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00:00It was a non-Maharashtra film in Marathi cinema
00:03It was promoted to the Marathi industry
00:04This industry is a big one
00:06There were four of them, four of them
00:09But we don't have to worry about it
00:10If we don't have a promotion list
00:12If we don't have an agreement, then we don't have to
00:15But we don't have a rent-tover
00:16That's not true
00:18How much money is it?
00:19If we don't have a rent-tover
00:22Then we don't have a rent-tover
00:24We don't have a rent-tover
00:24We don't have a white house
00:27We don't have a Intelli.
00:27Let's take 2-3 meters
00:28And you, which plates go have to?
00:32The one Stunde isieving
00:34When we got a white house and the superpower
00:37Where do you know, the tiger is,
00:39Thetar is not запada
00:40But when theren tells him
00:42Then his legs into the mouth
00:44You and his hands
00:45We don't have to try to be a kingmaker
00:48In my opinion, what's that
00:49I don't call him
00:53The main character poster is not supposed to be posted
00:56What are the reasons? Payment and agreement
01:02What is the reason?
01:04The reason is that we have been working on a block
01:07We have tried to call Nirmatenni and Nirmatenni
01:12Don't call me
01:14Why is Nirmatenni the main cinema?
01:17We have tried to call this
01:18But it is not the only reason
01:21Who is the only reason?
01:23Music is the only reason
01:23She is the only reason
01:24She is the only reason
01:27She is the only reason
01:29She is the only reason
01:36A great film of the film, The Sankar Ghanara and Deoghar on Rent
01:40The cinema locals are in the cinema
01:42The film is also welcome
01:43Welcome to Sagan's film from Sagan's Sagan's film.
01:45Thank you so much.
01:47Thank you so much.
01:49Now, we have a trailer and teaser.
01:54One is called Devogar on Rent.
01:55There is a good glimpse of Devogar on Rent.
01:57But there is a good action and drama.
01:59What's your name?
02:01What's your name?
02:02The cinema is called karma.
02:05There is a dialogue.
02:07There is karma.
02:08Who is the one who is the one?
02:10The one who is the one who is the one who is the one who is the one who is
02:14the one who is the one who is the one who is the one who is the one who is
02:19the one who is the one who is the one who is the one who is the one who is
02:24the one who is the one who is the one who is the one who is the one who is
02:30the one who is the one who is the one who is the one who is the one who is
02:33the one who is the one who is the one who is the one who is the one who is
02:36the one who is the one who is the one who is the one who is the one who is
02:37the one who is the one who is the one who is the one who is the one who is
02:37the one who is the one who is the one who is the one who is the one who is
02:38the one who is the one who is the one who is the one who is the one who is
02:38the one who is the one who is the one who is the one who is the one who is
02:39the one who
02:39I picked MSIiler due to discrimination Green paint in a way.
02:42I picked MSI interests Kirim pencils for all the life ventures,
02:48but not her memories per day.
02:49I went to combat the paseing,
02:51and I think that Magnet
02:52came all took past
03:08We have a backstory in Marathi.
03:10We have a backstory on each character.
03:13Every one is shared.
03:14There are four police officers.
03:17When they were in their life,
03:19they would be changed in two officers.
03:22They would have a choice.
03:24They would have to be a person who would be a person.
03:26They would have nerves.
03:28But there was a person who would be a person who would be a person who would be a person.
03:32That's what we're going to do.
03:35What's going on?
03:37That's what we're going to do.
03:38That's what we're going to do.
03:40Nikhil and Vaibo,
03:42I think you've got a lot of chemistry in the trailer.
03:44I thought that my friends
03:46were behind the scenes
03:47and they were very beautiful.
03:50So, Nikhil, do you think that
03:52you're a brother-in-law?
03:53You're a brother-in-law.
03:55You're a brother-in-law.
03:56So, what do you think about this character?
04:01I think that
04:03we're going to do the white
04:04and we're not going to do it.
04:06We're doing the police,
04:08but they actually are going on the street.
04:11They do not feel that one incident.
04:15We are just going to choose that,
04:16not that one thing.
04:18We will not go to the other.
04:19We will not be able to get that scene.
04:21I will be scared and
04:23we are scared.
