Amos and Andy try to make a go of their open-air taxi business while they get caught up in a society hassle, involving driving musicians to a fancy party.
#B&W #comedy #family
#B&W #comedy #family
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00:00:08The
00:00:32THE END
00:01:04I wonder what's holding it up. Fred, what seems to be the trouble?
00:01:10I don't know, Mr. Flair. Some kind of a tie-up.
00:01:15This is terrible.
00:01:17Oh, don't get excited, darling. It won't help, man.
00:01:20The train's due at 10.40 and at 10.30 now. We'll never make it.
00:01:24Well, perhaps the train will be late.
00:01:26Don't be so optimistic.
00:01:28The trains are only late when people are on time.
00:01:32If I wired Richard Williams, I'd surely meet him.
00:01:34A nice reception for the visitor coming all the way from the south.
00:01:37Now, don't worry, darling.
00:01:39He has our address.
00:01:40Surely he'll have sense enough to take the train to heart stage.
00:01:44What on earth is holding her cup?
00:02:00Hey, get that thing out of here.
00:02:03That's it, Mr. Yassin.
00:02:06Amos, as president of the French Airs Taxi Cab Company, I'm telling you to get behind this thing and push
00:02:13it out of here.
00:02:15I ain't gonna do it.
00:02:18Let me at that thing. I'll fix it.
00:02:26Amos, look out.
00:02:30But then you know a policeman's gonna come up here and arrest both of them.
00:02:33Don't you worry about a policeman.
00:02:36You get this thing fixed and get out of here.
00:02:38I'll take care of the police.
00:02:41Uh-oh.
00:02:43Amos, I told you police can come up here and arrest if you don't get out of here now.
00:02:48Who wants this care?
00:02:49A real partner, Mr. Yassin.
00:02:51Mr. Yassin, he is the president.
00:02:54I is not.
00:02:55You is now.
00:02:57I don't care anything about that.
00:02:58Get this thing out of here or I'll run you both in.
00:03:00Yassin, Mr. Yassin.
00:03:02Yassin, look what we do as fast as we can.
00:03:07I was ready.
00:03:09Go ahead, Amos. Go ahead.
00:03:10Andy, look under the front seat and hand me a monkey wrench, will you?
00:03:19Andy!
00:03:19Amos, what is you doing?
00:03:21Come on, let this thing start.
00:03:23Come on, come on, get out of here.
00:03:36Hurry up, get in there.
00:03:37Get out of here.
00:03:38Come on, hurry up.
00:03:40Hurry up, get out.
00:04:13Well, I beat you again, Ralph, but I broke my saddle since doing it.
00:04:16Well, even so, I think I should have the kiss anyway.
00:04:19Oh, no.
00:04:20A bet's a bet, Ralph.
00:04:33Jane, I was going to speak to your mother this morning.
00:04:35What about?
00:04:36Something about you.
00:04:38Something important?
00:04:39Well, important to me, and to you, I hope.
00:04:44When I got to the house, she was gone.
00:04:46Oh, yes, Mother and Dad went to the Pennsylvania station to meet a friend arriving from the south.
00:04:52I wonder what he'll be like for all these years.
00:04:56Oh, a he.
00:04:59Oh, yes, Richard Williams.
00:05:00We were kids together back in Georgia.
00:05:03Really?
00:05:05Rich and handsome, I suppose.
00:05:07I don't remember what he looks like.
00:05:09But he's not rich.
00:05:11Not anymore.
00:05:12His father's death left the family in difficulty.
00:05:15Too bad.
00:05:17His dad and my dad were great friends.
00:05:20That's why he's coming north.
00:05:21Oh, to see your father.
00:05:24I heard Dad say he was coming to Trayton property in New York.
00:05:29No, I feel rather sorry for him.
00:05:32I wish you'd feel rather sorry for me.
00:05:35Why?
00:05:36What's the matter with me?
00:05:37You know what's the matter with me.
00:05:41Jean, I love you.
00:05:44There isn't anything in the world I wouldn't do for you.
00:05:48Will you do something for me right now?
00:05:51Anything.
00:05:52Ride up to the stable and get me a new cinch for my saddle.
00:05:56Is that all?
00:05:57Well, that's a lot.
00:05:58Or else one of us will have to walk home.
00:06:02All right.
00:06:04Now, will you do something for me?
00:06:06What?
00:06:08Think about marrying.
00:06:10And when I come back, give me your answer.
00:06:42Very thing.
00:06:43Come here.
00:06:43you. I'm sorry my taxi caused you so much trouble, but I don't think you ought to take it out
00:06:49on the
00:06:49horse. Oh, you don't, huh? Well, just what business is it of yours? None, I suppose, but you'll get
00:06:59more out of him if you're gentle with him. When I need your advice, I'll let you know.
00:07:06Bill, you stubborn beast. I wouldn't do that again if I were you.
00:07:12Oh, no. Well, just what would you do? What's the problem? Nothing, Gene. This young Don
00:07:22Coyote is just giving me a lesson in horsemanship. I beg your pardon, did I hear this gentleman
00:07:28call you Gene? Yes. You're not Gene Blair. Yes. Why, I'm Richard Williams. Why, Richard,
00:07:37I'm so glad to see you. Why, this is the boy I've been telling you about. Richard, I want you
00:07:44to meet
00:07:44Mr. Crawford. What do you do? Didn't Dad and Mother meet you at the station? No. I figured they were
00:07:52held up in traffic, so I took the first train up here. Well, I'm certainly glad you got here.
00:07:56Is this your first trip north? Why, no. I spent eight years in school up here. And you never
00:08:02even looked me up. Well, to tell you the truth, I didn't know where to find you until recently.
00:08:08Oh, Gene, don't you think we ought to finish our ride? Oh, I'm sorry. I'll run up the house.
00:08:11Oh, perhaps I'd better ride up with you, if you don't mind. Not at all, but I don't think there'd
00:08:16be
00:08:16enough room in the cab for the horse. Oh, Ralph, you understand, don't you? Why, of course.
00:08:23And you won't mind leading my horse home? It's a pleasure. Come on, Richard.
00:09:07Come on, Richard. Lawrence. Come on. Come on, Richard. Maintenant.
00:09:13Come on, Richard. Come on. Come on.
00:09:20Come on, boy.
00:09:39Is I blue?
00:09:41Is I blue?
00:09:43There'll be a little bit around to play.
00:09:45Is I is blue?
00:09:50Get away from that phone.
00:09:57This is the Fresh Air Taxicab Company of America Incorporated.
00:10:02Andrew Brown speaking.
00:10:05Oh, hello.
00:10:08It's Madam Queen.
00:10:09Of course, he said he was there after you, eh?
00:10:11What's that, honey?
00:10:13No, I can't right now.
00:10:16The Kingfish is coming over to talk over a big propolition.
00:10:22Well, I'll call you back.
00:10:25Oh, sure, sure.
00:10:28You know, me and you was going to a big dance tonight after the meeting.
00:10:34Well, that's sweet.
00:10:36Ducky Wucky loves you, too.
00:10:38Oh, Ducky Wucky.
00:10:40What's that?
00:10:42She is, huh?
00:10:44Ruby Taylor is over at Madam Queen's duty shop right now, Amos.
