A mad doctor blames Russian nobles for his daughter's death, because of jewels hidden in drumheads, and vows to take revenge on the family.
#crime #drama #horror
#crime #drama #horror
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00:00:00The End
00:00:58The End
00:01:00The End
00:01:01Tazia
00:01:03Tazia
00:01:10Tazia
00:01:11Tazia
00:01:12Tazia
00:01:14Water
00:01:15Water
00:01:26Tazia
00:01:27Tazia
00:01:27Tazia
00:01:45Tazia
00:01:52Tazia
00:01:53Tazia
00:01:53Tazia
00:01:54Tazia
00:01:57Tazia
00:02:13Tazia
00:02:22Tazia
00:02:23Tazia
00:02:23Tazia
00:02:23Tazia
00:02:31Tazia
00:02:31I don't know.
00:03:19A letter has come for you, doctor.
00:03:22They said it was urgent.
00:03:25It's probably from my daughter.
00:03:28You ought to see her.
00:03:31She's in the Royal Ballet, Peter.
00:03:35You ought to see her.
00:04:01Quick, my hat and coat.
00:04:31Anya!
00:04:33Anya!
00:04:36Hush!
00:04:56Anya!
00:04:59Anya!
00:05:04Anya!
00:05:05Anya!
00:05:06Don't you know me?
00:05:06Anya!
00:05:14Anya!
00:05:16Father!
00:05:17Yes?
00:05:20Do you know that I'm going to die?
00:05:23I'm going to die.
00:05:39No, no.
00:05:40Anya, tell me the name of the man.
00:05:44No.
00:05:45No.
00:05:46But I must know his name.
00:05:48No, no.
00:05:49Tell me, tell me.
00:05:50No, please, please, let her go.
00:05:53I don't know.
00:05:53I'll show you.
00:05:58I'll show you.
00:06:22The Petrov necklace.
00:06:27Give it to me.
00:06:28So, it was one of the Petrovs.
00:06:34Is it Prince Gregor?
00:06:36No.
00:06:37Nicholas?
00:06:38No.
00:06:40Is it Ivan?
00:06:41No, no.
00:06:42I swear that it wasn't.
00:06:46Let's...
00:06:48Father.
00:06:49Father.
00:06:50Tasha, stop him.
00:06:51Don't let him go.
00:06:52Boris, Carlos, wait.
00:06:53Don't let him go.
00:06:54Mr. McDonalds.
00:06:55Father.
00:06:56Please, Mr. McDonalds.
00:06:58Please, Mr. McDonalds.
00:07:00Just.
00:07:00Please.
00:07:00Are you willing to?
00:07:05Oh, thank you.
00:07:06Mr. of Shakespeare,
00:07:16Mr. of Shakespeare,
00:07:25You have never heard of the Petrov drum?
00:07:28How amazing.
00:07:29Prince Yvonne, Mr. Kent has never heard of the drums of Jeopardy.
00:07:34No?
00:07:35That's something the New York papers must have missed.
00:07:38What are they?
00:07:39A family heirloom.
00:07:41A necklace of rubies.
00:07:42My great-grandfather brought it from India.
00:07:45You're one generation off, my boy.
00:07:47He was my great-grandfather.
00:07:49And they do say that he stole the drums from the neck of the emperor's wife.
00:07:55And I can't quite think how he managed it.
00:07:59Why do you call them the drums?
00:08:01Because the necklace is made up of the figures of four Indian drummers.
00:08:05The heads of the drums are rubies.
00:08:07We'll show them to you.
00:08:08Gregor.
00:08:09Yes, grandfather.
00:08:11Go down to the safe and bring me the drums.
00:08:12I want to show them to Mr. Kent.
00:08:15Well, it's been so long since I've opened the safe.
00:08:19I'm afraid I've forgotten the combination.
00:08:21Oh, please don't trouble.
00:08:21Oh, it's no trouble.
00:08:23Nicholas.
00:08:25Nicholas.
00:08:27Nicholas.
00:08:28Nicholas.
00:08:28Oh, Nicholas.
00:08:29The general is calling you.
00:08:31Nicholas, you dumb wrestler.
00:08:33Come here.
00:08:34Yes, grandfather.
00:08:36So she said to me, come back again sometime, Prince.
00:08:39But next time, come around to the back door.
00:08:43Ha, ha, ha, ha.
00:08:44Stop it, stop it, stop it.
00:08:46I'll fear not.
00:08:47Now, you go down to the safe and bring me the drums.
00:08:49I want to show them to Mr. Kent.
00:08:53Coming right up, Chief.
00:08:57Where'd he learn that American slang?
00:09:00The young M's mother was an American, and he picked up his Yankee impudence at Yale.
00:09:04I see.
00:09:06Ha, ha, ha.
00:09:13Well, here they are, grandfather.
00:09:16But the safe wasn't locked.
00:09:17Not locked?
00:09:18Not.
00:09:19You know, there is a superstition about the necklace.
00:09:21They claim that if one of the drummers is detached and sent to a man, that he will die within
00:09:2624 hours.
