Superstar सिद्धार्थ जाधवचा टर्निंग पॉइंट! देवेंद्र पेम यांनी सांगितला ‘तो’ किस्सा | Lokmat Filmy - video Dailymotion

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सुपरस्टार्सना घडवणारे दिग्दर्शक Devendra Pem Exclusive | Bharat Jadhav, Siddharth Jadhav, Ankush Chaudhari  मराठी रंगभूमीचा इतिहास घडवणारे लेखक आणि दिग्दर्शक देवेंद्र पेम (Devendra Pem) यांच्याशी दिलखुलास गप्पा! 'All The Best', 'Tumcha Mulga Karto Kay', 'Lali Lila' आणि 'Planchette' यांसारख्या गाजलेल्या नाटकांचे रंजक किस्से, भरत जाधव (Bharat Jadhav), अंकुश चौधरी (Ankush Chaudhari), संजय नार्वेकर (Sanjay Narvekar) आणि सिद्धार्थ जाधव (Siddharth Jadhav) यांना कसे घडवले? हे जाणून घेण्यासाठी पाहा लोकमत फिल्मीचा हा Exclusive Interview.  📌 Top Search Topics & Key Takeaways: - Devendra Pem Exclusive Interview - Making of Iconic Marathi Play 'All The Best' - How Siddharth Jadhav was discovered in audition - 3 Teams of All The Best & Housefull Records - Behind the Scenes of Lali Lila and Planchette - Rapid Fire with Devendra Pem  ⏱️ Timestamps: 00:00 - Introduction & Welcome Devendra Pem 02:11 - Marathi Theatre & Creating Future Superstars 05:21 - All The Best नाटकाची खरी प्रेरणा आणि सुरुवात 09:10 - Bharat Jadhav, Ankush Chaudhari & Sanjay Narvekar Casting 11:21 - INT Competition चा किस्सा आणि पेपरमधल्या बातम्या 16:01 - All The Best चे एकाच वेळी ३ संघ आणि तुफान हाऊसफुल 21:30 - Siddharth Jadhav चं ऐतिहासिक ऑडिशन आणि ५ भन्नाट भूमिका 28:16 - 'Lali Lila' नाटकाचा आगळावेगळा सयामी ट्विन्स कन्सेप्ट 30:57 - 'Planchette' - मराठी रंगभूमीवरची सुपरहिट हॉरर कॉमेडी 36:03 - प्रदीप मुळे सरांचा फिरता सेट आणि क्रिएटिव्ह आयडिया 40:06 - दिग्दर्शित केलेला चित्रपट आणि हिंदीतील Ghost Writing 42:08 - मनमीत आणि मयुरेश पेम यांच्यावरील प्रेम आणि ओरडणे 45:03 - Rapid Fire Round with Devendra Pem 46:00 - रंगभूमी म्हणजे काय? & Conclusion  Stay tuned to Lokmat Filmy for more Marathi Celebrity Interviews, Natak Updates, and Behind-the-Scenes stories!   #DevendraPem #SiddharthJadhav #BharatJadhav #AnkushChaudhari #AllTheBestNatak #LokmatFilmy #MarathiNatak #MarathiTheatre #NatakVede #MarathiCelebrityInterview #TumchaMulgaKartoKay #LaliLila #MarathiCinema #EntertainmentNews #Rangbhumi

Transcript

00:00I've got a good time.

00:02I've got a good time.

00:04I've got a good time.

00:07I'm going to give you a good time.

00:09And I'm going to show you the style of the show.

00:11I'm going to show you the second song.

00:15It's a song.

00:16It's a big song.

00:17I'm going to live in parts roles.

00:23It's a good song.

00:26It's a good song.

00:27I'm going to go to the podcast.

00:27I have thought about the act.

00:31Is that in All The West,

00:33Tintinti team?

00:34Yes.

00:35So, there was a lot of talent,

00:37and so, the talent was such a big talent.

00:40He was a superstar now.

00:43So, when the talent came out,

00:45there was a lot of talent,

00:47and there was a lot of talent.

00:49I think, what's the talent at the time?

00:51A life.

00:53I don't want to be involved at a time.

