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00:21Thank you!
00:31Since we started our sleepless stories
00:34We made the presentations that serve as a prologue to each program
00:38They weren't formal
00:40And that they always ended with a joke
00:43A gag, comical
00:45This is nothing new, not by a long shot.
00:47This is how Hitchcock presents all his television series
00:50Here in Spain
00:51Adolfo Marsillac will do it about two years ago
00:55He also began his adaptations of William Irish's books with a joke.
00:59Even one of the most popular holiday weeklies among us
01:02At the end of each of its issues, it publishes a section entitled
01:05Tremble after you've laughed
01:08To jokingly present horror programs
01:10We could also describe it as
01:12Smile before you tremble
01:16I'm making this clarification because today
01:19Today we are not starting our program as a joke.
01:23I have sometimes referred to the many letters received with horrendous criticism.
01:29Well, this was definitely not serious.
01:31We have received many letters, yes, but most of them were congratulatory.
01:36Others, however, make a criticism
01:39It's more of a request than a criticism.
01:44And I want to answer them today.
01:46In those letters, some viewers complain about our bedtime stories
01:50They're not as terrifying as they'd like.
01:53And they ask, why isn't there more horror, more darkness in our programs?
02:00Gentlemen, the answer is simple
02:02Television is a spectacle for the masses
02:05Therefore, what it offers can never be extreme.
02:10The kind of terror that appeals to a segment of the public
02:13On the other hand, it doesn't convince others.
02:16There are letters that say
02:17Mr. Ibañez, give us some very strong things
02:20And if you don't like it, turn off the television.
02:21Yes, you understand that that is impossible.
02:24Because to please some we cannot deprive others of television
02:29On the other hand, since television reaches all social strata
02:33To every corner
02:34And sometimes due to carelessness or negligence on the part of their relatives
02:38Shows intended for adults are being watched by minors
02:43Scripts with exaggerated violence or extreme terror
02:46They can be very harmful to children
02:49Or for people not prepared to assimilate this type of spectacle
02:55Also remember what I said in the presentation of the first program
02:57From this series of stories to keep you awake at night
03:00Ladies and gentlemen
03:02With stories to keep you awake at night, we aim to achieve
03:05No major terrifying impacts
03:07But small doses of quality
03:10Therefore, even though our scary stories
03:14They don't scare them that much.
03:15Even if they don't find our killers as truly murderous
03:18Even our monstrous Martians don't seem like such monstrous Martians to them.
03:23If despite all this we manage to interest them
03:26And sometimes to unsettle them
03:29We will have achieved what we set out to do.
03:32With this, then, we believe we have answered those letters
03:35Where a much more pronounced terror was requested of us
03:39In other cases, however, what they ask of us is very different.
03:42They point out that since we're discussing action and suspense topics
03:44Why don't we offer a gangster story sometime?
03:48Well, today's program is for them.
03:52However, we have tried to avoid imitating American series.
03:56They address these topics with such success.
04:00I hope you like it
04:01Thank you
04:03And until Friday
04:14Thank you!
04:18Thank you!
04:33Thank you!
04:44Thank you!
04:47Thank you!
04:51Thank you!
05:11And you're the one who dares to ask me what it is you want?
05:17Who are you?
05:18What are you?
05:20What do you have?
05:22A family, a smelly little room, a refrigerator paid for in installments, problems, debts
05:31Maybe a bunch of dirty boys who need to be washed, who need to be dressed, who
05:36that needs to be fed
05:37Those we have to put up with
05:41What can it offer?
05:43The only thing, his envy
05:46A huge, green, sticky envy
05:52She's jealous of me, isn't she?
05:54What do you mean, no?
05:55Come on, confess it.
05:58Yes, you would have liked to be like me
06:01Isn't that true?
06:04That's not true
06:06Yes, of course he would have liked it
06:13Would you like a cigarette?
06:15I warn you that they are a brand you've probably never smoked.
06:19Abu Alan
06:21Egyptian cigarettes
06:23Soft
06:26Aromatics
06:28Very expensive
06:29Much better than those rough ones
06:31Those that taste like anything but tobacco
06:35Those that you should smoke
06:37Does one want it?
06:39No
06:41You see, I'm the one who can offer you something
06:45But you can't give me anything
06:48I have everything
06:49Can you hear me?