04:25I think that one thing is going to come in
04:29When you go to karma, you will get your karma.
04:33When you get your karma, you will get your karma.
04:37The way that the house is here, and the way that the house is here.
04:47That doesn't come.
04:48The house is here.
04:50If you get the money, if you get the money in the village, the house is here.
04:54It's not a train anymore.
04:56The god has a choice of the god to choose.
04:59It is not a choice.
05:03So, the first character has a choice of the god to choose.
05:09And there is no way to live with the god to live with the god to live with the god
05:15to live with the god.
05:17Vaibh, you have to be a character, right?
05:20You know what, you guys said that the brother is a group of brothers, they're not a group of brothers,
05:30we thought that the brother is a group of brothers, we thought that the brother is a group of brothers
05:33and sisters, we thought that was a group.
05:35The owner's name is Kushala.
05:40Yes, Kushala.
05:41Yes, he is Michael.
05:41Yes, I'm good.
05:44You can't say anything this.
05:45No, I don't know what to say about Jasa Nikhil, but I don't know what to say about Anantanagos.
05:56And Jasa Nikhil said that there are choices from Ravya Sama.
06:03Ravya Sama tells us that there is a white mark and that doesn't change.
06:07So, we don't know what to say about that.
06:11It's a white mark, so the white mark is not white.
06:16But if I say that the white mark is not white, it's a white mark.
06:21So, the character is a similar character.
06:26But Anantanag has a lot of thoughts that Nikhil is going to be in the shade
06:35That is what he is doing, he has a realization, he has a realization
06:40But Anantanag has a lot of surprise elements in the shade
06:46You can't guess what he is going to be in the shade
06:50Because the shade is a big shade
06:52But the shade is a big shade
06:55The character is a big shade
06:59The shade is a big shade
07:02He is a big shade
07:02He is a big shade
07:03He is a big shade
07:06He is a big shade
07:07The character is playing
07:09There are phases
07:12I am not sure of the name of the Shagai
07:14And the phases of the story
07:16The behavior of the story
07:18How does your behavior change
07:19How does your thinking change
07:21So that is the story
07:23And the fun of the story
07:24So Anantanag
07:25There is a surprise element
07:27You have two songs
07:28The songs end
07:30But you have a mother
07:32You have a smile
07:34You have a smile
07:37You have a smile
07:38You have a smile
07:38What are you thinking
07:41What is this
07:41I am sure
07:42I am sure
07:44We are the king makers
07:46I am the king maker
07:50And the king makers
07:52The king makers
07:53Are both in the house
07:53Because the shakti
07:57The power of the group
08:00And the king is the king
08:03And we are king
08:04And you make the maker
08:04You are a good person.
08:06I am not a good person.
08:08What are you saying Shilke?
08:10Correct.
08:13A smile has changed a lot.
08:16No, don't say that.
08:18Don't say that.
08:19Why are you saying that?
08:23No, I'm not a good person.
08:25I'm not a good person.
08:27I'm not a good person.
08:28I am a good person.
08:30That's why I'm speaking a lot.
08:34It's not that good person.
08:36It's not that bad person.
08:37It's the best person to get on.
08:39He has a hard time.
08:41So I think that hard is much better.
08:42And I know that,
08:45I think I'm a good person that I'm paying off.
08:47And I think that,
08:47I am a good person that's good at me.
08:50That's the best person.
08:51So let's see.
08:52I hope this character the
08:55negative side has to be
08:57the negative side has to be
08:59I think it's important to know that the character is the same as the character.
09:04I think it's important to me.
09:06What is the angle of the character?
09:09I don't think the character is actually negative or positive.
09:13It's a bad character. It's a good character.
09:16It's a bad character.
09:18In the cinema, we all have a bad character.
09:22It's a bad character.
09:24It's a bad character.
09:27The character is also a negative shade. In the film, there is a twist and turn point.
09:31The shade of the character is different.
09:34In the film, the character of the first brother's name is nasty.
09:40But, where is it? What is it?
09:44But, it is a good thing. Who is it?
09:48So, Anant and Nago,
09:50the character is a subtle character.
09:54In the character, there is a lot of shade.
09:56The people have a distance, it is a lot of subtle.
09:58It is a lot of subtle.
