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00:00:02Music
00:00:43Music
00:01:07Music
00:01:08Music
00:01:20Music
00:01:24What is that?
00:01:27What is that?
00:02:01What is that?
00:02:03What is that?
00:02:03What is that?
00:02:04What is that?
00:02:04Look, I wasn't very fast.
00:02:05No?
00:02:06No.
00:02:08I didn't see the gentlemen with you when you passed around the Bible.
00:02:11I wasn't just fast.
00:02:13I wasn't just fast.
00:02:14What is your name?
00:02:16What is your name?
00:02:17I'm on my way to the sea.
00:02:20What is that?
00:02:20What is your name?
00:02:22Here is the name.
00:02:25What is your name?
00:02:26What is your name?
00:02:27But, but, what is this here?
00:02:29What is the name?
00:02:30Joe Blair and Alice Blake.
00:02:33What is that?
00:02:33You won't have much faith because you have someone's name.
00:02:37But what is it?
00:02:38I'll do you a favor if I throw you in a pipe right now, bro.
00:02:41You are the name of all problems, of all problems.
00:02:56What is that?
00:02:58What is that?
00:02:59Ar um o de todas as pessoas que convertedo!
00:03:00And another stranger here looking at me?
00:03:08Hello, is this correct?
00:03:17What is that?
00:03:21What did I tell you? What did I tell you?
00:03:32Are you on the path to having a daughter?
00:03:34No, I'm on my way to a daughter.
00:03:37Oh, really?
00:03:39Yes.
00:03:40Here is the license.
00:03:42Peter Foley and Alice Blake.
00:03:44She is coming from Kansas City by plane.
00:03:46I'll go ahead of Mary before I find out what all this is about.
00:03:50I know exactly how you are.
00:03:52I'm having a good day for myself.
00:03:55Official, you are a stage.
00:03:56Yes.
00:03:59What is she doing now?
00:04:00Where is the plane?
00:04:02I have to get used to it.
00:04:04Okay, son.
00:04:05You have a good trip to the airport.
00:04:07You're on the right track.
00:04:11I want to tell her about you.
00:04:13Yes.
00:04:16Give the bride a little kiss for me.
00:04:19Give the bride a little kiss for me.
00:04:25Hello, Sarge.
00:04:28So you're a wild bull, Morgan.
00:04:31The sweet one's 60, and you practically kissed him before he pulled out.
00:04:35Oh, Sarge, that guy would get married.
00:04:38Well, you're transferred to the Mount Patrol.
00:04:40You probably won't find so many bridegrooms up there.
00:04:43Oh, Sarge, that's a lousy feat.
00:04:46Hop on that bicycle and get going.
00:04:50Just a little bride for me.
00:05:09What's the matter?
00:05:10Old ain't pissed give you a ballin' out?
00:05:12Ballin' out.
00:05:15Transferred me to the Mount Patrol yet because I feel sorry for some guy that's going to get married.
00:05:21Some goof tried to play the same thing on me.
00:05:23Said he was going to meet his girl at the airport.
00:05:26But a nice pink ticket.
00:05:29Was the girl's name Alice Blake?
00:05:31Yeah, that was it. Why?
00:05:37Nothin'.
00:05:37Trouble with me is I'm too soft-hearted about love.
00:05:47That's on account of being engaged to Julie.
00:05:53Isn't she a swell dame?
00:05:56Is this a tomato?
00:05:58Don't call my dame a tomato.
00:06:00I suppose she wouldn't look at anyone else but you.
00:06:03No, she wouldn't.
00:06:05I found a girl parked in one of those hug-and-snuggle coupés up on the Palisades the other night.
00:06:10And she looks mighty like her.
00:06:12Like Julie?
00:06:13Yeah, she was all tied up in a knot with some big guy.
00:06:16Some big guy?
00:06:19Not Julie.
00:06:21She ain't that kind of a girl.
00:06:24Maybe she's got her sister, huh?
00:06:25Node.
00:06:28Say, did I hear you say you're getting my ticket?
00:06:31Yeah.
00:06:32Wait a minute.
00:06:35Oh, Parker's the name.
00:06:36I remember.
00:06:38He was driving one of those bright yellow coupés.
00:06:41Yellow coupé?
00:06:42Yeah.
00:06:45You know, if I ever catch Julie chiseling on me, it'll just be too bad for the guy she's with,
00:06:50That's all.
00:07:03Papa's rough this morning.
00:07:04Well, you'd rouse the John Gilbert and any man.
00:07:07So I've been told before.
00:07:12Duty calls.
00:07:17Hot number, that Julia gal.
00:07:22Is she?
00:07:24You know she is.
00:07:27G.W., how's Mama's day being manned, this morning?
00:07:32Misty is.
00:07:34Oh.
00:07:35Last night I was your itty-bitty pincers.
00:07:38But this morning I'm just the office stenographer.
00:07:41Now, Julie, we've got to watch our step around here.
00:07:45Yes, and other places too.
00:07:47If that cop that handed us the parking vicar the other night had been bull, well, there's been another world's
00:07:54war.
00:07:54Will you quit talking about that cop?
00:08:01Well, Peter Foley, he's going away on a trip on his way to the airport.
00:08:13The young Foley's trying to beat me out of the money he owes me.
00:08:16His check just bounced back again.
00:08:18A fella gave bull a bad check once.
