- 1 week ago
Four Men and A Prayer 1938 Loretta Young & Richard Greene
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00:00:00BANG! BANG! BANG!
00:00:38THE END
00:01:12THE MUNITIONS USED BY THE REBELS CAME UP FROM NAMU TO DOUGLAY PASS. THE REVOLT WAS QUELED, BUT AT THE
00:01:18COST OF 90 LIVES. 60 NATIVES AND 30 OF OUR OWN LANCERS. 90 DEAD MEN. AND WHY ARE THEY DEAD?
00:01:27THEY ARE DEAD BECAUSE THE LANCERS, GUARDING DOUGLAY PASS, THE SOLE GATE TO AN ATTACK ON JERRISH TOBY, WERE ORDERED
00:01:34ELSEWHERE BY COLONEL LAURING LEE.
00:01:38I WILL CALL CAPTAIN LOVELAND.
00:01:45RAISE YOUR RIGHT HAND. REPEAT THE ODE.
00:01:49I SWEAR BY ALMIGHTY GOD THAT THE EVIDENCE WHICH I SHALL GIVE BEFORE THIS COURT SHALL BE THE TRUTH, THE
00:01:53WHOLE TRUTH, AND NOTHING BUT THE TRUTH.
00:01:58CAPTAIN LOVELAND, WILL YOU TELL THE COURT ABOUT ANY ORDERS RECEIVED BY YOU FROM COLONEL LEE ON THE NIGHT OF
00:02:04THE 18TH?
00:02:05I RECEIVE WRITTEN ORDERS, DELIVERED TO ME SHORTLY AFTER NINE O'CLOCK, TO PROCEED IMMEDIATELY WITH MY DETACHMENT TO TABLIS.
00:02:12ORDERS IN COLONEL LEE'S WRITING. CAN YOU IDENTIFY THE WRITING?
00:02:18YES, IT WAS HIS WRITING, BUT PERHAPS... PERHAPS WHAT?
00:02:23I WAS ABOUT TO SAY THE ORDER MAY NOT HAVE BEEN AS NEEDLY WRITTEN AS USUAL. OF COURSE, THIS MIGHT
00:02:27HAVE BEEN DUE TO HASTE.
00:02:28COULD IT HAVE BEEN DUE TO INTOXICATION?
00:02:30I CANNOT JUDGE AS TO THAT.
00:02:33THAT IS ALL.
00:02:34I BELIEVE YOU HAVE KNOWN COLONEL LEE FOR SEVERAL YEARS.
00:02:38HAVE YOU EVER SEEN HIM INTOXICATED?
00:02:41NOT INTOXICATED.
00:02:42HAVE YOU EVER KNOWN HIM TO ISSUE A CARELESS ORDER?
00:02:45I HAVE NOT.
00:02:48CAPTAIN LOVELAND, IN VIEW OF ALL THE VERY STRANGE THINGS WHICH YOU HAVE BEEN INTOXICATED,
00:02:51WHICH HAPPENED THAT NIGHT.
00:02:53HAS IT EVER OCCURRED TO YOU THAT THE ORDER IN QUESTION MIGHT HAVE BEEN FORGED?
00:02:58THE QUESTION IS DISALOWED.
00:03:01UNLESS YOU INTEND TO OFFER PROOF.
00:03:04THAT WILL BE ALL.
00:03:07I CALL COLONEL LORING LEE TO THE STAND.
00:03:21ALIVE.
00:03:36LEE?
00:03:38THIS CAME TO YOUR DING.
00:03:39THOUGHT IT MIGHT BE IMPORTANT.
00:03:42THANKS.
00:03:43OH.
00:03:43Thank you, sir.
00:04:22Something more fundamental than that referred to by the opposing counsel.
00:04:27As he has so aptly stated, under ordinary circumstances, there might be doubt as to the validity of a claim
00:04:34against the defendant company.
00:04:36However, in this instance, my clients have suffered a loss which can be laid directly at the door of the
00:04:42defendants.
00:04:44I have no doubt that the Learning Counsel's opinions have been honestly expressed, but I have...
00:04:49Please, Your Lordship, I am called from the Court on Urgent Private Affairs.
00:04:53By Your Lordship's permission?
00:04:55Certainly.
00:05:09That's his ship coming in now.
00:05:23Joan!
00:05:25Joan.
00:05:26You are late.
00:05:27Oh, I'm sorry, darling, but it's such a lovely ship, I hated to come down at all.
00:05:30How very flattering.
00:05:31But now I'm here, I'm awfully glad to see you, and did I ever tell you, your eyes are mysterious.
00:05:35Pools of limpid twilights.
00:05:37Heaven, is it Wednesday today?
00:05:39Did you know it, Miss...
00:05:41Cable fuse up?
00:05:42Oh, thank you, most timely.
00:05:45Well, I'll tell you what I'll do.
00:05:46I'll take you both eyes to tea, and I'll tell you all sorts of classic things that I thought up
00:05:50in the air, all right?
00:05:51Yes.
00:05:52Excuse me, darling.
00:05:53Darlings.
00:05:59Christopher, what is it?
00:06:01I'm sorry, I've got to go.
00:06:04I'm sorry.
00:06:14I'm sorry.
00:06:30I'm sorry.
00:06:42Ah, you again, look here, you dumbbell. I might have shot you.
00:06:48Ah, divine to be killed at such a loved hand.
00:06:51The faithful attaché, the coding messages of an empire on which the sun never sets.
00:06:55What does that say?
00:06:56Sorry.
00:06:57Why, you know, those messages you might shake the world.
00:06:59Oh, it's so romantic.
00:07:02It's about as romantic as reading the last census reports.
00:07:05My, how you shatter my illusions.
00:07:07And one illusion was that you might have thought enough of it to come down to that tea fight.
00:07:11Good heavens, is it as late as that? I am sorry, Lynn.
00:07:13Well, you ought to be.
00:07:14We'd better go down now.
00:07:15No, you don't. I'm taking you out tonight. Those are orders from your boss.
00:07:18I'm sorry, Lynn. More work tonight.
00:07:20Oh, no, you're not going to work anymore tonight. We're going out.
00:07:22We're going slumming, dancing, we're going to drink champagne and listen to Negro orchestras.
00:07:26Ah, that's good medicine for your correct English soul, my son.
00:07:28Woman's oldest instinct, eh? Want to make me over?
00:07:31And how you need it. Come on, let's go.
00:07:33Now, look, I'll join you in the hall in two minutes. I must finish this work.
00:07:37Well, I'll tell you what. I'll stay and help you, and then you can finish it that much quicker, huh?
00:07:41Come on.
00:07:42Not me.
00:07:42Well, this is one thing, Lynn, that you cannot interfere in.
00:07:44Oh, I see. Secrets of the Empire, huh?
00:07:47Yes.
00:07:48All right. But don't you keep me waiting.
00:07:50I won't. Two minutes.
00:07:51Two minutes.
00:08:02Sir, what's that?
00:08:03A cablegram for you, sir. Personal.
00:08:24That'll be all, Vincent.
00:08:25Yes, sir.
00:08:57Gaird, what a homecoming.
00:08:58A lifetime of distinguished service and chucked out like this.
00:09:02Never did a dishonorable thing in his life.
00:09:06Must you do that?
00:09:07I've got to do something.
00:09:10The trouble is, I've read the proceedings of the trial.
00:09:13And I don't see how they could have reached any other verdict.
00:09:16What's that?
00:09:16Do you mean to say you actually believe the governor guilty?
00:09:19Don't be an ass.
00:09:20Now look here, nosy, I...
00:09:21Come on.
00:09:22I've known Dad a good many more years than you have.
00:09:25What do you think I believe?
00:09:26What are you all being so solemn about?
00:09:28It's like a funeral.
00:09:29What I like to do is to find out who's behind all this and wring his blasted neck.
00:09:32Oh, Chuck the Heroics kid, we all know there's something funny about this.
00:09:35Quite.
00:09:37That's why the old man asked us to meet him here.
00:09:40Now look here, we've all got to appear as though nothing had happened, as though this
00:09:43is a perfectly natural homecoming.
00:09:45Do you remember how I used to come home on leave?
00:09:47Full of beans, all sorts of plans.
00:09:49Yeah.
00:09:49Yes, you know how you'll take this, don't you?
00:09:51You bet.
00:09:52Head up and smiling.
00:09:54Here he comes.
00:09:55Yes, that sounds like the governor.
00:09:57Mandis.
00:09:58Mandis, the colonel's here.
00:09:59Colonel.
00:10:09Hello, Mandis.
00:10:10Back again, eh?
00:10:11Welcome home, sir.
00:10:17You okay, sir?
00:10:18No, I'll keep that myself.
00:10:20A bit of weather, sir.
00:10:21A trifle cold, perhaps.
00:10:23A trifle damp, too, Mandis.
00:10:25Mr. Wyatt and the others are in the library.
00:10:33Hello, boys.
00:10:35Good of you to come.
00:10:37Oh, who, governor?
00:10:39Hello, brother.
00:10:39Oh, lads.
00:10:40Welcome home.
00:10:41Hello, sir.
00:10:47Let's have a look at you.
00:10:49One, two, none more.
00:10:52Beano, sir.
00:10:52Wilson, sir.
00:10:53Losey, sir.
00:10:53Rodney, sir.
00:10:54Well, I didn't quite get that last one.
00:10:57Oh, all right, then.
00:10:58Snickle Fritz.
00:10:58But I think it's a rotten name, sir.