06:51All
06:52How much I loved
06:53How much I longed for
06:54As much as you wish
06:57Just do this
07:02And any of my vassals can bring it to me instantly, and I will do him the favor of accepting it.
07:13No
07:20Platinum
07:21Unique model
07:24Cartier Jewelry
07:26Paris
07:26Platinum
07:28Do you know what it is?
07:32Platinum
07:33Listen, that sounds great!
07:35It's a soft word
07:36It looks like it's made of glass.
07:45Platinum
07:47It is a precious metal
07:49Beautiful and much more expensive than gold
07:51I never liked gold
07:52It's crude
07:54Rude
07:55Everything I own that's made of metal is made of platinum.
07:58Look, go
08:05Look
08:07You don't know what it is, do you?
08:10No
08:10No, of course not
08:11It's a sacred Egyptian scarab mounted in platinum, naturally.
08:16They did it 5,000 years ago
08:19What do you think?
08:20It has waited patiently for 5,000 years for me to do it the honor of wearing it on my pinky finger.
08:27The pharaohs did it for me
08:31Here, I'll give it to you.
08:32A memory
08:34Don't you want it?
08:36Well, too bad for you.
08:42Do you know what I'm laughing at?
08:44And you
08:45I find her face funny.
08:47Their common face
08:49Equal to millions of faces
08:51Look, you don't even have an interesting face.
08:54A face that expresses anything
08:56Hate, fear, kindness, lust
08:58Anything
08:59But let it express something
09:00But not
09:02You have a standard face
09:04One of those faces that you forget as soon as you look away from it.
09:09And you're the one who's come to offer me
09:13It makes me laugh, Silvia
09:14I swear it makes me laugh
09:17Okay, let's see
09:18What can you offer me?
09:20What could possibly interest a man like me?
09:23Women?
09:27Women?
09:28Are you married?
09:30Married
09:31Perhaps his wife was beautiful at one time.
09:35Attractive
09:36But not now
09:37No, definitely not.
09:39The sufferings
09:41The children
09:42The children
09:42The work
09:44Wrinkles
09:45Baggy eyes
09:46A flirtation that now only exists in memory
09:50Just like they're stored in a drawer
09:51Those old, yellowed photographs
09:54They only serve the function of reminding
09:56Today, nothing remains of that coquetry
09:59Neglected hands
10:01Disheveled hair
10:03Hairdressing costs a lot
10:05And it takes so much time to look after the children
10:09Just like the strength of youth
10:12Just like illusions
10:14The woman falls
10:16It softens
10:18It withers
10:19The meat becomes flabby
10:21The lines blur
10:24The chest also sags
10:26Uh-huh
10:28Tired of living and giving life
10:31That's his wife, isn't she?
10:33Yeah
10:35Yes, definitely.
10:36And I don't think you're a man capable of having lovers.
10:39The mistress is a very useful being
10:41Just like those cardboard plates
10:43And those paper napkins
10:45They are taken
10:46They are used
10:47And when they are dirty or old
10:50They throw themselves
10:50Another one is taken
10:52And so it begins again.
10:54Women
10:55You're not going to offer me women, are you?
10:58I have as many as I want.
11:01It's so easy
11:02Like everything else
11:03Do this
11:07And they come
11:09Or bring them to me
11:11Blondes
11:12Redheads
11:13Brunettes
11:14All worried
11:15Obsessed
11:16Amazed by their problem
11:18His big problem
11:19The slimmest figure
11:21The tightest suit
11:23The body needs to be highlighted
11:25And what value do they place on the body?
11:29The body
11:30An object that is bought or rented
11:33And then it is used
11:34And he throws himself down
11:36The body
11:39The body needs to be highlighted
12:01The body needs to be highlighted
12:02You know, Maria?
12:03Yes, miss
12:04It is our greatest weapon
12:06Our big hook
12:07Yes, miss
12:07Why do you think they fill up night after night?
12:10In revue theaters?
12:11Because of the music?
12:12No
12:13Because of the sets?
12:14No, no, no
12:15Because of the comedians' jokes?
12:17No, neither.
12:17Do you know why?
12:19Because skirts hardly exist anymore
12:20And because in exchange for very little money
12:22A body can be seen
12:23Husbands tell their wives
12:25No, dear
12:26Back to the movies again
12:27No
12:27Why don't we go and see that magazine tonight?
