- 30 minutes ago
Winterset is a 1936 American crime film directed by Alfred Santell. Starring Burgess Meredith, Margo, Eduardo Ciannelli, John Carradine and Helen Jerome Eddy. Actor Burgess Meredith made his credited film debut as the avenging son Mio Romagna. Lucille Ball appears as a little girl. Uncredited.
Storyline:
Based on a play that fictionalized the sensational Sacco and Vanzetti trial, this film follows Mio Romagna, a young man who's certain that his father, Bartolomeo, was executed as the result of a wrongful murder conviction. More than a decade after the crime, Mio, piggybacking on the work of enterprising journalists, pursues the case's key figures, reconstructing a web of lies based on greed, incompetence and bigotry against immigrants.
The film greatly changes the ending of the play, in which the lovers Mio and Miriamne are shot to death by gangsters. In the film, the two are...
Credits
Burgess Meredith as Mio Romagna
Margo as Miriamne Esdras
Eduardo Ciannelli as Trock Estrella
Maurice Moscovitch as Esdras
Paul Guilfoyle as Garth Esdras
Edward Ellis as Judge Gaunt
Stanley Ridges as Shadow
Mischa Auer as A radical
Willard Robertson as Policeman
Alec Craig as Oak
John Carradine as Bartolomeo Romagna
Myron McCormick as Carr
Helen Jerome Eddy as Maria Romagna
Barbara Pepper as a girl
Fernanda Eliscu as Piny
Lucille Ball as a girl (uncredited)
Storyline:
Based on a play that fictionalized the sensational Sacco and Vanzetti trial, this film follows Mio Romagna, a young man who's certain that his father, Bartolomeo, was executed as the result of a wrongful murder conviction. More than a decade after the crime, Mio, piggybacking on the work of enterprising journalists, pursues the case's key figures, reconstructing a web of lies based on greed, incompetence and bigotry against immigrants.
The film greatly changes the ending of the play, in which the lovers Mio and Miriamne are shot to death by gangsters. In the film, the two are...
Credits
Burgess Meredith as Mio Romagna
Margo as Miriamne Esdras
Eduardo Ciannelli as Trock Estrella
Maurice Moscovitch as Esdras
Paul Guilfoyle as Garth Esdras
Edward Ellis as Judge Gaunt
Stanley Ridges as Shadow
Mischa Auer as A radical
Willard Robertson as Policeman
Alec Craig as Oak
John Carradine as Bartolomeo Romagna
Myron McCormick as Carr
Helen Jerome Eddy as Maria Romagna
Barbara Pepper as a girl
Fernanda Eliscu as Piny
Lucille Ball as a girl (uncredited)
Category
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FunTranscript
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00:04:00everyday
00:04:04every day
00:04:05Oh, my God.
00:04:51They've got the payment.
00:04:53What are you saying?
00:04:53Who did it?
00:04:54Did you have any back to him?
00:04:55Yeah, they went around the corner.
00:04:56I got his number.
00:04:57It's 9356-7.
00:05:13The people of this commonwealth against Bartolomeo Romagna murder in the first degree.
00:05:23Yes, sir.
00:05:24I got the license numbers.
00:05:25The car drove away.
00:05:26We found the car abandoned up on Macy's Hill.
00:05:30The revolver and the empty pouch were in the front seat.
00:05:32The back of the car was filled with radical pamphlets.
00:05:35There is no question with what the paymaster was killed by a bullet fired from this gun.
00:05:39He worked at the factory for two years.
00:05:42He would know exactly what time the paymaster come on.
00:05:45He owes me $40 for printing.
00:05:48All for pamphlets.
00:05:50He couldn't have done it.
00:05:52He was home.
00:05:54With me.
00:05:55Daddy didn't kill the man.
00:05:58Bartolomeo Romagna, stand up.
00:06:03You know what?
00:06:03Have you anything to say why the sentence of death should not be passed upon you?
00:06:08In all my life, I have never stolen.
00:06:11And I have never killed.
00:06:14I am an innocent man.
00:06:16Everyone who knows me knows this.
00:06:19And you, Mr. Judge, you know this too.
00:06:23You will send me to my death.
00:06:25You should be sorry for me.
00:06:27But really, it is me who is sorry for you.
00:06:32In the dark night, I will be before you.
00:06:36And you will know you have done wrong.
00:06:39You will be afraid.
00:06:40But me?
00:06:41I am not afraid.
00:06:44It is not me who goes to death, Mr. Judge.
00:06:47It is you.
00:06:49A living, walking death.
00:06:52With my face and my voice following you everywhere.
00:06:58And I am sorry for you.
00:07:05There is only one thing left for this court to do.
00:07:10It is not a matter of discretion.
00:07:14It is a matter of the law.
00:07:16That is, to pronounce sentence.
00:07:21Therefore, it is considered and ordered by the court
00:07:23that you, Bartolomeo, Romania, suffer the punishment of death
00:07:29by a current of electricity through your body
00:07:32within the week, beginning on Sunday, the 20th of November,
00:07:37in this year of our Lord, 1920.
00:07:45They have done it.
00:07:47You saw the meal.
00:07:50You saw the murder of your father.
00:08:09It is the custom of this university to give to the graduating class
00:08:12each year some noteworthy case to analyze.
00:08:15From the evidence, from the attendant circumstances,
00:08:20and with the perspective that comes with time.
00:08:23This year, you will consider the case of Bartolomeo, Romania.
00:08:2716 years ago, died in the electric chair.
00:08:31For the murder of a paymaster, he was accused of robbing.
00:08:39His own lawyer did nothing for him.
00:08:43There was not one witness who could actually identify him
00:08:45as participating in the hospital.
00:08:48There was not a shred of direct evidence against him.
00:08:52All right.
00:08:53Yes, sir, I'll tell him.
00:08:56Yes.
00:08:57I'm from the Daily Globe.
00:08:58Oh, Dean Liggett is talking to the press now.
00:09:00You may go right in.
00:09:01Thanks.
00:09:04One hundred and eighty-four candidates for the bar,
00:09:07every one of them, agreed that there was no cause
00:09:09for Romania's conviction beyond mob hysteria.
00:09:13This is the first time that such a unanimously dissenting opinion
00:09:16has been presented by such a body.
00:09:19Beyond that, they discovered new evidence.
00:09:22Shortly after the murder, the police arrested on information
00:09:25a boy named Garth Ezra, who was suspected of being implicated
00:09:29in the hold-up in which the murder occurred.
00:09:32If this was so, his testimony would either have cleared Romania
00:09:36or once and for all have convicted him.
00:09:39But his testimony was never given
00:09:40for the simple reason that he was never called upon to testify.
00:09:43Good-bye.
00:09:44Good-bye.
00:09:51Good-bye.