00:09:27Oh.
00:09:28Why?
00:09:29It's gone.
00:09:30It's gone.
00:09:32Gregor.
00:09:34Oh, Gregor.
00:09:38Why, I don't know where it is.
00:09:42Gregor.
00:09:45Gregor.
00:09:49Gregor.
00:09:54Gregor.
00:09:54Father found the necklace.
00:09:57Oh.
00:09:57Oh, dear.
00:09:58Oh, dear.
00:10:01She said...
00:10:06She said...
00:10:07She said, no more.
00:10:09Anya!
00:10:16Anya!
00:10:19Anya!
00:10:21Anya!
00:10:24Oh dear, oh dear.
00:10:58Oh dear.
00:10:59Which one of you is responsible for this?
00:11:06You do not answer.
00:11:08A man of the people has no right to ask who caused the death of his daughter.
00:11:14You won't tell?
00:11:16Then I'll kill you all.
00:11:17Get that gun away.
00:11:28Wait.
00:11:30Where are the Petrov drums?
00:11:33I have them.
00:11:36Someday I shall return them to the Petrovs.
00:11:41One by one.
00:11:47Yes?
00:11:50Yes?
00:12:00Yes?
00:12:02Yes?
00:12:04Yes?
00:12:26How did you get this?
00:12:27One of our men is in service at the hotel where the Petros are staying.
00:12:31Oh, yes, of course.
00:12:34Listen to this.
00:12:36Karloff was sent to Siberia for his attempt on the lives of our family,
00:12:40but he escaped and has become a leader among the Bolsheviks.
00:12:45His power in Europe is enormous,
00:12:48and we are coming to America in hopes of evading him.
00:12:52We sail the 22nd on the Latonia.
00:12:56The Latonia.
00:13:08Why all the champagne?
00:13:10We've got to celebrate our safe arrival.
00:13:12Oh, but we're not in yet, my boy.
00:13:13We'll dock just as soon as the fog lifts.
00:13:17Here's your glass, Uncle.
00:13:20Come on, Stephen.
00:13:22You're in on this.
00:13:28Thank you, Highness.
00:13:30Here's to our new life in America.
00:13:33America.
00:13:46Stewart.
00:13:49How did it get here?
00:13:51It came on a pilot boat, sir.
00:14:11It's one of the drums.
00:14:13We'll never get away from him.
00:14:15He'll kill us all.
00:14:16We'll never get away from him alone.
00:14:25Stephen.
00:14:26Go fetch the captain.
00:14:28Tell him we must see him here at once.
00:14:30Yes, Highness.
00:14:42What do you intend to do?
00:14:43I intend to have the captain put us ashore before the boat docks.
00:14:52Rats!
00:15:19We'll send this radio to Kent to meet us ashore.
00:15:24There's the captain.
00:15:26This gentleman wishes to see you, sir.
00:15:27Russian department of the United States Secret Service, sir.
00:15:31I come from Mark from Kent.
00:15:32Oh, come in.
00:15:33Come right in.
00:15:42Come right in.
00:15:45Carlos is in America.
00:15:48He'll be watching for you to land tomorrow.
00:15:52Mr. Kent sent him to bring you ashore and a special tender.
00:15:56You must leave at once.
00:15:57But our servant's gone for the captain.
00:15:59Your servant is to stay on board and bring your luggage through the country.
00:16:05Are you armed?
00:16:06I have a revolver.
00:16:08Good.
00:16:10Come with me, gentlemen.
00:16:33Be very quiet.
00:16:42Good.
00:16:47Good.
00:17:17Oh
00:17:43I can't.
00:17:44This is darn nice of you.
00:17:48Of course.
00:17:49I was afraid your friend, Mr. Kent, might fail you.
00:17:52So I took his place.
00:17:54You...
00:17:55Gently, gently.
00:17:58Your weapon is gone?
00:18:00Too bad.
00:18:02Someone must have stolen it.
00:18:04I was very sorry to hear of your grandfather's death.
00:18:08Do it.
00:18:09Sit down.
00:18:12Don't excite yourself, Prince.
00:18:13He died quite painlessly.
00:18:17What are you going to do with us?
00:18:21Wait and see.
00:18:51Take him around the way.
00:18:53Take him around the way.
00:18:53All right.
00:18:53Take him around the way.
00:18:53Come on.
00:19:03There you are, Mr. Lop.
00:19:10Quick, after him.
00:19:26Come on, Mr. Lop.
00:20:03Hi.
00:20:05Here you are.
00:20:06I'm an Catboy.
00:20:08I'm a Catboy.
00:20:17I'm an Catboy.
00:20:22Wait a minute.
00:20:30There he goes.
00:21:21Put up your hand.
00:21:23Please.
00:21:23Put them up.
00:21:24Listen.
00:21:25Stay where you are.
00:21:26But, Miss, I'm Prince Nicholas Petrel.
00:21:31No.
00:21:32And I thought you were the Prince of Wales.
00:21:34Please believe me.