00:10:48What's he doing over there?
00:10:50What's that?
00:10:51Well, hold the phone a minute, honey.
00:10:54The madam wants the four of us to go to a big dance tonight after the meeting.
00:10:59Well, wait a minute. Let me talk to Ruby first.
00:11:01Hello, honey.
00:11:03It'll sound good to me.
00:11:05Well, I'll call you back.
00:11:06Wait a minute. Let me talk to Ruby.
00:11:08Hello. Hello.
00:11:09Uh, wait a minute.
00:11:11Amos wants to talk to Ruby.
00:11:13All right, sweetheart.
00:11:16Goodbye, sweetheart.
00:11:19Hello.
00:11:20Uh, hello.
00:11:22Uh, hello, Ruby.
00:11:23I didn't hear of Amos.
00:11:25The boy with the egg-shaped head.
00:11:26The boy with the egg-shaped head.
00:11:28I mean, uh, wait a minute, will you, Amos?
00:11:30Uh, hello, honey.
00:11:32Uh, Andy just told me about, uh, the, uh, the dance tonight.
00:11:37Oh, I ain't gonna dance with nobody but you.
00:11:41Oh, I like to dance.
00:11:42With the gal with big feet.
00:11:43With the gal with big feet.
00:11:45I mean, uh, wait a minute, honey.
00:11:46Andy, please let me alone with you.
00:11:49Excuse me, honey.
00:11:51Andy got me messed up that time.
00:11:54Well, listen.
00:11:55Will you shut up?
00:11:56Will you shut up?
00:11:57I mean, uh, uh, hold the phone just a second, honey.
00:12:00Andy, please let me alone, will you?
00:12:02You're getting me all mixed up.
00:12:04Seven million.
00:12:06Eight million.
00:12:08Ten million.
00:12:09Uh, hello, honey.
00:12:10Uh, hello.
00:12:12Uh, excuse me.
00:12:13Andy got me messed up that time.
00:12:16Well, listen.
00:12:17You big fat head.
00:12:19I said, uh, uh, uh, uh, uh, uh, uh, uh.
00:12:22Hold the phone a minute, honey.
00:12:23Hold the phone.
00:12:24Andy, please let me alone, will you?
00:12:26Well, Amos, remember that that is a business telephone.
00:12:29I know, Andy, but don't holler at me all the time.
00:12:33Uh, hello, honey.
00:12:35Well, listen, sweetheart.
00:12:37No, no, I got plenty of time.
00:12:39No, no, take your time.
00:12:41Hurry up.
00:12:41Hurry up.
00:12:42I mean, uh, uh, uh, wait just a minute, honey.
00:12:45Andy, all you was doing is getting me mixed up.
00:12:49That's all you're doing.
00:12:51Hello, Andy.
00:12:52Shut up, Ruben.
00:12:52I mean, uh, uh, uh, hello, Ruben.
00:12:55Uh, listen, honey.
00:12:57Uh, well, let's count on going to the dance right after we get out to meeting at the large hall
00:13:01tonight.
00:13:02All right, honey.
00:13:04All right.
00:13:05Goodbye.
00:13:06Well, Andy, that sounds pretty good, don't it?
00:13:09Boy, I gotta go out and get me some clothes, you know it?
00:13:16Amos, how much money have you got?
00:13:20Listen, Andy, why don't you forget about buying clothes or anything else?
00:13:23You know we ain't got no money.
00:13:25We ain't no better off right this minute than we was when we worked for Mr. Williams down in Georgia.
00:13:31Listen, Amos, I said I had to go out and get some clothes.
00:13:35Now, I know what I need.
00:13:37You just keep that big mouth for yours shut.
00:13:45Ever since you've been up here in New York, all you've been doing is putting on the dog.
00:13:50Sometime I wish I was back down in Georgia.
00:13:53I think about it all the time.
00:13:56Mr. Williams was good to us.
00:13:58I'm going to write him a letter, too, and let him know what they'll be thinking about.
00:14:02Boy, he's the friend that is a friend.
00:14:07Wait a minute.
00:14:08Here come the Kingfish.
00:14:10Well, hello there, Kingfish. Come in.
00:14:12Hello, Kingfish. How is it?
00:14:13Hello, boys. How is it?
00:14:15Glad to see you. Come on in, Kingfish.
00:14:18How is it?
00:14:19Well, boys, I've got to call on you now and then, because we're all brothers in that great fraternity, the
00:14:24mystic knights of the sea.
00:14:26Yeah, that's right, Kingfish.
00:14:27Yeah, we're brothers, ain't we, Kingfish?
00:14:29Boys, I've got an idea that I think we can work out through our mutual advantage.
00:14:34Well, what is the proposition?
00:14:37Well, now, brothers, I just want to lay my cards on the table.
00:14:40Well, we ain't got no table. I moved the typewriter and then put them right on the desk, Kingfish.
00:14:44Hey, my name, what are you doing?
00:14:46Now, keep out of that.
00:14:47All right.
00:14:49Receive, Kingfish.
00:14:50Well, I've got a chance, boys, for you to make some money.
00:14:53Uh-huh.
00:14:53That is, knowing that you is the businessman that you is.
00:14:56Uh-huh.
00:14:57Oh, sure, sure.
00:14:58Now, what is it, Kingfish?
00:14:59A friend of mine has an orchestra that's got a job tonight up at Heart State.
00:15:03Uh-huh.
00:15:04That's in Westchester County.
00:15:05And I can get the job for you boys to drive the orchestra up there
00:15:09in the fresh air taxi cab.
00:15:10Uh-huh.
00:15:11Well, sounds good.
00:15:12Yeah, we're looking for business, Kingfish.
00:15:14At 7 o'clock tonight, you pick up the orchestra in front of the treble clef club,
00:15:19and you take some up to Heart State to Mr. Blyer's house.
00:15:21Uh-huh.
00:15:22I got all the directions here on this paper.
00:15:24That's the job, yeah.
00:15:35Well, the Kingfish, do we have to bring them back?
00:15:37Yeah, how about getting them back, Kingfish?
00:15:39Oh, no, no.
00:15:41They'll get back.
00:15:41You just take them up there and leave.
00:15:43Uh-huh.
00:15:43And you boys don't forget.
00:15:45You must be back in time for the meeting at the lodge tonight.
00:15:47Uh-huh.
00:15:47Yeah, that is right, yeah.
00:15:49Yeah, ha, ha, ha, ha, ha.
00:15:50How much do you get for taking the orchestra up there?
00:15:53Well, now, uh, that's what I wanted to talk over with you.
00:15:57You see, the orchestra had other rings.
00:15:59Uh-huh.
00:15:59But I told them that I wanted you boys to drive them up there.
00:16:02Yeah.
00:16:03You see, Amos, me and the brothers did a lot.
00:16:05Uh-huh.
00:16:06Well, uh, how much do we get, Kingfish?
00:16:09Well, uh, figuring the mileage plus the time, uh, I told them, uh, it'd be $12.
00:16:15$12?
00:16:16Yeah.
00:16:18Now, I'm figuring, of course, that you boys are going to give me the customer's commission
00:16:21for getting you the job.
00:16:23The customer's what?
00:16:24The customer's commission.
