अक्षय कुमारने केला असा प्रँक… Ravi Prakash यांनी सांगितला मजेदार किस्सा! Lokmat Filmy

Lokmat Filmy

From MBBS Doctor to Tollywood & Marathi Film Dashmi: Ravi Prakash Interview With Lokmat Filmy   साऊथचे प्रसिद्ध अभिनेते डॉ. रवी प्रकाश (Ravi Prakash) यांनी नुकताच 'दशमी' (Dashmi) या मराठी चित्रपटातून पदार्पण केले आहे. या विशेष मुलाखतीत त्यांनी एमबीबीएस (MBBS) डॉक्टर ते यशस्वी अभिनेता बनण्याचा प्रवास उलगडला आहे. तसेच अक्षय कुमारसोबत (Akshay Kumar) 'गब्बर इज बॅक' चित्रपटाच्या शूटिंगदरम्यानचा एक भन्नाट प्रँक किस्सा आणि थलपती विजय (Thalapathy Vijay) यांच्यासोबतच्या कामाचा अनुभव शेअर केला आहे. पाहा हा संपूर्ण आणि मजेशीर इंटरव्यू फक्त Lokmat Filmy वर!  Top Search Topics:  Ravi Prakash Interview Lokmat Filmy Akshay Kumar Prank on Ravi Prakash Dashmi Marathi Movie Ravi Prakash South Actor Ravi Prakash Marathi Debut Ravi Prakash on Thalapathy Vijay  Timestamps:  00:00 - Intro & Highlights 01:50 - Welcome Ravi Prakash on Lokmat Filmy 03:00 - Mumbai Visit & Love for Marathi Food (Kothimbir Vadi, Misal Pav) 04:33 - MBBS Doctor to South Actor Journey 08:25 - First Salary & Career Shift to Full-Time Acting 09:18 - Favorite Marathi Actors (Nana Patekar & Sachin Khedekar) 10:48 - How Ravi Prakash Got 'Dashmi' Marathi Movie 12:16 - Experience Working with Tejaswini Pandit 13:20 - Akshay Kumar Discipline & The Hilarious Watch Prank 17:19 - Experience Working with Thalapathy Vijay (Thalaivaa) 21:10 - Love for Marathi Serials (Lagnanantar Hoilach Prem) 22:45 - Fun Segment: Ravi Prakash Tries Iconic Marathi Dialogues 27:14 - Message for Marathi Audience & Wrap-up   #RaviPrakash #DashmiMarathiMovie #AkshayKumar #LokmatFilmy #MarathiInterview #SouthCinema #Tollywood #MarathiCinema #ThalapathyVijay #TejaswiniPandit #MarathiMovie #EntertainmentNews #MarathiNews #NanaPatekar #GabbarIsBack

Transcript

00:00Yeva Kokan, Aap Lo Jasa

00:02Nak Maharashtra Ante Chala Chala Ishtar

00:04Aap Leha Hadbari, Ladbari, Chamaela

00:09Sagasle Bari

00:09Mujhse Koi Dushwani hai

00:11Seriously hai?

00:13Aap Mujhe Dialog Dhe Ror O Bhi Nana Pa Taker Sahr Ka

00:16Koni Gar Dhe Thakare

00:19Gar

00:19Kya Baat Hai Very Nice

00:22Jab Aap Ne Ye Pura Tunes Kiya

00:25Jab Aap Ne Ye Pura Tunes Kiya

00:25Tab Aap Ne Pull Stop Directly MBBS

00:27You can speak in Marathi

00:28Wow Mala

00:30I understand

00:31I feel a little scared that you don't have to say wrong

00:34But you will learn quickly

00:36Marathi snacks came in the evening

00:39Kothambir Wada

00:40Kothambir Wadi

00:41We call Wada

00:44Proper Planned Diet

00:46Misal Pao

00:48Because there are sprouts

00:49Who is your favorite Marathi actor?

00:52Definitely all time is Nana Pa Taker Sahr

00:55I am very lucky to work with Sachin Kedekar sir

00:58Shia Ji Shinde Ji

00:59In India in any industries

01:02Marathi actors definitely have worked here

01:04The theatre is very strong

01:06You work with Akshay Kumar sir?

01:08I was very good to become a bird

01:09Oh

01:10I became a real hero

01:13I was listening

01:14But I was watching it

01:15Why do you want to come in acting field?