10:00It is a lot of subtle.
10:01So, it is a lot of shade.
10:02The shade is changing.
10:05When the world is successful,
10:08the shade is changing.
10:10That is the way it is.
10:11That is the way it is.
10:14Ashwini, I want to tell you,
10:15you have done a lot of work in the trailer.
10:17In the trailer, we have a lot of work.
10:18We have a lot of police in the trailer.
10:20We have a lot of experience.
10:22Oh, how are they?
10:24I am not even right!
10:27So, what is happening?
10:28We have a lot of chemistry.
10:30But, you have seen the scene.
10:32It is a police force.
10:33When you see a person who has come from,
10:35the situation could help with the trailer.
10:37So, what is happening?
10:39Kharathar, you said that the attitude of Vardhi is a good attitude.
10:43So, Ashwini has changed.
10:47The attitude of Vardhi is a good attitude.
10:50I don't have to work on these two days.
10:53On screen.
10:55When we have scenes like Ankit,
10:56but we have a lot of fun.
10:59Ankit is definitely a good scene.
11:04And it's fun.
11:05So, I want to give you a story.
11:07I want to give you a story.
11:14Where did you come from?
11:16No, no.
11:17You're a good job.
11:19I'm not sure.
11:20I don't want to give you a story.
11:22Go, go.
11:24Go.
11:25Go, go.
11:26I have a question for you.
11:28What do you want to do?
11:31I have a question for you.
11:35How did the Vardhi live in Vardhi?
11:38I don't know.
11:38What have you said in the department?
11:41I actually did this in the department.
11:43So, I missed it.
11:47But it was the purpose of this film.
11:50The purpose of the film.
11:50The purpose of the film.
11:52The purpose of the film.
11:52Exactly.
11:53You can see me here.
11:55I don't know what that means.
11:57Raul is a good thing.
11:59He's the only one in the Army.
12:01And when we shoot, he's a big wall.
12:06And he's the only one.
12:09And if he tries to try, he's the only one.
12:13I try to try and fail.
12:17But I don't think that's what he's doing.
12:20We are blessed to be an actor because we are blessed to be an actor.
12:27I am not a brother, so we are not a brother.
12:30But I am a part of the work in the army.
12:34I am a part of the story.
12:36I think that I am a strong friend of mine.
12:40I have a lot of films in South Madem,
12:43I have a lot of films in the same way.
12:46and I will also be able to play a cop with the other characters
12:50and I will also be able to play a lot of the willpower and I will be able to play
12:54it
12:55And I wonder if you were to go to a show
12:58Yes, I am
12:59I was thinking of the characters in the show
13:02What do you want to do?
13:04No, I don't want to do that
13:08No, we don't want to do that
13:10But I don't want to do that
13:12I don't want to do that
13:15It was incredible
13:17but I know that in the controversial cinema
13:20I didn't speak to you
13:21It's true
13:22That's why we made it back in a shooting
13:26and then that's the idea
13:28You don't have to do it
13:31You don't have to go down
13:32I say it isn't possible
13:35What was that?
13:36That guy didn't like that
13:37My family is in Bangalore
13:41and I thought that's possible
13:44I don't know if you're thinking about the same thing
13:44I just thought I was just saying
13:47that I'm not talking about my head
13:49not because of that
13:50I think that you're not going to
13:53see and get back to the car
13:56and you're like bye
13:57I don't have a friend
14:02I know this
14:04but Nikhil and Vajba
14:06you've also got the character
14:07we've already got a novel
14:09we've taken this video
14:11Are you following your character?
14:14How do you follow your character?
14:16What character did you follow his character?
14:18How do you follow your character?
14:22No, I don't have a character.
14:27I feel like I'm doing the same thing.
14:34I'm thinking about it.
14:35I'm trying to feel the same thing.
14:36I'm thinking about it.
14:37I'm thinking about it.
14:39this is the graph, this is the graph and this is the graph.
14:45I have to say that there is a web series for a streaming streaming.
14:49I have to say that this is the show for 15 days.
14:54I have to say that there are many different characters.
14:58I am going to say that there are many different characters.
15:06How did you do the same?
15:07You said that you were right there, but so did you feel the same?
15:11You gave it all done?
15:13A scene in the character.