00:08:20And what did he do to him...
00:08:24You think that cop is tough?
00:08:27Well, come along to the airport and watch me in action.
00:08:31Okay, Georgie.
00:08:33Georgie in the coupe.
00:08:36Miss Parker in the office.
00:08:39Yes, Mr. Parker.
00:08:42That's better.
00:08:43That's better.
00:09:39Was that the plane from Kansas City?
00:09:40That was a plane from San Diego.
00:09:42Kansas City plan has been delayed.
00:09:44Anything serious?
00:09:45No, no, just headwinds.
00:09:47When will I be in?
00:09:48Well, that's hard to say.
00:09:49It might be several hours late.
00:09:51Oh, thanks.
00:09:58Did Alice get in?
00:09:59No, her plane is late.
00:10:01Well, that's great.
00:10:02I was afraid that speed cop had ruined my chances.
00:10:05You haven't got any chances anyway.
00:10:07Alice has promised to be my wife.
00:10:23Let's pull his car now.
00:10:32Just a minute.
00:10:34Hello, Mr. Parker.
00:10:35So, you're trying to beat it away from me, are you?
00:10:37Well, this time you're going to jail.
00:10:40Well, what do you mean?
00:10:41That rubber check of yours bounced back again this morning.
00:10:44Then I'm on my way now to swear out a warrant.
00:10:46Well, just have a little patience, Mr. Parker.
00:10:48You told me you're going to get everything straightened out, but you'd have money to burn.
00:10:51Well, I would have had it if the plane hadn't been delayed with my girl aboard.
00:10:55What's that?
00:10:56Oh, well, I might as well tell you the whole story.
00:11:00Well, don't make it a long story.
00:11:02I've been getting an allowance from my grandfather.
00:11:04Yes, I know all about that.
00:11:05And in a weak moment, I wrote my grandfather that I was married so I could have my allowance increased.
00:11:12And then he died and left the entire fortune to my wife.
00:11:16Will you follow me?
00:11:17Yes, I'm way ahead of you.
00:11:19You haven't got a wife.
00:11:20Exactly.
00:11:21And if the legacy isn't collected by midnight tonight, it goes to my Uncle Henry Foley.
00:11:27Do you mean to tell me that all you've got to do is to appear there with a wife they've
00:11:31never seen,
00:11:32and she can collect the fortune?
00:11:34That's it.
00:11:41I'll get you a wife.
00:11:42But, Mr.
00:11:42But me, no buts.
00:11:44Come here.
00:11:48Julia, how would you like to get married?
00:11:50Oh, Mr. Parker.
00:11:52No, no, not to me.
00:11:53To Mr. Foley.
00:11:55Just act like his wife for a couple of days.
00:11:58Well, I may be weak, but I'm no husband.
00:12:00Now, Julie, it's all on the up and up.
00:12:03Foley's got to have a wife to collect a fortune.
00:12:05You pose as the wife, collect the fortune, and he will make it worth your while.
00:12:09I think the idea's ridiculous.
00:12:11Not so fast, young man.
00:12:13You do as I say, or you go to jail.
00:12:16Well, if Alice hears about this, she'll never marry me.
00:12:18Yes, and if Bull Morgan hears about this, you'll never be alive to marry your Alice.
00:12:23Who's Bull Morgan?
00:12:25Why, he's Julius Sweetheart, a motorcycle cop, the menace of the great outdoors.
00:12:30And how?
00:12:31Say, you know, he's so jealous that he punched my last boss right on the nose.
00:12:36Based on general principles.
00:12:38Well, don't worry.
00:12:40You'll never hear about this.
00:12:42Now, where do we go to collect?
00:12:43Up at Uncle Henry Foley's house.
00:12:45It's a spooky old place up at Dead Pines.
00:12:48Now, wait a minute.
00:12:49Hot or cold, we go there at once.
00:12:50Let's go after this.
00:12:55Bye, bye.
00:13:27Bye, bye.
00:13:51Bye, bye.
00:14:01Bye, bye.
00:14:02Bye, bye.
00:14:04Bye, bye.
00:14:12No no.
00:14:13No no.
00:14:15No no.
00:14:17No no.
00:14:18No, no, no.
00:14:21You're going to have a lot of tickets.
00:14:24Nobody can do Bull Morgan.
00:14:28You, Bull Morgan?
00:14:30No, no, no.
00:14:32You, Bull Morgan?
00:14:34No, no, no, no.
00:14:34No, no, no, no, no, no.
00:14:35I'll get so many charges for you.
00:14:38But no, no.
00:14:40You don't want that, Bull Morgan?
00:14:44I think I'm going to get you now.
00:14:46I'm going to get you now.
00:14:47It's the only way to deal with you.
00:14:50Crank what the Boiler.
00:14:55Hey, aren't you coming?
00:14:56I'm going to get you.
00:14:59Hey, aren't you coming?
00:15:01You're not going?
00:15:02Ah!
00:15:10No no.
00:15:14No no.
00:15:16Not going?
00:15:29No no.
00:15:39Bye, bye.
00:16:03Bye, bye.
00:16:06Bye, bye.
00:16:08Bye, bye.
00:16:14Bye, bye.
00:16:18Who was that?
00:16:20Nobody.
00:16:22There's a storm blowing up.
00:16:24Bye, bye.
00:16:38Bye, bye.
00:16:41Bye, bye.