00:16:26That is, in other words, uh, monetary rejuvenation.
00:16:30Uh, monetary rejuvenation.
00:16:32Monetary rejuvenation, Amos.
00:16:34Oh.
00:16:35What you mean, O?
00:16:36Just plain O. I just said O.
00:16:40Well, Kingfish, if you get the remission, how much do you get?
00:16:44Well, I worked on the usual scale of 10%.
00:16:47Uh, 10%, uh, how much is that, Kingfish?
00:16:50Well, uh, now, let's figure that out.
00:16:52Yeah, who, who, who's got a present?
00:16:54I got a little piece of one here.
00:16:56There you go.
00:16:59This is a disgrace to the present.
00:17:02Well, there's more than you got.
00:17:0510%, now, um, 10% is, uh, 10% is, uh,
00:17:17well, 10 is 10.
00:17:18Anybody knows that.
00:17:19That's right, Brother Andy, that's right.
00:17:21Now, 10%.
00:17:23Now, right here, we're gonna have to do some revising
00:17:25and some, uh, reductive.
00:17:28And looks like we're gonna have to time this thing, too.
00:17:32Now, 10 goes in the 12.
00:17:3910 goes in.
00:17:4310 goes in the 12.
00:17:47Well, get it in there.
00:17:48Will you shut your big mouth?
00:17:50All right.
00:17:5310 goes in the 12.
00:17:56Now, Brother Andy, you doin' that the old way.
00:17:59Let's do that the new way.
00:18:01To do it anyway, King Fistler,
00:18:03I can tell you he ain't never gonna get in there.
00:18:06That's a result of the present.
00:18:07All right.
00:18:09Now, uh, the new way you're talking about.
00:18:11Yes, sir.
00:18:12How you do it the new way?
00:18:13Well, now, uh, you boys just wait a minute.
00:18:16Here, show me that.
00:18:17I want to see that, too.
00:18:18The new way.
00:18:20Now, you take that 10,
00:18:22and you, uh, multiply it by two.
00:18:24Don't forget there are three of us.
00:18:26Amos.
00:18:27All right.
00:18:28Now, anybody knows that two 10s is 20?
00:18:34Oh, yeah.
00:18:35Sure, anybody knows that.
00:18:36Yes.
00:18:37Now, you take that 12,
00:18:38and you duck it from the 20,
00:18:39and that leave eight.
00:18:41Eight.
00:18:42Yes.
00:18:42And Brother's eight dollars is 10% of 12 dollars.
00:18:46The new way.
00:18:48That don't sound right to me, King Fistler.
00:18:51The old way was better than that.
00:18:53You see, King Fistler,
00:18:54Jameis don't know the new way they're figuring nowadays.
00:18:58Yeah, but the way, he got it figured that.
00:19:00We do all the work, and he get all the money.
00:19:02Well, I'll tell you what to do, boys.
00:19:04Uh, we as brothers.
00:19:06I'll cut that eight dollars in half,
00:19:08and take six.
00:19:09Well, now.
00:19:10Now, you was talking.
00:19:11That's more right.
00:19:12That ain't right yet.
00:19:13Uh, you couldn't cut that six in half,
00:19:15and take two, could you?
00:19:18Well, uh,
00:19:20as we as brothers, uh,
00:19:23I'll take you too, boys.
00:19:24That's the way I figured it.
00:19:25That's more likely.
00:19:26That's the way I figured it.
00:19:27Yes, I figured it.
00:19:28Well, I got to get going,
00:19:29cause, uh,
00:19:29I got to meet up with some of the other members, you know,
00:19:31and tell them about your meeting tonight at the law.
00:19:34Yes.
00:19:35Now, you got the directions on the face of that,
00:19:36so you won't get lost.
00:19:37Uh-huh.
00:19:38Well, see you later.
00:19:39So long, King Fistler.
00:19:41So long.
00:19:41So long.
00:19:41See you at the meeting tonight.
00:19:42All right.
00:19:43So long, King Fistler.
00:19:44So long.
00:19:46Twelve dollars for that job.
00:19:50I believe I'll get me a full-dressed suit.
00:19:52What are you talking about?
00:19:55Ameless.
00:19:56Go next door there and ask that sales shop man
00:19:59how much he charged for a full-dressed suit.
00:20:01I ain't gonna do it.
00:20:02Don't tell me you ain't gonna do nothing.
00:20:04I'll pop you one in the mouth.
00:20:05And I'll pop you right back, too.
00:20:06Don't you tell me that, though.
00:20:08Don't you tell that to me, though.
00:20:10Well, don't you tell me you gonna pop...
00:20:12Well, Vaughn hit me.
00:20:12Hit me once.
00:20:13No.
00:20:20Then I can count on that.
00:20:22All right.
00:20:23Goodbye.
00:20:24What did they say?
00:20:26They said the band left two hours ago.
00:20:29Left two hours ago?
00:20:32Then why aren't they here?
00:20:36What am I going to do to entertain my kid?
00:20:40What am I going to do for music?
00:20:43Don't worry, dear.
00:20:45They'll be here any minute.
00:20:46All this is really dreadful.
00:20:48If that band doesn't come soon, Gene's birthday party's room.
00:20:52Where is Gene anyway?
00:20:53If you want to find Gene, look for Richard.
00:20:57Yes, I've noticed that.
00:20:59Do you know they've been together every minute since that boy came here?
00:21:03I have a sneaking suspicion they rather like each other.
00:21:07You have a sneaking suspicion?
00:21:08Uh-huh.
00:21:09I know they do.
00:21:11And so does Ralph.
00:21:13Oh, Richard.
00:21:20Have you seen Gene?
00:21:22No.
00:21:23Not in the last five minutes.
00:21:28Well, I've got to do something to entertain my guests.
00:21:33Mr. Blair, I'd like to ask your advice about something.
00:21:36Why, of course.
00:21:38Sit down.
00:21:40What can I do for you?
00:21:43It's about that property I've been trying to save.
00:21:46Oh, yes.
00:21:47What seems to be the trouble?
00:21:48Today I learned the deed was never recorded.
00:21:51Is that so?
00:21:52No.
00:21:52But I have an idea.
00:21:54What is it?
00:21:55As you know, Grandfather Williams lived in Harlem many years ago.
00:21:59And that part of New York was considered way uptown.
00:22:02Yes.
00:22:03Well, the house has been vacant ever since Grandfather's death.
00:22:08And I think that the deed may be somewhere in that house.
00:22:11What do you think?
00:22:13It's quite possible.
00:22:14So I've decided to go to the old Williams' house tomorrow to look for.
00:22:18Of course.
00:22:19There may be nothing to it.
00:22:21I think it's worth trying, Richard.
00:22:23If I find it, it'll enable me to say no.
00:22:27I haven't been here long, but I'm beginning to like it.
00:22:36I think I understand.
00:22:38It'll mean an awful lot for you.
00:22:40I understand that, too.
00:22:43And, Richard, I think you have a great chance.
00:22:47That's encouraging.
00:22:48You know, there's always a chance.
00:22:51You know, you're awful.
00:22:52You're a frank, affable young man like you.
00:22:55Thank you, Mr. Frank.
00:23:01You're amazing.
