00:00I am Sancho first of all welcome to an INS and congratulations to you
00:05that you have nominated for Oscar or official entry.
00:13Your film is official entry to India. What was the first reaction to the announcement?
00:20It is a proud moment that we are representing India.
00:24We have seen that the Olympics are going to participate in it.
00:31We are also celebrating India's agenda.
00:34India is a diversity by country.
00:37Gondar talks about the rich culture, rich heritage of one of the corners of our country India.
00:44It is a representation of Gondar.
00:50So this is a great thing for our team.
00:54The government, the FFI and the Film Federation of India and the jury
00:59who has a great responsibility for us,
01:04they have more nervousness and they have more effortlessly.
01:08So yes, we are starting out camping soon.
01:11Sir, when you were making the film, you would think that this film is so good?
01:17Or you would like to be nominated for Oscar?
01:21What would you like to say?
01:23I don't know if this film would like me.
01:36I don't know if this film would like me.
01:41I think that the film would have been a great charity and a proud culture and I should represent that
02:00culture in a cinematic way.
02:03That's why I have gone through the Robert Mackie story of a lot of films.
02:06I have gone through the international films and after that, when I was in Cannes, I was watching 30-40
02:11films every day, and for 15 days, I would have watched over 40 films.
02:15So, that stage is automatically developed.
02:18If you have to keep an international film, you should have made a lot of research on that film.
02:27I also researched it on the screenplay.
02:30It is a very simple way that people have a thriller mystery.
02:36This film is called The Gondal and Rituals of the Rituals.
02:40I was asked to tell about the film.
02:43The trailer was seen on the trailer and it was seen on the trailer.
02:48It was also seen on the traditions and the film.
02:51I also thought that people liked how much of that film or the film was on the scene.
03:00I wanted to tell you how much of that film is in the film.
03:06I am a big fan of the film like Revenant, Parasite, and I think it's beautiful in my film.
03:15But the way of making the film is that we have made the story of the film and the other
03:28team.
03:29We have made the story of the film and the other team, the actors, and the other team.
03:35We have kept it very simple and natural.
03:39We have made some heroic action or extra action.
03:55We have made the story of the film.
04:07We have made the story of the film and the other team.
04:12We have made the story of the film and the other team.
04:35We have made the story of the film and the other team.
04:49We have made the story of the film and the other team.
04:56We have made the story of the film and the other team.
05:06We have already hired the film and the other team.
05:10We have made a story of the film and the other team.
05:18We have made a story of the film and the other team.
05:24The most important thing is that we are making a story of the film and the other team.
05:30But do you see the difference between this film's film and the other team and the other team?
05:41Oscar's glamour is big and the voting process is very transparent.
05:50Oscars are more than 10,000 voters.
05:56So when you vote all these, it's a combination of transparency.
06:03You have to do marketing and marketing.
06:07You have to do different things.
06:09So that's why you should stand out.
06:19That's why jury has made the statement that this film will stand out.
06:25That's why you should stand out.
06:29This is my first film.
06:33Bollywood's perception, I don't know.
06:35But my seriousness was that my reach heritage and Indian power is there.
06:51The fact that the film, the film is more than 53 films.
06:58So I am still with respect to this film.
07:05This film was very very unique.
07:08You took the movie from the film nearby.
07:08Do you like the story of the film?
07:10How did you feel like the film was on the film?
07:14It's like Dorandar 1, Dorandar 2 or Doroki or other films are very good.
07:23I will come back again, Huck. These are really good films.
07:26But at the international level, the film approach is completely different.
07:31And if you want to compete there, your film should be made by that approach.
07:36If you want to compete there, you can make it from here or from here.
07:41When we started seeing these films, all of these films have grown up.
07:46And this year, Dorandar's film has made a place for people's minds.
07:55There were many other films in the competition.
07:57So, I would like to say that Gondar is doing a representation of everyone.
08:07That's why it's feeling like a most impressive thriller film.
08:12Sir, tell us about your journey.
08:16What was your journey about?
08:18What was your journey about?
08:19What was your journey about?
08:20What was your journey about?
08:23What was your journey about?
08:28To me, I do, I get to see that when someone starts watching movies,
08:32there will be a Badi Starks,
08:34which is probably getting all of that.
08:37It's the only way he writes for the movie.