01:18My goal was not to become an actor

01:21When God gives us

01:23He gives us

01:24So for that film

01:26I was selected as a hero

01:28I came to the auditions

01:29In Mumbai

01:30In large cities

01:31There are so many opportunities

01:33In our small cities

01:34It is very very narrow

01:37Either you become a doctor

01:38Or you become an engineer

01:39I mean

01:40I mean

01:40Now the screens are so common

01:41But in our time

01:43I mean

01:44We have to see the photo

01:45I mean

01:45It is a big thing

01:47Big thing

01:48Big thing

01:50Hello

01:51Hello

01:51I am Pooja Burt

01:52I am a love for you from the filming of the film

01:53You are a good thing

01:55For us

01:56And the new generation of MBBS

01:57And the new generation of Poultunes

01:59In the book

02:00This is the name of the

02:01And the new generation of Chakka

02:04And the new generation of Poultunes

02:06So

02:06We are a new generation of Poultunes

02:08Our seven-year-old is Raviprakash, sir.

02:12Thank you very much, sir.

02:14Thank you, thank you.

02:15Lokmat Prakashikana, mazha namaskar.

02:18What a matter of fact.

02:19We have to say Marathi.

02:22Yes, I mean, it's all about it.

02:24But for speaking, there's no confidence.

02:28And it's a little bit of fear that we don't have to say wrong.

02:31So, because of that, there's a little break.

02:33But we'll learn quickly.

02:35And we'll say it.

02:36It's a great, sir, Marathi.

02:37But how did Mumbai, mazha li?

02:40Mumbai is always energetic.

02:44It's a great place.

02:45Everyone lives in the world.

02:48It's a great place to see their energy.

02:50It's a great place to stay behind.

02:53So, whenever we come here,

02:55we're very charged.

02:58What a matter of fact.

02:59So, you tried any Marathi food, Marathi dishes?

03:02Yes, whenever we shoot,

03:04we had a full film shoot in Pune.

03:08So, Pune, we had snacks in Pune.

03:10In Pune, we had snacks in Pune.

03:12In Pune, we had snacks in Pune.

03:34Pune, Pune, yes.

03:36So, that was the snack.

03:37And then, for a proper planned diet,

03:41Misal Pau.

03:42Misal Pau, because there are sprouts.

03:44And you know, you have that proper protein and carbohydrate mix.

03:49Yes.

03:49With lots of chatpata.

03:51So, you like that?

03:51I like that.

03:52Did you try at Mumbai's Panipuri?

03:53Mumbai's Panipuri, yes.

03:56Gabbari is back.

03:57When we came here,

04:01there was a lot of fun in Pune.

04:04So, this time you didn't try?

04:05This time, no.

04:06This time I did not get a chance.

04:08But, yes, it was Dahi Puri.

04:10How is the Mumbai traffic?

04:11How is the Mumbai traffic?

04:14As long as we get here,

04:17we get to learn something else,

04:20we get to be patient.

04:23Where you have to reach,

04:24you will reach.

04:26So, you have to be patient,

04:28and you have to inculcate that into your system.

04:33By the way, you are an MBPS doctor, right?

04:36So, why do you want to come in the acting field?

04:39I did not decide.

04:40I did not have a goal for acting.

04:45I did not have a passion for seeing a silver screen.

04:49I did not do that.

04:50When I did MBPS,

04:51I did an acting class workshop.

04:56That also happened by chance.

04:59So, I got to attend.

05:00Then, that teacher told me

05:03that I was going to be in a film for a film.

05:08Because you want to go.

05:10So, I said,

05:11I am not prepared.

05:12So, what will I do?

05:14So, at that time,

05:15my friends were also going to Hyderabad.

05:17Actually, I am from Vishakapatnam.

05:18I was at the East Coast City.

05:22So, I came to Hyderabad

05:25just to go around Hyderabad.

05:28Just to go around Hyderabad

05:28only in 2-3 days to go around.

05:31So, when the God gives away,

05:33he gives away.

05:34So, I was selected for a film as a hero.

05:38I was selected for the auditions.

05:39So I got selected as a hero for that movie, the title was Shubha Vela, which means good time.

05:48So this was released in 2000 and released in December 2000.

05:55That was my first entry.

