:22I have been with my dead.
00:00:24I had to put something in my mouth.
00:00:26That?
00:00:28Have you lost your mind, Lucrecia?
00:00:30How did you come up with that?
00:00:31Leave him alone, Serna.
00:00:32Tell me you weren't doing what I imagine.
00:00:35There are no hares left in the forest.
00:00:37There are no mice, no fruit, and no acorns.
00:00:39If I have to steal, I'll steal from the one who has the most.
00:00:44Do you know Monsignor Adrian? Isn't that right?
00:00:48I can't take it anymore, Catalina.
00:00:51Hi, cousin.
00:00:54Surprised?
00:00:59What happened to you, love?
00:01:01I've lost all the wheat, sato.
00:01:03Hire the best shooter in town and take her out.
00:01:07Bet on the shooter in front of the Monsignor's bedroom window.
00:01:10When she comes in and is within range, he should shoot.
00:01:14And what do you gain with all that pomp and eminence?
00:01:16Accusing the Monsignor of murder.
00:01:20Dear Nuño, a married woman owes herself to her husband for life.
00:01:25Nuño?
00:01:26Lucrecia, please, I've come to take care of you.
00:01:28Let me be...
00:01:30Which one is manure?
00:01:32I have a proposal to make to you.
00:01:36It's not a tent!
00:01:39Fuck!
00:01:40What is this?
00:01:42What kind of fish would be capable of doing something like that?
00:01:44I have to go to the lake.
00:01:47Combine keeping windows open during the day.
00:01:52You don't know me, you know nothing about me.
00:01:54I don't care.
00:01:55I want to get out of this separation already.
00:01:57I now pronounce you husband and wife.
00:02:03Oh, he's eaten it, master.
00:02:06Nuño has thrown his life away.
00:02:08Out of shame for being your son.
00:02:10For moving away from you.
00:02:14I would be delighted to see you this afternoon at six in my chambers.
00:02:18I can't find the view of the marchioness anywhere.
00:02:20No, sir, it's been quite a while since I've seen her.
00:02:25Gonzalo.
00:02:27Daisy.
00:02:29The bullet wasn't meant for her.
00:02:31It was for whoever was visiting.
00:02:33Such Monsignor Adrian of the Vatican.
00:02:35Don't do it!
00:02:37What's that?
00:02:39No!
00:02:40No!
00:02:46I have nothing to lose.
00:02:48This hasn't reached me until now, not even into life.
00:02:50The Count of Miranda brought it back on one of his trips.
00:02:52Out of boredom, he threw it into the lake.
00:02:55What a wretch!
00:03:10Does anyone know why the king hasn't been summoned here at this hour of the night?
00:03:14No!
00:03:17Majesty.
00:03:19Sirs.
00:03:21Tonight we will take the first step towards restoring the former glory of our empire.
00:03:30Excellent news, sir.
00:03:33Although we would like to know what new developments would allow us to carry it out.
00:03:39El Dorado.
00:03:43But we don't even know if it exists.
00:03:46We have been searching for that city for over 100 years.
00:03:50Until today.
00:03:52Imagine a place where every corner is made of gold.
00:03:57Soon that paradise will be the property of the Kingdom of Spain.
00:04:02My nephew snatched it from an indigenous tribe on his last expedition.
00:04:07It will arrive any moment now.
00:04:14It looks like a Mayan calendar.
00:04:17It's not.
00:04:18But it also contains the exact coordinates where the sacred city of El Dorado rests.
00:04:29That would be the end of our enemies.
00:04:33We would achieve total control of the Oceana sea.
00:04:40Gentlemen, the key that will open the door to the sacred city of El Dorado.
00:04:57He looks like your nephew, Your Majesty.
00:05:04The key will be here for us!
00:05:09No!
00:05:14No!
00:05:15No!
00:05:17No!
00:05:23No!
00:05:52No, no, no.
00:05:56Who is calling?
00:05:58I don't know, but whoever it is at this hour is sure to bring bad news.
00:06:05Shall we open?
00:06:05No!
00:06:09Come on, it looks like he's already gone.
00:06:11What's wrong? Why aren't you opening up?
00:06:14I don't think it's a matter for us to concern.
00:06:18So, you... they've knocked on the door twice.
00:06:21AND?
00:06:22What's going on? Is nobody answering the door?
00:06:24Satu?
00:06:26Does it open?
00:06:42I'm sorry to introduce myself like this.
00:06:44Good afternoon.
00:06:45And who are you there?
00:06:58Brother!
00:07:02Brother!
00:07:05Satu, mind your own business!
00:07:09Herman!
00:07:10It's been a long time.
00:07:11Yeah.
00:07:14I've been on a very long expedition.
00:07:16I traveled from Tierra del Fuego until this morning.
00:07:18And he didn't know where to spend the night.
00:07:21This is...
00:07:22This is...
00:07:22Alonso.
00:07:23His son.
00:07:24But how you've grown.
00:07:29There you go, Cipri.
00:07:30What are you carrying there?
00:07:31You'll see.
00:07:34Be careful, it's a delicate matter, okay?
00:07:36Come on, put it here.
00:07:40You're going to be the first to see something wonderful.
00:07:45That?
00:07:54That...
00:07:58That?
00:07:59So what's up?
00:08:00That?
00:08:04That?
00:08:20Be careful with that.
00:08:22We still have a very long journey ahead of us to the Vienna Palace.
00:08:28Put that down on the ground immediately.
00:08:35Get off the falcon and into the carriage.
00:08:38Take it down! That's an order!
00:08:46You're making a huge mistake.
00:08:53I was waiting for you.
00:09:00Do you know what it means for a nobleman to marry a whore?
00:09:04The king could take away all your privileges.
00:09:08Take that risk.
00:09:09Because?
00:09:10Your mother has invested a lot of time and effort in your education.
00:09:14Why do you want to quit?
00:09:15I want to know.
00:09:23I've arrived here to make my own decisions.
00:09:31Nuño!
00:09:33Nuño!
00:09:35Listen!
00:09:36Nuño!