00:21:36I'm trying to save my uncle.
00:21:38A party that most of us are having.
00:21:42All I want to do is use the telephone.
00:21:44You can keep me covered.
00:21:53I can't see.
00:21:55I...
00:21:56I've been hurt.
00:22:06I'll get it.
00:22:08Whom do you want?
00:22:10Martin Kent.
00:22:12Park Avenue.
00:22:16You say a party of Russians left the line, huh?
00:22:18Yes, sir.
00:22:18On a private cruiser.
00:22:20In their stateroom, on a pad of radio blanks, we found the impression of a message addressed
00:22:24to you.
00:22:28Martin Kent speaking.
00:22:30Hello, Mr. Kent.
00:22:31Just a minute.
00:22:32Here.
00:22:33Here he is.
00:22:35Huh?
00:22:35What?
00:22:40Hello?
00:22:41Hello.
00:22:42This is Nicholas Petrel.
00:22:45Send help quick.
00:22:47Karloff has my uncle.
00:22:50Where are you?
00:22:52What is this address?
00:22:56Seventeen Van Vort Place.
00:22:58A studio on the roof.
00:23:02Seventeen Van Vort Place.
00:23:08I...
00:23:09I...
00:23:12I...
00:23:13Here.
00:23:14Hello.
00:23:17It's dead.
00:23:18What's happening, sir?
00:23:19I don't know, but I mean to find out.
00:23:21Come on.
00:23:24Here.
00:23:25Please.
00:23:27Oh.
00:23:28Oh.
00:23:29Oh.
00:23:31Oh.
00:23:40Gregor.
00:23:42Kent.
00:23:43I came to get you.
00:23:44Karloff and his men.
00:23:45I know.
00:23:45Tell us in the machine.
00:23:46Where are you going?
00:23:47Going to get your uncle out of Karloff's hands.
00:23:53What?
00:23:58Avi.
00:23:59Aunt Avi.
00:24:02Aunt Avi.
00:24:04Aunt Avi.
00:24:05Aunt Avi.
00:24:05Aunt Avi.
00:24:05Merciful goodness.
00:24:06What's going on?
00:24:07The telephone's broken.
00:24:08You have to go for a doctor.
00:24:09In the name of...
00:24:11Where'd you get him?
00:24:12Please don't stop to ask questions.
00:24:14He may die.
00:24:15Dead or alive, Kitty Corner.
00:24:16But you wouldn't have a man in your room at this hour of the night.
00:24:18Please, auntie.
00:24:19Go quickly.
00:24:19Then what you're doing with him is more than I can make of it.
00:24:21Hurry.
00:24:24Avi, hurry.
00:24:25Please hurry.
00:24:26There isn't no mighty or use trying to hurry me.
00:24:28I won't go out without my teeth and my corset.
00:24:32And what's more, I'm going to tell you the management of this apartment house.
00:24:35Stop pushing me.
00:24:36I can't go out on the street like this.
00:24:38But it's a matter of life and death, auntie.
00:24:40Please hurry.
00:24:42All I've got to say is, when I get back, you've got a lot of explaining to do.
00:24:52You got any trace of him?
00:24:53No.
00:24:54He's disappeared completely.
00:25:04Young man.
00:25:06Young man.
00:25:09Young man.
00:25:09Young man.
00:25:10I want to find a doctor.
00:25:11A doctor?
00:25:12There's a man been hurt in that studio apartment up there.
00:25:15A man hurt?
00:25:16I don't know where he came from, but he's got a gash across his forehead.
00:25:21Oh, that is too bad, madam.
00:25:23I will get you a doctor immediately.
00:25:25I know one that lives right close by.
00:25:26Good.
00:25:27Hurry up.
00:25:28Yes, madam.
00:25:29Now, don't stop and order.
00:25:31No, madam.
00:25:42I am sorry to keep your highness waiting, but I hate to part with you until I have your nephews
00:25:49to keep me company.
00:25:51They can't have gone far, and my men will bring them back.
00:25:56Look here.
00:25:57If you will let my nephews go, you may do anything you want with me.
00:26:02I swear I won't even cry out.
00:26:05Huh.
00:26:09But I want you to cry out.
00:26:14Doctor.
00:26:15Yes?
00:26:17We found Prince Nicholas.
00:26:18Ah.
00:26:19He's in the next house and wounded.
00:26:22They sent me for a doctor.
00:26:26Well, we must not disappoint them.
00:26:30Get my hat and coat in the bag.
00:26:33The black bag.
00:26:43Luck is with me tonight, your highness.
00:26:47But before I leave, we have a little matter to settle, you and I.
00:27:10I would like to try again a little bit.
00:27:11I'm going to let it off theistant side of the bag.
00:27:12I will just λÎiren one, but.
00:27:17Maybe it's pretty bad.
00:27:18There's a little wine.
00:27:19I was like.
00:27:19I'll be eating well.
00:27:19It's a big sandwich.
00:27:19Did you eat well?
00:27:21I was eating well?
00:27:24I ate well.
00:27:28I also ate well.