00:23:02Have you seen my sister?
00:23:04Yes.
00:23:05I just saw her going on to the territory.
00:23:08Thanks.
00:23:25I just happened to overheard a conversation between Mr. Blair and Richard.
00:23:30What about?
00:23:31About a piece of paper.
00:23:33A piece of paper?
00:23:34And some subtle incidences regarding Jean.
00:23:37Why didn't you speak to Jean about announcing her engagement tonight?
00:23:40I did.
00:23:45She took me off.
00:23:47Looks like that Williams' boy is heading in on you.
00:23:50I'll take care of him.
00:23:51How?
00:23:53He's going to the old Williams' house in Harlem tomorrow to look for that certain piece of paper.
00:23:58What is that?
00:24:00If he finds it, he'll be in a position to marry Jean.
00:24:03Oh.
00:24:04I understand him.
00:24:11He's not going to find you.
00:24:14What's the stopping?
00:24:15I'm going there tonight.
00:24:17But it might be dangerous, though.
00:24:19Don't worry about that, dear.
00:24:21I know someone who'll go with me.
00:24:23He specializes in that kind of work.
00:24:26When do you intend getting away from here?
00:24:28As soon as the party is in full swing, I'll be on my way.
00:24:32I want you to meet me with the limousine at, uh, well, let's see.
00:24:35I'll make it up.
00:24:36Oh, Ralph, have you a cigarette?
00:24:38Oh, of course.
00:24:39Hello, darling.
00:24:40My dear, I've never seen you look more charming.
00:24:42Oh, thank you, Ralph.
00:24:43Oh, Jean, what's the trouble, Mother?
00:24:45Oh, darling, that band hasn't come yet.
00:24:48Oh, don't worry.
00:24:49They'll be here soon.
00:24:50They should have been here long ago.
00:24:52Oh, I'll be a wreck on my head.
00:24:55Mrs. Blair, can I get you anything?
00:24:57Yes.
00:24:58Get me a band.
00:25:14Come on, boys, hurry.
00:25:16You're late.
00:25:18Get me a band coming by.
00:25:20Get me a band coming by.
00:25:20To the band come about.
00:25:21To the maximum and right now.
00:25:22Yes, it's more than...
00:25:34Come on,ies.
00:25:42Me and you both.
00:25:46Well, Andy, I can tell you right now we're going to lose money on this job.
00:25:50Don't you worry about the money.
00:25:52I'll take care of the money.
00:25:53You get out there and fix the taxi cab.
00:25:57What do I mean?
00:25:58It needs a mess of fixing, too.
00:26:00Well, listen, Amos.
00:26:01We got to get this thing fixed and get back to the lodge meeting.
00:26:05Well, I can tell you right now, Andy, I can't fix the thing by myself.
00:26:10Well, Amos, I done wore myself out.
00:26:12Now, I got to sit here and unlatch.
00:26:23That ain't a mess I ain't never seen.
00:26:43What do you want me to do?
00:27:25I can tell you now that we ain't got no jack and I can't get this tire on that wheel
00:27:29by myself.
00:27:31Well, Amos, if you ain't got no jack, there's only one thing to do.
00:27:34What's that?
00:27:35That's for you to lift up the wheel and I'll slip the tire on the wheel.
00:27:39Give me that time.
00:27:41What do you mean lift it up?
00:27:42Can't you hold the hubcap?
00:27:43Yes, hold the thing and lift it up.
00:27:45All right, get ready now.
00:27:46All right, he ready?
00:27:47Yeah.
00:27:47Oh, come on.
00:27:48Put it on there.
00:27:50Well, put it on there, Andy.
00:27:51Well, wait a minute, will you?
00:27:54Hurry up, will you, please?
00:27:55Now, don't rush me.
00:27:56Wait a minute.
00:27:56Well, hurry up and put the thing on there.
00:27:59It'll move your arm.
00:28:01I got my hand on the hubcap.
00:28:03How is it going to move it?
00:28:06Hurry up, Andy.
00:28:07Please hurry up, will you?
00:28:08The thing is heavy.
00:28:09Listen, Amos.
00:28:10If I don't get a rest pretty soon, I'm going to have a breakdown.
00:28:13Well, put this thing on here, will you?
00:28:16Unchecked.
00:28:21Listen, Amos.
00:28:23I know how to get that thing on there.
00:28:25Now, wait a minute.
00:28:26Don't tell the president how to do nothing.
00:28:30But how?
00:28:31Now, look.
00:28:32You step in the wheel here and lift it up by the hubcap, and I show you how to get
00:28:37it on there.
00:28:38Now, step in here.
00:28:39Now, come on.
00:28:39Get in there.
00:28:41Now, when I tell you to lift it up, you lift it, and I'll get that wheel on that side.
00:28:45All right.
00:28:45Now, you ready?
00:28:46Yeah.
00:28:46All right, lift it up.
00:28:47Come on.
00:28:47Now, lift.
00:28:48I got it.
00:28:48Come on.
00:28:49I got it.
00:28:49Now, hold it.
00:28:50Wait a minute.
00:28:51Hold it.
00:28:51Just a minute now.
00:28:52What are you doing, Amos?
00:28:53What are you doing?
00:28:53Wait a minute.
00:28:54Wait a minute.
00:28:55You're breaking my back, Amos.
00:28:56Look out, will you?
00:28:57Wait a minute now.
00:28:58I got it.
00:28:59Hurry up.
00:28:59Hurry up.
00:28:59There it is.
00:29:00Now, hold it.
00:29:01What is you doing?
00:29:02Now, hold it.
00:29:03Now, hold it.
00:29:03Now, hold it.
00:29:04Now, hold it.
00:29:04Well, put your head down.
00:29:05I got it.
00:29:05Go ahead.
00:29:06Now, wait a minute.
00:29:07Let me get you.
00:29:08Now, hold it.
00:29:09Amos, you're breaking my back.
00:29:10Now, hold this thing up.
00:29:11Don't let it go.
00:29:12I got it.
00:29:12We almost got it.
00:29:14Hold it.
00:29:15Hold it now.
00:29:16Hurry up.
00:29:17Hold it.
00:29:18Now, just a minute.
00:29:19Hold it.
00:29:23There you go.
00:29:23Let it down.
00:29:33Sure.
00:29:41Oh, wasn't that funny?
00:29:44Oh, you'll excuse me, Richard.
00:29:46Certainly.
00:29:47Certainly.
00:29:59Have you promised the next dance to anyone?
00:30:02Yes, I promised it to Ralph.
00:30:04Oh?
00:30:05Well, I thought we'd go someplace where we could be alone and sit it out.
00:30:12Well, I'll meet you at the lake, directly after the dance, if you like.
00:30:17If I like.
00:30:18Isn't this our dance scene?
00:30:20Oh, yes, Ralph.
00:30:22Pardon me.
00:30:37As the president of the company, Amos, I just wanted to tell you...
00:30:41Listen, Andy.
00:30:42Why don't you stop telling me every five minutes that you is the president?
00:30:45Let's work together, will you?
00:30:48All right, Amos, all right.
00:30:50From now on, me and you is just the same.
00:30:53I ain't never going to say that word, president, no more.
00:30:57That's the stuff, Andy.