00:09:38Nuño!
00:09:38Nuño!
00:09:40Nuño!
00:09:46Nuño!
00:09:53Nuño!
00:09:59Nuño!
00:10:11Nuño!
00:10:12Nuño!
00:10:13Nuño!
00:10:14Nuño!
00:10:16The young master, Nuño, is about to leave.
00:10:20He should leave, he's his son, don't let him go like that.
00:10:25When Nuño leaves the palace, he will go and live his life far away.
00:10:30And you'll always regret not seeing it at the last minute.
00:11:00Amen.
00:11:50Out! Out!
00:11:57Out!
00:12:03Out!
00:12:32Out!
00:13:11Out!
00:13:14Out!
00:13:16Out!
00:13:17Out!
00:13:21Out!
00:13:22Out!
00:13:27Out!
00:13:32Out!
00:13:37Out!
00:13:42Out!
00:13:59Out!
00:14:02Out!
00:14:03Out!
00:14:12Out!
00:14:21Out!
00:14:51Out!
00:14:57Out!
00:15:02Out!
00:15:06Out!
00:15:06Out!
00:15:13Out!
00:15:15Out!
00:15:16Out!
00:15:45Out!
00:15:52Out!
00:15:54Out!
00:15:56Out!
00:15:56Out!
00:16:25Out!
00:16:26Out!
00:16:35Out!
00:16:39Out!
00:16:41Father, friends...
00:16:42Father, look...
00:16:43The guy says it's edible.
00:16:45Traequí.
00:16:47Let's eat that.
00:16:49Why not?
00:16:52The hair loss is removed...
00:16:54Bring it.
00:16:55It needs to be opened.
00:17:21Lady.
00:17:27Alright.
00:17:29I heard a gunshot.
00:17:35Ma'am, I'm just a maid.
00:17:38But if you were to sincerely examine your sins,
00:17:43Could I find some peace?
00:17:47What are you talking about?
00:17:50Of repentance.
00:17:53There is no one more respectable than he who demonstrates through his actions that he has changed.
00:18:21I'm going to bring my son back.
00:18:27Who is that?
00:18:27Who is that?
00:18:29Who is that?
00:18:30Who is that?
00:18:32Who is that?
00:18:32Who is that?
00:18:38What's happening?
00:18:42I was fine a moment ago.
00:18:44She felt dizzy.
00:18:48What's that?
00:18:49What's happening?
00:18:50What's happening?
00:18:50Who is that?
00:18:51Who is that?
00:18:52Who is it?
00:18:54Yeah?
00:18:54Who is it?
00:18:57Who is it?
00:18:58He is dead.
00:19:19In the end, in his haste, young Mr. Nuño left half of his things behind.
00:19:25I don't understand why there's so much running.
00:19:27Come on.
00:19:29Things are done properly.
00:19:31I may be old-fashioned, but I would have liked a wedding, because...
00:19:33A nice wedding, with a handsome young man, well dressed, and a good reception.
00:19:39Yeah.
00:19:41It surprised us all, a shadow cast.
00:19:45I suppose it's the impetuousness of youth, it takes hold of you in a rush and you take everything by storm.
00:19:49in front of.
00:19:51Well, except for you. You've always been very responsible.
00:19:54Now, the one who's been lucky is my cousin. She's got a really handsome boyfriend.
00:19:59Lady.
00:20:02Ma'am, are you okay?
00:20:07Good heavens.
00:20:10Yeah?
00:20:12Lady.
00:20:18What's wrong with him?
00:20:21What a sight this creature is, this is how the sudden wedding of young Mr. Nuño has affected her.
00:20:25I see, I see.
00:20:27It's normal, they've been here like brothers and in the end, familiarity breeds affection.
00:20:33Well, I'm not in the mood for drama. I have enough on my plate as it is.
00:20:36Oh, that's right.
00:20:38Hey, how was the funeral?
00:20:40Well, sad, like everyone else.
00:20:43It's been just us.
00:20:45And Gonzalo?
00:20:47Bad, very bad. Imagine that only brother he had. He's opened his mouth.
00:20:52Life is funny, isn't it?
00:20:54Always going off on expeditions, subject to all dangers.
00:20:58And one day you're walking down the street and you suddenly collapse.
00:21:02Catalina.
00:21:03Lady.
00:21:04Pack up, we're leaving.
00:21:05Yes, ma'am.
00:21:07We will bring food to those in need.
00:21:09Very well, ma'am.
00:21:11Well, I'll arrange everything right now.
00:21:13And where are we going?
00:21:14Where should the Poor Clares go, or to the orphanage with the children?
00:21:17Let's go to the leper colony.
00:21:21But, ma'am, that's crazy.
00:21:23That place is full of death.
00:21:25That's why they take people there.
00:21:27So that if they die they don't infect anyone.
00:21:28Ma'am, listen.
00:21:30Leprosy is incurable.
00:21:32You're finished now.
00:21:34I know perfectly well what I'm exposing myself to.
00:21:36I won't repeat it.
00:21:38We're going.
00:21:41Yes, ma'am.
00:21:49Do you think we're doing the right thing?
00:21:51Have you ever seen a funeral without a mass?
00:21:53That's it.
00:21:54But you know how Gonzalo is about these things.
00:21:56Gonzalo doesn't need to know.
00:21:58That's the first thing I told you, Cipriano.
00:22:00I don't know if we're going to bring enough money for the priest.
00:22:04Cyprian.
00:22:05So we tell the priest to make the mass shorter.
00:22:08The idea is for Gonzalo's brother's soul to go up as fast as it can.
00:22:11I don't know, Sato.
00:22:13These things have to be done right, Cipri.
00:22:16A good liturgy with its candles, its altar boys.
00:22:20May God welcome him into his bosom as soon as possible.
00:22:23Poor Gonzalo.
00:22:24He was devastated.
00:22:26As they were lowering him into the hole, I felt a...
00:22:29It seems like someone has it in for him up there.
00:22:33I've never seen a family with more misfortunes all at once.
00:22:37Thank goodness he still has the little blanket.