00:11:00Well, you chose it yourself.
00:11:02Remember, you were going to be a magician.
00:11:04Snickle Fritz the Great.
00:11:06Unlucky day for me, sir.
00:11:08Dismissed!
00:11:33Beano, what happened to the big oak by the gate?
00:11:37Why, I had to have it cut down, sir.
00:11:39It died.
00:11:42It died.
00:11:42Biddy.
00:11:43One hates to see staunch old friends go down.
00:11:47Um, glad to see you're looking so fit, governor.
00:11:53You're taking it well, boys.
00:11:55I knew you would.
00:11:56There's nothing to take, sir.
00:11:58We knew there was something sticky about it.
00:12:00There was.
00:12:01We all read the evidence.
00:12:03What about that batman of yours, Mulcahy?
00:12:06I'd as soon distrust one of you.
00:12:08And kept in Loveland?
00:12:09So far as I know, an officer doing his duty?
00:12:13Drake, sir?
00:12:14One of the best.
00:12:15He's got special leave to come home and help me.
00:12:18You're in the fight, of course.
00:12:19Naturally.
00:12:19Good.
00:12:20We knew you wouldn't take this lying down, sir.
00:12:22But neither will we.
00:12:23We're in this with you, if we can help.
00:12:24You bet we are.
00:12:25We've always stuck together, all of us, through fire, flood and famine.
00:12:30Famine, Snicklefritz?
00:12:31When was that?
00:12:33Well, the time the nosy and I got lost in the woods and missed supper.
00:12:37Sit down, sir.
00:12:38You must be feeling tired.
00:12:40I am a bit tired.
00:12:42The nights on the boat were the worst when I knew how all you fellas must be feeling.
00:12:46Well, I think we'll all have a spot.
00:12:49It's a sound idea.
00:12:51Now, have you any idea, sir, of the motive behind all this?
00:12:58I have.
00:12:59A very definite idea.
00:13:01It was the work of a munition syndicate.
00:13:04The tribe that revolted had the very latest in modern guns.
00:13:08Do you mean to say, sir, that someone sold guns to the natives and then created an opportunity for the
00:13:14guns to be used?
00:13:15I do.
00:13:15It all fits in.
00:13:17Oh, that's absolutely fictional.
00:13:20Have you any proof?
00:13:22I have.
00:13:24It wasn't easy to collect.
00:13:26After the court-martial, everybody seemed to disappear.
00:13:29Disappear?
00:13:29Well, scatter.
00:13:30General Brace was transferred to Egypt, kept in Loveland, inherited a fortune and retired to Buenos Aires.
00:13:38And the barman had already done a mug?
00:13:40Yes.
00:13:41That's extraordinary.
00:13:42Just to see whether you really can take it, sir.
00:13:44I can, if it isn't drugged.
00:13:50Well, sir, here's confusion to your enemies and to ours.
00:13:54And to your mother, boys.
00:13:59I'm glad she's not here today.
00:14:01Well, I've got an hour's work to do, so clear out for a bit, will you?
00:14:06See you at dinner, sir.
00:14:07Dinner, Tyler.
00:14:08See you at dinner, Governor.
00:14:09See you at dinner, Dan.
00:14:10After dinner, I'll lay the case before you.
00:14:12And ask your advice.
00:14:14Four brains are better than one.
00:14:16Yes, sir.
00:14:16Four brains?
00:14:17What about me?
00:14:18Oh, have you found one?
00:14:20Good.
00:14:20I hadn't heard.
00:14:30No, Manders, will you see if the colonel is ready for us?
00:14:32Very good, sir.
00:14:34It's good port, this.
00:14:34I don't imagine you get very good port in America.
00:14:37Oh, yes, you do.
00:14:38How do you get it?
00:14:39Well, they send it over in boats.
00:14:41Oh, boats.
00:14:43No, see.
00:14:44Are you growing a mustache?
00:14:46I beg your pardon?
00:14:48It's grown.
00:14:49It jolly well isn't.
00:14:51Jeff, do you realize that while you've been away,
00:14:53you've picked up the most appalling American accent?
00:14:55Have I?
00:14:56Do you know, in the States, nearly everybody takes me for a Yankee.
00:14:59Yes, I can well understand that.
00:15:02Well, let me hear you say, okay, toots.
00:15:10Tell my son that I'm ready for a minute.
00:15:12Very good, sir.
00:15:33Your father is ready, Mr. Wyatt.
00:15:35No, thanks.
00:15:37Now for the story.
00:15:39Come on, you chaps.
00:15:44What was that?
00:15:46It sounded like a gun.
00:15:49It's locked.
00:15:51It's all.
00:15:52Father!
00:15:53Father!
00:15:55He tried to fix it.
00:16:00Oh, Dad!
00:16:02Dad!
00:16:04Oh, God, no.
00:16:13He's killed himself.
00:16:16A disgrace.
00:16:17Madness.
00:16:18That isn't true.
00:16:19I won't believe it.
00:16:21Bino, look.
00:16:24Dispatch case.
00:16:26It's empty.
00:16:27His paper's gone.
00:16:29Dad's evidence.
00:16:29Lock the window.
00:16:36Somebody came through this way, all right?
00:16:41This is murder.
00:16:54What's the plan, Bino?
00:16:55You're head of the family now.
00:16:56Well, we've got four names to work on.
00:16:59There's Drake,
00:17:01Mulcahy,
00:17:02that barman,
00:17:03and Loveland.
00:17:04These men must be found and talked to.
00:17:07Right.
00:17:07I shall go to India
00:17:08and start with Mulcahy.
00:17:10Drake's coming here.
00:17:11Boson,
00:17:12you better wait for him.
00:17:12Right.
00:17:14Loveland's in Buenos Aires.
00:17:16Nosy,
00:17:16that's your job.
00:17:17Good.
00:17:18Oh, what about me?
00:17:18I'm in on this.
00:17:19You're going back to Oxford.
00:17:21Oh, no, I...
00:17:21You'll do as you're told.
00:17:22Oh, but that isn't fair.
00:17:23This...
00:17:23This is a family cause.
00:17:25It's Dad's and ours.
00:17:26Well,
00:17:27Boson,
00:17:27you understand?
00:17:28This is my cause, too.
00:17:30He's right, Bino.
00:17:31Yeah, let him go.
00:17:33All right.
00:17:33Rodney goes with me.
00:17:34Thanks, Bino.
00:17:35But this isn't going to be any tea party.
00:17:37If Dad's evidence
00:17:38was so important
00:17:39that they had to murder him,
00:17:41we'll be running the same risk.
00:17:43Let it come.
00:17:43And the sooner the better.
00:17:55Here's to you, Mother.
00:18:01And to you, Dad.
00:18:03Mother.
00:18:04Daddy.
00:18:29Doesn't the diplomatic corps even allow you to look surprised?
00:18:32I'm not.
00:18:34You're not.
00:18:36You're the world's champion,
00:18:37pauper-upper.
00:18:38It means to genius.
00:18:40Your butler thought I was working my way through college
00:18:42and wouldn't let me in.
00:18:43Hmm, sensible fellow.
00:18:45What's the matter with your feet?
00:18:46You're not starting a nudist pose.
00:18:48No.
00:18:49Feet hurt.
00:18:50And there wasn't a taxi,
00:18:51and I had to walk all the way
00:18:51from that adorable little place
00:18:52called St. John Comley.
00:18:54St. John Comley.
00:18:55Yeah, and the man said that...
00:18:57Why?
00:18:58Hmm?
00:18:58St. John Comley.
00:19:00Well, that's the way it always has been.
00:19:02Oh.
00:19:04Well, however, the man said it would only be just a step.
00:19:06I suppose that's a well-known English sense of humor.
00:19:08The village has never seen a taxi.
00:19:10Oh, really?
00:19:10Well, now that you're here,
00:19:11shall I carry you across the threshold like a bride?
00:19:15Oh, Jeff, I'd love it.
00:19:17Oh, Len, I...
00:19:19I think you...
00:19:22I think you'd better walk.
00:19:25Scaredy cat.
00:19:26You're never going to get any place.
00:19:27You're always going to be it.
00:19:29You see, I got in, Meadows.
00:19:30Manders.
00:19:31I beg your pardon?
00:19:32I say, that's pretty close.
00:19:33How did you know?
00:19:33Oh, Meadows, Manders.
00:19:34It's all right, American, you know.
00:19:35Oh, yes.
00:19:35Tea in the library.
00:19:36Very good, sir.
00:19:37Madam, may I, you're right?
00:19:38It's a dress.
00:19:39Oh, yes.
00:19:41Oh, Jeff, it's lovely.
00:19:44Oh, it looks just like the tap room
00:19:46at the Staten Hotel at Buffalo.
00:19:48Thanks.
00:19:48Well, you needn't be so snooty about it.
00:19:49It's a very nice tap room.
00:19:51Oh, and so is this.
00:19:54Fire, it's cozy.
00:19:55I love fires.
00:19:56Well, it's nice to see you, Len,
00:19:57but what are you doing here?
00:19:59I came to find out why you stood me up
00:20:00that night in Washington
00:20:01and then disappeared.
00:20:02No, thank you.
00:20:03The embassy wouldn't tell me a thing
00:20:04and so I started on a world tour
00:20:05looking for you.
00:20:07I happened to land in England first
00:20:08and heard you were here,
00:20:09so I came.
00:20:10Do I hear an apology for that stand-up?
00:20:16Jeff, what is it?
00:20:17It's in all the papers, Len.