00:27:29I ate well.
00:27:30Come on.
00:27:40I told you how it would be if we came to New York and lived on a roof.
00:27:43Now you see?
00:27:44Men popping in at 2 a.m. and me running around in curl papers.
00:27:47Taint decent.
00:27:48How do you know he isn't a murderer that came in to cut our throats?
00:27:51Why didn't you shoot him?
00:27:53Here, you're not doing that right. Give it to me.
00:27:56There's the doctor.
00:28:03Good evening.
00:28:04You have an injured man here?
00:28:07Yes, and I'm afraid he's badly hurt.
00:28:09Well.
00:28:11How do?
00:28:12Good evening.
00:28:13Good. So you found him?
00:28:14Yes, madam.
00:28:15And came yourself?
00:28:16I had to show him the way, madam.
00:28:18Who's this?
00:28:19That is the doctor's assistant, madam.
00:28:22Oh.
00:28:26You don't think he's going to die?
00:28:28Why?
00:28:29That would not surprise me at all.
00:28:34There, there. Don't take on.
00:28:36It isn't as if he was a friend of the family.
00:28:38I'm afraid that what I have to do can't be done here.
00:28:42I'll have him take him to my office.
00:28:45I think he'd rather stay here.
00:28:47Stuff and nonsense.
00:28:47Of course the doctor must take him.
00:28:49Good.
00:28:51Now then.
00:28:53Come on, boy.
00:28:59You?
00:29:01What?
00:29:02What did you do with my uncle?
00:29:03Uncle.
00:29:04Oh, there, there, there.
00:29:06No.
00:29:06There, there.
00:29:07Let me go.
00:29:08There, there.
00:29:09Let me go.
00:29:10Let me go.
00:29:11Please.
00:29:12It's a strange thing about these head wounds.
00:29:15One never knows what hallucinations they will produce.
00:29:19I'll quiet him.
00:29:20No.
00:29:21Please.
00:29:22Let me go.
00:29:23May I ask you to help me?
00:29:25Now, push down the sleeve.
00:29:28When down.
00:29:29There.
00:29:30Please.
00:29:31Please.
00:29:32Don't let him touch me.
00:29:33Try to understand.
00:29:34It's the doctor.
00:29:35No.
00:29:36No, I tell you.
00:29:37It's Carlos.
00:29:40There, now.
00:29:41Hold him tight, now.
00:29:43There.
00:29:44Wait a minute. Stop.
00:29:44What nonsense is this?
00:29:46No, no.
00:29:46I wouldn't sit there with a doctor, miss.
00:29:48Let her alone.
00:29:49Hold him.
00:29:50Hold him.
00:29:51Drop that. Quick.
00:30:01You have a positive genius for being just in time, Mr. Kent.
00:30:06Don't stop to talk.
00:30:07Take me to Prince Ivan.
00:30:08And if I should refuse?
00:30:10Quick!
00:30:11Get him!
00:30:12Cover those doors!
00:30:13Watch out the window!
00:30:13Watch out the window!
00:30:15Watch out the window!
00:30:16Watch out the window!
00:30:17Watch out the window!
00:30:18Watch out the window!
00:30:19Watch out the window!
00:30:19Where's the light switch?
00:30:21Lights!
00:30:21Help!
00:30:22Help!
00:30:23Quick, nobody!
00:30:24Help!
00:30:24Wait then.
00:30:25I saw a shadow go by.
00:30:27Help!
00:30:29Where'd they go?
00:30:29Where are they?
00:30:30Did you see them?
00:30:31I think we're not there.
00:30:33Quick!
00:30:33There they go!
00:30:36There they go!
00:30:52Look!
00:30:53It's Karloff!
00:30:54Quick!
00:30:55Get him!
00:30:55Get him!
00:30:57Get him!
00:31:08De'Von!
00:31:13I...
00:31:13I'VE KILLED HIM!
00:31:15No!
00:31:16No, you didn't kill him.
00:31:18He's been dead for some time.
00:31:20Are you sure?
00:31:22Look at his throat.
00:31:26Well, there's no sign of the men there.
00:31:29Brett, phone Kennedy to send more men.
00:31:37Excuse me, please.
00:31:38Brett, Brett, when you get Kennedy on the phone,
00:31:40tell him I want a dragnet thrown around this district.
00:31:42Yes, sir.
00:31:43And Brett, while you're about it, you might as well telephone me.
00:31:46Such hanky-panky at 2 o'clock in the morning.
00:31:48Everybody trampling around, stepping all over people.
00:31:55You two boys have got to get out of here at once.
00:31:57Where can we go?
00:31:58Well, I'm hanged if I know.
00:31:59I wish I knew some place outside of town where I could feel you were safe.
00:32:03I know. Aunt Abby's house.
00:32:05Where's that?
00:32:05It's way off in the country. They'd never find it.
00:32:09Well, that might be just the place Lilo for a few days.
00:32:13Not me. I don't leave here until we get Carl.
00:32:16Oh, now look here, my boy. You've got to realize we're dealing with a madman.