00:22:51We can find out what you're doing.
00:22:52You're going slower than a hell of a week.
00:22:55Come on.
00:22:55I'm picking some flowers.
00:22:57Flowers for what?
00:22:58That the dead don't need flowers.
00:23:00Let's go to the middle.
00:23:01Go on.
00:23:02It's a sign of respect.
00:23:04I feel uneasy seeing that tomb so bare.
00:23:06I just sat him down a little.
00:23:10You're right.
00:23:11And when you're right, you're right.
00:23:13But...
00:23:13Come on, cheer up!
00:23:15We don't have time.
00:23:17We'd finish sooner if you helped me.
00:23:47We'd finish sooner.
00:23:53Nature!
00:23:54Where have you gone?
00:23:56Weren't you in such a hurry?
00:23:58Well, come on, I already have the flowers.
00:24:04You're whiter than wax.
00:24:07Is something wrong?
00:24:25Forward.
00:24:26I was waiting for you.
00:24:33I have received a note from the Marchioness summoning me here.
00:24:36It wasn't the marchioness.
00:24:37I called you.
00:24:39A little white wine?
00:24:41He is the favorite of the others.
00:24:45I don't know what you're trying to do, commissioner.
00:24:51Well, that's obvious.
00:24:56I think he's mistaken the person.
00:24:59I never get confused.
00:25:03Seriously, you don't remember me?
00:25:06It was in Venice.
00:25:11It is always a pleasure to attend to the captain of Ambassador Javier's personal guard in Venice.
00:25:23Now that we both know about your reputation as a whore, I would like to talk about a few things.
00:25:30Nuño already knows what I used to do for a living.
00:25:34I have nothing against your profession. I think that's been proven.
00:25:38I did it out of necessity.
00:25:40I don't care.
00:25:42A woman who sleeps with all kinds of men is not worthy of someone like Nuño.
00:25:47I left that life a long time ago.
00:25:51That life is never left behind.
00:25:54You wear it on your lips.
00:25:56On your legs.
00:25:58On your hips.
00:26:02He deserves better.
00:26:04If you renounce that marriage, I will personally make sure you lack nothing.
00:26:09Money won't be a problem.
00:26:13He doesn't understand.
00:26:14It's not about money.
00:26:16Nuño has given me the opportunity to be respectable and start a family.
00:26:20And I don't intend to waste this opportunity.
00:26:41No.
00:26:51Come on.
00:26:52Come on.
00:26:52Thank goodness I found it.
00:26:53It gets messed up.
00:26:55Take the day off.
00:26:56I prefer to be alone.
00:26:57Okay, how do I tell him this?
00:26:59You don't have to say anything.
00:27:02Not today.
00:27:02No, but what I have to tell you will definitely interest you.
00:27:08His brother.
00:27:11Your brother.
00:27:14What have I seen in him?
00:27:19Satur, what are you saying?
00:27:20That he is alive.
00:27:23I buried my brother this morning.
00:27:25No, no, no. What did I see in him? What did I see in him?
00:27:29Satur?
00:27:30The dead do not rise again.
00:27:35I love.
00:27:36Listen, I know it's hard to explain, but...
00:27:39But you have to believe me.
00:27:41I've seen him.
00:27:42I've seen him stuck like that, to me.
00:27:45In the forest.
00:27:46And then he just ran off.
00:27:49What are you trying to do?
00:27:50What did you say?
00:27:51What are you trying to do?
00:27:54You're not even capable of respecting someone's memory, not even for one day.
00:27:57But I love it.
00:28:00I'm tired of your fantasies.
00:28:02My brother is dead.
00:28:05Dead.
00:28:07I swear to you on everything sacred that I am telling you the pure truth.
00:28:13Go away.
00:28:14For God's sake, I love.
00:28:17I'm telling you the truth, I've seen him.
00:28:19That he is alive.
00:28:20Something is happening here and you don't want to see it.
00:28:23Return!
00:28:25Go away.
00:28:31Return!
00:28:32Go away.
00:28:37Alright.
00:28:41Alright.
00:28:42Okay, boss.
00:28:59Amen.
00:29:03Lucrecia is desperate to get her son back.
00:29:06He's going to kill them all.
00:29:07Do you think they've arrived yet?
00:29:09I don't know.
00:29:10Do you want us to pray for them?
00:29:12Pray.
00:29:14Marta, do you know what they're getting themselves into?
00:29:16Hey?
00:29:18Look, when I lived in Seville,
00:29:20They caught a leper,
00:29:22They boarded up his house and locked him and his entire family inside.
00:29:25Holy God.
00:29:26For two weeks we listened to the screams.
00:29:29And at night,
00:29:31The children could be heard crying.
00:29:34Well, all of that could happen to Catalina.
00:29:35if he contracts leprosy.
00:29:37Let's pray.
00:29:44I'm sorry, Marta.
00:29:45It's not your fault.
00:29:47Go on,
00:29:48Put the dough in the oven.
00:30:18What are you doing here, father?
00:30:21I've come to see you.
00:30:24After what happened the other day,
00:30:25The least I can do is apologize.
00:30:28Good.
00:30:29Well,
00:30:30Apologies accepted.
00:30:33And now, yes?
00:30:35If you don't mind...
00:30:36Daisy.
00:30:38I want you to know that if something had happened to you,
00:30:40I would never have forgiven myself for it.
00:30:42That bullet was meant for me.
00:30:45What I don't understand is why anyone would want to kill him.
00:30:49The truth is, I don't know.
00:30:51We priests are people and as such
00:30:53I suppose we have enemies too.
00:30:56The ones I know, no.
00:31:00Why have you come to the village?
00:31:03I can't tell you.
00:31:06It's for your own good.
00:31:08Too many mysteries
00:31:10for a simple priest.
00:31:12Excuse me.
00:31:23Oh no, I'm going.
00:32:05Ma'am, for God's sake, think about it again.
00:32:08That there are other ways to clear his name.
00:32:12Is going in there a death sentence?
00:32:17Saint Roch walked among lepers.
