- 16 minutes ago
The Kingdom of Saudi Arabia has rapidly emerged as one of the most intriguing and dynamic travel destinations of the twenty-first century. Under the ambitious framework of Saudi Vision 2030, the nation has strategically opened its borders to international travelers, revealing a treasure trove of cultural heritage, ancient civilizations, and dramatic geographical features that were previously inaccessible to the wider world. This systematic opening is not merely a modernization effort; it is an invitation to explore a land that has stood at the crossroads of ancient trade routes, empires, and civilizations for millennia. For travelers seeking authentic, raw, and deeply immersive experiences, Saudi Arabia offers an untouched frontier where modern luxury meets timeless tradition in a way that cannot be replicated anywhere else on the planet.
The sheer geographical and cultural diversity of the Kingdom challenges the conventional, singular narrative of a desert landscape. From the snow-dusted mountain peaks of Tabuk in the north to the subtropical highlands of Asir in the south, and from the pristine, untouched coral reefs of the Red Sea to the vast, undulating dunes of the Empty Quarter, the country presents a rich tapestry of ecological zones. Each region possesses its own unique traditions, architectural styles, culinary heritage, and regional dialects, offering a multifaceted journey for those willing to venture off the beaten path. By prioritizing sustainable development and heritage preservation, the Kingdom ensures that its monumental shift toward global tourism respects and maintains the integrity of its historical and environmental assets.
The sheer geographical and cultural diversity of the Kingdom challenges the conventional, singular narrative of a desert landscape. From the snow-dusted mountain peaks of Tabuk in the north to the subtropical highlands of Asir in the south, and from the pristine, untouched coral reefs of the Red Sea to the vast, undulating dunes of the Empty Quarter, the country presents a rich tapestry of ecological zones. Each region possesses its own unique traditions, architectural styles, culinary heritage, and regional dialects, offering a multifaceted journey for those willing to venture off the beaten path. By prioritizing sustainable development and heritage preservation, the Kingdom ensures that its monumental shift toward global tourism respects and maintains the integrity of its historical and environmental assets.
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LifestyleTranscript
00:00What does it actually feel like to wake up somewhere that only exists in one country on
00:04earth? That's the question we're chasing today, and the answers take us from a cliffside racetrack
00:09to a farm hidden inside a desert oasis through markets, wildlife reserves, and a cultural
00:15spectacle you won't find replicated anywhere else. Saudi Arabia has spent the last few years
00:21building out experiences that genuinely don't have a copy-paste version anywhere on the map,
00:26and we're counting down five of them, starting with a hotel room. That puts you closer to a Formula
00:31One track than most drivers ever get. Picture this, you open your curtains, and instead of a pool or a
00:38parking lot, there's a racetrack curling right underneath a wall of desert cliffs. That's the
00:43pitch behind one of the newest builds coming to Kidia, just outside Riyadh. A 257-room motorsport
00:50hotel, with F1 trackside views. Not a hotel near a track, not a hotel with a view of a track
00:56from a
00:57distance. A hotel built to look straight down onto the asphalt, with the track laid out like it's part
01:03of the landscaping. Let's sit with that for a second, because it's a strange thing to picture
01:07until you understand where it's actually going. Kidia isn't a city that grew up around a stadium,
01:13the way most motorsport towns do. It's the opposite. Kidia is being carved, piece by piece,
01:19into a dramatic escarpment landscape west of the capital. Cliffs, canyons, and a raw drop in
01:24elevation that most entertainment developments would never even attempt to build near,
01:29let alone build into. This isn't flat ground with a track painted on. It's a destination
01:34shaped around the terrain, instead of flattening it out first. So when you're lying in bed in that
01:40257-room hotel, what you're actually getting is a collision of two things that almost never sit
01:46next to each other. On one side, you've got the sound of engines, the smell of hot asphalt,
01:51the flash of cars taking a corner at speed. On the other side, completely indifferent to all of
01:56that noise. You've got desert rock that's been sitting there for longer than anyone can really
02:01wrap their head around. And a sky that turns a particular shade of orange over the escarpment,
02:07in a way that has nothing to do with racing at all. Most racetrack hotels put you in a generic
02:12tower somewhere off-site, disconnected from the terrain. Because most tracks are built on land
02:17that was already flat and already boring before someone painted lines on it. Here, the whole point
02:23is that the desert doesn't get erased to make room for the sport. It gets built around and then built
02:28up against, so guests get both at once. Engines and cliffs, competition and stillness, in the same
02:34window frame. That contrast is really the whole draw. You're not choosing between an adrenaline trip
02:40and a nature trip. You wake up, look one direction and it's motorsport, look the other direction.