00:09:52Good-bye.
00:10:00Good-bye.
00:10:06Good-bye.
00:10:08Good-bye.
00:10:18I'm sorry.
00:10:18Let's go.
00:10:33Parole.
00:10:37Where's Shadow?
00:10:39It's downstairs.
00:10:40It should be any minute.
00:11:15I'll try this.
00:11:28all right sir the guard of honor is all complete
00:11:41you're cracking huh someday you'll learn things ain't so funny
00:11:45okay anything you say any of the boys from headquarters have been around
00:11:49looking for me you know chief prison ain't agreed with you you're developing
00:11:54into a warrior they got nothing on you they got what they might have it's not a
00:11:59year to sign no ten it's screwed down under the lid i can die quick enough
00:12:06without help oh what are you talking about you're the skinny kind that lives
00:12:10forever yeah give me a half a year the doctor at
00:12:16the jail six months i get and the rest dirt
00:12:26six feet no kidding on the level
00:12:30that's tough chief i'm i'm sorry but before that happens
00:12:35a lot of these healthy boys will know what it's like when you try to breathe and
00:12:38have no place to put air they'll end it for me call them in let's get going
00:12:44what's the hurry i got work to do some college professor with nothing better
00:12:49to do started yapping about the romagna case again oh there
00:12:53you've got nothing to worry about that's what i'm going to find out
00:12:58if garth esther has talked use your brains why should he talk he's in it too ain't he can't talk
00:13:08i'm the dead man that can't talk it might be safer if garth was yeah sometimes i think you won't
00:13:16be
00:13:16happy until you've bumped off everybody you ever knew that ain't a bad idea nobody cares about romania
00:13:23anymore he had no friends no family there was a son sure off somewhere hoping nobody will ever
00:13:31find him you don't suppose he wants it known his old man was burned for murder do you
00:13:37just the same i'd like to know what he is
00:13:47what about you i heard something same old business yeah the college professor turned up some new
00:13:56evidence i couldn't find anything he's written out there so i beat it east i found this professor
00:14:02liggett's report i think he has something sorry boys the soup's all gone madam your story's an old one
00:14:16we've heard it before yeah it's been gone in seattle in los angeles in the coma in detroit in fact
00:14:22it'd be hard to mention a city at which at one time or another soup hadn't been all gone
00:14:28well that's it yeah we're enough to look for a man on an empty stomach who
00:14:39garthes
00:15:07the glue let's go it's the steam i guess it splits the hair on your head can't be
00:15:11that i can't mend it no doubt there are fellas somewhere we'd mend it for a dollar i'm glad to
00:15:16do
00:15:16it that is if i had a dollar got a dollar no i thought not god what did that lawyer
00:15:24mean that wrote to
00:15:26you what lawyer on this letter on the floor of your room i thought i burned that letter what is
00:15:31it
00:15:31about this matter will you shut up you little fool but if it's true that they say that you knew
00:15:35all
00:15:35the time romania wasn't guilty and could have said that they'd called on you so far as i know they
00:15:39never heard of me you're a good kid miriam got too much imagination i wasn't mixed up in any murder
00:15:51if you hoped i had some criminal romantic past you'll have to look again
00:15:59excuse me for the knock
00:16:02guard so my name you might not have been here if i made a point to knocking a door
00:16:09how are you trump
00:16:13you can see how i am who's the girl my sister happy to meet you
00:16:19come inside a minute the boy and i have something to talk about
00:16:25when i say go arch you go go on
00:16:34if you listen i'll riddle that door
00:16:46I just got out, see?
00:16:49And I pay my first call on you.
00:16:52Who started looking to sub?
00:16:55You've read the papers.
00:16:56You know as much as I do.
00:16:57It wasn't you turning state's evidence.
00:16:59Strock, the case was closed.
00:17:00They burned Romagna for it.
00:17:01Why should I look for trouble and maybe get burned myself?
00:17:04Boy, I don't know, but I just thought I'd find out.
00:17:06Besides, who wants to go on trial again?
00:17:08Except the papers.
00:17:09You and I won't talk.
00:17:11And unless we did, there's nothing to take to court as far as I know.
00:17:13Forget the judge.
00:17:15Where's the judge?
00:17:17What judge?
00:17:18Read that paper.
00:17:20Judge Gunskanof is nuts.
00:17:23He's been going around proving to everybody Romagna was guilty.
00:17:26Stopping people in the street to prove it.
00:17:28Now nobody knows where he is.
00:17:30Why don't they know?
00:17:31Because it's Andalus somewhere.
00:17:34They've got the police of three cities looking for it.
00:17:36Well, why should that worry you?
00:17:39He's crazy, ain't he?
00:17:41And even if he wasn't, he's arguing on your side.
00:17:44You're jittery, Chief.
00:17:45You've got the jitters.
00:17:46They'll give you weight sometimes.
00:17:48Now don't jump with God.
00:17:52I've got pockets in my clothes, too.
00:17:54All right.
00:17:55Take it easy.
00:17:58Maybe a line today.
00:18:00Maybe a nut.
00:18:02Stay at home for a few days.
00:18:05Sure thing.
00:18:05Why not?
00:18:06When I say stay home, I mean stay home.
00:18:09I have to go looking for you.
00:18:11You'll stay a long time, wherever I find you.
00:18:15I've seen him.
00:18:24My son, who are they?
00:18:27Well, it's not the...
00:18:29I thought he'd come for something horrible.
00:18:30Is he coming back off?
00:18:32I don't know.
00:18:32Who is he?
00:18:33Who is he, Gop?
00:18:35He'd kill me if I told you who he was.
00:18:37Then I'll say it.
00:18:39Yes, I'll say it.
00:18:40Then if I'm killed, you'll know who did it.
00:18:42They'll not get away with killing me.
00:18:44They'll pay for it.
00:18:46Now listen and remember.
00:18:49I was with a gang one time that robbed a payroll.
00:18:51I saw a murder done.
00:18:53And Troc Estrella did it.
00:18:55Remember that.
00:18:55Troc shot the paymaster.
00:18:57If that got out, he'd go to the chair.
00:18:58And so would I.
00:18:59That's why he was here today.
00:19:00Well, that's not true.
00:19:01That's why you've kept silent.
00:19:03Well, I'm not silent now.
00:19:04I won't sit here forever and look at that door,
00:19:06waiting for Troc and his submachine gun.
00:19:08Waiting for the police for the warrant.
00:19:10And what I'm thinking is,
00:19:13Remanier, dead for the murder.
00:19:14Dead.
00:19:16While I sit here dying inside.
00:19:18Dead for the thing Troc did while I looked on.
00:19:21And I could have saved him.
00:19:23But I let him die instead of me because I wanted to live.
00:19:26Well, it's not right.