00:30:58Let's work together.
00:31:08The main thing we got to do now is to get this taxi cab back to Harlem.
00:31:11Well, we ain't going to have time enough to change our clothes before the large meeting now.
00:31:16Yeah, that's right, ain't it?
00:31:24Amos, Andy, Mr. Richards.
00:31:27Well, I'll be doggone, Mr. Richards.
00:31:30Mr. Richards, that ain't really you, is it?
00:31:33Well, what in the world are you boys doing up here?
00:31:35Do you work for Mr. Blair?
00:31:36No, sir.
00:31:37We done ripped the band up here from New York.
00:31:40We in business for ourselves.
00:31:42Yeah, sir.
00:31:43We in the taxi cab business in New York City.
00:31:45Is that so?
00:31:46Oh, that's great.
00:31:47Oh, yeah.
00:31:48I as the president of the company.
00:31:57Amos and Andy.
00:31:59You know, boys, I often wondered what became of you after you left Georgia.
00:32:03Oh, Mr. Richards, we certainly do miss that old place, too, you know it.
00:32:06Me and Andy talk about it all the time.
00:32:09Yeah, that was the best home we ever had.
00:32:11You all certainly was good to us down there.
00:32:13Your father treated us just like we were his own children.
00:32:17I was just telling Andy the other day that I can write him a letter next week and let him
00:32:21know that we're thinking about it.
00:32:23We sure would love to see him again.
00:32:26Well, Amos, I'm afraid none of us will ever see Dad again.
00:32:33What do you mean, Mr. Richards?
00:32:36Well, Dad's gone.
00:32:42Gone?
00:32:45You don't mean that.
00:32:47Oh, Mr. Richards, I certainly am sorry to hear that.
00:32:54So was I, Mr. Richards.
00:32:56Your dad was the best friend that we ever had.
00:33:00Ever since we wept for him.
00:33:03He raised us, and we loved him.
00:33:06And when we was telling him goodbye, he said to us, he said,
00:33:10Boys, he said,
00:33:11If you ever need anything, or anything ever go wrong,
00:33:14remember that you can always write home.
00:33:18And he made us feel like he had a home.
00:33:21And I know that if he didn't have but one loaf of bread,
00:33:24that he would give us half of it.
00:33:27And you say he's gone.
00:33:29Yes.
00:33:32Well, Mr. Richards,
00:33:34if we can ever do anything for you,
00:33:36why just let us know.
00:33:38Well, thanks, boys.
00:33:40Yes.
00:33:41We are just driving back to Harlem now, Mr. Richards.
00:33:44Yes, sir.
00:33:46Well, seeing you boys again
00:33:48certainly brought back old times.
00:33:50Yes, sir, it certainly is, eh?
00:33:54You know...
00:33:55I just can't believe that's you standing there, Mr. Richards.
00:33:58I just can't believe you were standing there, you know it.
00:34:02Here's my personal card, Mr. Richards,
00:34:04with my name read on it in pencil there.
00:34:07My regular cards ain't got back from the printer yet.
00:34:11Well, I'll keep this and try and get in touch with you.
00:34:14We certainly would appreciate it, Mr. Richards,
00:34:16if you would get in touch with us.
00:34:17Oh, yeah, that would be nice.
00:34:19Boys, I've got to leave you now,
00:34:20but I'll try and see you real soon.
00:34:23All right, Mr. Richards.
00:34:24Goodbye, Amos.
00:34:24Goodbye, Andy.
00:34:25Goodbye, Mr. Richards.
00:34:26Goodbye, Mr. Richards.
00:34:26Goodbye.
00:34:54Goodbye, Mr. Richards.
00:34:57Goodbye, Mr. Richards.
00:35:01Goodbye, Mr. Richards.
00:35:11Goodbye, Mr. Richards.
00:35:40Oh, what I'm here for the wonderful day, you hear those three little ones, that's all I've lived for the
00:35:53rest of my day.
00:35:55And what I feel in my heart may help to hear me, no other word can tell it last so
00:36:06clearly, three little words, eight little letters which simply means I love you.
00:36:40Oh, what I feel in my heart may help you, no other word can tell it last so clearly, three
00:36:42little letters which simply means I love you, no other word can tell it last so clearly, three little letters
00:36:46which simply means I love you.
00:36:50Oh, what I feel in my heart may help you, no other word can tell it last so clearly, three
00:37:01little letters which simply means I love you, no other word can tell it last so clearly, three little letters
00:37:14which simply means I love you.
00:37:17Oh, what I feel in my heart may help you, no other word can tell it last so clearly, three
00:37:29little letters which simply means I love you, no other word can tell it last so clearly, three little letters
00:37:42which simply means I love you.
00:37:46Oh, what I feel in my heart may help you, no other word can tell it last so clearly, three
00:38:04little letters which simply means I love you, no other word can tell it last so clearly, three little letters
00:38:07which simply means I love you.
00:38:39Oh, what I feel in my heart may help you, no other word can tell it last so clearly, four
00:38:40treKIważone and at least four- multiplied the Greek gift cards are tucked in there, three little letters should be
00:38:42said.
00:39:26What are you thinking about?
00:39:29Guess.
00:39:30Is it about me?
00:39:33How did you know?
00:39:35A woman's intuition, I suppose.
00:39:40Perhaps your intuition can tell you all the things that I want to say.
00:39:45Perhaps.
00:39:46But I'd much rather hear you say them.
00:39:49Well, if I have any luck at the old Williams house tomorrow...
00:39:52Why wait till tomorrow?
00:39:55There's so much I want to say.
00:39:58I just can't seem to express it.
00:40:02Listen, do you hear what they're singing?
00:40:05That seems to say it so much better than I can.
00:40:07I just can't seem to express it.
00:40:50Quiet, brothers.
00:40:55Brothers of the Mystic Knights of the Sea,
00:40:59I hereby call this meeting to order in due form.
00:41:04The Secretary will now read the minutes of the last meeting.
00:41:12At the last meeting of the log which was held to collect the news,
00:41:15there was nobody present.
00:41:17Those are the minutes, brothers, of the last meeting.
00:41:25Do I hear a motion?
00:41:29I make the motion that the minutes be redacted.
00:41:35How second and third?
00:41:38Brother Andy, put the motion.
00:41:43All favor, signify by the usual sign,
00:41:45the reponent's no, the eyes has got it.
00:41:48There you are.
00:41:53That makes it your animals.
00:41:58Brothers, this special meeting comes once a year
00:42:01in honor of the founder of this great lord
00:42:05who was lost at sea whilst doing night watch duty.
00:42:09So, brothers, once a year on this night,
00:42:12two of the members have to do night watch duty
00:42:14in the old vacant house
00:42:16so as to prove that they have the courage of the founder
00:42:21and be worthy of this great organization,
00:42:24the Mystic Knights of the Sea.
00:42:27Amen.
00:42:31Brothers, starting this year
00:42:33to pick the members for the night watch,
00:42:35we're going to use the alphalette
00:42:37running from A to Z.
00:42:39So now I have the list of the members
00:42:42who is to anticipate in the drawing
00:42:44for the night watch this year.
00:42:47The brothers whose names start with the letter A
00:42:52will please come forward when I call their names.