00:20:19Two seconds after you left me that night,
00:20:21I had a cablegram to say that my father
00:20:23had been court-martialed and broken in India.
00:20:26He asked me to meet him here.
00:20:29Was that English colonel your father?
00:20:31Yes.
00:20:34Well, I came barging in here like a...
00:20:40Oh, Jeff, I'm sorry.
00:20:41Forgive me.
00:20:41Oh, it's all right, Len.
00:20:42I realize you didn't know.
00:20:45Of course, I read all about it in the paper,
00:20:47but I never dreamed...
00:20:48London is calling, sir.
00:20:50Captain Drake.
00:20:51Oh, thanks.
00:20:51Excuse me, Len.
00:20:58Good afternoon, Captain Drake.
00:21:00This is Geoffrey Lee.
00:21:02We've been waiting to hear from you, sir.
00:21:04I'm so glad you got here.
00:21:04I've seen the papers about your father's death, Lee.
00:21:07Do you think it was suicide?
00:21:08No, we don't.
00:21:10We think it was murder.
00:21:12So do I.
00:21:13I'm coming out to see you immediately.
00:21:15No, don't send a cart to the station for me.
00:21:17I'll manage.
00:21:18We must be very careful.
00:21:19I've been followed ever since I landed.
00:21:21Goodbye.
00:21:26That was a friend of the governor's.
00:21:27He's just come over here to help him clear himself.
00:21:29But your father was killed.
00:21:30Why?
00:21:31I know.
00:21:31That's what we've got to find out
00:21:32if it takes the rest of our lives.
00:21:33We've got four names to work on.
00:21:35There's Trooper Mulcahy, an abarman in India.
00:21:38There's Douglas Loveland.
00:21:39Douglas Loveland?
00:21:40A retired army officer, now living in Buenos Aires.
00:21:42And Captain Drake.
00:21:44Geoffrey, I...
00:21:45Now, be a good kid, will you?
00:21:46I've got loads of work to do before Captain Drake arrives.
00:21:48There's a train leaving St. John Cymru at 318.
00:21:50I'll have him take you down there in the car.
00:21:52Oh, but must I go now?
00:21:53I could be a lot of help to you.
00:21:54Now, look, it's sweet of you, and you're a charming girl.
00:21:56And I'm delighted to see you,
00:21:57but I don't need any help, and I really am busy.
00:21:59But I have something to tell you.
00:21:59It's very important, Geoffrey, and you.
00:22:01Oh, tea, and I haven't had mine yet.
00:22:03Well, Madeline, will you have Dover take this young lady
00:22:04down to the station in my car?
00:22:05Very good, sir.
00:22:05Okay, I'll take these things.
00:22:07Sorry, miss, but we haven't any chewing gum.
00:22:09Oh, that's quite all right.
00:22:10Hurry up, we're late.
00:22:11Now, Geoffrey, what I had to tell you
00:22:13was really very important, and...
00:22:14Well, I'll tell you what, I'll be in town tomorrow.
00:22:16Till mid-lunch.
00:22:17At lunch tomorrow?
00:22:18Mm-hmm.
00:22:18All right.
00:22:19I'm staying at the Savoy.
00:22:20Savoy, grill room, one o'clock.
00:22:21All right.
00:22:23And Geoffrey...
00:22:23Mm-hmm.
00:22:25Don't disappoint me.
00:22:27I won't.
00:22:29Goodbye.
00:22:30Goodbye.
00:22:35Where can I find a taxi?
00:22:37Well, that's where you have me, sir.
00:22:41Taxi cab, sir?
00:22:42Why, there's one now.
00:22:47Yes, the hall, please.
00:22:48Yes, sir.
00:22:52Well, where'd that come from?
00:22:56A taxi.
00:22:58Here.
00:23:03Nandis?
00:23:04Yes, sir?
00:23:05Have dinner service as soon as Captain Drake turns up, will you?
00:23:07Very good, sir.
00:23:11The car is coming now, sir.
00:23:13Oh, good.
00:23:29The car is there, sir, but, uh, there's something strange.
00:23:41No driver.
00:23:43No.
00:23:44Captain Drake.
00:23:59Well, you're looking very well this morning, my friend.
00:24:02I suppose he'll notice.
00:24:04No, I guess you're right.
00:24:05He probably won't.
00:24:06Well, he can't blame a girl for trying anyway, can you?
00:24:07It's just come.
00:24:12Probably bad news.
00:24:28Something wrong?
00:24:29Decidedly wrong.
00:24:33I'm stood up again.
00:24:35You know, Piper, people are going to decide one of three things about me.
00:24:38Hello, give me the travel desk, please.
00:24:39Either that I'm a brazen hussy, or I'm just a plain squall who has to tag along after a man
00:24:43no matter where he goes.
00:24:45Even if he isn't her man yet.
00:24:47Or that I'm unselfish enough to want to help a friend who's in a lot of trouble.
00:24:51Perhaps the correct answer is I'm all three of those things, huh?
00:24:54Say, Piper, what are you doing?
00:24:57Packing for Buenos Aires.
00:24:58Buenos Aires?
00:25:01Isn't that our next stop?
00:25:03Yes.
00:25:04Yeah, but how did you know?
00:25:05I'm psychic.
00:25:06Hello, is this the travel desk?
00:25:08Can you tell me, please, what boat left for Buenos Aires this morning, and when will it arrive there?
00:25:12And can I beat that boat by sailing from New York immediately and then flying south?
00:25:16And if so, by how many days can I beat it?
00:25:18No, no, no, call me back, will you, please?
00:25:20Yeah, thanks.
00:25:33Look here, Marquette, there's something I want to ask you.
00:25:37Did you know the barman that mixed that drink for my father at the club?
00:25:42I did.
00:25:43But does a brown colline here be the name of Arnie?
00:25:48Arnie.
00:25:49They say she knows him better.
00:25:53The barman?
00:25:53Does this girl Arnie know where he went?
00:25:56She did spit it out once in the state of Aroth.
00:25:59Was in America.
00:26:03South America, I think.
00:26:05South America?
00:26:06Did she say what part of South America?
00:26:08No, she did so.
00:26:10I'm just remembering.
00:26:12Let's see, now, I have a sister in Cincinnati, in Ohio, married to a plumber, yes, nice girl.
00:26:19No, it wasn't there.
00:26:19It was in Ireland, I think.
00:26:22Anyway!
00:26:24English dog, you'll push me!
00:26:26English dog!
00:26:28English to me!
00:26:31English!
00:26:36English dog, you'll push me!
00:26:38English dog, you'll push me!
00:26:49English dog, you'll push me!
00:26:50English dog, you'll push me!
00:26:55English dog, you'll push me!
00:26:56English dog, you'll push me!
00:27:00English dog, you'll push me!
00:27:01English dog, you'll push me!
00:27:01English dog, you'll push me!
00:27:01English dog, you'll push me!
00:27:01English dog, you'll push me!
00:27:27Be with you in a minute, boys.
00:27:30Gentlemen, I can't get it.
00:27:34Maltaine, you're hurt.
00:27:35I said nothing, nothing.
00:27:37Finish the police.
00:27:37The back stairs, the back stairs.
00:27:39Come on.
00:28:21The back stairs, the back stairs, the back stairs, the back stairs.
00:28:27Well, it is hard on Joan, and I did have a kind of understanding with Betty, but I think
00:28:32I'll keep this one.
00:28:34Now, Chris, we're out here on serious business.
00:28:36We've got to clear our father's labor.
00:28:38Hold your hat on, Boston.
00:28:38Everything's under control.
00:28:39This girl introduced me to the whole bunch, and you're going to meet them all in a minute.
00:28:43There's something going on, my boy.
00:28:45What?
00:28:47Excuse us, please.
00:28:49Well, what's going on?
00:28:50Well, I don't know yet, but here's the picture.
00:28:51Furnoy, American, rich, with a yacht, but not cruising about just for pleasure.
00:28:55I'll stake my life on that.
00:28:56Then there's a general tories who simply reeks of conspiracy and Loveland.
00:28:59Very thick with them all and suddenly rolling in money.
00:29:01It looks like something pretty hot to me.
00:29:03Well, let's get on with it.
00:29:03Wait a minute.
00:29:04Your name's Gordon.
00:29:06Herkimer, Gordon.
00:29:08Herkimer?
00:29:09Why not Hezekiah?
00:29:10Well, I'm sorry if you prefer it like that, but you're already heavily billed as Herkimer.
00:29:13Yes.
00:29:17Captain Loveland, may I introduce my brother Herkimer?
00:29:19He's just landed from England.
00:29:21How do you do?
00:29:21It's a pleasure, Mr. Gordon.
00:29:23Won't you join us?
00:29:24Delighted.
00:29:24Thank you very much.
00:29:25General Torres.
00:29:26How do you do?
00:29:26Senora Agila.
00:29:28How do you do?
00:29:28Mr. Furnoy.
00:29:29How do you do, Mr. Gordon?
00:29:30And Miss Charrington.
00:29:34How do you do, Mr. Gordon?
00:29:38Won't you sit down?
00:29:40How do you do, Mr. Charrington?
00:29:47What is your politics?
00:29:49Oh, yes, of course.
00:29:50What?
00:29:57I'd like to dance.
00:30:04You understand, don't you?
00:30:12I'd like to dance.
00:30:23Oh!
00:30:24Oh!
00:30:25Jeffrey!
00:30:26Oh, let's score one for me.
00:30:28Oh, once you did look surprised.
00:30:30How in the world did you get here?