00:16:56Bye, bye.
00:17:02Bye, bye.
00:17:07Bye, bye.
00:17:09Bye, bye.
00:17:12Bye, bye.
00:17:26Bye, bye.
00:17:29Bye, bye.
00:17:41Bye, bye.
00:17:44Bye, bye.
00:17:55Bye, bye.
00:18:12Bye, bye.
00:18:13Bye, bye.
00:18:15Bye, bye.
00:18:17Bye, bye.
00:18:19Bye, bye.
00:18:21Bye, bye.
00:18:34Bye, bye.
00:18:36Bye, bye.
00:18:39Bye, bye.
00:18:44Bye, bye.
00:18:46Bye, bye.
00:18:49Bye, bye.
00:18:51Bye, bye.
00:18:55Bye, bye.
00:18:58Bye, bye.
00:19:00Bye, bye.
00:19:01Bye, bye.
00:19:01Bye, bye.
00:19:04Bye, bye.
00:19:07Bye, bye.
00:19:09Bye, bye.
00:19:10Bye, bye.
00:19:12Bye, bye.
00:19:12Bye, bye.
00:19:13Bye, bye.
00:19:13Bye, bye.
00:19:14Bye, bye.
00:19:14Bye, bye.
00:19:15Bye, bye.
00:19:15Bye, bye.
00:19:15Bye, bye.
00:19:15I'm glad to meet you all.
00:19:17I'm Peter's manager.
00:19:19Great little boy, Peter.
00:19:21He's going to make his mark on the world.
00:19:22Now, Mr. Parker...
00:19:25And this is Peter's little wife, Julie.
00:19:27God bless her.
00:19:29She's one girl in a million.
00:19:31Peter's a lucky boy, I'll tell you.
00:19:33Oh, Mr. Parker.
00:19:41Oh, oh.
00:19:42Oh, well, what happened?
00:19:44Why, the storm affects the liars.
00:19:48And the lights are likely to go out any minute.
00:19:51What's that?
00:19:51What?
00:19:52Oh, why did I ever let myself in for this?
00:19:54Julia's got a very nervous disposition.
00:19:56Oh, is that so?
00:19:58Well, now that we're here as call for,
00:20:01why not turn the legacy over to Mrs. Foley?
00:20:03Then we can all take our leave at once.
00:20:06Yeah, well, the lawyer hasn't arrived yet.
00:20:08Well, I cannot understand what has happened to him.
00:20:10why he left the village fully an hour before I did.
00:20:13Do you mean to say we have to wait for a lawyer
00:20:15before we can collect the estate?
00:20:16Why, certainly.
00:20:17There's a lot of money involved here.
00:20:19Well, we have to wait.
00:20:20so you might as well make yourselves comfortable.
00:20:22I know you must be cold,
00:20:24and you're probably half starved.
00:20:26That's right.
00:20:27I'm so hungry I could eat a bull.
00:20:31I mean a horse.
00:20:32Well, I'll see what I can find for you.
00:20:34Let me help you.
00:20:53Come on.
00:20:54Come on over here.
00:20:55because Julie wants to talk to you.
00:20:58Now you sit right down there.
00:21:04Peter,
00:21:06how much money do you expect to get
00:21:08from your grandfather's estate?
00:21:10Oh, I don't know.
00:21:12About eight hundred thousand dollars.
00:21:15Eight hundred thousand...
00:21:19Oh, darling.
00:21:22So, what's the idea?
00:21:24Oh, Peter,
00:21:25don't you love Julie a little bit?
00:21:27I could be awfully fond of you.
00:21:29Now listen, Julie.
00:21:31Uh-huh.
00:21:32I mean Miss Thorpe.
00:21:33We're engaged in a business transaction,
00:21:35and I don't want you to get any false ideas.
00:21:38Oh, but Peter,
00:21:39think how happy we could be on eight hundred thousand dollars.
00:21:43We could have a home in the country,
00:21:45and trips to Paris,
00:21:46And maybe a yacht.
00:21:49Say,
00:21:50you seem to have forgotten all about Bull Morgan.
00:21:53Oh no, I haven't.
00:21:55Bull wanted a grand chauffeur.
00:21:57Why,
00:21:58I think you're one of the most immoral women I have ever met.
00:22:02Peter!
00:22:04Oh,
00:22:06Peter was only fooling around.
00:22:08Weren't you, Petesy Weepsy?
00:22:15Yeah.
00:22:17That's it.
00:22:17I was,
00:22:18I was just fooling around.
00:22:22Of course.
00:22:23He was just fooling around.
00:22:29Oh, don't do that.
00:22:32Look here, Foley.
00:22:34Do you want to go to jail?
00:22:35Please don't say that.
00:22:36Then watch your step,
00:22:37and give a perfect imitation of a loving husband.
00:23:03Hello, Peter.
00:23:17I thought Lawyer Winston had arrived.
00:23:20Hello, Joe.
00:23:21Why, Alice, I...
00:23:22So, you're friends with Peter.
00:23:25Lenefor, she knows Peter's wife.
00:23:28How do you do?
00:23:30Oh, hello.
00:23:31We were on our way to get married,
00:23:33when we got lost.
00:23:34What?
00:23:36Elopers!
00:23:38How romantic.
00:23:39Yes.
00:23:40We intended to run away and get married,
00:23:42without telling us so.