00:42:55Brother Adolf
00:43:01Brother Alphalp
00:43:07Brother Abner
00:43:12Brother Amos
00:43:14and Brother Arthur
00:43:27and Brother Andy
00:43:50The numbers will be drawn from the box
00:43:52and the brother that picks number seven
00:43:55does the night watch duty
00:43:56and chooses another brother to go with him.
00:43:59Brother Mackerel, give me the box.
00:44:00Yes.
00:44:05Boys, you now reach it in the box.
00:44:08Brother Arthur, you first.
00:44:10Remember, brother,
00:44:11the one that draws number seven
00:44:13stands at night watch duty.
00:44:17Min-min-min-min-min-min-min-min-min-min-min.
00:44:20Number six.
00:44:27Brother Amos, use the next.
00:44:33Number two.
00:44:36Brother Andy, it's your chance.
00:44:39Seven.
00:44:41Many is the time you failed me.
00:44:43If you ever failed me before,
00:44:46fail me now.
00:44:48Brother Andy, it's your chance.
00:44:54I got it.
00:45:05Brother Andy has drawn number seven.
00:45:09Min-min-min-min-min-min-min.
00:45:12Brother Andy, will you step up on the platform?
00:45:17Now choose somebody to go with you.
00:45:21I'll take a policeman.
00:45:24No, no, one of the brothers.
00:45:30Well, Kingfish, me and Amos is partners, so I'll take Amos.
00:45:36Brother Amos, will you step up on the platform?
00:45:40The rest of you brothers can take your seat.
00:45:44You boys are mighty lucky to have this great honor fall on you.
00:45:49We are lucky.
00:45:51Now here's the instructions.
00:45:53You go into the old vacant house at midnight tonight,
00:45:57and you stay there one hour after midnight,
00:46:01exactly the same hours that the founder was lost at sea.
00:46:06Well, which house does we go to?
00:46:08Yeah, which house?
00:46:10The old Williams' house.
00:46:12The old Williams' house?
00:46:14The old Williams' house?
00:46:14They say that house is haunted.
00:46:16Yes.
00:46:17They say it is, Brother Amos.
00:46:19But there ain't nothing to that.
00:46:22Ain't nothing to that, huh?
00:46:24Of course, it has been said that at a certain hour you'll hear a strange moaning.
00:46:31But there ain't nothing to that.
00:46:39Well, what is this supposed to do when we get there?
00:46:43You have to find a piece of paper that was left there last year by the two brothers,
00:46:48marked with the words check and double check.
00:46:51And then you leave the piece of paper marked in the same way for the brothers to find next year.
00:46:57Well, uh, what do we do with the paper that we find?
00:47:02You have to bring it back to the lodge to prove that you were there.
00:47:05And we put you the way in the arch-coyle.
00:47:07In the where?
00:47:08In the car-coyle.
00:47:10Oh.
00:47:15Say, King Face, with me they must do this night watch tomorrow night instead of night.
00:47:21You see, uh, we got a date tonight with Madame Queen and Ruby Kaye.
00:47:25Boys, this is no report.
00:47:28It must be done tonight.
00:47:31Then we got to tell the gals why we can't meet them.
00:47:34You can't do that.
00:47:37Remember, the night watch is the most important secret of the lodge.
00:47:42And nobody but the members must know about it.
00:47:47Well, uh, how does we get in this house, King Face?
00:47:51Brother Jackson is the caretaker of the old Williams home,
00:47:55and he lets us use it on this case.
00:47:57He escort you up to the house at midnight
00:48:00and lets you out at one o'clock if you have the paper.
00:48:06Oh, we is locked in, huh?
00:48:09He locks the door when you goes in.
00:48:16Boys, you can now sit down.
00:48:27Brothers, I have hopes that we send these two wordy brothers on their way with our best wishes.
00:48:34Brother Mackle, will you take your place at the office?
00:48:38And before we dismisses the meeting, we will all sing the large song.
00:48:51When you heard that, we will sing the large song of the Lord,
00:48:53we will be the D&D Sheikh.
00:48:54We will sing the long song of the Lord .
00:48:56We will sing the song of the Lord .
00:49:02We will sing the year of the Lord .
00:49:06We will sing the song of the Lord .
00:49:13Nobody knows, nobody knows, nobody knows what you know.
00:49:34You'd better wait for me around the corner.
00:50:04Are you sure you can open it?
00:50:05Watch me.
00:50:09There you are.
00:50:10That's about to come on.
00:50:12Come on.
00:50:13Come on.
00:50:13Come on.
00:50:20Come on.
00:50:21Where do we start looking?
00:50:22Very likely the old man's study is upstairs.
00:50:25Come on.
00:50:31Come on!
00:51:00Come on.
00:51:02Here's the rest.
00:51:05I'll be back for you at one o'clock.
00:51:09Mother, go upstairs.
00:51:12Meet up to the hospital.
00:51:23Uh-oh. We locked in.
00:51:29We sure will, Amos.
00:51:32Well, let's get going, Amos.
00:51:36Now, it ain't nothing to be scared of, nothing to worry about.
00:51:41You lead the way, Amos. Go ahead.
00:51:55Go ahead. Go ahead.
00:52:04Go ahead.
00:52:05Go ahead.
00:52:10Go ahead.
00:52:17Go ahead.
00:52:19Go ahead.
00:52:23Go ahead.
00:52:26Go ahead.
00:52:27Go ahead.
00:52:28Go ahead.
00:52:30Go ahead.
00:52:32Go ahead.
00:52:48What are you closing the doors for?
00:52:51That's just in case somebody is following us.
00:52:54That's all.
00:52:59Well, what are we going to do now?
00:53:02We're going to find that paper.
00:53:04Get going.
00:53:05All right.
00:53:14Take that light out of my face.
00:53:15Put it down here.
00:53:20Grim's very safe.
00:53:23Come on.
00:53:27You got a hammer?
00:53:28Yeah.
00:53:44Did you hear that?
00:53:47Oh, there ain't nothing to that.
00:53:49Maybe that was the window shutter flopping against the house.
00:53:52Sure.
00:54:01He must take it easy.
00:54:03All right.
00:54:17What was that?
00:54:20That did sound kind of funny, didn't it?
00:54:22Sure did.
00:54:25Not nothing.
00:54:26Probably a cat.
00:54:33It was the window sheath.
00:54:37That's what I thought it was.
00:54:44Hold the light over here.
00:54:58What was that?
00:55:00Sounds like the wind blowing.
00:55:02Sounds like the wind's upstairs in the house.
00:55:11Oh, let me see it.
00:55:13Hello!
00:55:20Amos.
00:55:21Hmm?
00:55:22How long have we been here?
00:55:24Seems like a long time, don't it?
00:55:44Don't go away by yourself and make me worry about you.
00:55:48All right.
00:56:00Come on.
00:56:13Come on, Andy.
00:56:31Amos.
00:56:32Amos.
00:56:33What is it?
00:56:34Something's caught up with me.
00:56:36What do you mean?
00:56:43Behind me.
00:56:49I don't see nothing.
00:56:56You're wrong.
00:57:05Don't never do that no more.
00:57:07That ain't nothing but your coat caught in the door.