00:19:27It can't be fair.
00:19:28Come on, son, you're mad.
00:19:30Someone will hear.
00:19:30Well, let them hear.
00:19:31I've lived with ghosts too long.
00:19:33I'd like you.
00:19:36Good old son.
00:19:38Be silent.
00:19:40Don't take this last thing from me.
00:19:45There was little to keep even before.
00:19:48But now, my son.
00:19:52Don't worry.
00:19:55I'll be quiet and live.
00:20:02I'll live in that crawl.
00:20:13I'll live in that crawl.
00:20:15To live.
00:20:18And live.
00:20:21Yes, child.
00:20:23It is better.
00:21:10Pardon me, sir, but perhaps you could tell me the name of this street.
00:21:15I guess I know street.
00:21:17There, where the street lamp is.
00:21:21Oh, Dad, that's the alley.
00:21:25It has a name, no doubt.
00:21:28No, it's just the alley.
00:21:31I see.
00:21:33You wonder why I ask, I dare say.
00:21:36I'm a stranger here.
00:21:39Yes, sir.
00:22:01There's nothing you can do.
00:22:03Your old man was a radical and a dangerous man.
00:22:10I don't like to say it.
00:22:11No, you're perfectly right, Carr.
00:22:12He was a dangerous man.
00:22:14Think of it.
00:22:16He believed that children shouldn't be forced to go to work.
00:22:20That a man should only work a reasonable number of hours a day.
00:22:24When he was injured, he should have care and medical attention.
00:22:28That if he got too old to work, he should be cared for and not starved.
00:22:33Have you gone crazy?
00:22:35Those things are the law.
00:22:36I know.
00:22:39My father died 16 years ago.
00:23:10What's the matter, kid?
00:23:12Nothing.
00:23:13Wait a minute.
00:23:14Yes?
00:23:22I'm sorry.
00:23:29I thought you were someone else.
00:23:33It's all right.
00:23:35Why do you look at me?
00:23:38You're unhappy.
00:23:41It doesn't matter.
00:23:44You're unhappy, too.
00:23:46How did you know?
00:23:49Just looked at you.
00:23:51Can I help?
00:23:56And all the miles I've traveled, you're the first to offer me that.
00:23:59I mean it.
00:24:02Who are you?
00:24:10Just a girl you saw among the pennies?
00:24:13Seems as if maybe we've met before.
00:24:16Oh.
00:24:20Maybe we'll meet again.
00:24:36It's kind of cute.
00:24:39Just a kid.
00:24:40That's just as well, if you ask me.
00:24:42The homely ones are bad enough, but the lookers are famous.
00:24:48You exaggerate, Clark.
00:24:51Hello.
00:24:55Somewhere in that deserted and forgotten corner of this highly advertised city
00:25:00may lie the answer to all my questions.
00:25:04Why don't you forget it, Leo?
00:25:07You said I'd follow the trail to the end.
00:25:09This may be it.
00:25:11You've only got yourself in trouble.
00:25:13Lay off.
00:25:14I can't lay off.
00:25:16This thing didn't happen to you.
00:25:18I've left you your name.
00:25:20You've left me one thing only.
00:25:23And that's to be my father's voice crying up out of the earth
00:25:26in the quicklime where they stuck him.
00:25:29My mother.
00:25:32I tell you these county burials are swift, cheap, run for profit.
00:25:37Out of the house and into the ground, your wife of a dead dog.
00:25:40Wait a minute.
00:25:41There's some Romanias spawned left.
00:25:43He falls there.
00:25:44Something they call the sun.
00:25:46He's him out of town, boys.
00:25:47He's him out.
00:25:48If you're not too gentle or he'll come back.
00:25:52I will go back.
00:25:56Maybe I can sleep then.
00:25:58Or even live.
00:26:08I'm in, my daughter.
00:26:09It's cold here.
00:26:11A storm coming.
00:26:12Soon, Father.
00:26:14I'm just waiting.
00:26:17What's his name?
00:26:20Who's there?
00:26:22Why?
00:26:23When we are young and listen for a step, a step should have a name.
00:26:40It's the way you make your living.
00:26:41They've got no right to stop you.
00:26:44No more music.
00:26:45They're the cops.
00:26:46The arrest.
00:26:47I've got to put him away.
00:26:49That's all.
00:26:49You'll have to go on release.
00:26:51If there is any more release.
00:26:53From this, I don't know.
00:26:55But I can't play no more music.
00:26:56The police will say no.
00:26:58Tomorrow I start cooking.
00:27:01How about a tune, Tony?
00:27:03They won't play.
00:27:04Sure.
00:27:04She's a good little machine that is ready.
00:27:07Got plenty money.
00:27:09And two new records.
00:27:10One new record.
00:27:10I only play twice.
00:27:13Come on.
00:27:14Give it to me, Tony.
00:27:25My man, I'm going to see you, Dad.
00:27:27Come on, my boy.
00:27:28My man, I'm going to see you.
00:27:29Come on, my man.
00:27:30Check it, buddy.
00:28:34Go on, Shirley.
00:28:35Do your glide.
00:28:36Si.
00:28:43They're going to get married.
00:28:44Honest.
00:28:44Ain't it the most romantic thing you ever heard?
00:28:47Come on, let's dance.
00:29:29Come on, let's dance.
00:29:45Tell me your name.
00:29:47Mio.
00:29:49What's yours?
00:29:51Miriam Nick.
00:29:53No such name.
00:29:55There's no such name as Mio.
00:29:57M-I-O?
00:30:00That's no name.
00:30:01Or Bartolomeo.
00:30:03Well, my mother's name was Miriam, so they called me Miriam Nick.
00:30:07Meaning little Miriam?
00:30:13Come on, little Miriam.
00:30:16Come on.
00:30:18Come on.
00:30:18Come on, little Miriam.
00:30:19Come on.
00:30:42¶¶
00:30:53Hey you! Hey you! What do you want? Sign off. You mean I gotta go off the street? Sign off.
00:31:01I don't know. I don't know. Hey, what's the matter with the music, Captain? Not a thing, Admiral.
00:31:08Are we a little party going here? No, I'll say you did. Please, Officer, we want to dance.
00:31:12Oh, go ahead, Dan. The law of music. Sorry, I can't help you. There you have it, fellow workers.
00:31:17A perfect example of oppression. In a land where music should be as free as air and the art should
00:31:23be encouraged,
00:31:24a uniformed minion of the intelligentsia steps in and puts the limit to the innocent enjoyment of the poor.
00:31:31We don't go to the theaters. Why not? We can't afford it. We don't go to nightclubs, where the women
00:31:37dance naked
00:31:38and the music drips from saxophones and leaks out from callow crooners. We can't afford that either.