02:45And it's the kind of raw desert scenery that hasn't changed in thousands of years.
02:50Nowhere else has quite paired those two things together at this scale. Mostly because nowhere
02:55else has both the terrain and the appetite to build a resort like this from the ground up.
03:00Around a track, instead of retrofitting an existing building, into something that merely overlooks one.
03:06And that's really the detail worth underlining, this isn't a converted building. It's not an old
03:11hotel that got a fresh paint job and a marketing push once a track showed up nearby. The whole resort
03:17is being designed from scratch, with the track as the organizing idea behind the architecture itself.
03:23Every room, every sightline, is planned around that trackside relationship from day one.
03:28That's a genuinely unusual way to build a stay. Most hospitality projects start with the building
03:34and hope the location does some of the work. This one starts with the racing line cut into the
03:39escarpment and the hotel gets wrapped around that. So that's experience number one on our list of five,
03:45a stay you can only really have in this specific spot. In this specific country, where cliffside
03:50desert terrain and a purpose-built racing circuit share the exact same view. It's not a side attraction
03:56bolted onto a bigger vacation. It's a signature of what Kidia as a whole is trying to be.
04:02An entertainment destination that doesn't hide the landscape it's built on, but leans into it.
04:07But a racetrack carved into cliffs is just one flavor of unusual stay this country has been
04:13building. If a motorsport hotel on a desert escarpment sounds like the extreme end of things,
04:18hold that thought. Because there's another kind of stay taking shape entirely,
04:22and it couldn't be further from engines and asphalt. Picture swapping the roar of a circuit for the quiet
04:28of palm groves, springs, and working farmland. All folded into an oasis landscape that feels like
04:34it belongs to a completely different world. That's where we're headed next. So let's leave the
04:38escarpment behind. Trade the asphalt and the engine noise for something a lot quieter. Water moving
04:44through channels, palm fronds shifting overhead, the smell of soil instead of tire rubber. That's the
04:50version of Saudi Arabia taking shape in Al-Asa, and it's about as far from a racetrack as a stay
04:55can get.
04:56Here's the anchor fact. Dan Company and Hilton have signed on to run Dan's first three resorts
05:01at a farm-based tourism destination in Al-Asa. That's not a typo of concept. It really is a farm
05:08-based
05:08destination built around agricultural land rather than around it. The announcement itself frames it
05:13plainly. Dan Company and Hilton sign agreement to operate Dan's first three resorts at unique farm-based
05:20tourism destination in Al-Asa, Saudi Arabia. Three resorts, one hospitality brand,
05:25most travelers already trust, dropped straight into working farmland. That's the entire pitch,
05:31and it's a strange enough pitch that it's worth slowing down on. Now, to understand why this works,
05:36you have to understand what Al-Asa actually is. This isn't some patch of green squeezed between
05:41highways. Al-Asa is one of the largest oasis areas anywhere in the world. A sprawl of palm groves,
05:48natural springs, and irrigated farmland that has supported agriculture in this part of the
05:53peninsula for centuries. Millions of date palms, underground and surface water sources feeding
05:58channels that crisscross the land. Villages and farms that have grown up around that water for
06:04generation after generation. It's a landscape built on continuity, the same springs, the same groves,
06:10the same rhythms of planting and harvest that have shaped daily life here for longer than most cities
06:16have existed. And here's what makes it land so hard right after a motorsport hotel on a cliff.
06:21The contrast isn't manufactured, it's just geography. One landscape is stone, inclined,
06:27and a racing line cut straight into rock. The other is flat, green, wet, and slow. Same country,
06:33completely different sensory world. You go from a hotel wrapped around a circuit, to a resort wrapped
06:38around a working farm. And nothing about that transition needed a script, the land just does it
06:43on its own. So what does a farmstay actually look like here? It's not a countryside detour tacked onto a
06:49trip. It's the whole point of the visit. Guests wake up inside the groves themselves. Not next to
06:55them, not overlooking them from a balcony three miles away. But genuinely inside the working landscape.