00:30:31My plane from New York.
00:30:33Why?
00:30:33Why not?
00:30:35After all, I'm the traveling kid.
00:30:36Remember me?
00:30:37And besides, I adore intrigue.
00:30:39Give me a couple of valias and a plate of fudge and I'm happy.
00:30:42I might have known you'd be here.
00:30:44Well, you'll change your tune when you find out how much help I can be.
00:30:46You see, I know Douglas Loveland.
00:30:48That's what I was trying to tell you that day at St. John Cumley.
00:30:51Now, Lynn, I'm delighted to see you and I know your intentions are excellent.
00:30:54Please keep out of this.
00:30:56Why?
00:30:57Why, you ungrateful pup.
00:30:59I know.
00:30:59Little Miss Fixie.
00:31:00We're going to fix a speeding ticket for me in Washington.
00:31:03Took the whole embassy to get me out of the, um...
00:31:05Chug.
00:31:05Well, in that case, I don't suppose you care to go up to the river on a little yachting trip
00:31:09tomorrow
00:31:09with Furnoy, General Torres and Loveland.
00:31:11But I would!
00:31:12Well, of course, I could fix it for you, Jeffrey, but if you think I'm such a nuisance...
00:31:16Okay, Lynn, we must go with them.
00:31:18Well, are you grateful?
00:31:19Rather.
00:31:21Say it properly, then.
00:31:27Jeffrey, Boston, Herky, Herky, listen.
00:31:29Loveland's going up the river on a yacht and...
00:31:31Are you two kissing, then?
00:31:33No.
00:31:49Here we have the village bells.
00:32:05I don't like to have Rodney running about alone in the native quarter.
00:32:08I wouldn't trouble about him shooting books better than I can myself.
00:32:12Come back, you fools!
00:32:13Rodney!
00:32:15Rodney!
00:32:16What's up?
00:32:17This is the barman's girl.
00:32:18The barman at the club, you know.
00:32:19She was just showing me how she liked to welcome home her airing night when the prop gun went off.
00:32:24Give me a look at the cannon.
00:32:26I wish you wouldn't go barging off all alone like this.
00:32:29We've got serious work to do.
00:32:30Good afternoon.
00:32:31I know that as well as you do.
00:32:32Oh, don't flutter like an old hen, Beano.
00:32:34I can dig my own worms and make a note of that, too.
00:32:36Look at the holy location.
00:32:38Just the same lethal weapon was in the hand of the natives that revolted against us.
00:32:41Look, sir.
00:32:42The maker's name chiseled off an hour.
00:32:45That's splendid.
00:32:47Now, can you tell me where you got that?
00:32:52One day, I steal from him.
00:32:55He drunk.
00:32:56Bad to Arnie when he drunk.
00:32:59Where did your friend live before he came here?
00:33:05I do not understand.
00:33:08It's strange how little silver increases the understanding.
00:33:11Oh, yes, of course.
00:33:12Here, perhaps this will help clear the old bean.
00:33:17He say, Muras Island.
00:33:20Muras Island?
00:33:22In South America.
00:33:23We've got it, Beano.
00:33:24We'd better keep the gun for evidence.
00:33:26Yes.
00:33:27Here, Arnie.
00:33:27Take this.
00:33:28But don't spend it all in one place.
00:33:35Calcutta?
00:33:38Calcutta?
00:33:39I have ticket.
00:33:40Ready?
00:33:41Mr. Wyatt Lee calling Mr. Hercimer Gordon, Hotel Royal, Buenos Aires.
00:33:46This is Calcutta Central 0021.
00:33:49Buenos Aires, I have a ticket.
00:33:54Senor Hercimer Gordon is ready.
00:33:58Muras Island?
00:34:01Where is that?
00:34:03That's right, that's right.
00:34:04Muros Island.
00:34:06M-U-R.
00:34:07Oh, shut up.
00:34:08No, no, no, no, young Rod.
00:34:10Somewhere off the coast of South America.
00:34:14Yes, South America.
00:34:16Right.
00:34:16Are you sure about the gun?
00:34:19The gun?
00:34:20Certain.
00:34:22Mulcahy says it's identical with those used in the revolt.
00:34:27Revolt.
00:34:29Even to the maker's name being chiseled off.
00:34:33Good.
00:34:34Then we're getting warm.
00:34:35We're getting warm.
00:34:37We think we're on a trail here, too.
00:34:39A trail here, too.
00:34:41Keep up the good work, Beano.
00:34:43And take care of the kid.
00:34:46Hello, Jeff.
00:34:47Did you hear about the cricket final?
00:34:5038 pounds, 10.
00:35:02Oh, let, Douglas, we're slowing down.
00:35:04Are we stopping?
00:35:05Mm-hmm.
00:35:06Hmm?
00:35:08Squalier little place.
00:35:09They're quite important for military reasons.
00:35:11Controls the outcountry.
00:35:12Oh.
00:35:13Are we on a military expedition?
00:35:16I didn't mean to suggest that.
00:35:18Ah, Douglas.
00:35:20You don't have to be cautious with me.
00:35:22You know that.
00:35:23And after all, we, uh, we are on a military expedition, aren't we?
00:35:30Nice little hand.
00:35:33Nosy, we're slowing down.
00:35:34I think we must be coming to...
00:35:35Lynn is getting altogether too sick with that fellow Loveland.
00:35:39Oh, is she?
00:35:40I hadn't noticed.
00:35:41Take a good look.
00:35:43You know, Douglas, you're such a natural as a soldier.
00:35:46You must have had awfully good reasons for giving up the service.
00:35:49I did.
00:35:50Oh.
00:35:55Hello.
00:35:57Hello.
00:35:58Hello.
00:35:59Did you gentlemen order a butter or scotch?
00:36:05Goodbye.
00:36:07Goodbye.
00:36:12My good friend Donald Mouse.
00:36:15Fine type.
00:36:17You know, you are a good sort.
00:36:20Mr. Furnoy is asking for you, sir.
00:36:22Oh, thank you.
00:36:26Oh, Douglas, you're coming right back to me now, aren't you?
00:36:29Yes, of course I will.
00:36:30Ah, hurry now.
00:36:45Well, Lynn, I must say you're marvellous.
00:36:47Really?
00:36:47Why?
00:36:48Got Loveland all in a lather, haven't you?
00:36:52Well, that was the idea.
00:36:53Well, I don't like it.
00:36:55Oh, really?
00:36:56Why, Jeff?
00:36:57Because I asked you to keep out of this.
00:36:59This is a serious mission.
00:37:00Well, I appreciate your interest and all that.
00:37:02It is very kind of you to have got us invited on this trip.
00:37:04But for the rest, I wish you'd let us go it alone.
00:37:06Oh, so that's how it is with us, huh?
00:37:09Yes, that's the way it is with us.
00:37:10And besides, Loveland's no friend of ours.
00:37:12He's in the enemy camp.
00:37:13Now, just a moment.
00:37:15Am I by any chance being called a traitor?
00:37:17Oh, I didn't say that.
00:37:18Well, you implied it.
00:37:19And you might just as well have said it as to imply it.
00:37:21You know, really, Jeffrey, you're awfully stupid.
00:37:23Oh, so I'm stupid.
00:37:24Yes, you certainly are.
00:37:25Well, how do you explain your snuggling up to him?
00:37:26Was that part of your act, too?
00:37:27Explain to you, I'd rather eat ground glass first.
00:37:30I have my own reasons for what I do.
00:37:31Well, you've got your own reason.
00:37:31Yes, I have my own reasons.
00:37:33You conceited.
00:37:34I don't stand and deliver to anybody.
00:37:36Do you understand?
00:37:37Well, yeah, all the same, you did everything but kiss him.
00:37:38And I don't see why you stopped at that.
00:37:39Well, supposing I did.
00:37:40Now, listen to me, young man.
00:37:42Nobody tells me what I can't do or where I can't go.
00:37:44And as far as I'm concerned, Mr. Jeffrey Lee, you can go jump at the leg.
00:37:48River!
00:37:50Oh, I'll admit that wasn't very good.
00:37:52But the next time I see you, and I hope I never do,
00:37:54I'll have thought of something better.
00:38:01If they have discovered the guns, I am ruined.
00:38:04Well, what's up?
00:38:06Well, he has a message that suggests a leak.
00:38:08I paid you dearly for those guns, senores.
00:38:10One million gold pesos.
00:38:12The gift of poor people.
00:38:13You'll find them all there.
00:38:15The last stuff was delivered yesterday.
00:38:18If there should be treachery.
00:38:20It will be from your men.
00:38:21I can trust mine.
00:38:49So, General Torres has an interest in this little place, huh?
00:38:52Well, why is Mr. Furnoy going with him?
00:38:54Oh, take a look at the town, I expect.
00:38:55Oh, really?
00:38:56Oh, I think I'd like to do that.
00:38:58Douglas, let's go.
00:38:58No, no, really.
00:39:00Furnoy doesn't want anyone else to go ashore.
00:39:02Well, why?
00:39:03Well, these little places can be dangerous.
00:39:06Bandits, you know.
00:39:07Bandits?
00:39:07Oh, how exciting.
00:39:09Now, I know I want to go.
00:39:10Come on, Douglas.
00:39:11No, really, I, you know, I've got to obey.
00:39:14Obey?
00:39:14Well, home.
00:39:16Well, I mean, you can't.
00:39:17I must forbid it.
00:39:18Forbid?
00:39:19Oh, Douglas, that was your biggest mistake.
00:39:21Stand aside.