00:32:20Let me run things. So long as you're here, my hands are tied.
00:32:23But with you safely out of the way...
00:32:25Please. Please do as he says.
00:32:27Nick, Nick, don't be a fool. We've got to get away from here.
00:32:30All right, I'll go.
00:32:31Yeah. Now, then that's settled.
00:32:33Now, I've got a plan for smuggling you out of the house so that no one will know.
00:32:36I'll bring my car around the street a block from here.
00:32:46Well, all I've got to say is, if I was running the United States...
00:32:49Knit two, pearl two.
00:32:51That car loft would never have been let into the country.
00:32:53Knit two, pearl two.
00:32:56Makes oysters run up and down my spine to think he's still loose.
00:33:18It's inconceivable to me how he could get away with both the police and secret service after him.
00:33:28What's that?
00:33:29It's at the front door.
00:33:40You want me to open it, sir?
00:33:43Yes, but have your gun handy.
00:33:54Well?
00:33:55I just came from headquarters with a message from Mr. Kent.
00:33:58Oh.
00:33:59Come in.
00:34:03It's a message from headquarters.
00:34:05Mr. Bob Karloff?
00:34:07Karloff is dead, sir.
00:34:09Dead?
00:34:09Yes, sir.
00:34:11Here's a letter.
00:34:13Oh.
00:34:13Now you're safe.
00:34:15Well, bless Providence.
00:34:17Now we can sleep nights.
00:34:20Does it really say Karloff's dead, Mr. Kent?
00:34:22Yes.
00:34:24One of his men betrayed his hiding place.
00:34:26But before the police could break in, he committed suicide by exploding a bomb.
00:34:30They want you to come up and identify the body, sir.
00:34:32I brought down a car.
00:34:34Oh, I see.
00:34:36You're a new man, aren't you?
00:34:37I don't remember seeing you before.
00:34:38I've been working on the west coast.
00:34:40Oh.
00:34:41If you want to see my credentials...
00:34:42No, no, no, no, no.
00:34:43This letter's in code.
00:34:44I'm with you.
00:34:51I don't like his looks.
00:34:53You think it's safe?
00:34:54Now don't worry.
00:34:55Trust me.
00:34:57Everything will be all right.
00:35:04All right.
00:35:07Now listen.
00:35:08And get this straight.
00:35:15All right, sir.
00:35:28man.
00:35:38Where is your car?
00:35:39Down the road.
00:35:40By that old mill.
00:35:42Come on.
00:35:56Well, that's a relief.
00:36:04Well, I don't know how you folks feel, but all this gallivans made me hungry.
00:36:09I'm going to fix us a bang-up dinner.
00:36:11Hooray!
00:36:12Hey, Prince.
00:36:14You trot down cellar and fetch me up a bucket of coal.
00:36:17You mean me?
00:36:18Yes, you.
00:36:19It won't hurt you to saw your hands for once.
00:36:23Very well.
00:36:24Where is it?
00:36:25Second door to the left.
00:36:27And shake up the furnace fire you down.
00:36:31I'm sorry to speak ill of your kin, but I don't like his face.
00:36:34Aunt Abby!
00:36:35Don't you Aunt Abby me, Kitty Conover.
00:36:36He's the spitting image of that fellow sold me stocking a diamond mine last spring.
00:36:41You don't see me wearing any diamonds, do you?
00:36:44Don't go.
00:36:46I want to tell you what a trump I think you were for trusting me last night.
00:36:49I didn't trust you.
00:36:51I had you covered all the time.
00:37:01You like American music?
00:37:03And American girls.
00:37:06My mother was an American.
00:37:07My father met her over here and fell in love with it.
00:37:12It runs in the family.
00:37:21And I like American weddings, too.
00:37:23I have to.
00:37:23No, no, no.
00:37:26There we go.
00:37:27I am a man who's there.
00:37:27No, no, no, no!
00:37:27No, no, no, no!
00:37:53We have Mr. Kent, Doc, sir.
00:37:56Oh.
00:37:59Good evening, Mr. Kent.
00:38:00Good evening, Doctor.
00:38:02I see the reports of your death have been considerably exaggerated.
00:38:06Considerably?
00:38:07I suppose it was the traitor who was found dead in your place.
00:38:11Right.
00:38:12Just before the bomb exploded, I changed clothes with him
00:38:16and escaped under the very noses of your men.
00:38:21If you're not afraid to try one.
00:38:23Oh, no, not at all.
00:38:26I don't believe you'd be so unoriginal as to...
00:38:29Oh, no, no, no.
00:38:34I don't need to ask how your man got hold of that letter from headquarters.
00:38:38No.
00:38:40I fancy it's quite obvious.
00:38:42The body of their messenger ought to show up at the top of the mill pond in, say, four or
00:38:48five days.
00:38:50I figured the code letter would keep you from suspecting my man.
00:38:55But still, I'm disappointed in you, Mr. Kent.
00:38:59I didn't think you would walk into my trap quite so blindly.
