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Actor Waleed Zuaiter talks to The Inside Reel about the psychology of Saddam Hussein, the corrolation of history and worldview and physically manifesting the man on screen in the limited series: "High Value Target: The Hunt For Saddam Hussein" on TNT.

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Transcript
00:14I see a war.
00:20That will never end.
00:27It was consuming as much as I possibly could.
00:31The scripts were good.
00:34The dialogue in those interrogation scenes were very rich.
00:40And it was all about what was happening between and in the silences and the nuances.
00:46And in just understanding how this guy thinks.
00:53Like, I needed to understand his psychology.
00:55I needed to understand, you know, and from a lot of the reading that I did, I mean, he was
01:00incredibly intelligent.
01:02I mean, he is the kind of person who, and, you know, several sources will have different accounts.
01:08But everybody agreed on this was that he could look at you, walk in the room, and tell you, like,
01:14your whole resume, like, your whole history just by looking at you.
01:17He was an expert in emotional intelligence and very, very intelligent, strategic, and very, very well read.
01:31Like, he spent so much of his years early in Egypt in his 20s just reading and reading and consuming
01:39a lot of information from predecessors, from other world leaders.
01:45And, I mean, this guy was motivated.
01:48And there's a real intelligence that comes with that.
01:53And so...
01:55Did he write?
01:56Did he write?
01:57Well, you know, because they talk about him writing a novel.
01:59Did you read any of what that was?
02:01Or was that, how much of that was true to life in that way?
02:04I didn't have a chance to read any of what he had written.
02:08But I knew that, you know, he, you know, it's like he was always daydreaming of having a different life,
02:18like, always felt like he was an artist, that he was a writer, and that that was his calling.
02:23And he was obsessed with Nebuchadnezzar, and he was obsessed with the journey of Nebuchadnezzar, and that the journey that
02:31Nebuchadnezzar went through when he was in solitude, when he was being punished for all the sins that he had
02:40committed for the, you know, for how he abused power.
02:44And I took that, for me, that was Saddam's reconciling with his soul when he was in hiding, is that
02:53he was reliving Nebuchadnezzar's journey, you know.
02:59So, but he was that kind of person, like, you know, somebody that will believe their own lies, or their
03:06belief on creation.
03:07So, but what he wrote, the themes, I don't disagree with.
03:14Like, he was against colonialism and imperialism.
03:17And the title, I think, I'm blanking on the title, and the scene was cut from the show, but, you
03:23know, he uses analogies where one thing was the, you know, the United States, and the other thing was, I
03:31forget the name of the woman.
03:32And he says that she was raped by the imperialist.
03:39And that is something that has happened to the region, very much so, where, you know, come in and take,
03:49you know, the fruits of this country and, like, kind of leave it, you know, with pennies on the dollar,
03:56so to speak.
03:57So, that, you know, so there was just a lot of interesting things to read, just even the content of
04:07what he wrote, not having to read it itself, you know.
04:11I'm about to interrogate the man who invaded Kuwait, fought against Iran, terrorized Iraq for 23 years.
04:20Saddam Hussein, high-value target number one.
04:26Your mission?
04:27Find Saddam.
04:29Why is it you have to go?
04:31Nobody knows this guy better than me.
04:33I should be there.
04:34You have no field training, John.
04:38Hey, John Nixon!
04:39Say you want in?
04:40Gear up.
04:41We're talking about the intellectual and, obviously, his emotional manipulation with emotional intelligence.
04:47Could you talk about transforming that into the physical?
04:51Because, obviously, you got it that way.
04:53You have a look like him, but the way he moves like a snake at certain times and then pounces.
04:59The thing with the pen, I thought, was really well done.
05:02But those are specific acting choices because those are between the lines.
05:06Can you talk about the physicality?
05:08Not necessarily looking like him, even though you found a way to do that, but physically inhabiting him in the
05:17way that his rage goes up and down, the way he sees these things, the way you sit in the
05:23box in the court and the way that functions, the resistance.
05:28I hired a movement coach, Shelley Maxwell, and it's the first role I've ever hired a movement coach for because
05:37I felt like I really needed it.
05:39Just the difference in our age and physicality was extreme for me that I needed to find something to really
05:49latch on to.
05:49And she really, and this was all the work I did with her was via Zoom.
05:55But she really, she's an expert, and she really helped me with that.
06:01And, you know, I put on about 50.
06:04Was it The Voice, too, did I ask you, Waleed?
06:06Or was that different?
06:08No, The Voice was, I didn't have time to get to The Voice.
06:12So I just, it was something that just kind of came out the way it came out.
06:19I never, I, you know, wasn't, wasn't planned in any way.
06:23But I did feel more like Saddam when I was speaking in Arabic.
06:30That, that was helpful.
06:32But I put on about 15 kilos.
06:36We had a bit of a, of a fat suit, but only just to, for aging stuff.
06:41So, like, the hunched back and, you know, some of the bulk.
06:45Welcome to Baghdad.
06:49One of the biggest manhunts in modern history.
06:53I'm missing something.
06:54John, is it true Saddam built a network of tunnels under Baghdad?
06:59Hey, hey, hey!
07:05That's him.
07:08We're the WMDs.
07:09Who are you?
07:10You are nothing.
07:12Everybody's watching.
07:14I know the stakes.
07:15I'm an angle.
07:16All those Rockies out there fighting.
07:18Nobody's fighting for you.
07:20The two, two animals that we worked with were an elephant in terms of his, his real presence on Earth
07:29and, and a gorilla.
07:31And, and, and just that, so, so maybe that's where some of that physicality came from.
07:40But, yeah, it was, and then we had just incredible makeup artists, hair and makeup, Giorgio Gregorini and his daughter,
07:50Georgiana.
07:51And they did an incredible job.
07:53And I, you know, I have a bit of similarity, physical similarity to him in the eyes.
08:01And, but everything else kind of really just made me feel, feel like him.
08:07And I, I believed that I was, I was embodying him.
08:11I also had, just to add, I also had like a two or three really long and, and great conversations
08:18with John Nixon.
08:19And he, he really, he, he spent so much time with him.
08:24And so he, like, I would ask him just questions about like, you know, how would he respond to things?
08:30And, and, uh, so I really got a sense of who he was as a person, um, from, from those
08:38conversations with John.
08:40And, um, yeah, it was, it was, you know, very, very valuable to have those conversations.
08:45It's because you don't have any power anymore.
08:47Nixon, stand now.
08:49We will fight for every street before we submit to your occupation.
08:58You think the game's over when you take the king?

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