12:30At the office they told me it has beautiful music.
12:32And so-and-so is wearing some dazzling outfits
12:35And the woman goes
12:36Ignoring that what her husband was actually told at the office is
12:40Well, what so-and-so doesn't get
12:43That's why, Maria, we need to highlight the body
12:48Who is it?
12:49A package for you
12:50I'll pick it up, Maria
12:51Immediately
13:00Miss
13:07I beg your forgiveness.
13:09But I haven't been able to get any natural ones
13:11What, miss?
13:19An orchid
13:20A brilliant orchid
13:22Who sends it to her?
13:24With the greetings and respect of your most humble admirer
13:27Luis Espalanzato
13:29With greetings and respect
13:49Every night I notice that something is missing
13:51To her outfit from the French version of the second album
13:54Yesterday I learned that
13:55Every French woman has an authentic charm.
13:58You own it
13:59But believe me
14:00Everything surrounding her must be equally authentic
14:03Therefore, in the name of the show
14:05Let me offer you this necklace
14:07To replace the one you use in the aforementioned number
14:10With all due respect, Luis Espalanzato
14:34Respectfully, Luis Espalanzato
14:39Maria, go see who it is
14:40Yes, miss
14:50Miss, this is a gentleman who comes on behalf of Luis Espalanzato
14:53Tell him to come in
14:54Very good
14:56Please, sir
14:59With your permission, Miss Newman
15:07My name is Alfredo Mestre
15:09I am Mr. Espalanzato's private secretary
15:12Delighted
15:13Okay, you'll say.
15:15Mr. Espalanzato sent me to beg him
15:17That she agree to have a glass of champagne with him at his residence
15:20And thus be able to celebrate the event
15:24What event?
15:25Today marks exactly one month since he met her.
15:28Well, as a spectator, of course.
15:31But did he know her?
15:34I impressed him so much that he remembers the date
15:36I believe it.
15:37Furthermore, he has come to see the show several times.
15:40He likes it a lot
15:42He says it's properly organized.
15:47Properly organized?
15:49It's one of his phrases.
15:50With it, he expresses his approval and his highest praise.
15:53I remember when he saw her come out on stage
15:55He only said
15:58Properly organized
15:59There's no denying that Mr. Espalanzato is original.
16:04What answer should I give her, miss?
16:06Tell him
16:08Tell him what to do
16:09You can come and pick me up after the show
16:12Very well, miss
16:13Delighted and...
16:15Good night
16:16Good evening, miss
16:21Oh, but miss
16:23If you never accepted anyone's invitation
16:25How is it tonight?
16:26And without even knowing
16:27One can refuse such a kind invitation
16:29Furthermore, remember that this is the respectful Mr. Espalanzato.
16:35I'm glad you liked the orchid
16:37It's my favorite flower
16:39Or, I repeat, please excuse me for not having been able to find a natural one
16:43Well, at least that one will last longer.
16:48It's curious.
16:50Look how my pulse is trembling
16:52Do you know why?
16:54Because I've waited a long time for this moment.
16:59To be able to talk to him
17:01To be able to have her close to me
17:03How did he react when Alfredo, my secretary, invited him on my behalf?
17:07Didn't you ever consider rejecting the invitation?
17:10No
17:13You are very young
17:15Well, I am too.
17:18I bet you didn't expect the orchid, the necklace, and the ring.
17:22Were they sent by a man who was only 26 years old?
17:26Honestly, no
17:30My pulse is shaking too much
17:32Do you know why?
17:35Because I've waited for her for too long.
17:39Too much
17:40For exactly one month now
17:45Luis
17:47What are you doing here, Michi?
17:50But, Luis
17:51How did you get the key to my house?
17:53You gave it to me
17:55But you should have given it back to me.
17:58Sorry
17:58Sorry, Rosalin
18:01Michi, I think there's a regrettable mistake here.
18:04Didn't I give Alfredo a letter and a check informing him that he had been dismissed?
18:08from you?
18:08But, Luis, it's not possible.
18:09Please leave, Michi
18:12Retire
18:14If you need anything, just contact Alfredo.
18:18The key, Michi
18:20The key
18:25Good
18:27Goodbye, Michi
18:28And thank you for everything.