00:55This is the number of BAKSHI. We have a significant number of BAKSHI and the number of BAKSHI is not

00:59a big number of BAKSHI.

01:00In this case, everyone is always nervous.

01:04And everyone has reactions.

01:0715, 16, 16, 16, 16, 16.

01:10That's what we have done.

01:11It's a month?

01:12It's a month.

01:13We have a line.

01:158th is open.

01:168th is open.

01:178th is open.

01:188th is open.

01:238th is open.

01:24So, I'm very proud of this idea.

01:27That if you have seen this $0.00, you have seen this $0.00.

01:31You have seen this $0.00.

01:33You have seen this $0.00.

01:35You have seen this $0.00.

01:36You have seen this $0.00.

01:37Today, they said that Devendra Payne is all the best.

01:40But Devendra Payne is equal to Lali Lila.

01:44What is this?

01:45The two big boys have been in the theater.

01:48They have been in the theater.

01:49They have been enjoying the show.

01:51They have fun for us.

01:55Over here, they have been going to watch the movie.

01:58They have been in the theater.

01:58But we have now, we have seen this colour.

02:15There are only ways to watch the movie right now.

02:16So you have seen this film in the film.

02:20You have seen this film in the film.

02:21We have gone on a lot.

02:21We have seen this film in film.

02:21NAMASKAR

02:23NAMASKAR MITRANAMI

02:24I am your friend of mine

02:25Sagar, welcome to this film

02:27We are in Natakvede

02:28Devendra Saransha

02:29We are going to fight

02:30We are going to fight

02:32We are going to fight

02:34We are going to fight

02:36We are going to fight

02:37Sir, welcome to this film

02:39We are going to fight

02:40Yes, thank you

02:41Sir

02:44I have a little bit

02:46I think

02:47I think that

02:48At that moment

02:50At that time

02:50You have to fight

02:52Because we start working

02:52At your time

02:54And now

02:56What is the goal of this?

03:00And how do you get to know that

03:01Or do you want to be a superstar?

03:06I am not a superstar

03:09I am no super-star

03:10Yes

03:12And

03:13There are many superstars

03:15We are not different

03:18So, when you look at the same time, you can see the same thing.

03:28Because, even if you look at the same time, you can see the same things.

03:35All the best, what is happening, double trouble, Lali Lila.

03:42So the actors are the same, with our own stuff.

03:51They all become the same.

03:54The last song for the song is that the song is the same.

04:02And the song is the same, the song was the same, the same song.

04:08All the best, I was originally very good, Sanjay Narvekar, Sampada, Kulkarani, and so on.

04:18So, when I was born, I was very good, and I was very good.

04:24The great Siddharth is very good, sir.

04:27I was very good at all.

04:31I was very good at Madhavi and Madhubanda.

04:35I was very good at Nirmithi Savand.

04:40But I was very good at that.

04:44I was very good at that.

04:46I was very good at that.

04:47I was very good at that.

04:48I became an expert from Prahyogie Graanga Boomer, Ekanki Kamadun, State competitions, and I am an expert in that area.

04:57There is a no doubt in that order for me.

05:01I do the best to know yourself.

05:06My confidence is strong.

05:07I watched my confidence.

05:08I was very good at our cast.

05:08And the magic of all of this is the magic of all of this.

05:14And this is the hit of Kala Kruthi.

05:17Kala Kaur is a super hit, then a superstar.

05:21We've spoken about all the best music.

05:24All the best music was in 1993.

05:28Exactly.

05:30How did you think that music?

05:31That music was played in M.D. College.

05:37In which language did you learn all the best?

05:40Akra Bhashit.

05:41Akra Bhashit.

05:42And this is what you think.

05:49My name is Sassu Bhai.

05:53I have no thought about it.

05:57What did you think?

06:03I didn't say that I didn't speak to a person.

06:07I didn't speak to a person.

06:08It was a position.

06:12It was a big man in the profession.

06:17I was the man of us.

06:18I was the man of my brother.

06:20If I was the one of my wife in Sangeeta,

06:28So when the government was getting out of the house, we had an additional hurt.

06:34When we came in, we had to make sure that the government had a strong relationship with the government.

06:42We had to make sure that the government was very strict.