00:39:04Would it make you any happier to know I saw the trap and walked into it deliberately?
00:39:11When I heard the body was unrecognizable, I knew you were still alive.
00:39:15And in hopes of preventing further killings, I let your man lead me to you so that I could do
00:39:22this.
00:39:29An excellent shot.
00:39:31All of them over the heart.
00:39:34But fortunately, in Russia, I acquired the habit of wearing a bulletproof vest.
00:39:41Peter.
00:39:43We searched him, sir.
00:39:44He took my revolver away.
00:39:46I had the second one hidden.
00:39:48Very clever.
00:39:53But didn't it occur to you that you might fail?
00:39:57And that the consequences would not be pleasant?
00:40:00Naturally.
00:40:02Hmm.
00:40:04You should have been a Russian, Mr. Kent.
00:40:07You would have been a great help to me.
00:40:09Hardly.
00:40:10You see, I consider you a madman.
00:40:13Because I kill people.
00:40:16Yesterday, you killed my man.
00:40:19Just now, you tried to kill me.
00:40:21Do you consider yourself a madman?
00:40:28Take him upstairs.
00:40:35A little formula I'm preparing.
00:40:38For me?
00:40:40Oh, no.
00:40:41I can't spare you.
00:40:42Not yet.
00:40:43You amuse me.
00:40:45In fact, you are my trump card.
00:40:49Watch him carefully.
00:40:51And see that he does not escape.
00:40:53Yes, Doctor.
00:40:57Oh, Mr. Kent.
00:40:59I most rudely omitted to answer your question.
00:41:04I am brewing this for the Petrovs.
00:41:07By the time it is ready, they will be here.
00:41:16What a mite more of the Whitebeats, your highness.
00:41:19Oh, thank you.
00:41:19I've had two helpinges already.
00:41:20I'll take another piece.
00:41:22You would.
00:41:35Merciful goodness.
00:41:37There certainly is a bad storm blowing up.
00:41:39Well, I wish you wouldn't make so much fuss about it.
00:41:42I never did see that lightning did anybody any good.
00:41:45Except lightning rod salesman.
00:41:50You are so impatient.
00:41:53That's the point.
00:41:57Tell me the wind.
00:41:58I saw a man's face out there.
00:42:00I know I did.
00:42:03Wait.
00:42:03I'll see.
00:42:04Wait.
00:42:10You must not go out there, sir.
00:42:12Mr. Kent left positive orders.
00:42:14Oh, that's nonsense.
00:42:15There is no danger there now.
00:42:16Karloff is dead.
00:42:18You wait here. I'll go and see.
00:42:28Someone has been here.
00:42:31Oh, the light!
00:42:32What's on the light? Where are they?
00:42:34Over there in the corner.
00:42:36It won't work.
00:42:37There are all the hell. Where are some candles?
00:42:40Here's the match.
00:42:47Why, where's Brett?
00:42:48He must be out there.
00:42:50Brett! Brett!
00:42:51Oh, Brett!
00:42:54Wait, listen!
00:42:56There's someone at the front door.
00:42:59I'll go.
00:43:17Is he dead?
00:43:18I don't know.
00:43:19Help me get him over there, quick.
00:43:20All right.
00:43:30They got me.
00:43:32Karloff is alive.
00:43:41What's this?
00:43:49It's, uh, addressed to you.
00:44:00Me.
00:44:02Me.
00:44:21I'm going to phone the sheriff.
00:44:30Hello?
00:44:33Hello?
00:44:37Hello? Why don't you answer?
00:44:43Hello?
00:44:46What's the matter, Ashley?
00:44:47I can't seem to get anybody.
00:44:50Hello?
00:44:52What's wrong?
00:44:53No.
00:44:54I can't get anyone.
00:44:55Let me try.
00:44:57Hello?
00:44:59Hello?
00:45:00Hello?
00:45:07They've cut the line.
00:45:09Kitty Conover, come with me.
00:45:10We'll get some more candles.
00:45:11One thing we're going to have is plenty of light.
00:45:15Gregor.
00:45:19Gregor.
00:45:22Do you know what this means?
00:45:24Do you know what this means?
00:45:24Karloff is alive?
00:45:25There's only one thing for us to do.
00:45:26You and I have got to get out of this house.
00:45:28Out of this house?
00:45:29Yes.
00:45:31As long as we stay here, we're endangering the women.
00:45:33But we can't go out.
00:45:35Karloff will kill us.
00:45:37Well, we can give him a run for his money.
00:45:40Well, you can go if you want to.
00:45:41But I'm staying here.
00:45:43But listen, Gregor.
00:45:44I'm staying here.
00:45:46Please.
00:45:46Wait.
00:45:47He's right.
00:45:48You can't leave this house tonight.
00:45:50You must be sensible.
00:45:52Karloff has no quarrel with you.
00:45:53If we leave here, he'll let you alone.
00:45:55All he wants is Gregor.
00:45:57And me.
00:45:57Let's go.
00:45:58Let's go.
00:46:13Let's go.
00:46:17Let's go.