00:32:20If I want people to talk about me, I have to do the same.
00:32:26But, ma'am.
00:32:30That leprosy is a horrible disease.
00:32:32That his hands and body are rotting.
00:32:37It's like dying while still alive, but little by little.
00:32:41Be quiet.
00:32:46Ma'am, for God's sake, I know you're doing this for your son.
00:32:49But if he gets infected, it won't do him any good either.
00:32:54Ma'am, please.
00:32:56High.
00:32:57You can't go on.
00:32:59I'm just going to feed those dying people.
00:33:03Are you going to deny an act of charity?
00:33:07Leave the food here.
00:33:08We'll throw it at him.
00:33:09I want to feed them with my own hands.
00:33:12Ma'am, nobody goes in there with those living dead.
00:33:16I am the Marchioness of Santillana.
00:33:19Personal friend of His Majesty Philip IV.
00:33:22I will.
00:33:34Grab the handle.
00:33:36Come on.
00:33:39Come on.
00:33:39No.
00:33:45No.
00:33:50No.
00:33:53No.
00:33:55No.
00:33:59Only.
00:34:02No.
00:34:02No.
00:34:15No, no, no.
00:34:52No, no, no.
00:35:02No, no, no.
00:35:15No, no, no.
00:35:43No, no, no.
00:36:13He was going to get me out of here and now he's dead.
00:36:19You shouldn't talk like that, Alonso.
00:36:22He traveled through mountains and rivers that I don't even know how to pronounce, Cipri.
00:36:27He traveled the world.
00:36:32And I'm never going to leave this village.
00:36:40Listen to me.
00:36:43You are brave and noble.
00:36:48And when you grow up, I will speak of you with pride.
00:36:52I will boast that I knew Alonso de Montalvo.
00:37:01I'm going to add a little more water.
00:37:25I'm going to add a little more water.
00:37:35Alonso, have you seen Sator?
00:37:42Let go of my son.
00:37:44Alonso, don't move.
00:37:52I don't understand you.
00:37:53Let go of my son.
00:37:56But what?
00:38:00Alonso.
00:38:01Are you OK?
00:38:02What the hell was that, master?
00:38:06Who was it that man wanted, Father?
00:38:08I don't know, son.
00:38:14No, no, no, no.
00:38:39No, no, no, no, no.
00:38:54What are you doing here?
00:38:56What you're doing here.
00:39:00Aren't you going to tell me anything?
00:39:03Aren't you going to tell me where you're going?
00:39:05I am going to my brother's grave.
00:39:08Ah!
00:39:09That means he believes me.
00:39:11Not yet.
00:39:13Holy shit, man.
00:39:14You're so stubborn.
00:39:15You could crack nuts in it.
00:39:18So, what are you doing going to the cemetery?
00:39:19No, tell me, tell me.
00:39:20What are you doing?
00:39:20What are you doing?
00:39:22Sator, I don't know what you saw in that forest.
00:39:24But the attack by the indigenous woman and the death of my brother are related.
00:39:27Come on, he's not dead.
00:39:29That his brother is out there, wandering like Lazarus.
00:39:31I saw it myself.
00:39:33The thing is, you don't want to believe me.
00:39:36I'll believe it when I see it.
00:39:40What so far?
00:39:42What are you doing?
00:39:44Where are you going?
00:39:45What's happening?
00:39:46He doesn't want to listen to me.
00:39:46Come on!
00:40:08Saturn, they are watching us.
00:40:12Who is it?
00:40:26Watch out, come on, watch out!
00:40:30Come on!
00:40:32Shut up, for God's sake, before this comes back, it's primitive!
00:40:35Come on!
00:40:36Come on, come on!
00:40:38Come on!
00:40:40Come on, for God's sake, come on!
00:40:44What's wrong with him?
00:40:46Come on!
00:40:48Come on, say something, for God's sake!
00:40:50Come on!
00:40:51Come on, before he comes back!
00:40:53Come on, what are you doing?
00:40:54Come on, let's go!
00:40:56Come on, let's go!
00:40:58Come on!
00:40:59What are you doing?
00:41:01Come on!
00:41:03Come on!
00:41:04Come on, what's he doing, what's he doing!
00:41:07Come on!
00:41:08Come on, for God's sake!
00:41:20Come on, for God's sake, for God's sake, for God's sake, for God's sake, for God's sake, for God's sake, for God's sake, for God's sake
00:41:25God, for God, for God, for God, for God, for God, for God, for God, for God, for God, for
00:41:25God, for God, for God, for God, for God, for God, for God, for God, for God, for God, for
00:41:26God, for God, for God, for God, for God, for God, for God, for God, for God, for God, for
00:41:34God, by God, by God, by
00:41:39Let me go, Hernán.
00:41:41How dare you do this to me?
00:41:43Those clothes could be infected, Lucrecia.
00:41:45I'm doing it for your own good.
00:41:46Leave us alone.
00:41:55I will have the tongue of the person in this palace who warned you cut out.
00:41:58To him and his family.
00:42:00Who went?
00:42:02Answer!
00:42:03Lucrecia, a marchioness in a forest of lepers is not something that goes unnoticed.
00:42:07You're a miserable wretch, Hernán.
00:42:09A bastard.
00:42:11You had no right to take me out of there.
00:42:13You're unhinged, Lucrecia.
00:42:15You don't know what you were about to do.
00:42:18If you're still alive, it's because I wanted it that way.
00:42:20Now I must thank you.
00:42:22We have orders not to let anyone leave that forest.
00:42:24To eliminate them so they do not spread the disease.
00:42:27I don't care.
00:42:28Even the guards stationed at that lazaretto.
00:42:31They are condemned people who have no other option.
00:42:34You have endangered life in this palace.
00:42:36As if we all died.
00:42:38I will do whatever it takes to get my son back.
00:42:41And neither you nor a thousand men will stop me.
00:42:47How far do you plan to take this madness?
00:42:51My son married a whore, Hernán.
00:42:54At least I'm doing something to fix it.
00:43:11What else do you do with clothes?