15:17Obviously, we put ourselves back together and we put them all together.
15:22We could paint various actions.
15:22We would say practically, mechanical.
15:23We would not put them all together.
15:28We are fighting a big scene.
15:30We were just connected to the characters,
15:32We are doing a lot of the work, so we are doing a lot.
15:37When we are doing the project, we are doing something.
15:40We are doing some projects, we are doing something.
15:44We are doing something.
15:45We are doing a lot of performance.
15:49Exactly.
15:50What is the reason why?
15:52When we have a single hand, we can explain the character that we have expected.
15:59And we started the first scene, Nikhil sobatta and we shoot it in the first scene.
16:05We started the first scene and we started the first scene.
16:07We started the first scene that Swaroop sir came to Poonam, Madam, our producer came to us.
16:12And we started the character actually imagined.
16:16It was the first scene.
16:18But I was able to copy it.
16:22It was a unique style.
16:23It was a unique style.
16:27I mean, we had to copy it, so it would.
16:31We weren't able to copy it.
16:32That was true.
16:33We didn't do that.
16:36We had an original line-up, but we started the first scene.
16:42We didn't mention that we were like,
16:46Well, I don't like it.
16:48We're not able to play it.
16:50We're not able to do that.
16:52It's difficult for us to do that.
16:54It's very unique. We have to present our style and our style is very important.
17:02And I think that who is sophisticated as a person?
17:08Yes.
17:09Who is sophisticated as a person?
17:12I don't think I'm biased.
17:15Who is sophisticated as a person?
17:18But it's very important that when the director gives the open hand,
17:23then we perform very easily.
17:26Devogar on Rent now is very interesting.
17:30But there is a chance to think about whether there is a political drama or thriller.
17:34And there is a chance to think about the action scene.
17:37And if we don't know how to think about the action scene.
17:40So how did you think about that?
17:43That's the house.
17:45That's the house.
17:47Well, in Pune is one of the things that they have.
17:52They have negative mindset.
17:55They have positive life changes in their life.
17:58So, at home, they are the two of us.
18:02And I feel like I don't know why they can talk about it and the house is very important.
18:04And if we get to Pune and Pune and Nirmay, they have to tell us,
18:08they have to tell us.
18:08But there is no other story.
18:10The house is very important.
18:11But that's how we can create a home.
18:13I'd like to learn something a little more about Sanjay Nogiri's talks
18:17He'd like to learn and creative things, and so they'd like to learn
18:23It's a fascinating journey. My husband was Janir Mammala for the past
18:28I've been there and I've been able to learn this.
18:31I thought you'll find something to get into this trailer
18:35Nikhil Magashi, you might have any kind of rent,
18:38we'll try to sell some kind of material,
18:40But Devogar is always true, it's a small thing
18:44So now I think that the trailer is very catchy
18:48I have a lot of views and I have a lot of comments
18:51There is a lot of great trailers, Shashank Shindan's work is very good
18:56So what do you think?
18:57Devogar is not a great thing, he agreed
19:00And we said that Devogar chooses to choose
19:05To choose to be a human being
19:06Devogar chooses to choose
19:10Part 2 & Part 3
19:13And Devogar chooses that
19:15In the South of the country
19:16Asher they choose
19:18There are two things
19:21One's positive and one's negative
19:23But
19:26Deogar chooses to choose
19:27Negative things
19:29Because their mind isn't the case
19:31When they choose this
19:32To be positive
19:33So if they choose
19:34If they choose the party
19:35and choose from the local people that choose from the local people
19:38and they should do their home.
19:41That's it.
19:43I think Ashwin told me that
19:45that we could not have a lot of work on that.
19:47But we had a group of people,
19:49so we would have a little exchange.
19:52Ashwin, do you have a good feeling about this 2 days?
19:56Do you have a good feeling about this 2 days?
19:58Do you have a good feeling about this 2 days?
20:00Yes, I think it's a good feeling.
20:02And in the interview, I know you are a good feeling.
20:04Haha, that's good to have a manpower, so I'm going to...
20:09What you doing?
20:09I'm going to do one thing.
20:11Yes, I'm going to do one thing.
20:12You are not supporting me, I'm going to do two supporting.
20:15Yes, no.