06:02I had to finish my house urgency to complete my degree.

06:09So after that film, I went back, did my house urgency and then again I started working in the movies.

06:16How was your reaction to the family?

06:18That was the best part.

06:20That when your family, whatever you do, you believe and support you.

06:28That is so important in life.

06:29And especially, in Mumbai, you have so many opportunities.

06:36Parents are prepared to settle here.

06:40But in our small cities, it is very narrow.

06:43Either you become a doctor or you become an engineer.

06:47Either you become a doctor or you become an engineer.

06:48Either you become a doctor or you become an engineer.

06:50At that time, it was more and more.

06:52So then, our parents, I mean, keep our trust on them.

06:59Okay, nothing will happen.

07:00I mean, that is so important for everyone.

07:03The parents watched your movie first time in the theater.

07:07So what was their reaction?

07:09I mean, now, screens are so common.

07:11But in our time, you have to see your photos on the screen.

07:15I mean, you have to see your photos on the screen.

07:17That is a big thing.

07:18That you have to see your photos on the frame.

07:22So in that time, you have to see your photos on the screen.

07:29I mean, definitely, as much as possible, it will be better than 10 or 100 parents.

07:38Yes, definitely.

07:39So when you chose this, you gave me full stop directly to MBBS?

08:23Yes.

08:24Yes.

08:25Yes.

08:26Yes.

08:27Yes.

08:27And then what did you do with the first salary?

08:31Yes.

08:33Yes, I did.

08:36Yes.

08:37Yes.

08:39Yes.

08:40It was very, very low.

08:42It was more of the doctor?

08:43It was less of the doctor.

08:45But compared to both?

08:47It was more of the cinema.

08:49Okay.

08:51So first, I bought some clothes for my family, entire family.

08:58So that was my first.

08:59I bought it for everyone.

09:02So that was my first purchase with my money.

09:06Yeah.

09:08And what about the doctor one?

09:10Doctor's salary was more of an internship.

09:14So it wasn't paid, this thing.

09:18Who is your favorite Marathi actor?

09:21Marathi has got so many actors.

09:24So, so, so talented actors.

09:26I feel like in India, in all industries, in all industries, Marathi actors have definitely worked.

09:36The main reason, what I feel, is theatre is very strong.

09:41Yes.

09:41And actors are so energetic and so genuine in theatre.

09:46So that's one reason.

09:48And my favorite definitely all time is Nana Patekar Sahar here.

09:53And I am very, very talented.

09:56I am very lucky to work with Sachin Kedekar Sahar.

10:04Oh.

10:05And I have been very happy to work with both actors immediately.

10:09But I have acted with a lot of Marathi actors.

10:13But yeah, that's a wonderful feeling.

10:15I have had a great feeling.

10:17I have been very passionate about it.

10:19Of course, I have been very passionate about it.

10:20So, with a lot of producers, a lot of producers, to be able to live their plans.

10:24Yes, I have done something for now.

10:27I have done something very professional and career-oriented, and career planning.

10:32I have done a lot with a lot with a lot with a lot of directors and producers.

10:35But now, our film, Dashami, has started promotions.

10:41I was in Kaltak, Pune and today in Mumbai.

10:47So, how did you get a Dashmi movie? How did your offer come to you?

10:51Before Dashmi, I filmed a film in Pune.

10:56It was actually made in Tilghu and Marathi.

10:58It was a bilingual film called Ahoh Vikramar.

11:01Dev Gill was the hero of that film.

11:05My co-actress was Tejaswini Pandit.

11:08So, I played a police officer in that film.

11:11So, when the team looked at the police officer,

11:17they had in mind that they were suited to the police officer.

11:21So, in this Dashmi's script, there was a very important police officer role.

11:28So, that's why I got this reference.

11:32So, you always played a police officer?

11:35Mostly, mostly.

11:36So, Maharashtra's police officer will come here?

11:41Yes, definitely.

11:44Maharashtra is such a big state, with almost 15 crores of population.

11:49That means, the police is so much pressure on the law and order to put it in place.

11:54So, the police department will have to be always on their feet to control law and order for such a

12:03big state.

12:03So, they are doing a fantastic job.

12:05So, they are getting the chance to represent them.

12:09That itself is a big achievement.

12:11Yes.

12:12Seriously, from the bottom of my heart.