00:39:22I'm on my way.
00:39:23I'm on my way.
00:39:56Tardis, I don't like the feel of this place.
00:39:59It's suspiciously quiet.
00:40:00Senor, it is I who give the command here.
00:40:03All right, go ahead and give the command.
00:40:05I'm going back to the yacht.
00:40:06You're afraid to go to the warehouse?
00:40:08Oh, no, let fools be heroes.
00:40:10It's their business.
00:40:11Mine is selling arms.
00:40:12You go to the warehouse.
00:40:13Take a good look around.
00:40:14You'll find everything in order.
00:40:16Tsk.
00:40:32Oh, that's lovely.
00:40:34Oh, I like that.
00:40:36Douglas, find it out, huh?
00:40:38There's General Torres.
00:40:46Oh, I'll bet where the general is, there's excitement.
00:40:49Come on, Douglas, let's go.
00:40:51Willful little thing, aren't you?
00:40:53Fennoy will give us beans for this, but I can't let you go alone.
00:40:57No, no, I'll say you can't.
00:40:58Come on.
00:41:11Atención!
00:41:11¡Viva!
00:41:16Capitan, el inventario está completo, mi general.
00:41:19Los hombres?
00:41:20Los hombres 30 hay aquí escondidos.
00:41:22Los demás salen esta noche.
00:41:28Mi general.
00:41:29Bien.
00:41:31Mire, mire.
00:41:32Ah, jodito.
00:41:40Oh, qué lindo.
00:41:57Señor, you have no right...
00:41:58It's quite all right, general.
00:42:00Miss Charrington is a friend.
00:42:01Oh, forgive me, señorita.
00:42:05I did not know you were a friend.
00:42:09Behold my so beautiful stars.
00:42:13For this, I shall libertate my unfortunate people.
00:42:17They shall be happy once more.
00:42:19In liberty.
00:42:26Please come.
00:42:33Please, señorita, let me give you a little of this.
00:42:48Do I see you again, amigo?
00:42:51A charming moment, my friend.
00:42:54Delightful, Michele Rell.
00:42:56It is a pleasure to introduce my friends.
00:42:59Señorita Sherrington of New York, Capitan Loveland of London, my distinguished compatriot,
00:43:04General Adolfo, Arturios, Gregario, Sebastiani.
00:43:09Ah, señorita.
00:43:11What a moment I have.
00:43:14Capitan, I extend my most gracious welcome to our small city.
00:43:19There will be a little celebration tonight in honor of our dear friend, General Torres.
00:43:27If the so beautiful señorita and Capitan will honor us.
00:43:30Oh, I'd love to.
00:43:31Do you think we can, Douglas?
00:43:33Well, I'm not quite sure, Lynn.
00:43:35I shall hope.
00:43:36And now, with your pardon, I have important business with our friend, General Torres.
00:43:41If you will be so good, my friend.
00:43:43Oh, with pleasure, amigo.
00:43:47Forgive me for a moment.
00:43:49Of course.
00:43:51Goodbye.
00:43:54General?
00:44:01Oh, I think he's junked.
00:44:06We'd better get out of here.
00:44:07Why?
00:44:07I don't like it.
00:44:08Oh, Douglas, don't be silly.
00:44:09It may be interesting.
00:44:10Besides, I want to stay and see the fun.
00:44:11Fun?
00:44:12Uh-huh.
00:44:14Well, you would come ashore.
00:44:15Thank you, my friend.
00:44:33Shall we drink, my friend, to liberty?
00:44:36With all my heart, to liberty.
00:44:47Forgive me, my friend, but you know I do not smoke.
00:44:50My friend, people are watching.
00:44:56You are very thoughtful.
00:44:58Gracias.
00:45:07No.
00:45:13Magnificent, my friend.
00:45:15Gracias.
00:45:25Douglas, they're not going to...
00:45:27Listos?
00:45:30Fuego!
00:45:36We're not going to die.
00:45:37We're going to fight!
00:45:46We're going to fight!
00:46:08In this...
00:46:09Fuego!
00:46:12Ford!
00:46:14Krystalot!
00:46:17Krystalot!
00:46:19Krystalot!
00:46:30Krystalot!
00:46:30Come on!
00:47:27Come on, Newsy.
00:47:31Come on, Newsy.
00:47:46Douglas, poor Torres.
00:47:48And those half-starved little people mowed down like that without a chance.
00:47:51And women and kids too, Douglas.
00:47:54That's war, you know.
00:47:55It isn't war, it's a massacre.
00:47:56It's all a surprise to me.
00:47:59It's the men who sell them ammunition and encourage that thing to want to be shot.
00:48:02Not those poor little devils.
00:48:04Lynne, Lynne!
00:48:05Geoffrey!
00:48:06Is it doing them?
00:48:07Yes, I'm all right.
00:48:08Say, help me out of this, will you, mister?
00:48:10Come along, Lynne. We'd better get back to the boat.
00:48:12Say, say, Governor, you remember me from Morris Island?
00:48:15I never saw you before in my life.
00:48:18I've been looking at your blinking face every day for a week.
00:48:21They're going to shoot me, Governor.
00:48:23Help me, lady, will you?
00:48:24Help me, they're going to shoot me.
00:48:26Douglas, you can't let him do that.
00:48:28It isn't wise to interfere.
00:48:29Oh, come on, vámonos.
00:48:30Vámonos, vámonos.
00:48:33Vámonos.
00:48:34Vámonos.
00:48:36Vámonos.
00:48:36Vámonos.
00:48:37Vámonos.
00:48:37Vámonos.
00:48:37Vámonos.
00:48:38Vámonos.
00:48:40Vámonos.
00:48:40Geoffrey!
00:48:41Geoffrey!
00:48:43Oh, all the stupid, asinine things to do.
00:48:45Don't worry, Lynne.
00:48:46He's got a plan.
00:48:46He's getting information.
00:48:47Information?
00:48:48Why, they'll stand him up against a wall and shoot him.
00:48:50Geoffrey!
00:48:51They wanted that to him.
00:48:51He's a British son.
00:48:52You listen to me, Chris.
00:48:53You haven't seen what I have tonight.
00:48:55Don't kill anybody in this town.
00:48:57Anybody!
00:49:00Inglesa!
00:49:20Inglesa!
00:49:20Shoot the sombrero.
00:49:21A ver.
00:49:21Como te llamas?
00:49:22Tú, grandote!
00:49:23Como te llamas?
00:49:24You were employed by these munitions people, is that right?
00:49:27That's right.
00:49:28Say, mister, the firing squad will be here any minute.
00:49:31And they don't bother about court marshals in this town.
00:49:34My friends are at work.
00:49:35They'll get us out.
00:49:36Oh, helps.
00:49:36They look lively.
00:49:37They'll soon shoot you as look at you.
00:49:40Shooter.
00:49:41What about Muras Island?
00:49:43That's where they keep the stuff, governor.
00:49:45And they've got enough stuff here to blow up the old world, if you ask me.
00:49:48And you delivered the guns here to Torres and his rebels?
00:49:52Yes.
00:49:53And to the government, too.
00:49:55Atlas Arms were shooting on both sides in this little dust-up.
00:49:58Atlas Arms?
00:50:01What was that?
00:50:04El más grande primero.
00:50:08We'll be next, governor.
00:50:10Don't get the wind up, old chap.
00:50:11My friends will manage somehow.
00:50:12Well, they'd better shake a leg if they want to meet us this side of heaven.
00:50:15I'm afraid you're right.
00:50:21They're coming for us now.
00:50:23Jeff!
00:50:24Lynn!
00:50:25Oh, Jeff, I was so worried.
00:50:26Oh, Lynn.
00:50:27I've got a release order for you.
00:50:29Douglas Love and Karen.
00:50:31Let's get out of here.
00:50:33My captain, I'll grab the port of favor.
00:50:36Yes, senorita.
00:50:37Open!
00:50:42With a lot of gusto, senorita.
00:50:48Thank you, lady.
00:50:48Here.
00:50:56Oh, Jeffrey, I'm so glad you're all right.
00:50:59Lynn, darling, I'm sorry about those suspicions.
00:51:01They were just plain jealousy.
00:51:02Jeff!
00:51:03And, darling, apart from the fact that I'd like to box your ears, I'm afraid I'm hopelessly
00:51:07in love with you.
00:51:08Oh, Jeff, dear.
00:51:22Hey, my dad.
00:51:23I'm all right.
00:51:26You're all right.
00:51:27I'm all right.
00:51:27No.
00:51:28No.
00:51:28No.
00:51:29No.
00:51:29No.
00:51:30No.
00:51:31No.
00:51:32No.
00:51:41Look, I'm not a fussy man, but I thought you didn't like him.
00:51:45Well, I'm not quite sure that I do.
00:51:49You've seen as he...
00:51:51Well, Lynn and I...
00:51:53Well, look here, it's an old story.
00:51:57I mean, I...
00:51:58Well, I...
00:51:59You mean you and Lynn are...
00:52:01Uh, yes.
00:52:03Well, you don't love me?
00:52:05Oh, yes, Chris, I do love you.
00:52:07Only Jeff saw me first.
00:52:08It took a firing squad to make me realize it.
00:52:10Oh, you'll be all right, Chris.
00:52:12Remember, there's Joan and Elizabeth and that little telephone operator in the Buenos Aires Hotel.
00:52:15Bernice and Penelope.
00:52:16Oh, there are thousands of beautiful creatures all panting for me, but...