20:16What do you think?
20:22What's the point of the person who is supporting me?
20:26What's the point?
20:27What's the point of the person who is supporting me?
20:27I'm going to forgive you.
20:30Well, I'm not sure about the set work.
20:32But the story says that this is an amazing actor to set the scene, and the scene is located in
20:42the temple.
20:44And we went to shoot here, and that's why I thought that was one of the most famous characters in
20:50the face.
20:52And when we were in front of our friends, we'd get the chance to do this.
20:56And I thought that was the first time I was not expecting that.
21:00and we will feel like this, and we will feel like the bug.
21:03So, it's not like that.
21:07I want to go first.
21:10I am a person who is a person who is teaching,
21:15I am not an anket.
21:18I am not an anket.
21:20I am not an anket.
21:20You are not an anket.
21:22It is an anket.
21:24It is an anket.
21:25He's so smart and I think he's around the world.
21:31He's like, oh, that's what he's doing.
21:32I don't want to get that.
21:32He's the master and he's like, hey, Sonali,
21:36we're going to work.
21:37He's going to work and he's here.
21:39He's going to work.
21:40I think he has to do it but I'm going to do it.
21:45He's thinking that he's not going to do it.
21:48I'm not going to shoot.
21:49I think he's going to do it.
21:53I don't think it's true.
21:55But if you're an artist, you're going to be attentive.
21:58I'm going to test the artist.
22:01What is it?
22:03What is it?
22:04Tell me.
22:07Tell me.
22:09I'm not sure.
22:11I'm not sure.
22:13But Arthad Nikhil and your friends,
22:16you didn't say that in the cinema,
22:17you didn't say that in the cinema,
22:19you can just relax.
22:21It's like a common story.
22:24We're going to start this company.
22:27And then we can start that company.
22:29For the one production,
22:31we're going to say,
22:32yes, yes, yes, yes.
22:33We're going to be in a family.
22:35We're going to be doing the work.
22:38We're going to work together.
22:41We're going to be doing the work together.
22:43For the family.
22:45I think there is a lot of great work, but we did a lot of work
22:51Obviously there is a lot of new projects
22:54I don't know if there is a lot of new projects
22:56If there is a lot of new projects
22:59Yes, there is a lot of bonding
23:00And I think that in this film, we have a lot of great work
23:08And one of the people who support me
23:11But they said, they put the chawan brothers on their own
23:15They said, I don't have to say that
23:18I don't have to say that
23:18I know
23:21Do you think they would say they could have chawan?
23:25They were saying, what?
23:27You think you think they were there?
23:28Yogita Chawan, Weibo Chawan, Surat Chawan
23:31But Yogita was there as well
23:35That's true, I always support them
23:37we can support Sam, then we can't show you
23:40I never said it
23:42but not really, the next party is in her
23:45We can talk to us today that
23:48when we go to Big Boss Weibo, we found that we were going to start the season
23:53we know that we do a lot more
23:58We did a lot of work
23:58It was a lot of work
23:59We could also have to do a lot of good work
24:00One of the hit season is there
24:02There was one of the hit season
24:04And in the season there was a lot of work
24:06I was actually actually in the last season, I said, yeah, yeah, yeah.
24:12Even like we have some common things, we think we feel good, we feel good.
24:20We feel like we have a PR plan, we feel good, we feel good, we feel good.
24:28We have to say that we don't know, and we don't know, we don't know.
24:34I don't think we can get a lot of people that are going to be in the game
24:38We have to judge the people that are not allowed to be in the game
24:41I would say that we will be in the game
24:46We will be in the danger of the people that are in the game
24:49I would say that we are in the room
24:54We will not be in the room
24:56We will pack the room
25:00I don't think it's going to be the same thing.
25:03What level is it?
25:06It's dangerous.
25:08I don't know.
25:11I don't know.
25:14I don't know.
25:18I don't know.
25:19I don't know.
25:22I don't know.
25:22I don't know.
25:24I don't know.
25:27I don't know.
25:35I don't know.
25:40I don't know.
25:42I don't know.
25:43I don't know.
25:44I don't know.
25:44I don't know.
25:44Ankit, I'm here.
25:45I'm very hyped.
25:47I've got a lot of controversy.