00:43:12If leprosy enters the palace, they will be held responsible.
00:43:18Let's hurry, for God's sake.
00:43:20I don't even want to breathe near these rags.
00:43:25Caught.
00:43:26Stop.
00:43:27Leave the basket there.
00:43:29But, but ma'am, your wife...
00:43:31Didn't you hear me, Marta?
00:43:33I said to leave her alone.
00:43:35I'll take care of burning the clothes.
00:43:40Thank you.
00:43:42Thank you.
00:43:56Thank you.
00:44:16What have those Indians done to him, master, for God's sake?
00:44:19What kind of poison will this contain?
00:44:24They've put a spell on me, they've put a spell on me.
00:44:27Atul.
00:44:28It's me.
00:44:31Later, Cipriano, later.
00:44:33Now, now is not a good time.
00:44:36But it's not going to be good.
00:44:38I'm going in.
00:44:39No!
00:44:39No.
00:44:40Mother, who gave birth to him.
00:44:43No problem.
00:44:45It is the master who is feeling a little unwell.
00:44:50And there it is, going on and on with the chamber pot.
00:44:51He doesn't want you to see him like that.
00:44:54Ah.
00:44:55If you need anything.
00:44:58No.
00:44:59Don't worry, thank you, it seems to be better now.
00:45:06Come on, go for it.
00:45:07Okay, okay.
00:45:16Come on.
00:45:19Come on, what can I do?
00:45:21This is beyond my control.
00:45:24That I am a humble postilion.
00:45:29I shit, I shit, I shit on Columbus and the Pinzón brothers.
00:45:33Who the hell told them to go to...
00:45:36To discover that, that, that land?
00:45:42And this?
00:45:42No.
00:45:46No.
00:45:54No.
00:46:26I bring these herbs through my stomach. They are the hands of... Gonzalo.
00:46:30What's wrong with him?
00:46:32Nothing, what's going to happen to him?
00:46:35He lay there for a while, idling.
00:46:38After so much pressure.
00:46:40He looks sick.
00:46:42What do you mean he's sick? He's as strong as an ox.
00:46:44Come on, let's let her rest. You and I will clean the stable.
00:46:48Run! You look terrible.
00:46:50Come on, let's go!
00:46:52You rest, my love.
00:48:13I'm going to remove your gag.
00:48:15I want us to talk man to man, like civilized people.
00:48:19Let me go!
00:48:19How dare you do this to me?
00:48:22Do you know why you're here?
00:48:23I am a nobleman. You have no right to keep me here.
00:48:27I'm doing it for your own good, kid.
00:48:28I said let me go!
00:48:33If you want this to end soon, you'd better understand the rules.
00:48:36I ask, you answer.
00:48:44Let me ask you a question. Do you know why you're here?
00:48:47If all this is because of my wedding, you've lost your mind.
00:48:49How far do you plan to go?
00:48:52That depends on you.
00:48:56In this document you invalidate your marriage and repudiate your wife.
00:49:00All that's missing is your signature.
00:49:02I don't plan to sign anything.
00:49:05I've made men more hardened than you cry out of fear, kid.
00:49:09Believe me.
00:49:11You'll end up signing.
00:49:13If you're going to torture me, you'd better start soon.
00:49:16I have resistance.
00:49:19Not to torture you.
00:49:22I'm going to leave you locked up here so you can think.
00:49:26Solitude helps you see things more clearly.
00:49:29You can't do this to me.
00:49:32Do you plan to keep me locked up here until I die?
00:49:35Stand firm and you will be free.
00:49:36You've gone mad.
00:49:40Think about it carefully, kid.
00:49:43This hurts me more than it hurts you.
00:49:44Don't go.
00:49:47Commissar!
00:49:48Commissar!
00:49:49Commissar!
00:49:50Commissar!
00:50:06Commissar!
00:50:23I've come to pick you up.
00:50:24I don't want you to go home alone.
00:50:26Daisy!
00:50:28Daisy!
00:50:28Alright.
00:50:30Alright.
00:50:31Requiem.
00:50:35.
00:50:58Gonzalo, I haven't had the opportunity
00:51:02to thank you for what you did the other day
00:51:05in the office of a good gentleman.
00:51:07If it weren't for you, I don't know, no...
00:51:14I'm not going to let anything bad happen to you.
00:51:17Never.
00:51:42I'm not going to let anything bad happen to you.
00:52:03Gonzalo.
00:52:14God, God, God, God.
00:52:19Come on.
00:52:23Excuse me, ma'am.
00:52:25We have some chores to take care of...
00:52:27Up on the roof, some tiles that...
00:52:31It's a man's thing, you know.
00:52:35Come on, son.
00:52:36Come on, come on.
00:52:37No?
00:52:39Come on.
00:52:41What a mess you've made, what a mess you've made.
00:52:44What a mess she's made.
00:52:46Throw.
00:53:00Father and our God,
00:53:02Forgive me, for I have sinned.
00:53:06I have been unfaithful to my husband
00:53:09with deceit and lies.
00:53:16I have been temptation and perdition
00:53:19of an innocent young man.
00:53:28Cartigame, sir.
00:53:33I deserve for you to do it.
00:53:52He cursed this beauty
00:53:54which has only brought
00:53:55This family is suffering misery and hardship.
00:53:58De imenno.
00:54:08Throw.
00:54:13Throw.
00:54:14Throw.
00:54:15Throw.
00:54:16Throw.
00:54:18Throw.
00:54:19Throw.
00:54:20No, no, no.
00:54:59Are you you or...?
00:55:01Or are you the one who's scary?
00:55:03I mean, what are you talking about?
00:55:07It's you.
00:55:09It's you, thank God.
00:55:13Take a look at some of this.
00:55:15This will relieve your hangover.
00:55:22So, how did you get here?
00:55:26No, no, don't tell me you're drawing a blank.
00:55:30No, not blank.
00:55:32But the last thing I remember
00:55:35We found an indigenous person in the forest.
00:55:38Oh my God, my God.
00:55:39Wait.
00:55:42Something shot me.