00:23:44Well, you must stay and have a bite.
00:23:45You can't rush out in that storm.
00:23:47Oh, that'll be over in an hour or so.
00:23:49And then we'll be on our way.
00:23:50Oh, no.
00:23:51No, it won't.
00:23:52It'll probably last for days.
00:23:54I'm quite sure Uncle Henry would be delighted to put you up for the night.
00:23:57Of course.
00:23:58Oh, yes.
00:23:59Yes, my dear.
00:24:00You must join us.
00:24:01Everything is ready on the table.
00:24:03Thank you.
00:24:03Come on, Junior.
00:24:04Oh.
00:24:07You know, it's good for having your little pride in the house.
00:24:13You just wait till I get you alone.
00:24:16All's fair in love and war, and this boat.
00:24:26Have a good night.
00:24:27There's a foolish place, boss.
00:24:28Take that road there.
00:24:30Well, go ahead.
00:24:31Go on up there.
00:24:32Not me, boss.
00:24:33Not me.
00:24:34I don't go near that place.
00:24:35What's that?
00:24:37There's strange things happening that house.
00:24:40Strange things?
00:24:41There's only no ghosts in there.
00:24:44That aside and that includes bigger boys.
00:24:47All right, I'll water.
00:24:49Well, wait, that's all I got, boss.
00:24:51That's right, yes, sir.
00:24:52All right, you can keep that, too.
00:24:54Yes, sir.
00:24:55Get your old tin can out of here.
00:24:59No, thank you.
00:25:00Node?
00:25:03Oh, in a terrible storm like this,
00:25:06it was fortunate that you got lost so near Mifoli's home.
00:25:10Why, yes, it was.
00:25:13Oh, it'll be over shortly.
00:25:15Alice and I are anxious to be on our way.
00:25:17Aren't we, Alice, dear?
00:25:19Why, yes.
00:25:21Of course, Joe.
00:25:23But this is a bad storm.
00:25:24Might last for a week.
00:25:27Oh, but we won't mind that, will we, Petey, darling?
00:25:32Well, well, well.
00:25:34If there's one thing I'm crazy about,
00:25:36it's pork chops, country style.
00:25:39Well, I'm glad you like them.
00:25:41I love watching people eat.
00:25:43Of course you have some potatoes.
00:25:46Yes, of course.
00:25:46Oh, of course.
00:26:09You know, this is a great occasion for us.
00:26:12We've been hearing a lot about Peter's wife,
00:26:14but this is the first time we've ever met her.
00:26:19When I think of the cute little things that Peter wrote to us.
00:26:22Now, Auntie, I'm sure no one wants to hear about that.
00:26:27I'm sure we'd all love to hear about what Peter wrote.
00:26:30Oh, yes.
00:26:31Tell us.
00:26:31Well, I remember how we laughed when Peter wrote us about the little very mark you have right on the
00:26:39middle of it.
00:26:42Oh, Peter, darling, you know there are some things you should keep to yourself.
00:26:51That must be Lawyer Winston now.
00:26:55That's fine.
00:27:07Oh, I thought you were the lawyer.
00:27:10The lawyer?
00:27:12Lady, I'm the law.
00:27:15I don't understand.
00:27:17You don't have to understand.
00:27:18I'm looking for a guy named Foley.
00:27:21Oh, yeah?
00:27:26What could you be wanting Mr. Foley for?
00:27:29I'll kill him twice as much as I want him for.
00:27:33Oh, what happened to the lights?
00:27:37Well, the storm affects the wires.
00:27:40Lights are likely to go out any time.
00:27:43Why, the lights are out in the dining room.
00:27:45But we've been having a lot of trouble with them.
00:27:47You know?
00:27:53That's all right, Alice.
00:27:55Well, can't somebody turn them on?
00:27:56Don't worry.
00:27:59Did somebody turn out the lights?
00:28:01It's the storm.
00:28:02It affects the wires.
00:28:04Officer!
00:28:05This is Mr. Foley.
00:28:08No, the guy I'm looking for is a young punk.
00:28:11Oh, you want Peter Foley?
00:28:14Yes, the guy.
00:28:16Peter!
00:28:17He's gone!
00:28:18And his wife!
00:28:19Why, where did they go?
00:28:21Gone, huh?
00:28:22They sneaked upstairs.
00:28:23Oh, upstairs.
00:28:24You know how newly married couples are.
00:28:28I thought you said they'd been married for a year.
00:28:31A year?
00:28:35Hey, I don't care how long they've been married.
00:28:38I want them.
00:28:39I have a problem with them.
00:28:41Well, I'm Peter's manager.
00:28:44I'll...
00:28:45I'll go and get them.
00:29:03Is he still here?
00:29:04Yes.
00:29:05You've got to get him out of the house.
00:29:06Oh, we accept the tickets, and we can get rid of them.
00:29:12Then I get him again.
00:29:14What does he do?
00:29:15He knocks my motorcycle off the mountain.
00:29:18Oh, I've killed guys for less than that.
00:29:24Please, get rid of him.
00:29:26I will.
00:29:27And it'll cost you another $5,000.
00:29:35Officer, if you'll give me the tickets, I'll take care of them.
00:29:39Mr. Foley and his wife have retired for the night.
00:29:42Tickets, may I?
00:29:44I'm going to take them with me now.
00:29:46But, Officer, neither of you could leave the house tonight in this awful storm.