06:46Over strict.

06:48I was directly with the police.

06:53So, we have to do a lot of work with the police, but we have to do a lot of

07:03work with the police.

07:04We have to do a lot of work with them.

07:13I have to adopt.

07:19I have to adopt.

07:20I have to adopt.

07:29I thought it was a problem with communication.

07:34What happened?

07:35I told you about love stories.

07:37We are talking about the characters.

07:43We have to talk about the characters.

07:44We are talking about the characters.

07:49If you think about the problem, how can it be solved?

07:54I took a moment.

07:57I was just thinking,

08:01they should be genuine.

08:04When I was just talking about my word,

08:07I was talking about a bomb after this and I was watching you.

08:14I spent half a while when I was dealing with the vaccines.

08:16I had to look around all my heads of war.

08:21I tried a single time and worked with the two.

08:25I got three people down in the top.

08:31I developed a single story in Haldobao.

08:34I have got three people.

08:36I have got three people.

08:38I have got three people down in Haldobao.

08:39I have got three people down in Haldobao.

08:49There are three people in the world.

08:52There are many people in the world.

08:54There are many people in the world.

08:57And I think it's interesting.

09:01Anhala, Mukha, Bahira, and all the people in the world.

09:05That's a set-up. And I think it's all the best.

09:08Superb.

09:10How did you do the casting?

09:12Sanjay Narvekar, Bharat Jadavanku, Saudari.

09:15And I think it's a good job.

09:17In the first place.

09:19Yes, I think it's an A&T.

09:21I think it's a good job in the college.

09:27But everyone is doing it from MD.

09:31In MD, there are Maharshi Dayananda Mahavidya.

09:35And there are many people in the world.

09:38And I think it's very important.

09:42I think it's a good job.

09:45I think it's an actor.

09:47But I think it's a good job.

09:51We have a group in college.

09:53And we have a group in MD.

09:55And this is how we build a good job.

09:56That's how it's important.

09:57And so, the career is great.

09:59There is a lot of support in the workshop and in general acting workshop, there is a lot of the

10:10characters in the workshop.

10:13There is a lot of casting.

10:30It was the best actor, the best actor, the best actor, the best actor, the best actor.

10:37It was very good but it was the third.

10:42IND.

10:56IND.

10:58Is it hard to get your views?

11:12So what is happening?

11:18What is happening?

11:19What is happening in this competition?

11:21What is happening in this competition?

11:22What is happening in this competition?

11:25You said that there was a certificate in a different way, but you said that there was a lot of

11:37reaction to the result of the result of the result.

11:48The result was that the third number was all the best.

11:54There was literally a pin-drop silence in the theatre, there was a lot of silence in the theatre.

11:59There was a lot of silence, it was a good silence, it was a good silence, it was a good

12:03silence.

12:04It is important to know that the first number of people are very nervous, but they are very nervous.

12:21But the other thing is that the result is that the results are all the best.

12:32When we were asked about all of the best, I could not have done by all of the best.

12:37The news was about Mahesh Mandra and Chandragán Kudkarani sir and he was the first time.

13:05I said, I have a question. I have a question. I don't think I have a question.

13:15Mohan Vagan is a question.

13:17No, there are no questions about Mohanwa Gannan.

13:22There are no questions about Mohanwa Gannan.

13:24There are no questions about Mohanwa Gannan.

13:31If you have any questions, then the government is going to go to the government.

13:36I am confident that I am not sure about it.

13:39There are no other reasons.

13:42But I am confident that I am not sure about the commanding of my command.

13:55I am not sure about the interaction between them.

13:58I think that is a very simple answer, I thought that this isn't a non-profit.

14:11Because this is a non-profit, I have not thought of a non-profit, I have not thought of a

14:22non-profit.

14:27That's why I heard a story about my story, that there was a life, a life, a life, and a

14:34life.

14:35That's why I didn't do that. But I didn't do that.

14:40I didn't do that. I didn't do that.

14:44But in that moment, I was afraid that if I was a dinosaur, I wouldn't do that.

14:53I was thinking about how to do the concept of the concept of the concept of the concept.

15:06So you can't see what happens to the people who are in the world.