00:55:44Come back, come back, come back until you're seated,
00:55:45What I'm about to tell you will knock you off your feet.
00:55:48The one she's created, come on, the one she's created.
00:55:49The one she's created.
00:55:51You're scaring me.
00:55:52What has he done?
00:55:52No, ask me exactly what you haven't done.
00:55:54What hasn't he done?
00:55:56To begin with, I almost sliced you up in the woods.
00:55:58That?
00:55:59With everything we've been through and...
00:56:01And the first one she sees,
00:56:03Well, you're trying to get rid of me.
00:56:05That's not the law, master.
00:56:06That's not the law.
00:56:08Saturn, I tried to kill you.
00:56:10But we'll get to that later.
00:56:12Mr. Escudero's.
00:56:14But come on, he pounced on me with a nasty attitude.
00:56:17That had to come from within him.
00:56:19Saturn, I'm sorry.
00:56:21The dart must have caused me to hallucinate.
00:56:23Whatever you say.
00:56:25Now.
00:56:27You'll have to explain that Indian concoction to me.
00:56:30with her sister-in-law.
00:56:31That I reasserted a kiss
00:56:33that all his teeth have trembled.
00:56:36Saturn, wait.
00:56:38And Margarita greets him.
00:56:40Look, as if I weren't going to see tomorrow.
00:56:44There was a lot of saliva today.
00:56:45What, what, what?
00:56:46No, to fill the Jarama.
00:56:52And one more thing.
00:56:55While you were like that,
00:56:56uncomfortable,
00:56:58I've discovered something.
00:57:02I don't know if I should tell him.
00:57:03My conscience tells me yes,
00:57:04But experience tells me no.
00:57:07Saturn, what's coming out now?
00:57:16I've found it.
00:57:21That stone donut.
00:57:24Where was I?
00:57:26In his bedroom, under a plank.
00:57:28Don't tell me we have to return it,
00:57:29that you are very much about returning everything that glitters.
00:57:31But no, not this.
00:57:32This is ours.
00:57:33We didn't keep this.
00:57:35Maybe it came with the house and everything.
00:57:43Sature is a Mayan solar calendar.
00:57:45Hey?
00:57:46The indigenous man who attacked Alonso
00:57:47I was looking for this.
00:57:51Are we done?
00:57:52And what did he hide there?
00:58:02Come on, when I went up,
00:58:03There was nobody in the house.
00:58:09Don't move from here.
00:58:11No, no, don't go.
00:58:13Let's see if it's the Indians.
00:58:14We already know what happened last time.
00:58:17Don't worry.
00:58:22But come on, tell me again.
00:58:25But I've already told you.
00:58:26He came and kissed me, that's it.
00:58:28How did he just kiss you and that's it?
00:58:29But you didn't notice a glance, a gesture, or anything.
00:58:32No, Catalina.
00:58:33Go on, go on, raise your arm.
00:58:34And you know what Gonzalo is like.
00:58:36To talk about mountains and rivers,
00:58:38until boring.
00:58:38But other matters, nothing at all.
00:58:40Truly, my daughter,
00:58:41I understand Aramaic better than I understand a man.
00:58:44Hey, but let's see.
00:58:46So, what arrived?
00:58:48He kissed you, so what?
00:58:50Catalina, I've told you 20 times.
00:58:52Come on, get up, he's looking at you.
00:58:53He looks at you and you have nothing.
00:58:58She has the towel.
00:58:59If I have nothing, thank God.
00:59:03But anyway, let's see, the important thing.
00:59:05And if I were you, I would have planted a big, firm kiss on him as soon as I crossed the threshold.
00:59:10Do you think you're there for the job too?
00:59:12No, don't run so fast, don't run so fast.
00:59:15But what happened between Gonzalo and me happened a long time ago.
00:59:17And I don't know, I didn't think Gonzalo would be like this.
00:59:21Are you going to talk to him?
00:59:22But what are you going to talk about?
00:59:24Let's see, if you've already been touched,
00:59:26You've already taken the first step.
00:59:28Did you like it?
00:59:30Yeah.
00:59:30Well, that's it, that's what you have to talk about.
00:59:34Catalina.
00:59:35Yes, ma'am.
00:59:37Have them prepare the carriage.
00:59:40We return to the lazaretto.
00:59:42Well ma'am, I'm afraid that's not going to be possible.
00:59:44There are no coachmen left at the palace.
00:59:46What do you mean there's no coachman?
00:59:48No, the commissioner
00:59:50He sent them to get some new furniture.
00:59:51on the road to Sigüenza.
00:59:53The furniture?
00:59:54They are my service.
00:59:56The lady said that...
00:59:58that the novelty would please him.
01:00:01Son of a bitch.
01:00:04Does he want to keep me locked up?
01:00:09How dare you set foot in this palace?
01:00:12Lucrecia is important.
01:00:13Your son has disappeared.
01:00:15What are you talking about?
01:00:17They found their horse alone in the forest.
01:00:19I think something has happened to him.
01:00:24Ma'am, where are you going?
01:00:25Go find my son.
01:00:26Get my horse ready!
01:00:28Lady!
01:00:32Lady!
01:00:32Lady!
01:00:34Lady!
01:00:40Lady!
01:00:53Lady!
01:01:10You have endangered the life of my son, your nephew, and all because of a damn carved stone.
01:01:25Where do you have it?
01:01:29Guzmán, they put a knife to his neck. They hurt him! My son!
01:01:35I was just looking for a place to hide her for a few hours while I faked my death.
01:01:40I'm sorry, Gonzalo, and I understand your discomfort, but I will make it up to you.
01:01:47You've only thought about yourself. About you and your damn rock.
01:01:53Guzmán, I have mourned your death.
01:01:57But are you all okay? I wanted to share this with you when all this was over.
01:02:04Gonzalo, that stone holds the key to finding El Dorado.
01:02:11You're crazy?
01:02:12No, I took it from some Indians who stole it from the king's nephew.
01:02:15I don't care how you got it!
01:02:17You deceived me. You used me!
01:02:20Gonzalo.