12:14I feel that.

12:15So sweet.

12:16Tejaswini Pandit, you work with her.

12:19Right?

12:19So, how was the experience with her?

12:20Oh, she was very down-to-earth.

12:22So, what happens is that when you do it in another language.

12:28It was a bilingual movie.

12:32So, it was being shot.

12:34One dialogue was made in Telugu and one shot was made in Marathi.

12:40So, for her, doing a Telugu dialogue was very tough.

12:44So, we get an upper hand.

12:49We get an upper hand to dominate.

12:51Okay.

12:52But she was very, very sincere.

12:54She used to practice so much.

12:58So, sometimes she used to ask,

13:01I'm not saying anything.

13:02So, that was the interaction.

13:05We were playing wife and husband.

13:07So, yeah.

13:08And it was a very, very emotional role of mine in that.

13:12And she had a very dynamic role.

13:15Police officer.

13:15She is also a police officer in that movie.

13:17Yeah.

13:19So, you work with Akshay Kumar, sir.

13:21Yes.

13:22So, how was the experience with Akshay?

13:24Akshay ji is a thorough professional.

13:26I mean, I mean, I have heard the other big actors in interviews.

13:34Which is absolutely true.

13:36They are time to time.

13:38And after the shoot, he works out.

13:40He used so much of preference for his fitness and health.

13:44That is so important.

13:46And that put aside,

13:49the energy that they take on the set,

13:52that is very, very important for the movie.

13:55You know, that is very, very important.

13:58When the hero is so charged up.

14:00And he brings his energy to the entire set.

14:04Right.

14:04So, our heroes were there on the set at 7 a.m. with makeup, ready for the shot.

14:14Wow.

14:14So, when a hero is the main guy,

14:18who works around everyone.

14:22Definitely.

14:22So, if he stays on the set,

14:25then all the people that are involved will be there on the set 10 minutes before him.

14:30So, that is when a systematic work happens,

14:33a quality work happens,

14:34and work happens in the timeframe that it has to be completed.

14:39So, that makes me very good.

14:42Yeah.

14:43So, our big senior actors,

14:44who are NTR,

14:46Nageshwar Rao Ji,

14:47and in Tamil MGR,

14:50I mean, I have also seen Kamala Asan Sir,

14:53Rajanikan Sir.

14:54They are all there at 7 o'clock.

14:56So, that is very, very important.

14:58And that is what I have seen in Akshay Kumar.

15:00Yes.

15:01Akshay Kumar, when he comes to the set,

15:02he has a lot of fun,

15:04he has a lot of fun,

15:05he has a lot of prank,

15:06he has a lot of fun,

15:06he has a lot of target.

15:07Correct.

15:08So, have you ever been in that plan,

15:10or have you ever been in that plan,

15:10or have you ever been in that plan?

15:11Yes.

15:12I mean,

15:13it became a very good thing.

15:16Oh!

15:17So, I want to listen to that whole story.

15:19Yeah.

15:20That was a wonderful experience.

15:22Look,

15:22with such a big star,

15:23you can become a memory.

15:26So,

15:26we were shooting at Gabari's Back,

15:28in a location,

15:31which is

15:32a den of the hero.

15:34So,

15:34in that den,

15:34everyone is doing their own work.

15:36So, that is quite a number of actors.

15:38Almost

15:3910 actors were there,

15:40with Akshay Ji,

15:41along with,

15:42including Akshay Sir.

15:44So,

15:44everyone is doing it.

15:46So,

15:46Akshay Ji comes to me,

15:47talking to me,

15:48talking to me,

15:49talking to me,

15:51and going.

15:52Then,

15:52everyone is ready for the shot,

15:53and suddenly,

15:54the director,

15:55announces in the mic,

15:57Ravi,

15:57what happened to your continuity watch?

16:00So,

16:01we are here,

16:02very, very seriously,

16:05noted down.

16:06So,

16:06where is continuity watch?

16:07In the last shot,

16:08it is not.

16:09So,

16:10I was,

16:11I went,

16:12suddenly,

16:13totally blank.

16:14Total blank.

16:15Where is the watch?

16:16Where is the watch?

16:17Where is the watch?

16:18So,

16:19I asked the assistant director,

16:20what happened?

16:22So,

16:22I was,

16:22very,

16:24in a nervous state,

16:25wherein,

16:25everyone is waiting for me.

