00:00Thank you, Swamma Ji.
00:01ETV's our Darshagan.
00:03Gadpati Mutsavdi.
00:05Ardhik Shubh Kaminar.
00:07First of all, I'm Swadhar Jiri.
00:10I have a great pleasure.
00:13How long have you suffered?
00:17I don't have any experience in my journey.
00:20But I would say that I myself as an actor,
00:25I've seen a lot of people who have evolved,
00:28I've seen a lot of people who have seen
00:29Bapai Di Mere Dhanath and Papai Di Mere Dhanath.
00:32And what I've learned from Harleen Sikhi,
00:3314-15 years ago,
00:35it's quite a difference.
00:37And what you know,
00:38it's very good.
00:41Harleen Ji,
00:42you've seen a moment in Punjab,
00:44you don't have to call it Swakha.
00:48Do you have to call it Swakha?
00:50Do you have to call it Swakha?
00:53It's not Swakha.
00:55I mean, I didn't say that it was Swakha,
00:57it was easy.
00:58It was absolutely not.
00:59Because there's no industry in this family.
01:02When you have to go to your own,
01:03you know,
01:04you don't have to say anything,
01:05you don't have to say anything.
01:06But you have to go to the industry,
01:07then you have to go to a job.
01:10That's the reaction to it.
01:12Then you have to make a place,
01:13then you have to work,
01:14then you have to work,
01:15then you have to hustle your name,
01:16then you have to work.
01:17People have to understand the character,
01:20you have to perform the character,
01:21on stage,
01:23or on screen,
01:24or as a person.
01:27You know,
01:28walking like this,
01:29in normal costume,
01:30as in Berlin,
01:31I'm going to go to Berlin,
01:31then you have to understand it.
01:33You can see it as serial,
01:34as ad,
01:35as serial.
01:36It's quite a compliment,
01:37I would say.
01:38No,
01:38I don't have to do anything.
01:43I don't know,
01:43I don't know,
01:44It's only a big part of my project.
01:46I don't know,
01:47I don't think so,
01:47but I think so.
01:48What's the whole project?
01:49Because,
01:49I believe,
01:50it starts from zero.
01:52I don't know,
01:53and it comes from zero?
01:54It's just,
01:54I don't know,
01:55it's a big part,
01:56so I'm not the bolder.
01:58I don't believe like that.
02:00I felt that if anyone has a new project or new character,
02:03first of all, he will start with zero.
02:05I don't know about that.
02:07So, for me, I was interested in all the characters,
02:10because I wanted to do our own play.
02:13It was very challenging, because on stage,
02:16I wanted to see a character who was doing it,
02:19and I wanted to make a lot of fun.
02:22So, I wanted to maintain a balance.
02:25Then, I wanted to make a lot of work.
02:26So, I wanted to make a lot of work.
02:27So, I wanted to make a lot of work.
02:31It was a lot of work.
02:35It was a series, in 1956,
02:37and I was playing the main theme.
02:39So, I liked that one.
02:41Why did I love it?
02:42That it was a telecast for 4 hours.
02:46So, let's see what's going on in the future.
02:48I wanted to make a lot of work.
02:54How do you feel a lot of work?
02:58What did you feel like?
03:03I've had a lot of work,
03:05so what you did was just,
03:06you can learn a lot of work,
03:07because of your family,
03:11the other people spoke about it,
03:12That was like an experience,
03:14lots of people know and others
03:17don't know and know and not know.
03:17about your craft, about life.
03:21I think that you have to do some projects
03:24like that, you have to do multiple jobs.
03:27I mean, you have to do a lot of work,
03:30and you have to do a lot of work,
03:31but you have to do a lot of work.
03:33I think it's important that I have a character.
03:36Obviously, everyone has to do a lot of work.
03:39But if I have a small character,
03:41I think it's a lot of impact.
03:43I think that that character is important.
03:44And yes, I mean,
03:46the other production value,
03:48I guess it comes later on.
03:50If you don't have content,
03:51you can do anything in Vanity Chalet.
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