01:02:27It's mine.
01:02:31Give it to me!
01:02:36What have you become, Guzmán?
01:02:40I've been risking my life for years for nothing, and now chance has handed it to me on a silver platter.
01:02:44No.
01:02:44Don't make me shoot.
01:02:49No.
01:02:52I want to believe that you're not like that.
01:02:54Greed has closed you off.
01:02:59Give me the stone.
01:03:01No.
01:03:03No.
01:03:03If you want her, you'll have to kill me.
01:03:07Don't force me.
01:03:11Go ahead, Guzmán!
01:03:13Kill your brother!
01:03:27Kill your brother!
01:03:29Get out of my house.
01:03:33Go away!
01:03:34B substance!
01:03:57Lady, for God's sake...
01:03:58Can't you get on the horse with the chastity belt on, it's going to kill itself?
01:04:06Please, I beg you, ma'am
01:04:08I'm going to go look for my son, how can I do it without your help?
01:04:11If you try to stop me, I'll run you over, no doubt about it.
01:04:14But, ma'am, send someone to look for him
01:04:16A waiter, I don't know, but don't ride him, for God's sake.
01:04:19Hold the horse, help me
01:04:21Come on
01:04:32Ma'am, for God's sake, let me go to town to get a car
01:04:37God
01:04:38I said no.
01:04:56Ma'am, please, I'm begging you.
01:04:59Please, ma'am, she's going inside
01:05:02Oh, God
01:05:05Lady, for God's sake
01:05:14Ma'am, are you alright?
01:05:19Oh my God, oh my God
01:05:21Get down from there
01:05:25Get down from there
01:05:37Your nephew's enemies were hiding here
01:05:41In the ship's hold
01:05:44My men found food scraps in the bilge, sir.
01:05:47And how come nobody saw them escape?
01:05:50How could there be three hundred armed men on board?
01:05:54The admiral assumes they jumped into the water before docking.
01:05:59Who were they?
01:06:00Who would dare to undo the Spanish empire like this?
01:06:07Your Majesty, with your permission
01:06:09This is not a good time, captain, retreat
01:06:11Your Majesty, I must insist
01:06:13But we found this knife in the woods
01:06:22A Mayan dagger
01:06:24He was standing next to the carcass of a deer.
01:06:26And they had torn the skin off in strips
01:06:28I think we already know who murdered your nephew
01:06:32And he stole the golden stone circle
01:06:35Indigenous people
01:06:37Even if they already had the stone circle
01:06:40I don't understand why they risked coming all the way here
01:06:44It just doesn't fit.
01:06:50Perhaps they didn't find what they were looking for
01:06:55Gather your best men
01:06:56And put an end to those savages
01:06:59How do you command, Your Majesty?
01:07:02We will avenge the death of your nephew
01:07:04Show no mercy
01:07:05Mercy is only for those who deserve it, sir.
01:07:10Majesty
01:07:12Captain
01:07:35Have you thought about it yet?
01:07:36Are you going to sign?
01:07:37Never
01:07:38I order you to let me go
01:07:39I order you, I order you, you disappoint me, child
01:07:42I thought you were smarter
01:07:51Do you want water?
01:07:54I don't want anything from you!
01:07:59I assure you I'm doing it for your own good.
01:08:02Don't think they'll come to rescue you
01:08:03It's impossible, nobody knows you're here
01:08:04My mother will come
01:08:05Your mother doesn't know either.
01:08:16Or signatures
01:08:18Or you'll be locked up for a whole year
01:08:20You are young
01:08:22Better that than condemning yourself to a marriage
01:08:24That you neither care about nor want
01:08:31I have patience, child.
01:08:33Lots of patience
01:08:36I've seen men endure being locked up for years
01:08:39When you release them, they look like ghosts.
01:08:42They don't even remember their name
01:08:46That's a shame.
01:08:53Whatever you want
01:08:57I'll be back tomorrow.
01:08:58In case you've changed your mind
01:09:01Wait
01:09:05I will sign
01:09:08Tell me again
01:09:09I said I will sign
01:09:16See? It wasn't so difficult after all.
01:09:22I'm glad you've come to your senses
01:09:27As soon as you sign
01:09:30You will be free
01:09:46I want the key, commissioner
01:09:48The key
01:09:50I want the key
01:09:51What's the matter?
01:09:52The key
01:09:52There!
01:09:53Give me the key!
01:09:54Give me the key!
01:09:55Give me the key!
01:09:57Give me the key!
01:10:00Give me the key!
01:10:04Give me the key!
01:10:12Give me the key!
01:10:13Give me the key!
01:10:19Give me the key!
01:10:20Give me the key!
01:10:24Give me the key!
01:10:26Give me the key!
01:10:28Give me the key!
01:10:28Give me the key!
01:10:29Give me the key!
01:10:29Give me the key!
01:10:29Give me the key!
01:10:35You can't hear a bird here.
01:10:37We are near the place where I was injured by the dart
01:10:42Why don't we just leave it on a rock and go?
01:10:45I want to return it to its rightful owners.
01:10:48No, I know your intentions are noble, love
01:10:51But what if they attack us thinking we were the ones who robbed them?
01:10:55Trust me
01:10:57I trust in you
01:10:58I don't trust those primitive people.
01:11:02That they blow a dart at you.
01:11:06Saturn
01:11:10What's happening?
01:11:11Listen, we're close
01:11:13I'm not saying anything.
01:11:16That's precisely why
01:11:52Come on, we're surrounded, I told you so.
01:11:53Hey?
01:11:56Hey?
01:12:01Hey?
01:12:17See it!
01:12:23Let's go, we're going to give it all the gold!
01:12:48What did he say?
01:12:58Thank you.
01:13:01What is this?
01:13:03Grab it, Sato, grab it.
01:13:09Mother, who gave birth to me.
01:13:12Do you think this is enough?
01:13:15The stems were made there with river stones.
01:13:23Humacta!
01:13:26Humacta!
01:13:34Humacta!
01:13:40Humacta!
01:13:44Humacta!
01:13:48Humacta!