15:09That's how you get it.

15:14You can't see the interaction between the people who are in the world.

15:20And you can't see the people who are in the world.

15:23And you can see what happens.

15:29I've heard the story about it.

15:30I was told that I was one of the things that I was doing with my own.

15:34But I was also one of the things that I was doing with my own.

15:39I was talking about the things that I was doing with my own.

15:53So, I'm going to talk about all the best teams in all the best teams in all the best teams

16:04in all the best teams in all the best teams.

16:17The team is super-hit in the 15th, 15th, 16th, and 15th.

16:24That's why it's like a year.

16:27That's why it's Mumbai.

16:31What should we do in the future?

16:33That's why we should do another team.

16:36If you can do a good job on the other team, you can do a good job of doing it.

16:42It's not a good job, but it's a good job.

16:46It's a good job.

16:47It's a good job, but it's a good job.

16:50It's a good job, and it's a good job.

16:54It's a good job, and it's a good job.

16:57Maybe we'll do something new.

16:59So, what do we do?

17:00That's a good job.

17:01The team has been in that team, Shriyas Dalpa, Anan Ingles, Deepa Parabhati.

17:08I was here in the cast.

17:12In the other team?

17:13We had the same team as well.

17:16We had to do that team as well.

17:19This team was full of the task.

17:24We had online booking.

17:28We had a lot of people.

17:30We had booked tickets for the theatre.

17:35We had a line in the 8th,

17:39and we had a ticket to the house pool.

17:47We had a third team.

17:49We had a third team.

17:50We had a third team.

17:53We had a third team.

17:54We had a third team.

17:55They had a third team.

17:59They used to play two games.

18:00Some people did it, some people used to play it.

18:03Then we did a second team.

18:04It was not the same thing to play it.

18:05It was such a moment.

18:06Some people put maybe a third team into the country.

18:17It was a third team.

18:17That team, the third team,

18:17And who did that team in Malvani?

18:18In that team there was Santosh Mahekar and Mahesh Kokate, Santosh Mahekar, Mahesh Kokate, Jitendra Joshi.

18:38Mahalwani Muka and Mahalwani Muka and Mahalwani Muka and Mahalwani Muka.

19:38Mahalwa.

19:38Mahali Muka and Mahath Escours Mahekar.

19:39In the last language, there is no problem with writing, Dharman, because we don't know how to change the direction.

19:47What is the process of writing?

19:49No, if you change the direction, you can change the direction.

19:55In the last language, there is a little change in the direction.

19:59In the last language, there is a little change in the script.

20:01There is no change in the script.

20:05In general, there is no change in the script.

20:08In the last language, there is no change in the script.

20:12What is the difference between the different ways?

20:16It is a super hit.

20:17It is a different way to change the direction.

20:20In the last language, there is a lot of work.

20:24We have a lot of work, a lot of thinking, a lot of concepts, etc.

20:27In the last language, all of these就是 a lot of work.

20:30Do not give up if it is a great way or is the hip-hop.

20:37In this culture, there are more laws that belong.

20:40In the last language, there is no great way to the way.

20:42There is a lot of art, weapons like a video, a bonus or comedy,

20:44there are no exaggeration in itを adjust the way...

20:48you are seeing the same in the beginning, but in the beginning the next one the other one is the

20:52same.

20:55Hardly, there are certain some of the language that they can change in small changes.

20:59They may not have the meaning of the language and the meaning of the language.

21:04The language of the language of the language is key.

21:13The language of the language of the language is key.

21:17I was like, I think people are the same.

21:20But I'm not going to change this.

21:22I'm actually going to change this.

21:25I'm going to say touch,

21:26I'm going to say that.

21:27I'm going to say that.

21:30What do you think about this?

21:32How much do you think about this?

21:35How much do you think about this?

21:37How much do you think about this?

21:41Yes, I mean...

21:42The energy is very good.

21:43So, if you think about that, Abhineta, you are doing a good thing to do with your own art.

21:50What do you think about your own art?

21:57I am doing a good thing to do with my art.

22:03And there was a lot of people in the game, like Priya Darshan, Paddy, Suhas Paranth and the batting was

22:14on the batting.