07:00Palm trees around the room. Irrigation channels nearby. The produce that ends up on the breakfast
07:06table, grown a short walk from where it's served. It's hospitality that's rooted, literally, in the land
07:12it sits on, rather than hospitality imported and dropped onto a generic plot. Food is where that
07:18idea becomes something you can actually taste. Allos' palm groves aren't decorative, they're
07:23productive, and dates are the clearest expression of that. The region has long been known for the
07:28sheer volume and variety of dates grown there. And a farmstay built into that land means the fruit on
07:34your plate likely came from trees within sight of your room. Local produce follows the same logic,
07:40vegetables, herbs, whatever the season is producing. Pulled from the surrounding farmland,
07:45rather than trucked in from somewhere else. It's a meal that's tied to its address, in a way that's
07:50hard to fake. And then there's the pace. Slow mornings, greenery, water moving somewhere nearby.
07:56That's the texture of a farmstay here, and it leans on a hospitality tradition that runs deep in this
08:02part of the country. Warmth and generosity aren't a marketing, add-on layered onto the resort concept.
08:07They're the baseline expectation. Guests staying among the groves aren't just observing agricultural
08:13heritage from a distance. They're folded into it, the same way a visiting family member
08:18might be folded into a household's daily rhythm. Dan Company and Hilton didn't invent that instinct.
08:24They built three resorts designed to let travelers experience it directly. Inside a working oasis,
08:30instead of alongside one. Step back and look at what's happened in just two parts of this list.
08:36Experience number one puts you on a cliff, staring down a racetrack cut into desert stone,
08:41engines echoing off the escarpment. Experience number two puts you in a palm grove,
08:46water running past your window. A plate of dates in front of you that were probably picked that
08:51morning. Two stays, same country. Almost nothing in common, except the fact that both could only
08:57really happen right here. In these exact spots, shaped by land that dictated the design rather than
09:02the other way around. And if a racetrack hotel and an oasis farmstay already feel like two different
09:08countries stitched together. Wait until you see what's waiting on the coast. There's a city out
09:13there holding onto a quieter kind of story. One tied to memory, to old photographs, to a way of
09:19preserving the past that has nothing to do with desert or dunes at all. That's next, so from a farm
09:24in the
09:24desert, let's head to the water. On Saudi Arabia's Gulf Coast sits Khobar, a city best known for its
09:30skyline, its Cornish. Its role as a business hub, tucked right next to the sea. But Khobar is about
09:36to add something nobody would expect from a city built on trade and towers. It's getting its first
09:42camera museum. A space built entirely around the tools people once used to freeze time. Think about
09:48what a camera museum actually is. It's not a museum about famous photographs hanging on walls. It's a
09:54museum about the machines themselves. The boxes, the lenses, the shutters and film reels that
10:00generations of people held in their hands to capture a wedding. A birth of first day at school.
10:05Khobar's first camera museum is set to bring old memories back into focus, and that phrase says a lot
10:11about the intent behind it. This isn't a place built to show off equipment as objects. It's built to
10:17show how those objects shaped the way an entire region remembers itself. Picture walking through
10:23it. Rows of vintage cameras behind glass, some of them clunky and mechanical. Others sleek and small,
10:29each one representing a different era of how people chose to hold onto a moment. Lenses lined up like a
10:35timeline of vision itself. How a photograph from decades ago looked different, felt different,
10:40because of the glass it passed through. It's the kind of collection that turns a walk through a room
10:45into a walk through decades of everyday life. One shutter click at a time. Here's what makes this
10:51land so well in a coastal city like Khobar specifically. This isn't a city that markets
10:56itself on ancient ruins or dramatic canyons. It's a modern, working city. Full of malls, offices,
11:03seaside promenades, the rhythm of a place that grew fast and grew outward. A museum like this gives
11:08Khobar a second identity to sit alongside the first. Underneath the glass towers and the waterfront cafes,
11:15there's a city quietly deciding that the way people remembered things matters just as much as the way
11:20the city looks today. And that's really the heart of why a museum like this matters at all.
11:25Cameras aren't neutral objects. Every camera in that collection was once somebody's way of holding
11:30onto a face, a street, a celebration. That would otherwise have faded from memory the moment it
11:36ended. A homegrown museum built around that idea isn't just preserving hardware, it's preserving the
11:42instinct behind the hardware. This human habit of wanting to keep hold of what mattered,
11:47translated across a hundred years of changing technology. Walk past an old box camera from one
11:53decade and a compact film camera from another, and you're not just looking at design evolution.