00:31:44But at least we can dance in the river bank to the strains of a barrel organ.
00:31:50You ain't making a speech. You're coming down.
00:31:53Please, Mr. Officer, I have my right. You ain't making any speeches.
00:31:56You take your hands off me. So you want to get run in?
00:31:58For what? I haven't done anything.
00:32:00One moment, Officer.
00:32:02There is some difference of opinion, even on the bench, as to the elasticity of police power
00:32:08when applied in minor emergencies to preserve civil order.
00:32:12Say, who are you?
00:32:14Sir, I'm not accustomed to answer that question.
00:32:18Come on, get down off your high horse. Who are you? What are you doing here?
00:32:21Sir, I'm a judge of some standing. Not in your city, it is true, but in another with similar statutes.
00:32:29My name...
00:32:35My name...
00:32:38That's strange.
00:32:40I knew it, only a moment ago.
00:32:45I'll think of it again.
00:32:46Why, you fool, you're crazy.
00:32:48Whatever they may have said or done,
00:32:50let them disperse in peace.
00:32:55It's better that they go, softly.
00:32:59Lest when they are dead,
00:33:01you see their eyes, pleading,
00:33:05and their outstretched hands touch you,
00:33:10fingering cold on your heart.
00:33:15I have been harsher than you.
00:33:17Lay off, I tell you.
00:33:22What am I going to be ashamed of?
00:33:24Dread on them, that's right. Dread down the ancient and the infirm.
00:33:27Yeah, that's right.
00:33:28You don't have to step on the guy, big boy.
00:33:29What's the matter, you all gone nuts?
00:33:31I haven't stepped on anybody.
00:33:34It seems to be an opportunity for an ambitious young man.
00:33:41Wait a minute.
00:33:42Give the badge a chance.
00:33:44He's doing his job, but he gets paid to do the same as any of you.
00:33:48Well, they're all picked men, these metropolitan police.
00:33:51They're hand-picked for loyalty,
00:33:53and a fine upstanding part of shoulders on their legs.
00:33:58It's not so easy to represent the law.
00:34:00Think what he does for all of us stamping out crime.
00:34:03You want to be robbed and murdered in your beds?
00:34:05Hey, what's eating you?
00:34:07He must be a capitalist.
00:34:08Act enough out of you, too, professor.
00:34:11May I say that I think you've handled the whole situation
00:34:13rather badly from the beginning?
00:34:14You may not.
00:34:16For that remark, I'll be satisfied with nothing less
00:34:18than an unconditional apology.
00:34:20Oh, you want an apology, eh?
00:34:22Well, you'll get one where you don't like it.
00:34:24Come on, get out of my way.
00:34:25Come on, get out of my way here.
00:34:27Come on.
00:34:28Come on.
00:34:28Don't stop me.
00:34:29What are you trying to do?
00:34:56Come on, get out of my way here.
00:35:03Come on.
00:35:04Get him inside, quick.
00:35:05Who's up?
00:35:06It's the judge.
00:35:07Judge, go on.
00:35:09Get him inside.
00:35:14Let us go inside.
00:35:15This is Sleeve that's falling.
00:35:17You will understand, sir.
00:35:19We old men are not going to go inside.
00:35:20Nor how softly we must proceed with such things.
00:35:23What I'm telling you, Trot, I saw him with my own mind.
00:35:26It's the judge.
00:35:27Who's here's a bed bug.
00:35:41I guess you thought I meant it about waiting here to meet me.
00:35:46No.
00:35:47I'd forgotten about it till I got that slap of winter across the face.
00:35:53You'd better go in.
00:35:56I'm not your kind.
00:35:57Nobody's kind but my own.
00:35:59Just waiting for us to blow open.
00:36:02Wait a minute.
00:36:04I lied.
00:36:06I meant it.
00:36:09See, I meant it when I said it.
00:36:12There's too much hate in me for any girl to know.
00:36:17What hurts you so, Mio?
00:36:19I'm alone, that's why.
00:36:22I'll go with you.
00:36:25Where?
00:36:26Where you go.
00:36:28You little fool, what made you say that?
00:36:33I don't know.
00:36:35If you have a home, stay in it.
00:36:38I ask for nothing.
00:36:40I've schooled myself to ask for nothing.
00:36:43I take what I get and get it all.
00:36:45Wherever you go, I go.
00:36:48O Mio, take me with you and let them look for us, but we'll be away.
00:36:53Where?
00:36:55I have no house, no home, no love of life, fear of death.
00:37:01Why do you say that?
00:37:03Mary Omni, when I was a child, we climbed to an iron gate, my mother and I, to see my
00:37:13father in prison.
00:37:16He stood in a death cell and put his hand through the bars and said,
00:37:21My Mio, I have only this to leave you, that I love you and I'll love you after I die.
00:37:27Love me then, Mio, when this hard thing comes to me, that you must live a man despised for your
00:37:32father.
00:37:35Lie still and rest, my father. I've not forgotten.
00:37:39When I forget, may I lie blind to see you.
00:37:45What was his name?
00:37:47Your father's name?
00:37:51Why follow Mio, Romani? I'm not ashamed of it.
00:37:56Mio, why are you here?
00:37:57I can't tell you that.
00:37:59No.
00:38:00But if someone lives here, lives not far, and you mean to see him, you mean to ask him.
00:38:06Who told you that?
00:38:07His name is Garth.
00:38:09Garth has been.
00:38:10Were you sent to say this?
00:38:12You must go before you've seen or spoken to.
00:38:15Why?
00:38:16Will you tell me why?
00:38:18Because I love you, I can't tell you.
00:38:23Miriam, where will I find you when I want to see you?
00:38:26Debra, I'll bring you dead.
00:38:35Hey, you!
00:38:37Are you still around here?
00:38:38I'm here.
00:38:53Garth.
00:38:54You've got to go. You're not safe here.
00:38:56Well, what of it?
00:38:57If you slipped away and pick a place somewhere where we could find some...
00:39:01Using what for money?
00:39:02Why do you suppose I've sat here so long?
00:39:04Would I love my home so much?
00:39:07If I stepped around the corner, it would be my last corner and my last step.
00:39:10The truck will come again.
00:39:11And if you're here, he'll find you.
00:39:13Child, we can do nothing.
00:39:22A little fool, she's waked him.
00:39:46I'm looking for a family by the name of Ezra.
00:39:48Can you bring him out for me?
00:39:49Come see me, Mr. Booker.
00:40:00I'm looking for a family by the name of Ezra.
00:40:01Bob Kim.
00:40:20I'm looking for you.
00:40:24I'm looking for a family the way to answer.
00:40:26Good morning.
00:40:27and where I am.
00:40:28This is New York City.
00:40:31Poor apostle.