00:57:24I wish we could find that paper and get out of here.
00:57:26Well, look for it.
00:57:27All right.
00:57:37And I don't think that we go...
00:57:39Well, I'll be doggone that, Phil.
00:57:45I told you I'd find that paper.
00:57:51Check and double check.
00:57:53Now we gotta leave a piece of paper marked the same way.
00:57:56Yeah.
00:57:57Has you got any paper?
00:57:59I ain't got nothing with me.
00:58:01Boy, I gotta think of everything, don't I?
00:58:03Well, come on.
00:58:04We can find a piece of paper here somewhere.
00:58:06Come on, Andy.
00:58:09Leave us some paper in this here, too.
00:58:21It's all your stuff.
00:58:23Well, pull on it, Amos.
00:58:24All right.
00:58:28Get told, Al.
00:58:36There's somebody downstairs.
00:58:40Amos, what are you doing?
00:58:42Well, I didn't know the thing was gonna fall out there, did I?
00:58:52We can write on this.
00:58:54Certainly we can.
00:58:55Did you got a pencil?
00:59:03Yeah, here's one.
00:59:09What's that?
00:59:11Sounds like it's coming this way.
00:59:13Come on, Andy.
00:59:13Let's get over here.
00:59:40Open it, Andy.
00:59:41Let's open it quick.
00:59:42I'm trying to do it, ain't I?
00:59:45Don't push.
00:59:46Pull.
00:59:46I is pushing.
00:59:52Check him out.
00:59:55What are you doing here?
00:59:56We just come here to get the paper, mister.
00:59:59No, you came to get the paper.
01:00:00Well, have you got it?
01:00:02Yes, sir, mister.
01:00:03Yes, sir.
01:00:03All right.
01:00:04Hand it over.
01:00:05We can't, mister.
01:00:06We got a ticket back to show that we was here.
01:00:08Oh, you do, huh?
01:00:09Hand it over.
01:00:10Yes, sir, mister.
01:00:11Yes.
01:00:13Get over there.
01:00:17See if you can open that door.
01:00:23Hurry up.
01:00:27Oh.
01:00:30And don't try to follow me.
01:00:32Yes, sir.
01:00:33Yes.
01:00:37Oh, you do.
01:00:39Yes.
01:00:40Yes.
01:00:40No.
01:00:49Going...
01:00:53Oh, no.
01:01:09Well, did you get it?
01:01:11Did I get it?
01:01:13Don't I always get what I go after?
01:01:16Let me see it.
01:01:18Patience, sister.
01:01:20Patience.
01:01:23Feast your eyes on this.
01:01:27Check and double-check.
01:01:44And I searched that old house and fell under the roof and found nothing.
01:01:48Why let it lick you, Richard?
01:01:50That isn't the last thing in the world.
01:01:52But don't you see?
01:01:53It meant more to me than merely settling in the States.
01:01:56I understand.
01:01:57Good boy, hurry away.
01:02:11Mr. Blair, I love Jean, but I can't expect her to give up everything for me.
01:02:22There might be something I can do.
01:02:24I'm not very kind of you, but I couldn't think of this.
01:02:29Come in.
01:02:33What is it, Mason?
01:02:34Pardon me, sir, but this Jean is in the living room.
01:02:37She would like to speak with Mr. Richard.
01:02:40Oh, thank you, Mason.
01:02:42Then your mind is definitely made up.
01:02:44Yes, Mr. Blair.
01:02:46Mason.
01:02:47Stay with Mr. St. Lucky.
01:02:50Well, Richard, I'm sorry to see you go.
01:02:53If I can be of help to you at any time, I want you to call on me.
01:02:57Thank you, Mr. Blair.
01:02:59Goodbye.
01:03:00Goodbye, Richard.
01:03:08Goodbye, Richard.
01:03:08Goodbye, Richard.
01:03:42Mason told me.
01:03:44And you're really gone.
01:03:46Yes.
01:03:47Don't you think you ought to make one more effort before you give up?
01:03:51No use.
01:03:53I made a thorough search and it was nowhere to be found.
01:03:56The power is wicked.
01:03:58All right, Mason. I'll be right out.
01:04:03Do you think you might come back again soon?
01:04:06There's nothing I'd like to do more.
01:04:09Other things are rather hopeless.
01:04:13Goodbye, Gene.
01:04:15Goodbye, Richard.
01:04:58Yes, things are in the best, Amos.
01:05:01I done called up the madam, tried to explain it to her on the telephone.
01:05:05She hung up the phone. She won't even talk to me.
01:05:09They was all dressed up.
01:05:11Yes.
01:05:11They affected us there.
01:05:13You can't blame them.
01:05:15No.
01:05:17That reminds me, man, that we were supposed to bring that paper from the house to the lodge hall to
01:05:22let them know that we was there.
01:05:24You got it?
01:05:26Yeah, I got it.
01:05:35Oh, boy.
01:05:37What's the matter?
01:05:37This paper ain't no good.
01:05:40It ain't.
01:05:41You know what we done done?
01:05:43What we done done now?
01:05:45We done give that check and double-checked paper to those men back at that house.
01:05:50We healed.
01:05:52Well, that means that we're in more trouble now at the lodge hall.
01:05:59Yeah, I don't know what we're going to do, Amos.
01:06:02The gals are mad with us.
01:06:05The kingfish is going to be mad with us.
01:06:10Everything is wrong.
01:06:13I was down in the dump.
01:06:14You know what, Andy?
01:06:21D-E-E-D.
01:06:28Dead.
01:06:31Oh, there ain't no use to give up.
01:06:38D-E-E-D.
01:06:48Somebody's dead.
01:06:52D-E-E-D ain't dead.
01:06:55That's dead.
01:06:57Let me see that thing.
01:07:05Between...
01:07:06Frank Wood...
01:07:08Party of the First Part...
01:07:13And...
01:07:14Look here, Andy.
01:07:16Richard Williams, S.R.
01:07:18Richard Williams.
01:07:21That thing looking important to me, there's Richard Williams.
01:07:23We better not mess with that thing.
01:07:25We better call up Mr. Richard.
01:07:27Where are you going to get him?
01:07:29Oh, well, remember he was up at that house in Hortdale, uh...
01:07:33Uh, Mr. Blair's house?
01:07:35Yeah.
01:07:35We ain't got no reburban book, is it?
01:07:37No, uh...
01:07:38Call up the operator, ask her for the number.
01:07:40Go ahead.
01:07:42Uh, hello?
01:07:43Uh, hello?
01:07:45Uh, I want to talk to Mr. Blair's house in Hortdale, uh...
01:07:50All right, ma'am, I'll do it.
01:07:54What in the world is you doing there, Amos?
01:07:57Uh, she's there to hold the line.
01:07:59No, no, don't hold that thing.
01:08:01Go on, talk to her.
01:08:02Let's loosen that.
01:08:03Uh, uh, hello?
01:08:05Hello?
01:08:08Well, Mr. Williams is not here.
01:08:11No.
01:08:12No.
01:08:14He left.
01:08:16He's catching the three o'clock train out of the Pennsylvania station.
01:08:21What's that?
01:08:23Well, I don't think you can.
01:08:25It's 2.30 now.
01:08:27All right, sir.