11:58You're looking at how an entire visual history got recorded, frame by frame, by ordinary people,
12:04rather than professionals. There's also something worth noticing in how a space like this functions,
12:09once the doors open. Museums built around craft and memory tend to become something more than
12:15exhibition halls. They become gathering spaces, a quiet corner where a traveler can slow down.
12:21After a day spent somewhere loud, whether that's a desert track or a bustling market,
12:25a camera museum in particular invites a kind of conversation that other museums don't.
12:31People stop in front of an old model and start talking about the first camera.
12:35Their own family owned, strangers end up trading stories in front of a display case.
12:40That's hospitality in its own quiet form, not a meal or a welcome at a door. But a shared moment
12:46of recognition, between people who have never met. Brought on by a piece of old machinery neither of them
12:52expected to feel nostalgic about. It's also worth sitting with the specific detail that keeps coming
12:57up here. This is Cobar's first. Not an expansion of something older, not a rebrand of an existing
13:04collection. The first of its kind for the entire city. That kind of opening carries its own kind
13:09of weight. It means a coastal city, that spent years defining itself through commerce and modern
13:15skyline. Is choosing, for the first time, to define itself through memory as well. It's a milestone in
13:21the plainest sense of the word. A marker that something new and specific to this place didn't exist before,
13:27and now it does. Stack this up against where the list has already taken you.
13:31First stop, a hotel built into a canyon wall over a motorsport track, all adrenaline and
13:37engineering. Second stop, resorts inside a living farm oasis, all quiet routine and shared meals.
13:43And now a museum on the coast, holding decades of photographs and cameras, all memory and craft.
13:49Three completely different moods, three completely different landscapes. And yet every one of them
13:54only exists in this exact form, because of where it's built. That's the pattern worth watching,
13:59as this list keeps going. The land keeps changing, the story keeps changing, but the thread connecting
14:05all of it never breaks. So what actually ties a desert racetrack, a farm oasis, and a coastal
14:11camera museum together? It's not the buildings, it's what surrounds them. Because up next, this list
14:16heads straight into nature itself, into landscapes and wildlife encounters. That turned the country into
14:22something closer to an open-air reserve than anything you've seen so far. That open-air reserve
14:28isn't a figure of speech. Saudi Arabia is actively working through what's been described as a new
14:34phase. In wildlife conservation through nature-based destinations, and that phrase covers more ground
14:39than it sounds like. Literally. We're talking about stretches of desert and mountain, terrain being set
14:45aside. So native species can roam without a fence line, cutting through their path, every few hundred
14:51meters. And so visitors can actually get close enough to watch it happen. Picture the difference
14:56between a zoo enclosure, and a landscape that just, keeps going. That's the shift here, instead of bringing
15:02animals to people, the approach is flipping it. Bringing people into terrain, built around the animals' own
15:08patterns. Wide desert flats, where herds move at dawn before the heat sets in. Rocky escarpments where smaller,
15:15more elusive species, use the broken ground for cover. Mountain terrain at elevation, where the temperature
15:21drops just enough, to support a completely different set of species, than what you'd find on the sand a few
15:26hours
15:27away. That's the part people don't expect from a country, most of the world still pictures. As one continuous
15:33stretch of dunes, the terrain range inside these reserves is enormous. You can be standing on flat, open desert in
15:40the morning. And by afternoon you're gaining elevation into mountain country, watching the vegetation change.
15:46The rock formations sharpen, the whole visual mood shift from gold to grey to green. It's not one
15:52landscape wearing different lighting. It's genuinely different ecosystems. Sitting close enough together,
15:58that a single day trip, can move you through several of them. And inside those ecosystems, the wildlife
16:04itself is the draw. This isn't about spotting one dramatic animal and calling it a day. It's about
16:10the accumulation. The way a reserve like this rewards patience, you sit still near a watering point. At the
16:16right hour and something eventually comes, you scan a distant ridge line. And catch movement that turns out
16:21to be a herd working its way along a route. It's probably used for generations. None of it is staged,
16:27none of it is scheduled. That unpredictability is exactly the point. What makes this tie back into
16:34the tourism side of the story, is that these reserves, weren't built purely as scientific
16:39projects, sealed off from the public. They were built with the dual purpose, baked in from the
16:44start. Conservation and visitor experience, running side by side, rather than competing with each other.