00:40:33Well, sir, I shall lie under the deepest obligation
00:40:37if you can set an old man on his path.
00:40:41I'll put you on your way.
00:40:42Only you'd be wiser to wait a while if I'm any judge.
00:40:46It happens, I'm the judge.
00:40:51In more ways than one.
00:40:59Can I sleep under the pipes tonight?
00:41:01Can I please?
00:41:02No, not tonight.
00:41:06There won't be any more nights if I don't get warm.
00:41:10Come in, come in.
00:41:19I must go.
00:41:22They'll be worried.
00:41:26We shall be well rewarded for your kindness.
00:41:33But at the moment, I'm low in funds.
00:41:39Your name, sir?
00:41:41My name is Esdras.
00:41:43And this is my son, Gav.
00:41:48Esdras.
00:41:54Esdras.
00:42:04Now I know.
00:42:07Liggett.
00:42:09That's the name.
00:42:11He wrote some trash about you.
00:42:14I came to tell you it was purely fabrication.
00:42:17Lacking fact.
00:42:18It's true I could have called you, but the case was clear.
00:42:23Romania was known guilty.
00:42:26And there was nothing to add.
00:42:28Don't worry, I'll say nothing.
00:42:30Nor any of us.
00:42:33You understand.
00:42:34If there were any just end to be served by speaking out,
00:42:39I'd speak.
00:42:41But there's none.
00:42:45Bear that in mind.
00:42:46We'll be silent.
00:42:48Excuse me.
00:42:49But I'm looking for a man named Ed.
00:42:51Garthus.
00:42:52You happen to Norm?
00:42:53Yes, for sure.
00:42:54Down there, in the corner.
00:43:13It's Troc.
00:43:14No.
00:43:15You wouldn't knock.
00:43:24May I come in?
00:43:25Yes, sir.
00:43:26What is it you want?
00:43:28Six to eight.
00:43:28Well, I might say that I was trying to earn my tuition fee by peddling magazines.
00:43:33I could say that.
00:43:35Collecting all newspapers.
00:43:36Paying cash, I have free.
00:43:38No questions asked.
00:43:39We've got nothing to do.
00:43:39No.
00:43:40Your pardon, gentlemen.
00:43:41See, my business is not of an ordinary kind, and I felt the need of this slight introduction.
00:43:47Well, I might get my bearings.
00:43:49Your name is Ezra, sir.
00:43:50That's what they tell me.
00:43:51What about it?
00:43:52I'll be quick and brief.
00:43:55The man died many years ago for a payroll robbery.
00:44:00You have some knowledge of this crime.
00:44:03And your testimony of killing would clear him of any share in the murder.
00:44:09You may not know whether he's guilty or not, you may not care, but I do care.
00:44:12I care deeply.
00:44:15I've come to ask you, face to face.
00:44:17To ask me what?
00:44:18What do you know about it?
00:44:19This man, Romagna.
00:44:21Does he have a son?
00:44:23Yes.
00:44:24This man, Romagna, as you choose to call him, had a son.
00:44:28And I'm that son and proud.
00:44:30Forgive me.
00:44:31If my son can help, he will.
00:44:34But at the moment, we are busy.
00:44:36Tomorrow, if you could...
00:44:37What I have to say won't take long.
00:44:41Tell me in a word what you know.
00:44:44Is it foreign or against?
00:44:46My son knows nothing.
00:44:48I knew a few members of a gang one time up there.
00:44:50And after the murder, they picked me up.
00:44:51Because I looked like someone that was seen in what they call the murder car.
00:44:55They held me for a while, but they couldn't identify me.
00:44:58For the most excellent reason, I wasn't there when the thing occurred.
00:45:02That's all I know about it. I wish I could tell you more.
00:45:04The whole story.
00:45:06The whole story.
00:45:10Well...
00:45:10Come 3,000 miles to the dead end.
00:45:15You lie. I won't believe it.
00:45:17My boy.
00:45:18If he was innocent, hence you know him so.
00:45:22Believe it.
00:45:23And let the others believe if they like.
00:45:26If you mean to say Bartholomeo Romagna was innocent, you're wrong.
00:45:31He was guilty.
00:45:33You lie.
00:45:34You lie.
00:45:35My father was murdered.
00:45:37Romagna was found guilty by all due process of law.
00:45:42And given his chance to prove his innocence.
00:45:45Who are you? How do you know?
00:45:47I've searched the records through the trial and what came after.
00:45:51And in all that million words, I found not one unprejudiced argument to fix the crime on him.
00:45:57And you yourself?
00:45:58Were you unprejudiced?
00:46:00Who are you?
00:46:02A face.
00:46:04In a dream.
00:46:07The judge.
00:46:10The judge at the trial was younger.
00:46:12But he had your face.
00:46:15Can it be that?
00:46:17Yeah.
00:46:18The jury charge.
00:46:20I said that as a child, I heard that voice.
00:46:23I watched that mouth.
00:46:24I knew even then that you made no good to us.
00:46:28Are you Judge Gaunt?
00:46:30I am.
00:46:31Why are you here?
00:46:33Because I'm an upright judge and want the truth.
00:46:36I've searched and compared and verified the transcripts of the trial.
00:46:42Without prejudice, no doubt.
00:46:43No, it was never in your mind that proved that you've been right.
00:46:47And conscious of that too.
00:46:49That that might be my purpose.
00:46:51And still I found no error.
00:46:54I watched all modern comments.
00:46:57And saw it centered finally on one fact.
00:47:01Garth Esdras was not called.
00:47:04This is Garth Esdras.
00:47:07And you have heard him.
00:47:09Would his deposition have justified a new trial?
00:47:18It would not.
00:47:20My boy, can it not be?
00:47:22And I ask this quite honestly.
00:47:26That the great injustice was on your side, not on mine.
00:47:31Can it not be true that you, who were touched closest by the tragedy, may not have lost perspective?
00:47:37Do you think I'm crazy?
00:47:39Is that what you mean to say?
00:47:41Is it not true that wherever you walked, still walking by your side, sleeping only when you sleep, a shadow,
00:47:51not your own, follows, praying and holding out his hands to be delivered from shame?
00:47:59How do you know that?
00:48:01How do you know that?
00:48:02I don't know.
00:48:04Because one specter haunted you and me.
00:48:09And haunts you still.
00:48:12But for me it's laid at rest.
00:48:15Now that my mind is satisfied.
00:48:19He died justly.
00:48:22And not by error.
00:48:27You know that you've come near to death.
00:48:30That there's murder in me.
00:48:31There was murder in your father.
00:48:34It is to be expected.
00:48:36Yeah.
00:48:37You'd like to have me kill you.
00:48:39I would prove your case.
00:48:41But you won't get that from me.
00:48:43You go home and die in your bed.
00:48:46My boy.