00:52:19I don't think I'll find one quite like you, Lynn.
00:52:21Thanks.
00:52:23Good luck, old man.
00:52:25Well, what about that Cockney?
00:52:27Listen, marvelous, Nosy.
00:52:28It's a concern called Atlas Arms behind the whole thing.
00:52:30And their distributing point is Muris Island.
00:52:32Muris Island?
00:52:33Hey!
00:52:33Don't mind me!
00:52:36Muris Island.
00:52:37Then the whole thing links up, and I think I've got the evidence to prove it.
00:52:39Do you remember Bino said that the name, that the maker's name was chiseled off that gun in here?
00:52:43Well, this one I got off a dead soldier down there, and look, the name's gone off that, too.
00:52:46Oh, even I get that.
00:52:47That means Atlas Arms in both places.
00:52:49And Loveland in both places.
00:52:50I think we've got the last nail in that chap's coffin.
00:52:52Where is he?
00:52:53Oh, he's in the street.
00:52:53He's getting rather nervous.
00:52:54Let's go and get him.
00:52:55Ah!
00:53:06We'd better get aboard.
00:53:08Furnoy's extremely annoyed over the disturbance you've made.
00:53:10Listen, Loveland, I don't usually go about hitting people on the chin, but this time I have a reason that
00:53:15might interest you.
00:53:16Let's go inside and have a beer and talk it over.
00:53:18No, we can't keep Furnoy waiting.
00:53:19Oh, please, Douglas.
00:53:21I'm thirsty.
00:53:41Well, if we'd aim my old bell from Morris Island.
00:53:45Get away, Blastio.
00:53:45Oh, now, how can I be in your way when I'm invisible?
00:53:49What you can't see can't end it.
00:53:51You come with me.
00:53:51You better come.
00:53:53Entertain the lady, will you, mate?
00:53:58Sit up.
00:54:05This is all very mock-heroic, gentlemen.
00:54:07May I ask the point?
00:54:09Well, the first point is this.
00:54:10Her name's not Gordon.
00:54:11It's Lee.
00:54:12Interesting as fact, but hardly significant.
00:54:14You'll find it significant.
00:54:16Our father's name was Colonel Loring Lee.
00:54:18You knew him, I believe.
00:54:19Very well.
00:54:20He was my commanding officer in India.
00:54:22Quite, and you were a witness at his trial.
00:54:25Reluctantly, I admit.
00:54:26All the same, he was convicted on your purge at evidence.
00:54:28I'm not going to stay here and be insulted.
00:54:30Speaking of mock-heroics, sit down.
00:54:41Is there anything familiar about that gun?
00:54:45No.
00:54:46Well, the barman in India left one behind exactly like it when he skipped.
00:54:50It wasn't clever of you, Loveland, to let that cock me down.
00:54:53He told me the whole story in jail, while you, in a doubt, were hoping we'd both be shot.
00:54:58I confess it would have saved me this rather boring interview.
00:55:01Don't smile like that.
00:55:02It annoys me.
00:55:04You're going to tell us now exactly what happened in India.
00:55:09And if I don't?
00:55:10Well, then, Loveland, I promise you on my word of honor that I'll shoot you right now.
00:55:16Just a stray bullet from the revolution.
00:55:24I've forged the order.
00:55:25That's all.
00:55:26Go on.
00:55:28There isn't any more.
00:55:29I didn't kill your father.
00:55:30Then you do know that he was killed.
00:55:32Well, we want the name of the man who killed him.
00:55:37I'm probably signing my own death warrant.
00:55:41But since you insist, it was...
00:55:54Geoffrey, Geoffrey, what happened?
00:55:55A shot came from that window.
00:55:56But it's worth it.
00:55:57The thing to do now is to get out of here immediately.
00:55:59Come on.
00:56:01Geoffrey, Geoffrey, you can't...
00:56:07Yes, poor fellow.
00:56:08Very evidently, a stray bullet from the revolution finished him off.
00:56:10Come in.
00:56:11Yes, so you'll make all the arrangements, eh?
00:56:13Good.
00:56:14Well, I'm pulling out of here at once.
00:56:15I don't want to risk my other guests.
00:56:18I've just been talking over the wireless telephone of the British Consul.
00:56:21He's making all the arrangements about poor Loveland.
00:56:24Peculiar chap in some ways, Loveland, but always a delightful guest.
00:56:27Won't you sit down and have a drink?
00:56:29No, thanks.
00:56:30We want to talk to you, Fernway.
00:56:32First of all, you ought to know who we are.
00:56:33Oh, well, that's not necessary.
00:56:35I do a lot of business through the British Embassy in Washington.
00:56:37In that case, you must have heard of our father, Colonel Loringley.
00:56:41Yes, I think I have.
00:56:42Read something of him recently.
00:56:44We came here to have a showdown with Loveland.
00:56:46He was the chief witness against our father in India.
00:56:48And tonight we got the evidence we wanted.
00:56:50He confessed that he had been bribed to forge the order on which our father was court-martialed and convicted.
00:56:55Bribed?
00:56:56Who bribed him?
00:56:58A munitions concerned called Atlas Arms.
00:57:01Atlas Arms?
00:57:02Never heard of them.
00:57:03Won't you boys sit down and have a drink?
00:57:05And Loveland wasn't killed by a stray bullet.
00:57:07He was murdered.
00:57:08Well, great Scott, this all seems very mysterious.
00:57:11It is.
00:57:12Loveland was just about to disclose the name of the official of Atlas Arms who killed our father when the
00:57:16shot was fired.
00:57:17Obviously, someone did not want us to hear that name.
00:57:19Well, it certainly looks that way.
00:57:21Fernway, we were wondering if it could be anybody on this boat.
00:57:24It seems to us that Loveland constantly took orders from you.
00:57:30By the Lord, Harry, I believe you chaps think I'm in this.
00:57:33Why don't you take that gun out of your pocket?
00:57:35You know, I've been accused of a lot of things in my time, but never murder.
00:57:40You chaps are so serious.
00:57:41I'll tell you what I'll do.
00:57:45You can look me up in Bradstreet's.
00:57:51But wait.
00:57:52You've been in America.
00:57:56Have you never heard of standard rubber?
00:57:58I'm afraid not.
00:57:59Oh, well, that's me.
00:58:02Of course, I don't pay much attention to it nowadays.
00:58:05But while I was developing it, I was forced to travel a great deal looking for rubber.
00:58:09It gave me a sort of a passion for knocking about the world with adventure and excitement.
00:58:14You know, knocking about the world in odd places and collecting curious people.
00:58:17I knew a chap called Trubshaw once.
00:58:19Yes, well, now, take, for instance, Loveland and Tauris.
00:58:22I looked them up, too.
00:58:23Loveland, I found, was an army officer who'd retired with a bit of money.
00:58:26And Tauris, well, Tauris was obviously an old bandit.
00:58:29Turned revolutionary and all that sort of thing.
00:58:31As a matter of fact, Tauris suggested this cruise, and I thought it would be fun.
00:58:35Now, with Loveland gone, what I'm really interested in, pardon me, is this.
00:58:46Softer hands for housewives.
00:58:49That's good.
00:58:51As well as bigger and better teeth for dogs and babies.
00:58:58So, you see, if you're trying to tie me up with your late friend, well, you're barking up the wrong
00:59:02tree.
00:59:05Now, if you boys will pardon me, I think I'll turn in, and I think you should, too.
00:59:11May I keep this one?
00:59:13Yes, if you like.
00:59:14And that, too.
00:59:15Oh, thank you.
00:59:18Oh, look.
00:59:19Good night.
00:59:22We didn't do that very well, did we?
00:59:25You blasted idiot.
00:59:39Which one of those mugs is in love with Lynn Charrington?
00:59:42Both, I should say.
00:59:44Oh, good.
00:59:45Ask Miss Charrington to step in, will you?
00:59:55Good evening.
00:59:56Good evening, Miss Charrington.
00:59:56I hope you're feeling better.
00:59:58Thank you, I am.
00:59:58Sorry you've gotten all this mess.
01:00:00Won't you sit down?
01:00:03After all, it was my first revolution, and I don't care to see another, thanks.
01:00:06Well, you know men will fight.
01:00:08Yeah.
01:00:08War is a pretty old institution.
01:00:10Pretty horrible one, too, isn't it?
01:00:12Yes, it's terrible about Loveland.
01:00:14Oh, I managed to get your father on the wireless telephone, and finally located him in Alexandria, in Egypt.
01:00:20Really?
01:00:21Really?
01:00:21I thought he was in London.
01:00:23No, I felt that he'd naturally want to know what was going on here, particularly about Loveland.
01:00:28My father?
01:00:30My father, but why?
01:00:32Well, who was president of the Atlas Arms, he'd naturally feel concerned.
01:00:36President of Atlas Arms?
01:00:39Yeah.
01:00:40Oh, I thought you knew.
01:00:45Why, why, no, I didn't know.
01:00:52I wonder if I may have a cigarette.
01:00:54Yes, surely.
01:00:59As a matter of fact, that's how I first met Loveland.
01:01:01He's a letter of introduction from your father, whom he'd worked for sometime before in India.
01:01:11Oh, and by the way, I, uh, I didn't make any mention at all of your being aboard ship.
01:01:15I was afraid it might worry your father.
01:01:17Yes.
01:01:18Oh, yes, it might.
01:01:22Good night, thank you.
01:01:23Good night, my dear.
01:01:32You'll probably find Miss Charrington at the hotel.
01:01:34I think she went to show early to get a good night's rest.