00:29:54All right, I'll stay.
00:29:56But I'm going to take them with me in the morning.
00:29:58Brett, won't you sit down and have a bite to eat?
00:30:01Yeah, I will.
00:30:02Mr. Uh...
00:30:04Uh, Morgan.
00:30:05Bull Morgan.
00:30:06Mr. Morgan.
00:30:07This is Miss Alice Blake.
00:30:11Alice Blake?
00:30:13Yes.
00:30:13And Mr. Blair, her fiancé.
00:30:15And, of course, Mr. Parker.
00:30:17Hi.
00:30:23Say, ain't I met you somewhere before?
00:30:27I've never been anywhere before.
00:30:31Your name's Parker, right?
00:30:34Yes.
00:30:35G.W. Parker.
00:30:39Do you drive a yellow coupe?
00:30:44Coupe?
00:30:45Yeah.
00:30:48Node.
00:30:50I won't ride in anything but an open car.
00:30:53I love the air.
00:30:55The breeze is blowing.
00:30:57The great outdoors.
00:31:00Why, Mr. Parker, you scarcely ate a thing.
00:31:04But I...
00:31:05I'm not very hungry.
00:31:06I am.
00:31:08Thanks.
00:31:29It's only you.
00:31:33What are you doing?
00:31:35I'm going to bed.
00:31:36Did you bring your pajamas?
00:31:40I'm going to get out of here.
00:31:47It's time we had a little heart-to-heart talk.
00:31:50You open that door or I'll...
00:31:51What will you do?
00:31:52Well, I'll...
00:31:52You won't do anything.
00:31:54You've got to stay right here and listen to what I've got to say.
00:31:56Well, what are you going to do?
00:32:00Well, I've decided to marry you, Petey, dear.
00:32:03What?
00:32:04Eight hundred thousand dollars only comes into a girl's lifetime once.
00:32:08And nobody's ever going to say that little Julie didn't listen to old man Opportunity when he knocked.
00:32:15So he's one of these guys that talks about himself.
00:32:19Now he says to the big punk,
00:32:21So you can talk to animals, can you?
00:32:25Ask this skunk what the big idea...
00:32:31Say, listen, big...
00:32:33Sorry, but Mr. Morgan and Mr. Parker will have to sleep together.
00:32:38Okay by me.
00:32:40How'd they strike you, okay, buddy?
00:32:43Certainly.
00:32:44Certainly.
00:32:45If you come with me, I'll show you to the room.
00:32:48Thank you.
00:32:54Well, see you between the seats.
00:33:04What does the air look for?
00:33:06I'll get you so nice, though.
00:33:25Get out of here.
00:33:26Get out of here.
00:33:27That bull is going to sleep in here with me.
00:33:29Well, wait.
00:33:30Looks like you'd have to sleep in the bathroom.
00:33:32Where's Julia?
00:33:33I just got away from her.
00:33:34She made up her mind she's going to marry me.
00:33:37That wouldn't be a bad idea.
00:33:40She's a swell dame.
00:33:45Say, you forget that I'm in love with Alice.
00:33:47She's the girl I'm going to marry.
00:33:49Oh, forget it.
00:33:50You heard her say she's going to marry Blair.
00:33:53Julia's the girl for you.
00:33:54I hope you don't mind sharing the room.
00:33:56No, that's all right, lady.
00:33:58I'm here to sleep in trouble.
00:33:59Get out of here.
00:34:06All right, buddy.
00:34:08I have to close.
00:34:11I guess that must belong to the old lady.
00:34:21Say, let's match to see who has to wear this one.
00:34:25You'll wear that one and...
00:34:28Yes.
00:34:32Say, where have I seen you before?
00:34:36I have a twin brother.
00:34:44Well, I guess I'll mop up a little.
00:34:46Is this the bathroom?
00:34:47Yes.
00:34:49Node.
00:34:49What do you mean, right?
00:34:51Well, there might be someone in there.
00:34:54Oh.
00:35:00Here you are, my dear.
00:35:02Thank you.
00:35:13If it hadn't been for the storm, you'd probably be married by this time, wouldn't you?
00:35:18Yes, indeed.
00:35:19Well, good night, my dear.
00:35:21Good night.
00:35:29Good night.
00:35:31Don't scream, Alice.
00:35:32I can explain everything if you...
00:35:34Just give me a minute.
00:35:35I don't ever want to speak to you again.
00:35:37Oh, you can't do that.
00:35:38It was great.
00:35:40Peter.
00:35:43I'm surprised by you.
00:35:46Oh, it's perfectly all right, Annie.
00:35:48I'm not so sure.
00:35:50What would your wife say if she could see you?
00:35:53Yes, Peter.
00:35:54What would your wife say?
00:35:55Old-fashioned romp.
00:36:03My dear, to say that I'm surprised is putting it mildly.
00:36:11Old-fashioned, Miss Foley, I can...
00:36:30Come in.
00:36:36What, Peter?
00:36:37He's in there.
00:36:39Oh, I don't care if he is a little shrimp.
00:36:41I mean, Bull, the cop.
00:36:43What?
00:37:13So this young Weezer couldn't be separated from his little wife, huh?
00:37:22Getty's crazy about it, huh?
00:37:25Node?
00:37:27Yes.
00:37:28Yeah?
00:37:32He's crazy about him all right, isn't he?