01:14:01Humacta!
01:14:06Humacta!
01:14:07It didn't work out for you! Open the door!
01:14:09Girl, we're alone. There's nobody here.
01:14:14If you don't leave here, you will soon die.
01:14:18I'd rather die than see you ruin your life.
01:14:23You're crazy?
01:14:25We're here because of you. Give me the key!
01:14:28Give me the key!
01:14:37You can't do this to me.
01:14:40Irma...
01:14:40You can't let yourself die!
01:14:44There is no going out.
01:14:58Why are you doing it?
01:15:00Why do you care so much about me if you're not my father?
01:15:11I saw you born.
01:15:15You're all I have.
01:15:23I'm sorry, commissioner.
01:15:25I never meant to hurt you. I'm sorry.
01:15:28Please forgive me.
01:15:30No, don't apologize.
01:15:33My apologies.
01:15:34No no.
01:15:36I haven't treated you very badly.
01:15:39I am a miserable person.
01:15:41I'm sorry.
01:15:48Commissar.
01:15:51Commissar!
01:15:54Commissar!
01:15:59Don't smell yourself, please.
01:16:03Don't smell yourself, please.
01:16:07No, no, no, no.
01:16:36The key has always been there.
01:16:40The box.
01:16:58Okay, squeeze a little harder.
01:17:01Let's see.
01:17:05You look gorgeous there.
01:17:07Well, I don't know, Marta, I don't really see myself in it, you know?
01:17:09What? But it's beautiful.
01:17:11I don't know what happened to Miss Ariane to make her throw away her party clothes.
01:17:14Well, I guess that's rich people's stuff.
01:17:18That's it?
01:17:19Yeah.
01:17:20Good.
01:17:22You look gorgeous.
01:17:24My mother wouldn't let me wear that even if I were dead.
01:17:29My Mother, of the lamb.
01:17:32Girl, we're going to have to put an escort on you.
01:17:35If you're already beautiful on your own, with that bodice you'll shine like a star.
01:17:39Look, Catalina, I think it's a bit low-cut, don't you think?
01:17:41No, no, a little low-cut.
01:17:42Go home, go home, go home and don't take off that bra.
01:17:46As soon as he sees you, Gonzalo will throw you headfirst onto the mattress.
01:17:48It's not exactly to tell you a story.
01:17:50Catalina.
01:17:51Go on, run.
01:17:53You look gorgeous.
01:17:53Already?
01:17:56Oh, how beautiful, wow.
01:18:25Oh, how beautiful, wow.
01:18:34I know, I don't see myself in it either.
01:18:36But anyway, Catalina, you already know her.
01:18:41Margarita, I think...
01:18:45We should talk.
01:18:46Yeah.
01:18:47I also think we should talk.
01:18:53Perhaps...
01:18:54Well, I imagine you'll be surprised.
01:18:58Yes, that's true.
01:19:06Margarita, I...
01:19:08I wanted to tell you that...
01:19:10That?
01:19:15Forget about it.
01:19:16Forget everything that happened.
01:19:20As?
01:19:22But, Gonzalo, you kissed me...
01:19:25I know.
01:19:27AND...
01:19:27And I'm sorry.
01:19:30Do you feel it?
01:19:32Was...
01:19:33No, I don't understand anything, Gonzalo.
01:19:36But hey, if that's what you want...
01:19:39That's it.
01:19:41Forgotten.
01:19:45Good night.
01:19:54The mother who gave birth to me.
01:19:59But you're a brute.
01:20:01And forgive me, but I gave it to you with all my love.
01:20:03Yes, Saturia.
01:20:04And what did you want me to do?
01:20:06Explain to her that an Indian poisoned me with a dart, that when I kissed her it wasn't even me.
01:20:15Well, when you see it like that...
01:20:18It's not a very believable excuse, to be honest, but...
01:20:22The day I tell her how I really feel...
01:20:25I wish I could remember it.
01:20:29Okay?
01:20:31Well, given that things are stagnant in matters of love, and health is more or less...
01:20:37Let's go for the treasures.
01:20:44Come on.
01:20:46Would you be able to rebuild...
01:20:49the rock?
01:20:52That's right, you've taken a piece of it.
01:20:53A piece?
01:20:54A piece of my balls?
01:21:00So, wow...
01:21:01You'd better make yourself some space.
01:21:03We're not going to that Lorinoco place.
01:21:05I've been told it's a city of gold in the middle of the jungle.
01:21:08No, Saturia.
01:21:09Greed knows no bounds.
01:21:11He changed my brother and has caused many innocent people to die.
01:21:15No.
01:21:16El Dorado will stay wherever it is.
01:21:19Damn...
01:21:19I'm not telling you to bring the whole city with you.
01:21:23With a door like that...
01:21:25Okay?
01:21:44Don't follow me.
01:21:46Don't follow me.
01:21:48Don't follow me.
01:21:48Don't follow me.
01:21:50Mother, don't follow me.
01:21:51Mother, may it stay with you...
01:21:54Don't follow me! Go that way!
01:22:00Don't follow me, man! Stay right there! I want to see you!
01:22:04Don't follow me, man! Don't follow me! Come on!
01:22:12Ma'am! Help! Help!
01:22:17Happy birthday, Your Majesty!
01:22:19Let's just say that the attributes of Uceda's touch have suffered an unfortunate experiment.
01:22:28This devilish thing has the devil inside.
01:22:30I have something for you.
01:22:31I've gotten you a job at the Royal Palace.
01:22:35Lina?
01:22:36It would be the same as Miss Irene.
01:22:38This endomolina.
01:22:39But what are you doing there?
01:22:40That's all we needed.
01:22:41The devil walks through the rooms of your palace as if it were his own home.
01:22:44Irene needs to have an exorcism performed.
01:22:50Have you studied music?
01:22:51No, you haven't studied music.
01:22:53No.
01:22:55We need to find the person responsible for this.
01:22:58Again!
01:23:02Do I seem like someone to be pitied?
01:23:04I would never think that about you.
01:23:06Or does my son think so?
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