01:01:36Well, goodbye, Mr. Fennoy.
01:01:37Very happy to have been aboard.
01:01:38Well, happy to have had you.
01:01:39And I'm terribly sorry about last night.
01:01:41Oh, good.
01:01:42Goodbye, sir.
01:01:42Happy to have been aboard, and thank you very much.
01:01:44Well, I enjoyed having you, too.
01:01:45And by the way, here's one of my latest little gadgets.
01:01:48All for you.
01:01:50Oh, thank you so much.
01:01:52Goodbye, boys.
01:01:53Goodbye.
01:02:11Bye-bye, sir.
01:02:12Operator says, please stand by for a call from India.
01:02:14India?
01:02:15Yes, sir.
01:02:15Right.
01:02:17Gracias, señor.
01:02:18Nosey.
01:02:20Ready, Nosey.
01:02:20India's calling.
01:02:22Really, I wish you'd knock before you do this type of thing.
01:02:24How did you know who was...
01:02:25Oh, India.
01:02:30Yeah.
01:02:30Hello?
01:02:31Ready here for the call?
01:02:35India again?
01:02:37You know, I can't understand why Lynn didn't wait for us this morning.
01:02:40Typical of the breed, women don't give it a thought.
01:02:43I suppose she's feeling pretty ill.
01:02:45No wonder after last night, poor kid.
01:02:46Yes.
01:02:48Should we phone her?
01:02:49Let's.
01:02:50I know the minute she hears my voice, her rooms will be bathed in brilliant sunlight,
01:02:52and birds will probably twitter from her ceiling.
01:02:54You can get her on the phone for me, will you?
01:02:58Hello?
01:02:58Hello.
01:02:59Operator, put me through to Miss Charrington, will you?
01:03:02She's gone.
01:03:03She's gone.
01:03:04Hello, this is Gordon Herk...
01:03:06Herkimer Gordon.
01:03:07Calling.
01:03:07Didn't you leave a message for me?
01:03:09But she must have left a forwarding address.
01:03:13Thanks.
01:03:15Gone?
01:03:16Bag and baggage without a word.
01:03:17But no note on the dressing table?
01:03:19I can't understand it.
01:03:22Hello?
01:03:23It's Wyatt.
01:03:25We've got on to something, Bosun.
01:03:27That barman's gun was manufactured by a company called Atlas Arms.
01:03:34Atlas Arms.
01:03:36We located the president of Atlas Arms in Alexandria, Egypt.
01:03:40All the number one boys of the munitions racket are there.
01:03:44Now look here.
01:03:45Take the first boat and meet us there.
01:03:50What?
01:03:51Oh, yes, yes.
01:03:53What was that name again, quick?
01:03:55His name is Martin Charrington.
01:03:59That's right.
01:04:00Charrington.
01:04:06Now, what's the matter?
01:04:09Lynn's father's president of Atlas Arms.
01:04:11What?
01:04:13I certainly don't like the look of this.
01:04:15What do you mean?
01:04:17Lynn arrived at Lee Hall the day that Drake was shot, right?
01:04:20Then she arrived out here before you did, and I met her with Loveland.
01:04:23It all looks most peculiar to me.
01:04:25Don't be an arse.
01:04:26Lynn's just an impulsive girl who reads too many detective stories.
01:04:29I hope you're right.
01:04:30I am.
01:04:31Lynn tried to help us, didn't she?
01:04:32She arranged for us to go on this trip with Loveland.
01:04:34Don't you realize that might all have been a very neat trick?
01:04:39I wonder.
01:04:41It's utterly impossible, but...
01:04:43What do we do now?
01:04:44We packed for Alexandria at once.
01:04:46Oh.
01:04:54How many times do you want to do it?
01:04:55Do you want to do it or do it?
01:04:56Do you want to do it?
01:04:57If you want to do it, do you want to do it or do it?
01:04:57If you want to do it, do you want to do it or do it?
01:04:59Yes.
01:05:00His Highness agrees to the turns and would pay partly in gold and partly in silver.
01:05:05Okay.
01:05:06Now, you tell your friend the shipment can be made secretly.
01:05:08Mr. Frenoy, who's in charge of all operations, will be here in a couple of days and settle the details.
01:05:13The kids here landed at Imperial Airways a few minutes ago.
01:05:18What?
01:05:18Here in Alexandria?
01:05:20How the dickens did she track me?
01:05:23Well, tell her I'm busy.
01:05:24You tell her.
01:05:25Hmm?
01:05:27Well, all right.
01:05:27Shoot her in.
01:05:28If you gentlemen will wait in this room, please, I won't be a minute.
01:05:32Uh, shulamalakum.
01:05:33Shulamalakum.
01:05:34Okay.
01:05:43Hello, Dad.
01:05:44Hello, Ann.
01:05:45What are you doing in Egypt?
01:05:46I came to have a little talk with you.
01:05:48Well, what's up?
01:05:49Engaged?
01:05:49Married or broke?
01:05:50How's about a dollar?
01:05:51No, thanks.
01:05:52I'm not very fond of you at the moment.
01:05:53Well, what have I done now?
01:05:56Dad, is it true that you're president of Atlas Arms?
01:05:59Where did you get track of that?
01:06:00Now, don't go answering your question with a question.
01:06:02Are you president of Atlas Arms?
01:06:03As a matter of fact, I am.
01:06:04Though it's not generally known.
01:06:06But then I mixed up in a dozen companies.
01:06:07Why pick on Atlas?
01:06:09Oh, nothing.
01:06:10That just makes you a murderer, that's all.
01:06:13Here, here, here, here.
01:06:14What's this?
01:06:14I've just come back from South America where I've seen men, women, and kids
01:06:17killed with guns that you made and sold.
01:06:19It was terrible.
01:06:20People were shot down the street without a chance.
01:06:22And what do you think war is like, a marshmallow roast?
01:06:24Oh, don't be flippin'.
01:06:25It was horrible.
01:06:26You came halfway around the world to tell me that?
01:06:29Listen, Lynn.
01:06:30I know that war is agony, filth, and horror.
01:06:33It's mass stupidity, and collective insanity.
01:06:35You know all that, and still you go on selling arms?
01:06:38Well, if I don't do it, somebody else will.
01:06:40Besides, you know, you're pretty expensive with your globe-trotting ideas.
01:06:44Right now, I hate every penny you ever spent on me.
01:06:46Oh, you do, eh?
01:06:48Okay.
01:06:49I'm making a note to have your allowance stopped.
01:06:52Can't you be serious for two seconds?
01:06:54I'm more in earnest than I've ever been in my whole life,
01:06:56and you treat me as though I was still in rompers.
01:06:58Are you really serious?
01:06:59Yes, of course I am.
01:07:01All right.
01:07:03War is all you say it is in war.
01:07:05But I'm not responsible if fools want to cut each other's throats.
01:07:09My factories turn out guns, among other things.
01:07:12Now, if men want to buy them and make hell on earth,
01:07:15they might just as well buy them from me.
01:07:17But if they ever see reason, I'd be delighted to shut down my plants.
01:07:23Now you know where I stand.
01:07:24Dad, you're talking about men as if they weren't even people.
01:07:26I've seen them die, slaughtered like animals.
01:07:29It's your fault for messing around such places.
01:07:32Well, I don't suppose it makes any difference to you either,
01:07:34the fact that you've cost me the love and the respect
01:07:36of the one man in the world that cared anything about.
01:07:37I never heard of him either, so I can't be responsible.
01:07:43All right.
01:07:44But get this clear.
01:07:45From now on, I'm on the other side.
01:07:47I'm fighting him.
01:07:48Great.
01:07:49I love a good stiff fight.
01:07:51You'll get it.
01:07:52In that case, I'll increase your allowance.
01:07:54You'll need a war chest.
01:07:55You can take your war chest and go to the devil.
01:08:02Spunky kid, eh?
01:08:04That's the way I like him.
01:08:06Send in those snake-charmers again.
01:08:20I say, there they are!
01:08:22Nosey bossers!
01:08:25How'd it go on your head?
01:08:29Come on.
01:08:37Come on, let's go.
01:08:49Come on!
01:08:50Whiskers!
01:08:51A mustache!
01:08:52A beard!
01:08:53It comes off!
01:08:54But you have one of boosters that...
01:08:55It'll be like this off!
01:08:57Come on!
01:08:58Hey, please!
01:08:59Come on!
01:09:00Look at that!