22:18And there was only a chance to do 5 of the batting.

22:24So I didn't get the chance to do my assistant.

22:28I was able to do the same thing, but I was able to do the same thing.

22:37I've been able to do the same thing before.

22:39I was able to do a rehearsal for such a great day.

22:42I was able to do a rehearsal for Damodar.

22:44That was the same as the Rastemil Mazdur Sangar.

23:22Yes, it is a village village.

23:24Let me tell you no.

23:28Did you say anything about anyone?

23:29I have heard what I am saying.

23:30But I, I am doing what I am doing.

23:37I am doing this as to that person.

23:40I am doing all the things.

23:41I am saying you are in the same way.

23:43then we got to go through it and look at the lens on this surface as well.

23:49That's how we have a process of that.

23:52It's not quite like that.

24:01It's just how good it is.

24:03But we have to give this campaign.

24:04We are ready to run time with casting.

24:04Yes, it was done, but in the last few months, there was an acid that came out of that acid.

24:14I think that this is the acid that came out of that acid.

24:20What is this role?

24:22What is this role?

24:24What is this role?

24:25What is this role?

24:26It actually came out of that energy and all those plants were coming in and it started immediately.

24:35So, the practice tried here.

24:40How would the pushing for the work of these?

24:42It wasn't so good, but we had some alliance with these plants.

24:49Would you like to do this baby-to-do-do-do-do-do-do-do-do-do-do-do-do

24:53-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-dodo-do-do-do-do

24:55-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do.

24:55Yes, I have to do that role in Jaiwan. I try to do that role in Jaiwan.

25:02The hero in that movie is a mimicry artist.

25:11They mimicry in the movie.

25:15That's true.

25:16In the same way, everyone will be interested in their audition.

25:23But when we do casting, we have a lot of production houses involved.

25:31There is a lot of production houses involved.

25:33There is a lot of production houses.

25:35There is a lot of production houses.

25:38There is a lot of production houses.

25:39When everyone is doing this,

25:42it is going to be a lot of production.

25:46It is a lot of production houses.

25:48When it is done,

25:50you can experiment with it indirectly.

25:53What is it possible?

25:55It is possible.

25:57One day, I had a theory.

26:00Every doctor is a doctor.

26:01Now, it is a patient of COVID.

26:04If you have the power of your body, you have white cells, red cells, you have to have the dose

26:20of your body.

26:22It's a nerd. It's a comedy sense, a basic level.

26:28If you have the power of your body, you can apply the power of your body.

26:33I don't know if you have the power of your body.

26:37I don't know if you have the power of your body.

26:41I don't know if you have the power of your body.

26:46If you have the power of your body, you can apply the power of your body.

26:55I don't know if you have a power of your body.

26:58If you have the power of your body, you have the power of your body.

27:02You can apply it, but I don't know if you have the power of your body.

27:08If I would like to think of it as a way, I would like to think how much there is,

27:14and how many people we would like to think about.

27:17This is the most important thing that I would like to go to that place.

27:23It is a complete combination of this and how much I could help with the character.

27:30How do you teach them how to teach them?

27:33It's true.

27:34That's why I put them in slapstick.

27:38Because there's energy and body language.

27:42It's comfortable with the body.

27:45You have to go up, up, up.

27:47You have to be a little girl.

27:48I have to be a little girl.

27:51I have to be a little girl.

27:52I have to be a little girl.

27:53I have to be a little girl.

27:55I have to be a little girl.

27:58The sound is just me.

28:00It's growing up.

28:02There are expressions.

28:05That there's less slapstick.

28:09This is how to be a little girl.

28:11How do you see?

28:14We have a song called Lali Lilah.

28:18I used to sing that song in Lali Lilah.

28:19I will sing that song in Lali Lilah.

28:23These songs was touched by people and their implications.

28:25I think that's what I've been doing in my life.

28:27It's been a very interesting song for you.

28:32You've always thought that my life is the best song in my life.

28:36I just thought that Devendra is all the best.

28:39But Devendra also thought that Devendra is equal to Lali Lila.

28:43Is that a story of this?

28:46Yes, it's a story of our own song,

28:49our own song, our own song, our own song.