00:37:35Yeah?
00:37:37Node.
00:37:39Node?
00:37:45You know, I've got a girl named Julie.
00:37:48Oh, I'm nuts upon her.
00:37:51That's why I'm so soft-hearted when I run up against a guy that's in love.
00:38:02Hey, listen, come back with a bedcloth.
00:38:09Sorry, buddy, I didn't mean to be so rough, would you?
00:38:12That's all right.
00:38:19I think I'll turn out the lights.
00:38:21No, always sleep with the lights on.
00:38:27Oh, when I think about Julie, I get so youthful.
00:38:32Julia's your sweetheart?
00:38:37I'm so nuts about her, it makes me feel rotten.
00:38:42You must be in love with her.
00:38:45Oh, you're asking me, am I?
00:38:49I'm so jealous of Julie if another man even so much had looked at her.
00:38:57What would happen?
00:38:59What would happen?
00:39:03I'd soak him on the chin like this.
00:39:08Then I'd do this like this.
00:39:12That's what I'd do to him.
00:39:15That isn't enough.
00:39:17Node?
00:39:17Do you know what I'd do if it happened to me?
00:39:20No, what would you do?
00:39:21Show me.
00:39:29Come here, right here.
00:39:30Come.
00:39:31Ah!
00:39:32Ah!
00:39:33Ah!
00:39:34Ah!
00:39:35Ah!
00:39:36Ah!
00:39:37Ah!
00:39:38Ah!
00:39:42Ah!
00:39:45Ah!
00:39:47Wrong room.
00:39:53These young people.
00:39:57Oh, that's what you'd do, huh?
00:40:00Well, this is what I'd do, just for a starter.
00:40:08Hey, are you sure you still haven't got a yellow coupe?
00:40:12I've never heard of a cup of beating.
00:40:16You know, if the engines of a cup of a cup of a cup of a cup of a cup
00:40:21from a glass, from a glass,
00:40:22Call me and I'll be able to do it for you.
00:40:25No, no, I've never been given a glass of a glass of a glass of a glass of a
00:40:30One glass at a time in a lifetime.
00:40:31No?
00:40:32No.
00:40:35Oh.
00:40:48Let's go.
00:41:13Let's go.
00:41:48Let's go.
00:41:49Let's go.
00:41:50Let's go.
00:41:50Let's go.
00:41:51Let's go.
00:41:53Let's go.
00:41:55Let's go.
00:41:55Let's go.
00:41:55Let's go.
00:41:55Let's go.
00:41:57Let's go.
00:41:57Let's go.
00:41:57Let's go.
00:42:02Let's go.
00:42:03Let's go.
00:42:04Let's go.
00:42:05Let's go.
00:42:05Let's go.
00:42:06Let's go.
00:42:06Let's go.
00:42:15Let's go.
00:42:17Let's go.
00:42:19Let's go.
00:42:24Let's go.
00:42:27Let's go.
00:42:28Let's go.
00:42:32Let's go.
00:42:33Let's go.
00:42:40Let's go.
00:42:41This place is a place for death.
00:42:43You said.
00:43:22What is it?
00:43:24No, La Hammer.
00:43:26That's OK.
00:43:26No, seven is only one dimensional.
00:43:28Master Wincent?
00:43:30What are you doing in the room?
00:43:32That's what I want to know.
00:43:34But you are here, sir.
00:43:34But, is that Mr. Wincent?
00:43:36You know.
00:43:37Okay.
00:43:38I hope he's here.
00:43:43What is that?
00:44:16What is that?
00:44:40What is that?
00:44:44What is that?
00:44:44What does "sophore" mean, is it like this?
00:44:48Yes, of course.
00:44:51Very good.
00:44:52Everything's fine.
00:44:55Do you have legislation with you to come to Mrs. Foley?
00:44:59Yes, but...
00:45:01So all we have to do is produce Mrs. Foley.
00:45:05Yes, yes, I know.
00:45:07Very good.
00:45:09She's here.
00:45:11Peter, bring your wife.
00:45:14But are you sure they're married?
00:45:17A certified husband.
00:45:20Certified husband?
00:45:21You don't think I'll get that money without proof?
00:45:25Why, I married them myself.
00:45:28Me, I went there when they were husbands.
00:45:31I am confident that they are.
00:45:33Don't worry.
00:45:35A whole thing can be very easily ingrained.
00:45:37I'm listening.
00:45:38I am the justice of peace.
00:45:40If you don't have a certified husband,
00:45:42I can schedule them before nightfall.
00:45:45There is no doubt.
00:45:46Mr. Winterson, okay, yes.
00:45:49So, you mean I'm really going to husband my wife?
00:45:51Why, of course.
00:45:53Oh, that's Peter's wife.
00:45:58Hey, did you hear that?
00:46:00Hey, did you hear that?
00:46:12What do you hear from her?
00:46:14That's what you hear her say.
00:46:16Here, you can hear her.
00:46:17What do you hear from her?
00:46:18Hey, what do you hear from her?
00:46:19Oh, that's Peter's wife.
00:46:20What do you hear from her?
00:46:20What do you hear from her?
00:46:21I'm going to open it.
00:46:23You don't have to open it.
00:46:24You don't have to open it.
00:46:26Let's open it.
00:46:28We're going to open it.
00:46:28You, you listen to her coming to your house.