25:49I've got a lot of talk about the producers.
25:50I've got a lot of questions.
25:52What's your point of view?
25:55I don't know.
25:59I don't know.
26:00I am on the phone.
26:04I'm in my room.
26:05I'm very smart.
26:08I've got a lot of questions.
26:09I practice this one.
26:11On September 5, we released a lot.
26:13Some kinds of things were found on Patchwork.
26:14But they found the phone.
26:16I found the dates.
26:19I was in Patchwork.
26:20But I decided to get the exit.
26:24And they managed the edit.
26:25Then I didn't have them.
26:26the phone was normally used to call it by the day
26:30at the end of September, I got a message
26:32and everyone asked me
26:35I was like, I have a teaser launch for a second
26:37and I have a teaser launch for a second
26:41and I have not received it
26:42so I have a few times I have received it
26:44I was shocked, I didn't receive it
26:47I was like, I have a teaser launch
26:49so I was like, I have a teaser launch
26:52at the launch of the video, I stopped saying it would block a teaser
26:58and I found out if the teaser was gone and found it would block a post
27:04I took the block and started to broadcast the whole team
27:06I then told their message, don't call me
27:11So I showed if they wanted to give the first message, and I told her it would block a query
27:21That was the reason that this was not the case.
27:26That's not the case.
27:28But in Marathi cinema is a non-Maharashtrian man.
27:32The non-Maharashtrian man has face value in Marathi cinema.
27:35If you think about it, it's a big film in Marathi.
27:40Every call is Jai Shivarai.
27:42Jai Shivarai has a call start.
27:44And Marathi has a lot of love.
27:47You know, that's not the case.
27:49But it's a feeling that there is no love.
27:52I have a lot of love in Marathi cinema.
27:55And then in Marathi we film Mahadeva.
27:58That is why we have a lot of love in Marathi.
28:00We have said that in the cinema.
28:03We have a lot of love in Marathi.
28:08We have got a lot of love.
28:09That's why we have a lot of love in Marathi.
28:13I can understand that there is a lot of love.
28:16But it's very difficult to do.
28:20But at least they have posters,
28:22they have posters,
28:23they have posters, teaser posters, trailer posters.
28:26But they have not posted on the character poster.
28:29So what is the issue?
28:30Payment is clear,
28:32and then the Purnas is clear,
28:33the JNOS,
28:34agreement, etc.
28:36But what is the reason?
28:37We have to find out the reason why we have to be a part of this.
28:40We have to find out the truth.
28:42We have to find out the truth.
28:43But it's difficult to do.
28:44If we have both a point of view,
28:48you can't do.
28:48So we are doing the same.
28:50We have to click on that.
28:52Now we asked Madam's screen.
28:56And she asked the interview.
28:59And she asked if you asked the question.
29:02she would call.
29:03She asked the letter and said,
29:06She asked her to ask her.
29:08So they would ask that.
29:10If I had a manager or I would have a phone call, I would have asked me to ask why
29:15I was going to solve this.
29:16I was going to solve this problem.
29:19If I had a problem, I would have solved it.
29:21But I was not going to solve that problem.
29:24I don't know.
29:26But I was going to ask you to ask what you are.
29:28I am going to say that you are going to pay your job.
29:34I was going to ask you to follow that problem.
29:35So we could go to the same thing, because they have not told me
29:43it's the same thing for me
29:44My son is young and my son is on the same thing
29:48But if we go to the same cinema then the most people in time work
29:53there are families of our families
29:57And we don't agree with the family, family or mothers
30:02It was a bad thing. When we have family together, it has bad things.
30:07But we have to solve a bad thing. We have a family.
30:10In this film, the unit was made of shooting. It has a family.
30:16In the family we have to solve problems.
30:19But it has bad things too.
30:22We need to solve problems.
30:24We need to solve problems.
30:28I have a lot of questions about it, but what is your question?
30:29It is interesting to ask family, to ask me, to ask you, to ask me, to ask you
30:35So, this is not the case of playing in this video.
30:37It is a great question here in Maharashtra.
30:42My question is, I want to ask you one question.
30:44You do not have to promote this film, you do not have to change the film.
30:52You do not have to change the film.