00:48:48I have read some things your father said.
00:48:52And you are a man fortunate in your father.
00:48:55Whatever the verdict of the word.
00:48:58Come, Judge.
00:48:58You better be going.
00:49:15I'll lend you my coat.
00:49:17A little rain shouldn't matter to me.
00:49:21The sea is as it falls.
00:49:23And you have a long way to go.
00:49:25Thank you. I'll manage.
00:49:44Well?
00:49:51Let me stay here a minute.
00:49:53Sure. Sleep here too.
00:49:54We'll have a whole row of you under the pipes.
00:50:08You're going to thank me for keeping you out of this.
00:50:10I've seen men get that way before.
00:50:12Thinking they had to slug a couple of guys.
00:50:14And then a few more to cover it up.
00:50:15And then maybe a dozen more.
00:50:18You can't swallow all the witnesses.
00:50:19Because every man you put away has got friends.
00:50:21I said all right.
00:50:22I said fine.
00:50:24You know, they're going to find that judge.
00:50:26And if they find him dead,
00:50:26it's just going to be too late.
00:50:27It's too bad.
00:50:28And I don't want to know anything about it.
00:50:29And you don't either.
00:50:30You all through?
00:50:32Sure, I am through.
00:50:34All right.
00:50:36We are through too, you know.
00:50:38Oh, yeah?
00:50:39Yeah.
00:50:40We are through.
00:50:42I heard that before and afterwards somebody died.
00:50:45Is that what you mean?
00:50:46You can go.
00:50:48Sure, I'll go.
00:50:50But maybe you don't mind if I find out what you've got on you.
00:50:53Before I turn my back, I'd like to know.
00:51:02Not that I just trust you, but you know how it is.
00:51:06So long, Clark.
00:51:07So long.
00:51:09I won't talk.
00:51:10You can be sure of that.
00:51:12I know you won't.
00:51:25I know.
00:51:31Yeah.
00:51:40Now, too.
00:51:46Some of you...
00:51:47You to begin to celebrate.
00:51:47edu
00:51:48My My ear магазinas community
00:51:49I go nowhere.
00:51:52Should we take a better job now?
00:52:13How did you get here?
00:52:15I live here.
00:52:16My name is Esdras.
00:52:17Scar is my brother.
00:52:18The walls are thin.
00:52:19I heard it was thin.
00:52:21Going?
00:52:22This is no place for me.
00:52:23What place could be better?
00:52:24I live here.
00:52:25I don't know.
00:52:27It's better to go, just to go.
00:52:29But they can take away so little.
00:52:31With all their words.
00:52:33It was bad enough that he should have died innocent.
00:52:37If he were guilty, what's my life?
00:52:40I tell you, I've lived by his innocence.
00:52:43I've lived to see that flash, blind them all.
00:52:46Yeah.
00:52:47With truth, I wanted truth.
00:52:49Not the lies you tell yourself or tell a woman a woman tells you.
00:52:55That judge may have told the truth.
00:52:57I may be mad.
00:52:59You must never believe in me.
00:53:01It's true that I believe in you and love you.
00:53:06You've never said you...
00:53:08You love me.
00:53:10Why wouldn't I love you?
00:53:12You're clean and sweet.
00:53:15I've seen nothing clean or sweet all the years.
00:53:19I love you.
00:53:21I'll leave you that for what good may do you.
00:53:23Then kiss me.
00:53:29Goodbye, Maria.
00:53:30You won't forget it.
00:53:31I won't forget it.
00:53:43Excuse the interruption.
00:53:44I wouldn't want to cause inconvenience, any of you.
00:53:48Especially the judge.
00:53:53Who's all this here?
00:53:55Who's that?
00:53:58He's a poor half-wit that sometimes sleeps there.
00:54:02Come out.
00:54:03Come out, whoever you are.
00:54:09What's your name?
00:54:10They mostly call me Oak.
00:54:13What do you know?
00:54:14No, sir.
00:54:15Where are you from?
00:54:17I got a piece of bread.
00:54:19Get out.
00:54:21But it's cold out there.
00:54:24Get out.
00:54:31Who are you?
00:54:34I'm a half-wit too.
00:54:36The difference is I got no piece of bread.
00:54:38Another comic, huh?
00:54:45Who's he?
00:54:47His name's Romagna.
00:54:48He's the son.
00:54:50What's he doing here, sir?
00:54:51You said you went on the level.
00:54:53We didn't ask him.
00:54:53He just walked in on account of the stuff in the papers.
00:55:00We are a gallery.
00:55:02Now, if we had Shadow, we'd all be here.
00:55:04Who's Shadow?
00:55:05Oh.
00:55:07So now, you're putting the question.
00:55:10Shadow was just nobody, see?
00:55:13He blew away.
00:55:14It might happen to anyone.
00:55:17Yeah.
00:55:19Anyone at all.
00:55:20Why do you keep your hand in your pocket, friend?
00:55:22Because I'm cold, mug.
00:55:25Because I've been outside and it's cold as a tomb.
00:55:31Listen.
00:55:33There's a car waiting up the street to take the judge home.
00:55:37Oh, wait, truck.
00:55:38He's harmless.
00:55:38That's not necessary.
00:55:39I say it is, see?
00:55:41I want no hand in it.
00:55:42Anything happens to me happens to you, too, musician.
00:55:45I know that, truck.
00:55:46Keep your mouth out of it, then.
00:55:49You better kip the mug here tonight, just for luck.
00:55:53Come on, judge.
00:55:54Yes, darling.
00:55:57It seems that you and the judge know each other.
00:56:01I've been around.
00:56:03Maybe you met before.
00:56:06Maybe we have.
00:56:08Will you tell me where?
00:56:09Sir?
00:56:14How long do you want to live?
00:56:16How long?
00:56:18I got big ideas about that.
00:56:20I thought so.
00:56:21Well, so far I've got nothing against you but your name, see?
00:56:25You keep it that way.
00:56:44You keep your hands where they belong, trucker.
00:56:47I'm bleeding, Shannon.
00:56:48You've got my gun.
00:56:50You said the doctor gave you six months to live.
00:56:53That's what he said.
00:56:55Six months.
00:56:57Well, I don't give you that much.
00:57:00Don't let him do it, don't let him.
00:57:03All the sucking, all the sucking.
00:57:05Why, you rat.
00:57:07You put three holes in me.
00:57:08But I'm back from the grave, trucker.
00:57:11Back to take you with me.
00:57:19Where are you?
00:57:21Trucker.
00:57:22Say something.
00:57:23Speak to me.
00:57:25I can hear you even if I can't see you.
00:57:28If I get this far, now it can't see.
00:57:32The blood runs out too fast.
00:57:35Too fast.
00:57:36He's got three holes cleaned through you.