00:46:32And you listen to it on your way home.
00:46:32Hey, I'm the law.
00:46:33Oh, I can't say.
00:46:35I can say that it doesn't matter.
00:46:35Who does this?
00:46:36Who does this?
00:46:37Who does this?
00:46:41I think she's at home.
00:46:44Open it.
00:46:45Open it.
00:46:45Yes yes.
00:46:46Here she is.
00:46:46Open it.
00:46:52Open it.
00:46:53Open it.
00:47:18There's nobody in here.
00:47:25She's gone.
00:47:26Gone?
00:47:26What?
00:47:27I wonder where she is.
00:47:31What could have happened?
00:47:33Shh.
00:47:56Hey, did you see anything of Mrs. Foley in there?
00:48:00Why, no.
00:48:01Everything's seen just as I left it.
00:48:02Just as you left it?
00:48:05Hey, where were you when she screamed?
00:48:08Why, downstairs, of course, with everybody else.
00:48:11Oh, yeah?
00:48:17So, everybody was down in the living room and she screamed.
00:48:21Yes, everybody.
00:48:23That is accepting Uncle Henry.
00:48:25He wasn't there?
00:48:26Well, it can't be Uncle Henry.
00:48:28He's been a hopeless pyroletic for the last two years.
00:48:32Where is he now?
00:48:34Well, Uncle Henry, he's probably in bed.
00:48:37There was someone else that wasn't downstairs.
00:48:39Yeah?
00:48:40Who's that?
00:48:41Well, you.
00:48:42You.
00:48:43You were here within a few feet of her.
00:48:45It's funny you didn't hear anything.
00:48:47Why, say, you trying to make out that I'm a...
00:48:51Young fella, I got enough on you to hang you.
00:48:54Now, don't try to start anything fresh with me.
00:48:57Well, well, I'm not insinuating anything, officer.
00:48:59Well, don't you do it.
00:49:02Just the same, I'm going to have a couple of words with that old pushcart guy.
00:49:16Hey, you, wait a minute.
00:49:17I want to talk to you.
00:49:18Well, what's all this hollering for?
00:49:23Where have you been?
00:49:25In bed, you darn fool.
00:49:27This Lord said the asylum broke close.
00:49:29Why, what's the matter?
00:49:30We heard a scream, and when we broke into her room, Julia had disappeared.
00:49:35Julia?
00:49:38What's her last name?
00:49:39Why, Foley, of course.
00:49:43Something funny going on here.
00:49:53You can't tell me that animal isn't right in this house.
00:49:57Ah, his mate was killed climbing in one of the windows here.
00:50:01Since then, it roams around the grounds, especially on nights like this.
00:50:07You have got to search this house from top to bottom.
00:50:09And if there's anything funny going on, I'll find it.
00:50:12You search the cellar.
00:50:13We'll look over the rest of the house.
00:50:15Okay.
00:50:20You'd better come with me.
00:50:22I'll be very glad to help you find Peter's wife.
00:50:35Alice, I've been awfully worried about...
00:50:37You don't seem too worried about the fate of your wife, Mr. Foley.
00:50:41What?
00:50:42I'm not.
00:50:48Does it make any difference who I'm married to, as long as I'm married before midnight tonight?
00:50:53The will merely says that Mrs. Peter Foley must claim her legacy before midnight.
00:50:59There's not much time left.
00:51:01And you can perform the ceremony?
00:51:03Certainly.
00:51:06Alice, will you marry me?
00:51:08Why, Peter, you already have a wife.
00:51:11I have not.
00:51:12I never have had.
00:51:14Parker was going to send me to jail unless I got up here on time to collect the legacy.
00:51:18To the lady upstairs.
00:51:20To the lady upstairs.
00:51:20Why, she's Parker's secretary.
00:51:23And once more, she's that cop's sweetheart.
00:51:25And he's the most jealous guy in the entire state of California.
00:51:28Bless my soul.
00:51:29I've never heard of such a thing in all my life.
00:51:32Peter, did Joe Blair know that that woman was not your wife?
00:51:35He certainly did.
00:51:37He was there when the whole thing was arranged.
00:51:39Oh, Peter.
00:51:40I've made a dreadful mistake.
00:51:43Then, then you will marry me?
00:51:46Whenever you say.
00:51:51We're ready, sir.
00:52:13We're ready, sir.
00:52:22We're ready.
00:52:23We're ready.
00:52:23Mary, you must be the witness.
00:52:27Miss Blake, take this man, Peter Foley, to be your...
00:52:31Why, what's the matter with the lights?
00:52:33Oh, it's the storm.
00:52:34It affects the wires.
00:52:36At a time like this, Mr. Winstead, could you proceed in the darkness?
00:52:40Certainly.
00:52:41Alice Blake, take this man, Peter Foley, to be your lawful...
00:52:47What is it?
00:52:49What is it?
00:52:49Well, what's happening?
00:52:50Well, she's gone.
00:52:52That's a very good sign.
00:52:54Alas!
00:52:55Alas!
00:53:06Alas!
00:53:07Hey!
00:53:08What's the matter up here?
00:53:09She's fainted!
00:53:13Yeah?
00:53:14She's disappeared!
00:53:15Miss Blake!
00:53:17The lights went out just as we were about to be married
00:53:19And when he arrived, she left.
00:53:21Just about...
00:53:22Are you about to get married?