30:55You don't understand that the film is going to be able to cover the film
31:00We don't have any standards
31:03We don't have any standards in the US, so we don't have any standards
31:06But Kaitri is a good thing to do
31:11If you don't have any interest in the film, it's okay
31:17So you will have to get the phone or you will get the phone and the cinema will get hit
31:25There will be no worries, but it is hard for you to get a lot of support
31:29You don't have to get a lot of support, but we have to get a lot of support
31:38You will also have to get a lot of support
31:38But the cinema will get hit because you will get a lot of support
31:43So, you can't get a chance to get a list of them.
31:46Yes, there is a list of them.
31:48So, it means that there is no chance to get a list of them.
31:52Yes, it is obvious.
31:55Today, in Maharashtra, we will be able to get a portrait of them.
32:00This is a small industry.
32:03Yes, there is no chance to get a list of them.
32:08We can't get the list of them.
32:09There are some agreements that have got started.
32:12There is no agreement that we get started.
32:18They won't make a list of them.
32:21They are very long-term projects.
32:26The maturation is a lot.
32:28There is a lot of things we have to think about.
32:29It is a lot of coming out.
32:34We are promoting films.
32:35They are promoted in Marathi industry, they are very big, in the last 100,000,000
32:42You are saying that Marathi is very welcoming, you are welcoming
32:52But you don't have any love for them, you don't have any love for them
33:06No, they can buy a cat so you can also sell a thing
33:09But you can do that with the film
33:14They say, you can buy a car, you can buy a car
33:18You can buy a car, you can buy a car
33:23but you don't have to buy a car
33:23Yes, I can buy it
33:25But you can do that
33:26He said what he was doing
33:27He said that he was saying that he was making a little more
33:32He was making a little bit bigger
33:34Mahanun said that you put yourself a little bit of a trigger
33:38He is just joking
33:40He is just joking
33:41He is just joking
33:43No, no, no
33:47He did that
33:48He did that
33:49Karad's name is Karad's name
33:50Yes, it's Karad's name
33:52You go to the house and you do it
33:55What do you think?
33:59Karad's name is Karad's name is Priti Sangam
34:01He is a person who is like Krishna
34:04We should talk about this story
34:06Ankit Mahan Maddal
34:07This story is going to be a promotion
34:10That's why Icon did a promotion
34:11We have one post
34:12But the question is
34:14Why did we have second last team
34:16They are not the same thing. They are the same thing.
34:21They are a family. They are the same thing.
34:26They are the same thing. They are the same thing.
34:30They will be the same thing.
34:34Ajun is a baby that we have to clear.
34:37You are the same thing.
34:39What is your baby?
34:43If you want to push the back, why?
34:46So let's I don't want to push it out.
34:47Its okay, I don't want to push it in the way.
34:51I want to push it out, but I don't want to push it out.
34:54I want to push it out and push it out.
34:59Let me ask some clarification for you.
35:03We don't need to push it out, but we don't want to push it out.
35:06We don't want to go down one another.
35:07I think that's a good point of conclusion.
35:10But the cinema, teaser and trailer are very beautiful.
35:14We want to get the trailer for Shashank Shindan's work.
35:17There's a big star cast and you can see it all.
35:20So, the cinema was hit in the box office.
35:23There was a movie and a movie.
35:26So, what do you appeal to your movie?
35:30I would appeal to Devgaron's rent in the cinema in September.
35:36Please, Baga, a lot of people, a lot of people, a lot of people.
35:40I don't want to say anything.
35:42I want to say anything about it.
35:46I think that I have a lot of trust in Maharashtra's audience.
35:50They are very confident that they are able to do the awards,
35:52and they are able to do the gifts.
35:55And I think that there are no questions about the theatre or anything.
35:59They are able to give the public interest in Maharashtra.
36:01video will be twee percent of this video.
36:02In each video, the TV shows multiple times where everybody drinks the day while the TV shows
36:09the number of TV shows that the TV shows your attention.
36:12But that's why being read the TV shows that the TV shows the latest news shows that the TV shows
36:18the TV shows and the TV shows the latest news.
36:21And that's why we know that TV shows
36:27So, you will hear that TV shows if this is a TV show if this is a TV show.
36:28We know that your TV show is a bit different,
36:33Thank you so much, thank you.
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