00:57:39Show me where he is, you fools.
00:57:41Show me where he is.
00:57:47Take him out of here.
00:57:49Take him out of here.
00:57:50Take him out of here.
00:58:07Take him out of here.
00:58:08He was dead, I heard.
00:58:08He's out of his grave.
00:58:10And this is the man underground.
00:58:13No.
00:58:14He won't stand a crowd.
00:58:16He won't stand a water.
00:58:17Why did you have him killed?
00:58:18I didn't, I tell you, I didn't.
00:58:20Time's come when you can't keep him down, these dead men.
00:58:22Stay away from me.
00:58:22Because of you, my father died, wasn't it?
00:58:24Keep away from me.
00:58:25Wasn't it?
00:58:25Look at me, look at me.
00:58:26What do you want from me?
00:58:27You killed the paymaster.
00:58:28You killed the paymaster.
00:58:29You lied.
00:58:30It was shadow.
00:58:32Killed him.
00:58:33It was not, Romagna.
00:58:38It was not, Romagna.
00:58:41There were three men involved in this crime,
00:58:43for which my father died.
00:58:44The shadow of Trocastrella's principles in the murder.
00:58:47Garth as witness.
00:58:48And why are they here?
00:58:49And you, the judge, why are you here?
00:58:51Because you are afraid.
00:58:53And you drew together out of that fear to arrange a story you could tell.
00:58:56This is the thing I've hunted over the earth to find out.
00:58:58I'd be blind if I missed it now.
00:59:02You're right on talking.
00:59:04It'll get you far, I guess.
00:59:07Will you see to that?
00:59:08Yes.
00:59:09The answer mother.
00:59:11Maybe I lost my grip there just for a minute.
00:59:14That's all right.
00:59:21Good evening.
00:59:23We're looking for someone who might be here.
00:59:27This one I mean.
00:59:33Come on.
00:59:38There he is.
00:59:40What do you think?
00:59:41You should have known him from his pictures.
00:59:44Come along, George.
00:59:45You're going home.
00:59:48I'm a person of some standing in my own city,
00:59:51but...
00:59:53I don't remember.
00:59:57Well, if it isn't Truck Estrella.
01:00:01How are you, Truck?
01:00:03Pretty good, thanks.
01:00:05Here you got out yesterday.
01:00:07That's right.
01:00:08You know, we got orders to watch you pretty close.
01:00:10Be good now, baby, or back you go.
01:00:12Sure.
01:00:13If we find any stiffs on the riverbank,
01:00:15we know who to look for.
01:00:17Look in the other room, then.
01:00:18I accuse that man of murder.
01:00:21Truck Estrella.
01:00:21He's a murderer.
01:00:22Oh, I remember you.
01:00:24What murder?
01:00:25Oh, Sarge.
01:00:26The boy's a professional cheater.
01:00:28Took me over about a half an hour ago.
01:00:30Tid the police and then ducks out.
01:00:32Oh, yeah?
01:00:33I'm not kidding now.
01:00:34You'll find a dead man there in the next room.
01:00:36And Estrella killed him.
01:00:39Take a look.
01:00:43Listen, boy.
01:00:44You stood out there and put the booby sign on me
01:00:46and then ran away.
01:00:48Don't try it twice.
01:00:51Any corpses here?
01:00:52No.
01:00:53No.
01:00:54Not that I know of.
01:00:55No, there's no one there.
01:00:57Think of a better one.
01:00:58What if I gotta drag him out here
01:00:59where you can see him?
01:01:04He's kidding, Sarge.
01:01:05There's a damn right here, I don't see it.
01:01:07He wasn't here.
01:01:09Truck shot him and they brought him in here.
01:01:11Sixteen years ago, Truck killed a man.
01:01:13Wait a minute, Sarge.
01:01:14When you make a charge of murder,
01:01:16it's better to have the corpus delicti.
01:01:18Yeah, he's the kind that puts in fire alarms
01:01:20to see the engine.
01:01:21What have you done with it?
01:01:22I don't know what you mean.
01:01:23What's he talking about?
01:01:24I wish I could tell you.
01:01:25I don't know.
01:01:25You better watch yourself, Chuck.
01:01:27They're in it together, all of them.
01:01:30Yes, and you.
01:01:33You've dreamed something, isn't it true?
01:01:36You have dreamed something, but...
01:01:38truly there was no one there.
01:01:43Do you want me to say it?
01:01:50Yes.
01:01:52I was dreaming.
01:01:57I was dreaming.
01:02:00I'll say you was.
01:02:02Let's get going.
01:02:04Come along, Judge.
01:02:06And if I hear any more out of you,
01:02:08I'll run you in.
01:02:12Want a coat?
01:02:14Don't mind.
01:02:24I'll go.
01:02:24Hey, Cole.
01:02:27Where's Shadow?
01:02:28In the river.
01:02:29Is he out this time or still butting around?
01:02:31He's dead.
01:02:33That's perfect.
01:02:35Keep the mug here a few minutes,
01:02:37then let him go.
01:02:38I have plenty to make.
01:02:55I'll go.
01:02:55You're going to see the other side.
01:02:56Now, watch up on the bridgehead.
01:02:58If he tries the best, I'll give you a signal.
01:03:00Then shoot.
01:03:03Doc, this ain't my meat.
01:03:05The Shadow will bring the cops
01:03:06and there's no way out of this hole.
01:03:07I'll be caught in like a rat.
01:03:09You've got a silence, ain't you?
01:03:10No cop will be able to hear.
01:03:12The noise will even carry to the square.
01:03:15Suppose he goes out the other alley.
01:03:16Louie knows him.
01:03:18He needs no identification there.
01:03:21Remember, when I signal, shoot.
01:03:24What signal?
01:03:25Something you can see.
01:03:28A light.
01:03:29Look.
01:03:30I'll light a coffin name.
01:03:32Like this.
01:03:37And shoot to kill.
01:03:39Or you may find yourself swimming beside Shadow.
01:03:50They're climbing up the bridge.
01:03:52You must go now.
01:03:53Quickly while it's still there.
01:03:54You heard what Trox said.
01:03:55He stays here.
01:03:57What do you mean?
01:03:58He means to kill him.
01:03:59You know that?
01:04:01No doubt, Master Romania can run his own campaign.
01:04:03But he'll be killed.
01:04:05That's his business.
01:04:06No, no, it's mine.
01:04:10Where have you two met?
01:04:13We danced together.
01:04:16And the dance is over, I think.
01:04:20Doc.
01:04:23I've always loved you and I've tried to help you.
01:04:26You've been kind.
01:04:29Don't spoil it now.
01:04:31Spoil it how?
01:04:34I love him.
01:04:35Why did you lie, Miriam?
01:04:37He's my brother, Mio.