18:47Just like a simple paper napkin
18:49It is taken
18:52It is used
18:54It is thrown
18:55And she takes another one
18:57No
18:58You can't offer me women
19:01Okay, let's think about something else.
19:03Let's see
19:04It's so difficult
19:06I've already told him
19:07I have everything
19:08Of course, everything that money can buy.
19:12Suits
19:12Cars
19:13I have traveled until I was satisfied
19:15I know fame
19:17Well, you've probably seen my photograph in all the newspapers and magazines.
19:21Let's see, let's see
19:24No
19:26I can't think of anything
19:27I am young
19:28But that's true.
19:30They have been properly organized
19:33Thanks to that, I've become number one in my job
19:39My job
20:09Watch out, Omar
20:14Sorry, Luis
20:14Yeah
20:15The owner of Tilda department stores has come again
20:17Oh, how annoying.
20:19He's very nervous
20:20I think it's better if you receive it.
20:22Okay, let it happen.
20:28Happens
20:32Go ahead, Mr. Tilbury, go ahead
20:34Please sit down
20:36But you are
20:38It's palanzato
20:39Luis
20:41Luis is a palanzato
20:42That?
20:43I was expecting to meet a fat man
20:45Corpulent
20:46A large scar
20:47Black shirt
20:48White tie
20:49And a hat over his eyebrows
20:51TRUE?
20:52No no
20:53That only happens in the movies
20:55In real life it's very different
20:57Be careful, Marta
20:58Yes, Mr. Tilbury
21:00I am one of the first
21:02Among those in my profession
21:04Well, remember that
21:05The position, the office, the servitude
21:08Even the customers
21:10I inherited them from my father
21:12Okay, you'll say.
21:15It's palanzato
21:17I've come to tell you that I'm not willing.
21:19Keep paying the price
21:20That you have set by your
21:22Protection
21:23The warehouses can't handle that much.
21:25Please, Mr. Tilbury
21:27A building with more than 20 floors
21:29One of the first department stores in the country
21:32With an annual net profit of
21:34From Tilbury, Tilbury, Tilbury
21:36From 8,300,000
21:38And he says he can't pay us
21:40A mere 20%
21:43That's my final word.
21:44Yeah
21:45But I don't hear her.
21:47And believe me, I'm doing him a favor.
21:49If you don't remember, recall what happened to you.
21:51To Hoover stores
21:52That terrible fire
21:53Where they were destroyed
21:55Even the deposits
21:56Bankruptcy?
21:57Ruin?
21:59No no
21:59It's not in his best interest
22:00Think about it
22:01You can be safe from everything
22:03For a simple 20%
22:06Someday the police may
22:08Mr. Tilbury
22:09We have great friends in the police.
22:11I will pay for a guard detail
22:13To protect the warehouses
22:16The warehouses
22:18And of course, the warehouses
22:20But
22:21And what about his family?
22:23Who will protect her?
22:27Remember that you have a wife
22:29And two young children
22:33It would be terrible if something happened to them.
22:35TRUE?
22:37Have you nothing to say, Mr. Tilbury?
22:41Correct
22:42I take their silence as an affirmation.
22:46He will continue to pay us 20%.
22:49TRUE?
22:50You have many enemies, Esbalansato
22:53One day he will end up like his father
22:57Riddled with bullets on a corner
23:00Perhaps
23:01But if you are a fan of reading newspapers
23:04Perhaps you remember the number of notices
23:07Funerals
23:08They came out after my father's death
23:11Those who killed him
23:13They could only boast about it
23:15For 48 hours
23:17Having murdered Luigi Esbalansato
23:21For 48 hours only
23:28You may leave, Mr. Tilbury
23:31You may leave
23:42Be careful, Marta
24:01My job
24:03Yeah?
24:05Properly organized
24:07Good
24:08You see, you have nothing to offer me.
24:11No money
24:12Nor women
24:14Nothing at all
24:17I have everything
24:18I have known everything
24:20I've done everything
24:23I would even kill a man for my own mother.
24:26What can you offer me?
24:29Nothing
24:32Absolutely nothing
24:33Therefore
24:35Your question is out of line.
24:37What is my last will and testament?
24:44Come on
24:58Properly organized
25:00People
25:30Thanks for watching the video
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