28:52It's a story.

28:55Yes, it's a planchette.

28:56Yes, it's a Lali Lila.

29:00All the best.

29:01How about Lali Lila?

29:03Lali Lila is a very small concept.

29:05The Siami Twins.

29:06The part of the Chikat Lila is made.

29:08That's why we all develop the ideas and ideas.

29:10We all develop the ideas.

29:12That's why we're here.

29:14So, I think that all the best.

29:18If we're talking about all the best,

29:18if we're talking about the soap,

29:19this is the same thing,

29:20we are working on it.

29:22We're working on it.

29:23We're working on it.

29:24We're working on it up here.

29:25We're working on it.

29:25We have lots of things.

29:28If we're working on it up here,

29:32we're working on it.

29:35If we're working on it,

29:37if we're working on it,

29:38it's a great deal.

29:38But,

29:38we're doing it.

29:38You have to have to help for the first time.

29:41And then,

29:41where we're working on it,

29:41we can't figure out a whole four or eight days.

29:52It was a very interesting thing.

29:58And when I took a single day, it was at the beginning of the year.

30:03I thought I would hit the lock and I would have to do some work.

30:11I would have to say that I would have to do some work.

30:20In that case, I would have to say that I would have to do some work.

30:31The two brothers, when the new church works also in the theatre, it's a pleasure.

30:40Not only the new ones, but also the theatre he has to be able to do.

30:45The theatre is done.

30:49When the two church members come to the church, I will do a good change.

30:55What do you think about it?

30:56In Planchett, there is a lot of work in Planchett.

31:01So, what is the idea of Planchett?

31:03We haven't played in the cinema.

31:06Maybe there is a lot of work in Planchett.

31:10But how do you think about that Planchett?

31:14And how do you think about it?

31:20In Planchett, there are a lot of people that are in the cinema.

31:29But in Planchett, there are a lot of people who think about it.

31:32I think that's the idea of this.

31:34So, I think it's a lot of people who think about it.

31:39Sir, I thought that was a good idea.

31:44No, no. Seriously, Vinodhi, Baba, Vinodhi, Padbati, that means that it's horror, right?

31:51It's horror. It's horror, I guess.

31:53It's like Bhuta.

31:54Bhuta said to us that we have to do something.

32:00Bhuta said to us that we have to do something.

32:03Bhuta said to us that we have to do something.

32:05So, it's interesting.

32:07I'm going to improvise.

32:09I'm going to do something.

32:10We have to do the scope of that character.

32:11It's a successful horror comedy.

32:16No, I'm not a question.

32:19Planchet is a conceptually.

32:24Planchet is like all the best.

32:28All the best is to do something else.

32:31All the best is to do something else and to do something else.

32:36But it's a good thing.

32:41It's a good thing.

32:43The concept is about the medium and the body.

32:50The body with the body and the soul.

32:51So, she can say that she's called medium.

32:54If she speaks her body language.

32:57When she speaks of the body language, she speaks of the language.

32:58She speaks of the language.

32:59She speaks of the language.

33:06I mean, I had to tell you what happened to me like, and what happened to me like, all of

33:11us had to move forward.

33:12I would start to come back and start to be like, that's why I managed to develop myself.

33:18And there was a concept that was developed.

33:22How is the concept of understanding, okay, in a way, I think about it.

33:27So, it can be developed a little bit, it can be done.

33:31So, we should actually do this and do this.

33:34This kind of process is not a very important thing.

33:42But the people who did this work,

33:49they started working on the work of the work of the work.

33:53We should do the planchette.

33:54We should do the planchette too?

33:56We should do the planchette and put it in the chamber.

33:58Do you think that Kutla is not working?

34:01Why do you think that Kutla is not working?

34:03It's not working.

34:08Do you think that Kutla is not working?

34:13Yes.

34:17Love Express.

34:19Love Express is a Kutla.

34:23It's a Kutla.

34:26It's a production of Kutla.

34:30It's a casting.

34:32It's very important.

34:33It's a film.

34:36It's a film.

34:37It's a film.

34:38It's a film.

34:40It's a film.

34:41It's a film.

34:41The film has been working in the movies.

34:45It is a film.