01:04:38I couldn't give to my brother.
01:04:45No.
01:04:48You couldn't.
01:04:50It had to be you.
01:04:52My sister, whom I love.
01:04:54I didn't know it would happen.
01:04:57But we met him.
01:04:59The world's all changed for me.
01:05:04You brought this to nothing I want to do.
01:05:06Let him go, Garth, for me.
01:05:18Go ahead.
01:05:20Go tell your story.
01:05:23Only watch your step.
01:05:25Or I'll warn your trucks out gunning and you won't walk far.
01:05:30My son, this truck deserves to die.
01:05:35No one defends him.
01:05:37But his crime, this same crime that has dogged you, has dogged us.
01:05:45And if there is Lord to go, we'll go there, when you've told your story.
01:05:52Remember, Miriam.
01:05:54You said you loved me.
01:05:55And he is my brother whom I love.
01:06:00And he is my brother.
01:06:01Bright, ironical gods.
01:06:03What fun they have in heaven.
01:06:06When a man prays hard for any gift, they give it to him.
01:06:10Then one more at a boot that makes it useless.
01:06:15You might have picked some other stranger to dance with.
01:06:18I don't know.
01:06:20Chosen some other evening to sit outside in the rain.
01:06:23It had to be this.
01:06:25All my life, I've wanted only one thing.
01:06:28And now you thrust a girl's face between me and the rights.
01:06:32I've sworn the dead shall have him.
01:06:35If you ask too much.
01:06:41Your brother can take his chance.
01:06:44And that part...
01:06:47I shall say what I have to say.
01:07:04I'll come and ask you.
01:07:04Oh, I look curious about him.
01:07:04In the past, his anniversary of Will...
01:07:04To me, when he asked the name of Will...
01:07:05And I've been here?
01:07:08Who was the man in the house?
01:07:09He was my child.
01:07:14I'll go there too.
01:07:16Who was the man in the house?
01:07:19Who was the man in the house?
01:07:28Wait for me! Don't you go without me!
01:07:31May be that I won't go at all.
01:07:54It kind of takes me off my high horse.
01:07:57I was near right than I thought when I said I'd come to a dead end.
01:08:02You must go inside, Mio. No.
01:08:05Oh, I know you don't trust me. And I haven't earned your trust.
01:08:08But I shall call the police and see that you get safely off.
01:08:11When the police come, they'll ask questions.
01:08:13When they're answered, they'll ask more.
01:08:15But before they're done, your son will be in with me.
01:08:18Must he be?
01:08:19Shall not be quiet. I'll make no truce.
01:08:23Still, I'll go.
01:08:34I could love your father.
01:08:36Miriamne, if you loved me, change me from what I am and have been
01:08:41until I learned to live like a man.
01:08:43Teach me how to forgive and forget to hate.
01:08:46He would have forgiven.
01:08:48He?
01:08:49Your father?
01:08:56My father?
01:09:01You may think it's strange.
01:09:03I've never remembered that.
01:09:15I tried.
01:09:16But he won't let me pass.
01:09:18He kicked me back three times.
01:09:21I swear I did what I could.
01:09:24He's waiting for the child. Save yourself if you can.
01:09:29There might be some way up through the house and out across the roof.
01:09:34Come in and let me look.
01:09:35I'll stay here.
01:09:37Once inside, I'm a rat in a dead form.
01:09:39You look for me if you don't mind.
01:09:41Then watch for me.
01:09:44You look good.
01:09:56Roberto, me goodbil in your house.
01:09:57Than it's open, Don.
01:09:57That's cool.
01:09:57Come here.
01:09:57Bring yourselves for me.
01:09:58Take him.wery
01:10:10Waterway
01:10:32You two get inside.
01:10:33Oh, not me.
01:10:34And be cloned like a rat.
01:10:35No, thanks.
01:10:36I'll silence you.
01:10:37I'll get you safely through.
01:10:38Mother, you'll tell God.
01:10:39Forget it, Miriam.
01:10:40Now I'm not afraid to die.
01:10:41I'm out of truck guys, too.
01:10:43I'm tired of hiding out in rat holes.
01:10:45And when I'm gone, you may have a chance.
01:10:49Maybe with him, you'll get some of us.
01:10:52He seems determined enough.
01:10:53No.
01:10:54No.
01:10:55No.
01:10:56No.
01:11:08No.
01:11:13No.
01:11:15No.
01:11:18There's a sound like a slap.
01:11:24Wait here.
01:11:42Oh, my God.
01:11:58Scott!
01:12:01Scott thinks of everything.
01:12:03A silencer.
01:12:05That's why we heard nothing.
01:12:08Strange.
01:12:10I should feel sad and cry, and yet I don't.
01:12:14The shadow hovered over him so long.
01:12:19His death mustn't be in Ben.
01:12:21Mio, you must get through.
01:12:22I know.
01:12:23As long as he takes his climb.
01:12:25Please, I follow him.
01:12:29I want you to go back.
01:12:33Not to go in.
01:12:34There must be some way out.
01:12:35We can't be cornered here.
01:12:37You go inside.
01:12:38You'll be safe there.
01:12:44Now all you silent powers that make good sleep and rain,
01:12:49that never yet have spoken,
01:12:51give us a sign.
01:12:52Let's fall for mercy with the rain.
01:12:55We're two lovers here in your night,
01:12:58and we wish to live.
01:13:11They made our prayer to the gods, Miriamne,
01:13:13but they wouldn't listen.
01:13:14Why didn't they answer?
01:13:26They have.
01:13:27They tend to sit.
01:13:45They have.
01:13:57They have, they have.
01:14:00They have.
01:14:04They have a man.
01:14:04Of course.
01:14:06He has policemen.
01:14:09They have been taken.
01:14:09They have a man,
01:14:09for sure.
01:14:09They have no way.
01:14:09There's no way.
01:14:10or they have worked.
01:14:13They have no way.
01:15:00All right, young fella.
01:15:02You started something once too old.
01:15:04I warned you about that hurdy-gurdy.
01:15:07Now you're pissed.
01:15:08They heard our prayers, those guards above us.
01:15:10They sent us a sign.
01:15:11Welcome, messenger of the guards.
01:15:13You are the sign.
01:15:14Oh, the kitten's going to start again, huh?
01:15:17Officer Heaton.
01:15:17Arrest me.
01:15:18Take me to a station house.
01:15:19A place where a man can talk out loud.
01:15:22Call out the guard.
01:15:23Get more of his dirty kind.
01:15:24I want a guard of honor on this moment at the grip.
01:15:28You're going to get it.
01:15:29I want to get it.
01:15:36I want to be a good one.
01:15:43You're going to be a good one.
01:15:53THE END
01:16:22THE END
01:16:49THE END