16:27for me,

16:28everyone is wasting time,

16:30and the hero is there standing.

16:32So,

16:33they are talking about this,

16:34the director is talking about this.

16:36So,

16:37I am searching for watch.

16:39So,

16:405-7 minutes,

16:42then,

16:42Akshay Ji came,

16:43and,

16:43my shoulder,

16:44said,

16:45what happened?

16:46So,

16:46I am actually watching watch,

16:48sir.

16:49Okay,

16:49watch,

16:50this is not.

16:51Oh,

16:51shit.

16:52So,

16:52then I said,

16:53when did you take it, sir?

16:55This is nothing,

16:56I have taken a lot of watches,

16:58and I don't know,

16:59this is nothing,

17:00I have taken a lot of watches.

17:02Oh,

17:02shit.

17:04You have learned the trick,

17:06you have asked,

17:07what have you done?

17:08I mean,

17:10I don't have enough time,

17:10but,

17:11definitely,

17:12that is one thing,

17:13you should learn.

17:14And,

17:14that is the energy,

17:15that is required on the set.

17:17That's the worst.

17:19Now,

17:20let's see,

17:20that South,

17:21has become a very different place,

17:23because of Vijay sir.

17:26And,

17:26he is doing an amazing job.

17:28Yeah.

17:29Everyone wants,

17:30this kind of person.

17:32Correct.

17:33In our state also.

17:35So,

17:36how is the experience,

17:37they work together,

17:39and you have done it with them.

17:41Yes,

17:43what is the intention of their thoughts,

17:45how they plan,

17:47how they plan before,

17:48how they plan.

17:49How they plan.

17:49how they plan.

17:50In a whole state,

17:52it's a very different thing.

17:54Yes.

17:55I mean,

17:56I did a film called Thalaiva.

17:58Yes.

17:59Our episodes were shot in Mumbai, so we had a schedule of seven days with him, so he was a

18:11very composed man, very very composed.

18:15He has got clear measurements.

18:21They come to understand that this scene, usually when we plan a scene for three or four hours, immediately he

18:34knows that it will be finished or not.

18:36And in the schedule, it will be finished or not.

18:42He is a very balanced person.

18:44In the shots, they are so energetic, once the shots are finished, he is very calm.

18:51He just observes everyone.

18:53So that is very important.

18:55And I have heard both times, a real hero becomes a real hero.

19:01He has heard, but I am watching the first time.

19:04Absolutely.

19:04There is so much of positivity about him.

19:07And that is not an ordinary thing.

19:08It is very, very difficult when it comes to, definitely you would be knowing that in a political sphere,

19:17you have handled so many challenges to give what you feel to the people.

19:25It is such a difficult thing.

19:27And yeah, he is doing a fantastic job.

19:29May God be with him and let him do what he wants to do.

19:35Definitely.

19:36Definitely.

19:36So, when it comes to such a thing, your friends...

19:40But actually, I mean, as much as you feel like South India, I feel like South India.

19:47But South India, I am actually from Telugu.

19:50Vijay sir is from Tamil.

19:52Tamil sir, right.

19:52But I was lucky enough to get a chance to work with him in a Tamil movie.

19:58But Tamil is different, Telugu is different.

20:01Different, Telugu is different actually.

20:03But we count in South only.

20:04Yes, we are all for the South.

20:07We are all for the South.

20:07So, they are all for the Tamil, Telugu or Andhra.

20:10So, we are all for the same.

20:12We are all for the same.

20:13Sir, if you get a Marathi serial, you would love to work.

20:19Serial?

20:20Serial.

20:21Serial?

20:22What is it?

20:23There is not much that you are, you get to explore.

20:27One character for a long time.

20:30Serial?

20:32Serial.

20:34Serial.

20:51Serial.

20:55Serial.

20:58Serial.

20:59Serial.

21:07Serial.

21:35Serial.

21:38It is so true.

21:46Serial.

21:52Serial.

21:57Serial.

22:18Serial.

22:30Serial.

22:31Serial.

22:33Serial.

22:34Sher I wake up.ером.

22:36Serial.

22:36Tak bears.

22:39That is so

22:40true. She does watch.

22:41So, we can

22:42check on the show and she does watch.