34:50It's a film.

34:53I think it's a good thing.

34:56I think if I'm not booking, I'm going to get a good thing.

34:59I think Nirmadhan has 7 steps.

35:03I don't think that's the case.

35:06I think that's the case that you're thinking about it.

35:12I think that's the case that you're thinking about it.

35:22I don't have to do the work.

35:25I have to do the work.

35:28I have to do the work.

35:30People don't give an appeal.

35:31What does people have to do?

35:32They don't have to do the work.

35:35They don't need to do the work.

35:38You help them to do the work.

35:41If you do it then you can do it.

35:44That's how I do it.

35:47That's how I do it.

35:48Don't make me any good.

35:50It is a very important thing.

35:51I would say, you know, you are an interesting person.

35:56And you don't think that's right.

35:59I don't think this is the two songs.

36:02I think that all the best that you have,

36:04is that the song is very good.

36:07But there are seven books and the ten books.

36:10And then, in a couple of years,

36:13there is a set of Vegas set.

36:17I think it's a moveable set for us to get a moveable set.

36:22Yes, that's the asset.

36:24That's the asset.

36:26Yes, I thought that,

36:28because of these three fathers,

36:34I think that I can get a sense of confidence.

36:38That's why I have a self-confidence.

36:41I don't have any confidence.

36:42You don t have a problem.

36:44So you don t have to be present and you can see that.

36:49I don t have to see that.

36:51The original is like the same.

36:53I will say that maybe you don t have to see that.

36:55So you can see that.

36:56I don t have to see that.

37:00You can see that.

37:02Our credit is not great.

37:10He was a guru in the industry.

37:20I was very interested in this story.

37:24What is creative or ideal?

37:32These were tips and things like these.

37:37These are the ones that I put in as follows.

37:44But the issue of the problem is that he has to do that.

37:51It is one line.

37:55So, that is a big thing that he has to do.

38:00Backstage?

38:00Backstage is the biggest thing that he has to do.

38:03Because he has to say, what is this?

38:06And he has to play that, right?

38:08That is a big thing that he has to do.

38:11So, if you were to sit in the Shivaji Mandir, then Maharashtra would sit in the Shivaji Mandir.

38:21So, if you were to sit in the Shivaji Mandir, then the Shivaji Mandir would sit in the Shivaji Mandir.

38:42If you are aware of it, Zatubhazi Mandir would sit in the Shivaji Mandir, you would say that these people

38:48would sit in the Shivaji Mandir.

38:58You gave the idea decided when you move to this angle at the top of your already belief.

39:15Would have Another Thinking Is It has Let us do that as a part of a work of incarceration,

39:19but I keep doing it in two years.

39:24I hear this word.

39:26Many actions Munialông Act

39:28and of course, we should do that.

39:29The really work!

39:33and it's been worked.

39:35It's been a long time for people to get out.

39:39People are coming from home,

39:40all the people are coming from home.

39:44There's such a scene.

39:46It's been a long time.

39:48You played so much,

39:51I've played a lot of work.

39:55You played a lot of cinema.

39:58So, cinema is so much.

40:02What is the reason for the cinema?

40:08The main thing is that the cinema is the reason for the cinema.

40:14When we have to do Devendra Bhim,

40:19when we have to do Devendra Bhim,

40:19when we have to do that,

40:22we have to do that.

40:23We have to do that.

40:30When people give the cinema,

40:32people give the cinema.

40:35We have to do that.

40:36If we don't give the cinema,

40:38then we have to do that.

40:40But it's a big thing.

40:42It's a big thing.

40:44It's a big thing.

40:45It's a big thing.

40:49One,

40:49one is a big thing,

40:53one is not a big thing about the cinema.

40:55We have to choose a little too.

40:58We obviously products that are subject to the명이.

41:01We don't discuss that.

41:03our community can create a collective effort.

41:06We have to do the legends of Spielbergrec as we move around.

41:15They are aware of the coming of the cinema,

41:19and on the coming of that movie.

41:19How many films are you doing?

41:21How many films are you doing?

41:23I thought that Lilian had a great job in the world.

41:28I would like to write those films.

41:32No, is there a film or not?

41:34I'm doing that film.