00:46:19Let's go.
00:46:28Let's go.
00:46:30Let's go.
00:46:32Let's go.
00:46:43My good land.
00:46:45Oh, it's you, is it?
00:46:47Where are you going?
00:46:49To get the sheriff.
00:46:50When it comes to killing men all over my front steps, he's got to put a stop to it.
00:46:53But they'll catch you.
00:46:55Well, if they do.
00:46:56Least ways I'll have the comfort of giving the ruffians a piece of my mind.
00:46:59Wait.
00:47:05In case Karloff should get you, I've got a message.
00:47:11I've been wondering how to get it to him.
00:47:16I'm offering to give myself up.
00:47:18If you let the rest of you go.
00:47:21Well, now that's real noble of you, Prince.
00:47:24Maybe I've been a little hasty.
00:47:26You want the bed?
00:47:28Here.
00:47:30We'll talk some more when I get back with the sheriff.
00:47:32Let's go.
00:47:32Let's go.
00:47:33Let's go.
00:48:02Get back to the air.
00:48:02Gregor's arguing. Gregor and I are leaving.
00:48:04But I don't want you to go.
00:48:06I'm sorry, but...
00:48:08Gregor!
00:48:12Gregor!
00:48:14I wonder where he is.
00:48:20Gregor!
00:48:23Gregor!
00:48:25Aunt Abby!
00:48:27Aunt Abby!
00:48:29Aunt Abby!
00:48:30I wonder where they are.
00:48:33I don't know.
00:48:37Maybe they're upstairs.
00:48:39Let's go and see.
00:49:05Well, the fellow actually offers to trust my word.
00:49:10A rat caught in a trap has no choice.
00:49:13Very true.
00:49:16Bring him.
00:49:18I have a use for rats.
00:49:22I will bring him.
00:49:31Now we'll talk.
00:49:32I do not doubt it, madam.
00:49:34I've been waiting to get at you for a long time.
00:49:36I'm flattered, Miss Cran.
00:49:38Well, you won't be so flattered.
00:49:39You'll be flattened when I get through.
00:49:42I've been itching to give you a piece of my mind.
00:49:44But, my dear.
00:49:44Now, don't you try to talk because it won't do you mighty good till I've had my say.
00:49:49I know your sort.
00:49:50Making jokes about everything.
00:49:52Even murder.
00:49:53I've seen them born and I've seen them grow up.
00:49:56Pulling wings off flies when they're babies.
00:49:59Hunting robins with slingshots and drowning tomcats when they're boys.
00:50:04Shooting and murdering when they're men.
00:50:06And where are they now?
00:50:07I ask you.
00:50:08Where are they now?
00:50:10Well, I'm sure I don't know.
00:50:13Where are they?
00:50:14Hung.
00:50:15That's what.
00:50:16Every mother son of them.
00:50:17Hung.
00:50:18Doctor.
00:50:19Prince Gregor is out of line.
00:50:21And mark my words, my man.
00:50:23Take this woman away.
00:50:24She annoys me.
00:50:25You will end on a scaffold yourself.
00:50:27With your samovars and your vodkas and all your Russian life.
00:50:31Stop her now.
00:50:34All I have to say is I never did like caviar.
00:50:38You Russian dancers.
00:50:40Walking down on their hind legs.
00:50:42Running a mile and getting nowhere.
00:50:46Take your hands off me, you sneaky samovar.
00:50:50And it's for you, you vulgar.
00:50:51You open.
00:50:52Here, here, here.
00:50:52Watch your wild hair.
00:50:53What's wrong with that?
00:50:54I'm never so desperate in all my life.
00:50:57You say it is your brother Nicholas who killed my daughter.
00:51:02Yes.
00:51:03And I'll show you a way to get him if you let me go.
00:51:07You haven't anything against me now, have you?
00:51:10I swear.
00:51:12It wasn't I.
00:51:13There's no need to swear.
00:51:15My daughter could never have cared for a thing like you.
00:51:23I have seen men die by the thousand.
00:51:27I have seen them shot against walls.
00:51:30Stabbed with bayonets.
00:51:31But never have I seen a man low enough to betray his own brother.
00:51:36To save his filthy hide.
00:51:41I'm not betraying him.
00:51:43I tell you.
00:51:44He did it.
00:51:45He did it.
00:51:46Promised you wouldn't touch me.
00:51:47I don't intend to touch your highness.
00:51:51I wish to make a little experiment.
00:51:53I am not certain that this formula is correct.
00:51:57And I need a rat to try it on.
00:52:01Get him.
00:52:01Oh no!
00:52:03Oh, let me go.
00:52:05No!
00:52:06In here.
00:52:08Oh, you promised.
00:52:09You promised you wouldn't touch me.
00:52:10Let me go!
00:52:11Oh!
00:52:12Oh, Carlos!
00:52:13Oh!
00:52:28Wait, Carlos.
00:52:29Let me out.
00:52:30Let me out.
00:52:30I didn't.
00:52:31I swear I didn't do it.
00:52:33No!