01:08:28All right, sir.
01:08:29Thank you very much.
01:08:30Goodbye.
01:08:31Uh, listen, Andy.
01:08:32The gentlemen say that, uh, Mr. Richards is, uh, leaving, uh, from the Pennsylvania station
01:08:37at three o'clock.
01:08:39Oh, he's leaving, huh?
01:08:41Uh, listen, now, Andy, listen.
01:08:42I got an idea that that thing is reporting.
01:08:45And I tell you what, we got 30 minutes.
01:08:47We can hop in the taxi cab and go down to the Pennsylvania station and catch Mr. Williams.
01:08:51Baby, you're right.
01:08:52Well, bring that thing with you, Andy.
01:08:53Bring that thing with you.
01:08:54All right, let me go here.
01:08:54Let me get this thing out.
01:08:57Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:09:14Oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:09:17Don't ever holler at me no mole even when I talk in the street, you hear?
01:09:20Well, take it slow.
01:09:21Well, take it slow, Amos, take it slow.
01:09:23Well, that's all right, but not driving.
01:09:24You keep still.
01:09:28Turn down 7th Avenue.
01:09:38Is that daylight saving time?
01:09:40No, sir.
01:09:41That's railroad time.
01:09:42We'd better hurry.
01:09:53Uh-oh.
01:10:00What happened?
01:10:11Turn left.
01:10:14Turn left.
01:10:15I mean, right.
01:10:16I mean, left.
01:10:17Go ahead.
01:10:18Go ahead.
01:10:25Abel!
01:10:28Let go of the wheel.
01:10:29What is the matter, Mr. Anderson?
01:10:31Well, look where you're going, Amos.
01:10:32Look where you're going.
01:10:42Amos!
01:11:01Amos, don't ever do that no more.
01:11:03Well, I ain't hit nothing yet, Amos.
01:11:05I know.
01:11:06But you ain't got to graze everything, is you?
01:11:10How do you do, sir?
01:11:18There's a big boat here.
01:11:20Well, drive on here, huh?
01:11:26Track three on the right.
01:11:39Mr., could we see that gentleman down there, please, sir?
01:11:41Sorry, I can't let you through.
01:11:42Well, Mr., we got to see him.
01:11:43Mr. Porton, please.
01:11:44We got to go down there.
01:11:44I'm sorry, but you're too late.
01:11:48Come on, Amos.
01:11:52I'll tell you, please.
01:11:54Oh, Mr. Richards!
01:11:55Oh, Mr. Richards!
01:11:56Hey, Mr. Richards!
01:11:57Oh, Mr. Richards!
01:11:59Mr. Richards, can I see you after this, please, sir?
01:12:03Oh, Mr. Richards, we got something important for you, please.
01:12:05We got to see you.
01:12:06Come up, please, sir.
01:12:07Yes, sir.
01:12:10Tell that red cap to bring my bags out here.
01:12:14Aboard!
01:12:24What's the matter, Mr. Richards?
01:12:26We found a piece of paper that got your name on it,
01:12:28and it looked like Porton.
01:12:29We think it belonged to you.
01:12:31Yes, sir, there it is.
01:12:34Well, where did you get this?
01:12:36Why, boys, this means everything to me.
01:12:38I told Amos that was important.
01:12:40Yes, sir.
01:12:41Well, how did you get it?
01:12:42Where did you find it?
01:12:43Well, I tell you, Mr. Richards!
01:12:44I'll explain it to him.
01:12:45All right.
01:12:46You see, uh, Mr. Richards, me and Amos belong to a lodge.
01:12:52Yes.
01:12:52And every year, we have to go out to a house.
01:12:57Yes.
01:12:58To find a piece of paper.
01:13:10Boy, when the gal that you love won't speak to you, that's bad.
01:13:15If they would only call up or something.
01:13:18They ain't never going to do that.
01:13:22Oh, it ain't no use, Andy.
01:13:24Well, who do you want, Mr. Handy?
01:13:25Yes, sir, yes, sir.
01:13:26Come in.
01:13:28You, boy.
01:13:28Thank you, sir.
01:13:29Much obliged to you.
01:13:30All right.
01:13:31Bye.
01:13:31Goodbye.
01:13:32What in the world is that, Andy?
01:13:34Well, open it up.
01:13:35Don't stand there looking at it.
01:13:37Open it up.
01:13:37All right.
01:13:38Give me a chance here.
01:13:38I don't know what's this.
01:13:43Look at that.
01:13:44Well, what in the world is this?
01:13:47Good guess.
01:13:50What's the matter?
01:13:54Well, read it.
01:13:55What's the matter?
01:13:57Well, read the thing, Amos.
01:13:58What is the matter with you?
01:14:00Oh, yes, yes, yes, yes.
01:14:03Say, dear boy, we want you to have a part of our wedding cake.
01:14:08We'll never forget you for the happiness you have brought up.
01:14:12And as soon as we return from our honeymoon,
01:14:16I will get in touch with you.
01:14:18Best wishes, Mr. and Mrs. Richard Williams.
01:14:23Well, I've had doggone Mr. Richard done got married.
01:14:26Mm-hmm.
01:14:27Mm-hmm.
01:14:28Ain't that something?
01:14:31Well, Amos, it looks like everybody is happy but us.
01:14:35Sure do, Andrew.
01:14:37That's a nice-looking cake, ain't it?
01:14:38Yeah, that's pretty, ain't it?
01:14:42Boy, for the first time in my life,
01:14:45I ain't got no appetite.
01:14:48And then I feel the same way, you know?
01:14:50Get away from that, boy.
01:14:52You get away from that yourself.
01:14:53Ah, hello.
01:14:56Hello.
01:14:58Ruby?
01:14:59What's that?
01:15:02You done heard all about it and you ain't mad with us no more?
01:15:06Well, you still over at Madam Queens, ain't you?
01:15:07Let me talk to the matter.
01:15:08Well, listen, honey, me and Andy be over there right away.
01:15:11We've got something pretty for you.
01:15:12Tell us good to eat.
01:15:13It's good to eat.
01:15:14We come right over with it.
01:15:15We bring it right over there, honey.
01:15:16Sure.
01:15:17All right, sweetheart.
01:15:19Oh, you would love it, honey.
01:15:21All right, honey.
01:15:22Goodbye.
01:15:23Andy, they say they done heard all about it.
01:15:25Wrap this thing up.
01:15:25Come on.
01:15:26They ain't mad with us.
01:15:27Everything is all right now, boy.
01:15:28Oh, that sounds good, don't it, Andy?
01:15:31Get away from there.
01:15:32I'll handle this.
01:15:33I'll take this cake over there.
01:15:34Go here.
01:15:35Hello, boys.
01:15:36How are you doing?
01:15:36Hello, yeah, Keith.
01:15:37Be fine.
01:15:38Hey, boys, I got a big idea.
01:15:40Come on, Andy.
01:15:42Just a minute.
01:16:01Listen, Amos.
01:16:05You tell the gals that you dropped the cake.
01:16:07I ain't gonna do it.
01:16:09Don't you tell the president you ain't gonna do nothing.
01:16:11Get in there and tell them gals.
01:16:12I'm gonna get out of here.
01:16:14I'm gonna get out of here.
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