41:36Today's cinema is super-duper-hit.

41:38Yes, but we have a film, right?

41:40That means it's true.

41:42But it's not in Marathi cinema, it's in Hindi cinema.

41:47But it's not in the film.

41:49It's not that many films.

41:51If you're doing this, you can do it.

41:55But then you can do it.

41:57We can do it.

41:58We can do it.

42:00We've used to assist them.

42:01There are a few films.

42:03We've had that.

42:04We can do it.

42:08Now we thought that

42:10Because you are the two artists, you are the ones who love Tanchavar Sampoorna Maharashtra,

42:21but you are the only way to Tanchavar.

42:24Why would you do that?

42:26No.

42:27You are all the best.

42:29But you don't want to do that.

42:33No.

42:36But you don't want to do that.

42:40There are many ways to do that.

42:41There are many ways to do that.

42:44There are many ways to do that.

42:47I don't want to do that.

42:49We have to say that in August, September,

42:51you will go to London, Dubai, Australia,

42:57but we can do that.

42:58There are many ways to do that.

42:58Yes, yes.

42:59There are many ways to do that.

43:04But the truth is that your character,

43:10your interaction, energy level, projection,

43:14all the things that you have to do is react.

43:17that the truth might not be asked of when you do that.

43:20No.

43:21That's not the truth of everything.

43:22The truth is that I have to say there.

43:23I have to say there is a problem.

43:28I am saying there is a problem.

43:28But it's only one to me but I have to say there is a problem.

43:36There is the problem.

43:41It's not an old man, it's an old man.

43:43I mean, I don't think that's the other one who works.

43:45But do you think that you're going to be a old man?

43:50Why?

43:52I don't think that's an old man.

43:55If you're a old man, you're not a old man.

44:02So, you're not a old man?

44:04It's a old man.

44:06What is in the case of the trans?

44:08I'm not sure what it is.

44:10I'm not sure what it is.

44:11Then you will tell me that the whole thing is like you're doing,

44:15and you're just like doing that.

44:17You've got to realize that you're doing this well.

44:21But you're open too.

44:23I'm coming and all the best, but I'm not sure

44:25I'm not sure I'm doing this.

44:29Then I'm not sure what you're doing.

44:31Some of you are sure.

44:33If we do this, we will do this.

44:35So, what are your goals?

44:37What are your goals?

44:38What are your goals?

44:40What are your goals?

44:41But if you come to your goals,

44:45I appreciate your goals.

44:47Okay, fine.

44:50If you go to the scene,

44:53if you go to your goals,

44:55the timing is disturbed,

44:57the length is disturbed,

44:58and all of them will follow.

45:02That's right.

45:03So, Rata,

45:04let me start with rapid fire.

45:09Bharajjadav or Mahirishpem?

45:12Bharajjadav.

45:14Okay.

45:15Lekhan or Dikdarshan?

45:21Dikdarshan.

45:23All the best or Lali Lila?

45:28Lali Lila.

45:29Lali Lila.

45:31Lali Lila.

45:32And,

45:33Shiva Ji Mandir,

45:35what day are you going to do?

45:39Shiva Ji Mandir.

45:40Shiva Ji Mandir.

45:41It's a great pleasure, sir.

45:43In the evening,

45:44you are going to talk about this

45:45and we are going to talk about

45:46our goals.

45:48We are going to talk about

45:49our goals,

45:50our goals,

45:52our goals.

45:53and what do you think

45:55about the

45:58Marathi Rangabhumi

46:00that you describe

46:00the Marathi Rangabhumi?

46:02What is that?

46:03I think the most important thing

46:05is to say,

46:07but

46:08the world is the most important thing.

46:21Rangabhumi.

46:22Mitran,

46:23you, Devindra sir,

46:25are you going to talk about

46:25our goals?

46:26We are going to talk about

46:27our goals,

46:28and the most important

46:29film,

46:30Natakwede.

46:31the Marathi Rangabhumi

46:31.

46:37.

Superstar सिद्धार्थ जाधवचा टर्निंग पॉइंट! देवेंद्र पेम यांनी सांगितला ‘तो’ किस्सा | Lokmat Filmy

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