16:50That's a genuinely difficult balance to strike, protect a species habitat well enough, that it actually
16:56recovers and stabilizes, while also opening a controlled window for people to come see it. Too much access and
17:02you undo the point. Too little. And there's no reason to build the reserve, as a destination at all.
17:08The nature-based destinations taking shape now, are the answer to that balancing act. Space is
17:14engineered, so the animals get room to actually be wild. And the humans get a genuine, unscripted look
17:20at it, rather than a diluted, rope-tough version. Think about what that means for the actual experience
17:25on the ground. You're not walking past an information, placard reading, a fact about a species,
17:31that used to live in flat, staged pens, you're standing in the terrain. That species actually
17:36depends on, watching it do what it's evolved to do. Forage patrol, rest in a spot with the taller
17:42ground, and the north light for the shade. The reserve isn't a display case, it's a functioning
17:47slice of a working system. And you're a temporary guest inside it. The variety here is worth sitting,
17:54with a second longer. Because it's the thing separating this experience, from a single wildlife
17:59park, anywhere else. Desert flats, then escarpment terrain that, breaks the horizon into ridges and
18:04gullies. Then true mountain elevation, where the air changes, and so does everything living in it.
18:10Three totally different textures of land, three different sets of species adapted to each.
18:15All inside the same country's conservation push. It reinforces something the whole list,
18:20has already been building toward. That the range of terrain here, isn't incidental scenery behind the real
18:26story. It is the story. And here's what makes this stop on the list, distinct from every other one so
18:32far. The canyon wall hotel over the racetrack, that's architecture bending itself around adrenaline.
18:38The farm oasis resorts, that's hospitality wrapped around routine and shared meals. The camera museum,
18:45that's craft and memory, curated and displayed indoors. This is none of that. This is the one experience on
18:51the list, with no building, doing the heavy lifting at all. No lobby, no menu, no exhibit case. Just land,
18:58animals and whatever attention you bring with you. It's the most direct, least filtered stop so far,
19:03nature handling its own presentation. No design team required. Stack it against the first three,
19:10and the pattern becomes obvious. A racetrack carved into a canyon, an oasis growing dates and citrus in the
19:16middle of dry country. A museum holding decades of photographs and cameras on the coast. And now a
19:22reserve where the wildlife itself, is the whole show. Four completely different experiences, four
19:28completely different reasons to show up. And every single one only makes sense in the specific ground,
19:34it's built on. Move the racetrack somewhere else, and it's just another track. Move the reserve
19:39somewhere else, and it's not the same terrain, so it's not the same animals. So it's not the same
19:45reserve at all. That's four stops deep into this list. A track, an oasis, a museum. And now open
19:51terrain with wildlife moving through it on its own schedule. Each one narrower in scope than the last,
19:57more specific, more tied to the exact patch of ground it sits on. But there's one more stop left,
20:03and it's the one that pulls a different thread entirely. Not landscape, not animals, but spectacle.
20:08A large-scale cultural production, freshly launched, built to bring performance, and storytelling
20:14together, in a way that hasn't existed here before. If the first four stops, showed the range of the
20:20land. The last one shows what happens, when that land gets turned into a stage. It's called the
20:25Soraka Experience, and unlike everything else on this list, it isn't a place you stumble into on a map.
20:31It's a production, built from scratch. Dropped into the landscape, like it's always belonged there.
20:36The project comes from Eurohin, working directly with the Saudi Ministry of Culture. And it launched
20:42as a full-scale immersive show. One that folds land, story, and design into a single continuous
20:48piece of theater. Eurohin created the Soraka Experience for the Saudi Arabia Ministry of Culture.
20:54And the way it's built, experience, is really the only word that fits. It's not a museum you walk
21:00through at your own pace. It's not a hotel room with a view. It's a show that happens around you,
21:05timed, lit, and staged across open ground. Picture it this way, everything you've seen so far on this
21:11list, has asked you to bring your own imagination to the landscape. You supply the awe, the desert,
21:17or the reef, or the canyon does the rest. Soraka flips that, it supplies the story. Light gets thrown
21:23across terrain. That was picked specifically, because of how it holds shadow and silhouette. Sound moves
21:29with the narrative, instead of just sitting underneath it. The land isn't a backdrop anymore,
21:33it's a character. Doing its own share of the storytelling, alongside the performers,
21:38and the design team that built the set. That's the scale we're talking about,
21:42not a single stage in a single room. But a production laid out across open space,
21:47where the horizon itself becomes part of the set design. Light sweeping across dunes or rock
21:53at the exact moment, a scene calls for it. A story unfolding in stages as the audience moves,
21:58or as the show moves around them. So that the experience shifts depending on where you're
22:03standing when a particular beat lands. That's a level of production most countries simply don't
22:09attempt outdoors, on raw land at this size. And here's the thing, Soraka isn't a stranger to
22:15everything covered earlier on this list. It's actually the same four ingredients,
22:19just remixed into a different shape. There's land. The same way there was land at the racetrack,
22:24carved into a canyon. And the reserve where wildlife moves on its own terms. There's craft.