08:41The scene of Gondar,
08:42he made you in a new world.
08:45When you meet in the world,
08:47you will voice every night.
08:48You will feel that part of your journey.
08:52And that sound of that from us,
08:54everybody has been given me.
08:56and I was also a new director who had experienced star cast or who could not understand my vision.
09:02So, there were clashes and I had one text copy.
09:09So, for the celebrity star cast, I don't know, will they allow or won't.
09:14So, that's why I wanted to go with new chairs, but I gave my acting papers.
09:20Star cast is more than my casting director.
09:23Yes.
09:23Yes.
09:24Sir, we have seen the original film, but it has been further.
09:29Recently, Cannes was also a film.
09:32And the original film was also a film.
09:36And the original film was also a film.
09:38So, the original film was also a film.
09:40So, the original cinema is good and the content is good.
09:45So, what do you think?
09:47Yes.
09:47Yes.
09:48Yes.
09:49Yes.
09:49Yes.
09:49Yes.
09:50Yes.
09:50Yes.
09:51Yes.
09:58Yes.
10:00Yes.
10:01Yes.
10:02Yes.
10:03Yes.
10:04Yes.
10:04Yes.
10:05Yes.
10:13Yes.
10:15Yes.
10:16Yes.
10:25The audience's demand has changed because the filmmaker has been upgraded to the international level of films and that's why
10:36the film has always been a good film in the last 5 years.
10:38It's a good thing.
10:40Like you said in the interview,
10:42the Oscars would have to show you how to show the castism and poverty.
10:48Do you have to depict this film or not?
10:52No.
10:55It's not that...
11:11Hi, question.
11:13Sir, I would like to know that you have said that if we are on the cast and poverty,
11:20it's good.
11:22So, what do you think of your film?
11:25I am not saying that it's good.
11:29When you know the film on the international level,
11:32it's the first time to think about what to show.
11:33So, my vision is to show you rich culture.
11:38I got fascinated with 1917 and a world man.
11:40So, I feel that I should make a film which could be at one take.
11:46So, I have written a story about one night.
11:50So, if you want to join the camera in one take,
11:55you will have to work on the night.
12:01So, after a while, when you have two characters,
12:04you have to talk about two characters.
12:05After writing, you have written words in the flow,
12:09and then you have to copy the characters.
12:11So, after that, I have given one take.
12:13The biggest one take.
12:18Before that, if you take a look at the end of the film,
12:23it can be found in the first film.
12:24Indeed, the first film was released in the industry.
12:24So, there is a big one take.
12:25The most important one take is in the movie.
12:26And then, after that, there is also a big one take.
12:29The most important thing in the film is in the last minute,
12:31so I am always sure that the audience has been connected with the character.
12:42If you have done more, you have to think more about the camera and the camera.
12:47So that was the issue.
12:48I wrote about rawness.
12:52And I think it's about poverty.
12:56Poverty in India, there are problems in every country.
13:00And every government is subsidizing these kinds of people.
13:05So I don't think that's such a big issue in India.
13:08India is a developing country and everyone is earning.
13:12Now we are talking about casteism.
13:14In India's law is strong.
13:16And casteism is not in relation to casteism.
13:19And in the last 7-8 years, casteism doesn't go up.
13:24So I think that India's positive power,
13:27which is our cultural power,
13:32that's why I chose this subject.
13:35Lastly, sir, StarCast, what do you think about it?
13:41And what do you think about it?
13:43What do you think about it?
13:44Party will soon be.
13:45But when it comes to the first shock,
13:47then you think about it.
13:48Then you think about it.
13:50Then you think about it.
13:52And then you think about it.
13:53And there's a couple of them.
13:54So, you've heard about it.
13:54You've heard about it.
13:54Or a few of the actors or an actor or director.
13:56Or a few of the actors or director or Bollywood.
13:57Yes, many of them.
13:59There are many of them.
14:01And Prasad Oguji had made a call for it.
14:04Congratulations.
14:05You deserve it.
14:06And even a few of the channels and supporters.
14:10They're very proud of it.
14:13After 11 years, Maharashtra is getting the best for the film in the Oscars.
14:17So the entire team is really happy and we are really thankful to those people who have supported about this
14:24film.
14:24So let's see, let's work for the better and we are going to continue in the campaign.
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