22:43Anyways, so in Marathi, there are some famous dialogues that you said in your style, Ahith.

22:50Okay?

22:51Who gives a house?

22:55Who gives a house?

22:57We have to be very emotional.

23:01Who gives a house?

23:03Who gives a house?

23:04Who gives a house?

23:06I mean, someone will give a house.

23:08Please, I want a house.

23:11Okay?

23:11Done, let's go.

23:13You will get a house before shooting.

23:15You are so good.

23:16Yes.

23:18So, who gives a house?

23:19Who gives a house?

23:20Who gives a house?

23:22Right?

23:22Who gives a house?

23:23Very much emotional.

23:24Very much emotional.

23:25I mean...

23:26Which film is it?

23:27With Nana Pa Tekar.

23:29Oh my god, man.

23:31I mean...

23:32I mean...

23:33I mean...

23:36No.

23:38No.

23:39No.

23:39You are giving me a dialogue and that is also with Nana Pa Tekar.

23:42Sir and Nana Pa Tekar.

23:43Sir and Nana Pa Tekar.

23:44Best performance dialogue.

23:45Look.

23:46No.

23:46It's a challenge.

23:47It's a challenge.

23:49No.

23:49Please.

23:50Come on.

23:50You can do it.

23:50Come on.

23:52Come on.

23:53Come on.

23:55Come on.

23:56Come on.

23:57I tried.

23:58Oh.

23:58Very nice.

24:00So...

24:01Aapla haath bari.

24:03Aapla ladha bari.

24:05Aapla sagasle bari.

24:07Aapla haath bari.

24:09Aapla haath bari.

24:09Ladha bari.

24:10Chamayla.

24:11Sagasle bari.

24:13Kya baat hai.

24:14Very nice.

24:16Ekkach aatt aani vishai ekat.

24:20Ekkach aatt aani vishai ekat.

24:24Kya baat hai.

24:25Very nice.

24:47In your language, you have to say I love Maharashtra.

24:55I love Maharashtra.

24:59In your language.

25:00I love Maharashtra.

25:03What a joke.

25:05Very nice.

25:06Eva Kokan applies to you.

25:11Eva Kokan applies to you.

25:14What a joke.

25:15So you're watching Marathi cinema and Kokan shoot.

25:20I don't know.

25:22Yes, that's what I am wishing for.

25:23I love Maharashtra.

25:29You love Maharashtra.

25:31I love Maharashtra cinema.

25:33Correct.

25:34Yes.

25:34And now we have our assets actors.

25:37If you're not, then you're houseful.

25:40So you don't have money in South.

25:43Definitely.

25:44And as a result of South actors.

25:46What kind of USP in South?

25:49Your director, your producer, your writer especially.

25:53What are the advantages of houseful theatre?

25:58It's a challenge everywhere in every industry.

26:01But the audience's taste is changing very fast.

26:06Because there are so many platforms.

26:08So the challenge is always there to bring the audience to the theatre.

26:12And when there is a challenge that is when we try to give the best in us.

26:21So that's why in the last six months, we don't have any good movies.

26:31But this month, August, September we had some very good movies released.

26:36And yeah, their theatres are really full.

26:39So we, you know, when you are challenged, your brain delivers better.

26:45So that's the thing.

26:45Who is the best writer in your South?

26:49Humara yaan Tilgu mein writers as of writer-director Thrivikram Srinivas hai.

26:54Unko high level mein maana jata hai.

26:57Waisa hoi nahi behut sare aur bhe directors hai.

27:00But his writing is very very connecting to the audience.

27:03Audience.

27:04So please, please tell us that we are doing a Marathi cinema.

27:11Definitely tell us.

27:12Definitely.

27:13So thank you so much.

27:15It's a great pleasure to talk to you.

27:17It's a great pleasure.

27:18So that's how we bring the actors to the Marathi movies.

27:21So that our Marathi taters also be helpful.

27:24Oh, that is so nice of you. Definitely.

27:26Mujhe bhi Karaj Kup Kup Anand Zala doing this interview and interacting with Lokmat audience.

27:37So thank you for having me.

27:39And please do watch Aamcha, Chitrapad, Dashami.

27:45In the theatre maybe?

27:46In the theatre.

27:46In the theatre maybe?

27:48Join.

27:50Thank you so much.

27:51Thanks a lot.

27:52Amen.

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