22:30The same painstaking attention to detail, that went into building an oasis resort.
22:34Meant to look like it grew there naturally, rather than got constructed. There's hospitality.
22:39Because a production this size doesn't run without an army of people trained to guide,
22:44host, and move thousands of guests through a story without ever breaking the spell.
22:48And there's nature. Because none of the lighting or staging works,
22:52unless the terrain underneath it is doing exactly what the land does best. Holding silence,
22:57holding scale. Holding a horizon big enough to make a human production feels small,
23:02in the best possible way. That's really the trick behind Soraka. It's not fighting the landscape for
23:08attention. It's using everything the landscape already does. The size, the silence. The way sound
23:13carries and disappears out there, and building a story that couldn't exist without it. Move this
23:19production indoors, into a soundstage or an arena, and you'd lose the very thing that makes it work.
23:24The land isn't decoration here. It's a co-writer. Given all that, it makes sense to think of Soraka,
23:30as the newest and most ambitious of everything on this list. The racetrack took an existing appetite
23:36for speed, and gave it a canyon to run through. The oasis took existing farmland, and turned it into a
23:42stay. The museum took decades of collected photographs, and gave them a building. The
23:47reserve took existing wildlife, and gave it protected room to roam. Soraka is the only one
23:53on this list built entirely as spectacle, from the ground up. Purely to tell a story at a scale,
23:58nothing else here attempts. It's the newest idea, running on the newest production techniques.
24:04Layered onto the oldest resource this country has, the land itself. Zoom out for a second,
24:09and this fits a wider pattern. Saudi Arabia has spent the past few years openly working toward
24:15becoming a place people visit in every season, not just one. Saudi Arabia is building the foundation
24:21of a year-round tourist destination. And Soraka is one more piece of that puzzle. A reason to show up
24:27that has nothing to do with a specific month, or a specific climate window. Because it's a production,
24:33and productions can run on a calendar, rather than waiting on the weather. So here's the full countdown,
24:38one more time, top to bottom. A racetrack hotel built into a canyon, where the room and the racing
24:44line share the same ground. An oasis resort growing dates and citrus in the middle of dry country,
24:50turning farmland into a stay. A camera museum on the coast, holding decades of photographs,
24:56that only make sense stacked next to the sea they were shot on. A wildlife reserve, where animals move
25:02through open, terrain on their own schedule. With visitors as guests, rather than the main event.
25:07And now Soraka, a large-scale spectacle where land, light and story get fused into one production.
25:13Built specifically for this ground, and no other. Five completely different reasons to get on a plane.
25:19Five completely different parts of the country, doing five completely different things. And every single
25:25one of them, only works exactly where it's sitting right now. Pull the racetrack out of its canyon,
25:31and it's not the same track. Pull the reserve out of its terrain, and it's not the same animals.
25:36Pull Soraka off this land, and it's not the same show, it's just lights in a room somewhere.
25:41That's the whole idea behind this list. Not the biggest five things in the country,
25:46not the most famous five things. Just five experiences that only exist,
25:51because of exactly where they were built. Running right now, open to anyone who shows up.
25:56That's the country as it stands today, mid-build, mid-expansion. Adding new stops to a list like
26:02this one every few months. Which is really the last thing worth saying here. This list isn't closed.
26:08More large-scale experiences keep opening across the country, on a timeline that's still moving.
26:13So if a racetrack in a canyon, an oasis turned resort, a museum on the coast, a reserve running wild,
26:20and a production stitched together out of light and land. All sound like reasons to pay attention,
26:25keep watching this space. Because the next stop on a list like this one,
26:29is probably already under construction. Thanks for watching, and we'll see you in the next one.