00:52:34No, Carlos, not that!
00:52:35No!
00:52:55The formula seems to be quite correct.
00:53:01Remove the body and clear the room of gas.
00:53:05We shall need it again.
00:53:10Let me out.
00:53:27What is this?
00:53:29It's a store room.
00:53:41Dresslinger's dummy.
00:53:45I'll hold it.
00:54:12For some minutes.
00:54:37I wonder what happened to them.
00:54:39I can't figure it out.
00:54:40Go!
00:54:52Get out!
00:54:54Help me!
00:54:56Help me!
00:54:56Help me!
00:54:58Help me!
00:55:01No!
00:55:28Oh, this, this room.
00:55:32This room is as cold as the grave.
00:55:35I trust Your Highness won't find it unhealthy.
00:55:39I don't suppose I'll have time to catch cold.
00:55:42No.
00:55:43This is not for you.
00:55:46It's for Miss Carnivore.
00:55:50Miss Carnivore?
00:55:53You're not going to hurt her.
00:55:55Oh, no.
00:55:57You are to use this knife.
00:56:00Why, do you think that I would...
00:56:02You killed my daughter, whom I loved.
00:56:06Now I am going to watch you kill the woman you love.
00:56:12I didn't kill your daughter.
00:56:14For my word.
00:56:15I've already had the word of a Petrov that you did.
00:56:22His Highness Prince Gregor betrayed you to me just before he died.
00:56:40You will need your hands.
00:57:02You know, you can't force me to do that.
00:57:04Yes.
00:57:04It is your choice, Highness.
00:57:07But let me remind you that after your death, she will be in our hands alone.
00:57:40I will give you as long as I am alone.
00:57:42As long as let candle burn.
00:57:45That ought to be time enough for a very crispy love scene.
00:58:09Remember, the candle is burning at both ends.
00:58:37Why did Karloff leave this knife?
00:58:47Oh, Nicholas.
00:58:49Oh, Nicholas.
00:58:50They are going to kill you.
00:58:58Bring in Mr. Kent and that woman.
00:59:01When I was born through the eyes.
00:59:19There you go.
00:59:22Here we go.
00:59:23Here we go.
00:59:42What is it? What are you going to do?
00:59:45These stones are loose.
00:59:47Maybe we can dig our way out.
01:00:07Well, here we are.
01:00:09You will doubtless be pleased to know that your imprisonment is at an end.
01:00:14You mean you're letting us go?
01:00:15I do.
01:00:17How about Kitty and that young pet-cloth?
01:00:19When I'm safely away from here, you may remove their bodies.
01:00:23You mean...
01:00:24They're dead?
01:00:25No, not dead.
01:00:28But they will not have long to wait.
01:00:44There's something else in there.
01:00:50Maybe I can break through it.
01:00:54Do you expect him to kill that girl?
01:00:57No.
01:00:58I expect him to do something quite different.
01:01:02He will attempt to escape.
01:01:13Look out!
01:01:22Get something else, boys!
01:01:26Why, you...
01:01:27Rather neat, eh?
01:01:30Get inside me!
01:01:36Come on.
01:01:38Get it.
01:01:38No use, Kent!
01:01:44No use, Kent!
01:01:48Oh!
01:01:49Oh, Nicholas!
01:01:51Steady, dear!
01:01:52Steady!
01:01:54In a moment, it will all be over.
01:01:58And my work will be completed.
01:02:01An airplane is waiting to take me out of the country.
01:02:05Kent, if you hadn't been such a fool...
01:02:11Stop her!
01:02:12The police!
01:02:13They're all around us!
01:02:23Perhaps I'm not such a fool as you think, Carlos.
01:02:26Before I let you capture me, I had one of my men phone New York for help.
01:02:31Peter!
01:02:38Come up!
01:02:39Come up!
01:02:40Come up!
01:02:41My baby!
01:02:43Come on, bud!
01:02:44Come on, Kent!
01:02:45Come on, Kent!
01:02:45Come on, Kent!
01:02:47Come on, Kent!
01:02:47Come on, Kent!
01:02:50Come on, Kent!
01:03:03Get down! It's a machine gun. They'll leave the coal mill to pieces.
01:03:16I don't think that'll do you much good, Mr. Brian.
01:03:18Well, let me both and give me a hint of comfort.
01:03:27Look out!
01:03:48Prince Nicholas! Your friend was clever.
01:03:51Clavery enough! No, no! Wait! The women! My time is sought! I cannot wait!
01:04:10Are you hurt, sir? No, I'm all right. Where's Carl? He's down there. Come on, get him.
01:04:24He's down for, sir. Try and get him out.
01:04:28Now, you see the mess we got into? I told you how to beef we went to New York and
01:04:32lived on a roof.
01:04:32Men popping in at 2 o'clock in the morning and us having to flee out here into the country
01:04:36and getting mixed up with a gang of scoundrels like this.
01:04:39Bullets flying everywhere and dead men are laying on the floor.
01:04:48Well, for land's sakes!
01:04:51No, no.
01:04:54Now, the