01:09:04I say, Rosie, come on, get out of here, come on, come on, Jeffrey, Chris, Chris will all remember me,
01:09:15the old pop-rubber, Jeff, darling, darling, so glad to see you, oh, I didn't know where we'd ever find
01:09:23each other again, I wasn't even sure that you'd come, but I watched every steamer, and Jeffrey, remember, there was
01:09:28something I had to explain to you, well, I wasn't quite
01:09:30clear about it until I got here, but now I am, I think we're both quite clear, Jeffrey, what's the
01:09:36matter, that sounds like a queer kind of question, queer question, but why, what have I done, when your father's
01:09:42president of Atlas Arms, oh, well, I want to be the first to tell you that and explain, Jeffrey, really,
01:09:48I don't think explanations are possible, oh, but Jeffrey, surely, you can't just, please, Lynn, my brothers are waiting for
01:09:53me, uh, Jeffrey,
01:10:04The guns are identical, the maker's name's been chiseled off on both in the same way, we had an asset
01:10:08test made of ours, and the name Atlas Arms came out just as plain as day, so at last we're
01:10:12getting somewhere, I'm afraid we're not, what do you mean, Lina, well, you see, Loveland is dead, we have his
01:10:17confession, that's only hearsay evidence, and the rest is purely circumstantial, no court would accept it for a moment, you
01:10:22mean we haven't accomplished anything, what about Charrington, he's the man we've got to see, just try, dear fellow,
01:10:26it's easier to get an interview with a king, Charrington's guarded on all signs, we couldn't even get past his
01:10:31third secretary, ever I want to poke anyone in the nose, no, I'm afraid, as far as seeing Charrington is
01:10:35concerned, that's a very difficult assignment, well, in that case, you'll need me, Lynn, Lynn, oh, Lynn, may we be
01:10:41just talking about you, how do you do, oh, that's hardly necessary, I'm Lynn Charrington, how do you do, and
01:10:47believe it or not, you do need me, oh, Lynn, we're, we're very busy, very busy, yes, yes, I know,
01:10:54I'm still messing in your affairs, and you don't like me,
01:10:56I don't like it, well, all the fun's gone out of it for me, too, but I'm going to stay
01:11:00and finish what I started, oh, we'd be grateful for any help, Miss Charrington, may I think you'll have, yes,
01:11:05thank you, don't tell me I've met one member of this family who really has brains, oh, well, oh, perhaps
01:11:10two members, oh, thank you, of course, those idiots over there think I can't be trusted, no, but I do
01:11:16hope you'll believe me,
01:11:19please, Lynn, look, Lynn, if you could, and besides, I've had about enough of this please, Lynn stuff, do you
01:11:25think I've met every steamer just to flatter your vanity, I was afraid my father would get away before you
01:11:29arrived, if you ever did, and when you did arrive, you wouldn't even listen to me, now, would you like
01:11:35to see my father?
01:11:36Would we? I say you are a trumpet, we'd be very grateful, Miss Charrington, oh, I knew I should have
01:11:42waited till I met the rest of the family before I made my choice, you know, it's a very good
01:11:47thing that you came, you know, because those two mutts would never have gotten any place, and it's a very
01:11:54good thing that you came, too, Snuzzle, Snickle Fritz, well, shall we go? Thank you,
01:12:01You two can tag along, if you like, nosy and stinky. Come, Sticky.
01:12:15Oh, bonsoir, Miss Charrington, votre père prend le café.
01:12:17Hi, Mike.
01:12:18Hello.
01:12:21No.
01:12:23No.
01:12:25No.
01:12:26No.
01:12:28Well, Dad, I want you to meet some friends of mine, Mr. Wyatt, Rodney, Christopher, and Geoffrey Lee.
01:12:33Oh, yes, always glad to meet friends of Lynn's. How do you do?
01:12:38Uh, now, Dad, I want you to listen to me.
01:12:40I'm sorry, Lynn, I've got to attend the meeting. Some other time, honey.
01:12:50Hello, what's this? Am I being kidnapped?
01:12:54I'm sorry, sir, but this is a matter of life and death to us. We've been trying to see you
01:12:58for days, and I'm afraid you must listen.
01:13:02Well, well, serious as all that, I suppose I can spare you five minutes.
01:13:07Now, go ahead, Lynn. You've ever done to get a speech on your chest?
01:13:11Yes, as a matter of fact, I have.
01:13:14Do you remember a couple of weeks ago when we were in England?
01:13:17I went to a certain house where a British officer and his sons had led happy and honorable lives.
01:13:23I went out there happily, too, but I found a tragic thing had happened.
01:13:27A little while before, that officer had been disgraced and broken in India.
01:13:31He'd come back home to prove to his sons that he wasn't guilty.
01:13:34But before he could show them his evidence, he was murdered and all of his papers were stolen.
01:13:39That officer was Colonel Loring Lee, and these are his four sons.
01:13:46Are you sure he was murdered?
01:13:48Definitely.
01:13:49A few days later, another officer who had come from India to help Colonel Lee clear his name was also
01:13:52murdered.
01:13:54Now, someone was afraid, Dad, of what they knew.
01:13:56That's true, sir.
01:13:58I see.
01:14:00But what on earth makes you think that I was in on this?
01:14:03Well, because Atlas Arms is responsible for everything that's occurred, and you are Atlas Arms.
01:14:09So you think I'm the man, and you're ready to throw me to the wolves, eh?
01:14:13Lynn, you must have a pretty big stake in this.
01:14:17I have, Dad.
01:14:18I'm in love with Jeffrey Lee.
01:14:20But he's not in love with me now, though he was for a little while.
01:14:24Mr. Furnoy spoiled all that.
01:14:25You see, he told me you were president of Atlas Arms, and...
01:14:28Uh, wait a minute, wait a minute.
01:14:30Lynn, did Furnoy know that these boys were Colonel Lee's sons?
01:14:33Yes, he did.
01:14:34Oh, I'm beginning to see daylight.
01:14:37Gentlemen, I hold the controlling shares of many companies, including Atlas.
01:14:40But I don't control this policy.
01:14:42I want you to believe I didn't know that that policy included murder.
01:14:46Oh, Dad, can you prove that?
01:14:47Oh, yes, if necessary.
01:14:48I make plowshares, locomotives, and tractors, and even safety racers.
01:14:52My stock in Atlas will be sold at once, I promise you.
01:14:54But you must know who does control the policy of Atlas, huh?
01:14:56And you've got to tell us, sir.
01:14:57No, no, Sonny, I haven't.
01:14:58Oh, Dad, you do.
01:14:59May I suggest, sir, that if you protect him, you make yourself an accessory to those murders?
01:15:03Well, I guess a man in my position could legally wriggle out of that.
01:15:06But I don't hold with murder, and the man who's responsible knows that I don't.
01:15:10That's why he's kept me in the dark.
01:15:12Yes, you boys want him pretty badly, don't you?
01:15:13Naturally, sir.
01:15:14Well, then you'll have to hustle.
01:15:15He's sailing on his yacht tonight for Singapore.
01:15:17His name is Furnoy.
01:15:19Furnoy?
01:15:19But I thought he made...
01:15:20Well, what are we waiting for?
01:15:21Come on.
01:15:22Thanks, Dan.
01:15:24Geoffrey!
01:15:25Geoffrey!
01:15:25Geoffrey, wait a minute.
01:15:26I'm going with you.
01:15:27No, Lynn, you can't come to him.
01:15:28You can't come to him.
01:15:28This is a job for men and guns.
01:15:33Don't forget to touch second.
01:15:35Lynn, can you ever forgive me?
01:15:37Of course, Geoffrey.
01:15:38Only not in a rush like this.
01:15:40Not until there's time for a thorough reconciliation.
01:15:43And, darling, be careful.
01:15:47Hey, she's out there.
01:15:48Be quiet one.
01:15:49There's no dinghy here.
01:15:49We'll have to swim for it.
01:15:50Yes, but now quietly.
01:15:51Quiet.
01:15:51Let's go.
01:15:52No flat dives.
01:15:52No, no noises.
01:15:58Captain, get up ahead of steam.
01:16:01We're going to sneak out of here tonight.
01:16:03Now, sneak out.
01:16:05Not Singapore.
01:16:07Moorice Island.
01:16:37All right, come here.
01:16:42Hey, what are you people doing here?
01:16:46Come on, Bozen.
01:16:54Hey, what are you guys doing?
01:16:59Close there.
01:17:01Now, which way?
01:17:02Forward.
01:17:03Fenoy's cabin.
01:17:04Are you comfortable, Captain?
01:17:05Come on.
01:17:15The guest cabin's here.
01:17:17Let's go.
01:17:18Now, take it easy.
01:17:28That's Fenoy's cabin and the secretary.
01:17:32Hello.
01:17:49That door's locked.
01:17:50That's why I always came in the door.
01:17:55There's someone in there.
01:17:59It's the secretary's room.
01:18:01It's locked.
01:18:01Let's crash it.
01:18:02Yeah.
01:18:03Don't be sick.
01:18:06Hello.
01:18:07Did you want some more scotch and soda?
01:18:11Snow white.
01:18:12Shh, shh.
01:18:13Donald Moose.
01:18:14Goose.
01:18:14Wait a minute.
01:18:19Hello.
01:18:22Oh.
01:18:23Yes, sir.
01:18:26Good heavens.
01:18:26Good heavens.
01:18:41Oh, wait.
01:18:43Right away.
01:18:44Good.
01:18:44Good.
01:19:18Good.
01:19:18Captain.
01:19:19Captain.
01:19:27Good evening, Mr. Fanoy.
01:19:30This is my brother, Wyatt Lee.
01:19:31He's head of our family now since you murdered our father.
01:19:34This is my brother, Rodney Lee.
01:19:36We've come to clear our father's name.
01:19:38We want a full confession from you.
01:19:42Confession?
01:19:44What?
01:19:45Stay where you are.
01:19:47I've got a bullet here for each of you.
01:19:53And as for Loveland,
01:19:54well, he was done away with by friends of mine in the government.
01:19:59And that's all.
01:20:00That's a true confession.
01:20:04And now all is required as your signature, Mr. Fanoy.
01:20:08Sign it.
01:20:09Fanoy! You murdered my father!
01:20:10Nothing would give me greater pleasure than employ you!
01:20:13Right!
01:20:59Ah.
01:21:01Your father's?
01:21:03Yes.
01:21:04His Majesty said he was proud and happy, but an honourable name had been restored.
01:21:13I'm proud, too.
01:21:44I'm proud, too.
01:22:04I'm proud, too.