00:53:25I thought you were married to that dame
00:53:28that disappeared upstairs.
00:53:29Hey, what is your name?
00:53:31Bluebeard?
00:53:32Listen, I'll test a minute, young man.
00:53:34I'll explain everything
00:53:35to the officer.
00:53:37That won't be necessary.
00:53:39He wasn't really married
00:53:40to the lady upstairs.
00:53:42Miss Blake is the girl
00:53:43He's going to get married.
00:53:43Sure, yeah.
00:53:45And my name is Peter Rabbit.
00:53:47And pretty quick,
00:53:48I'm going to slip you guys
00:53:49a swell Easter egg.
00:53:51Somebody's trying to put
00:53:52Something's over on me.
00:53:54Well, I'm going to find Alice.
00:53:55Wait a minute.
00:53:57Don't try any funny getaways.
00:53:59I'm taking you with me
00:54:00in the morning.
00:54:04Alice!
00:54:05Alice!
00:54:09Didn't you tell me
00:54:11that dame upstairs
00:54:12Who was his wife?
00:54:13Yes, she is.
00:54:15What?
00:54:16His ex-wife.
00:54:19And now another one's disappeared.
00:54:22Yeah, we were all here.
00:54:24Oh, I know the answer
00:54:25to that one.
00:54:26We were all here
00:54:27except the old coot
00:54:28that rolls around
00:54:29in the wheelchair.
00:54:30That's right.
00:54:31And I'm going to find
00:54:32that old buzzard.
00:54:33Your insinuations
00:54:34They are ridiculous.
00:54:35I'll get Uncle Henry.
00:54:43What's the matter
00:54:44with this place?
00:54:45Oh.
00:54:47He's gone.
00:54:49They've got him too.
00:54:51What on earth
00:54:52Is that going to happen there?
00:54:54Say, did anybody
00:54:54Search upstairs?
00:54:56Yes,
00:54:56But we didn't find anything.
00:54:58Well, I'll find something.
00:54:59I hope not.
00:55:00You what?
00:55:01I said,
00:55:02It's getting hot.
00:55:03Oh, yeah?
00:55:10Do you drive
00:55:11A yellow coupe?
00:55:13Node.
00:55:15She can't be far
00:55:16from here.
00:55:17Oh, I wonder
00:55:18who will disappear next.
00:55:20I have a feeling
00:55:21It's going to be me.
00:55:22What?
00:55:26Peter!
00:55:27Oh, he's gone!
00:55:28He's gone!
00:55:40Get out of here.
00:55:42Put your hands up
00:55:43over your head
00:55:43and come out of there
00:55:44and don't try
00:55:45any monkey business
00:55:45with me.
00:55:47Come on, now.
00:55:58Oh, Peter.
00:55:59He hauled me in here
00:56:00and then he ran up
00:56:01those stairs.
00:56:01Whoa!
00:56:02A man with a black mask.
00:56:04No, no, Peter.
00:56:05There's a wild animal
00:56:06up there.
00:56:07I heard it growl.
00:56:13Foley!
00:56:14Foley!
00:56:14Can you hear us?
00:56:15Yes, but we can't get out.
00:56:18What time is it?
00:56:19Almost twelve.
00:56:21If you're not married
00:56:22immediately,
00:56:23You won't get the legacy.
00:56:25Can you marry us now?
00:56:27Yes.
00:56:28Go ahead and marry them.
00:56:31Alex Blake,
00:56:32you take this man,
00:56:34Peter Foley,
00:56:35to be your lawful,
00:56:36married husband?
00:56:37I do.
00:56:39Peter Foley,
00:56:40you take this woman,
00:56:42Alex Blake,
00:56:42to be your lawful,
00:56:44married wife?
00:56:44I do!
00:56:46Then I declare you
00:56:47man and wife.
00:56:53I did.
00:56:56I can live with you.
00:57:06Hey.
00:57:07Hey.
00:57:08Ha ha ha.
00:57:09Hey.
00:57:13Hey.
00:57:14Hey, hey, hey.
00:57:15Yes.
00:57:35Bye, bye.
00:57:38Bye, bye.
00:57:40So, that's it.
00:57:43Hopeless paralytic, huh?
00:57:45Where are those women?
00:57:47I don't know. I don't know.
00:57:50You're the guy that's been getting away with these dames, don't you?
00:57:54Oh, no. No.
00:57:55I'll show you something.
00:57:59Don't press that top button.
00:58:01Oh, that's it. That's where they are.
00:58:05"Don't push it," I tell her.
00:58:23I got it all figured out now that you ain't gonna fool me no more.
00:58:28I tell you, it's just exactly the way I figured.
00:58:31It's that old coot in the wheelchair that's been getting away with these dames.
00:58:36Henry Foley?
00:58:37Yeah, a lion just chased him out the window.
00:58:39Bless my soul.
00:58:41Hey, what's become of that young Foley?
00:58:43Oh, we just married him to Alice Blake.
00:58:44They're both safe. They're on the other side of this wall.
00:58:47The wall?
00:58:48Hey, what's become of that Julie dame?
00:58:50Oh, you mean Peter's ex-wife?
00:58:53Yeah.
00:58:53I don't think we'll ever find her.
00:58:56Twelve o'clock.
00:58:58We're just in time.
00:59:08Hey, what's the matter with that guy, kid?
00:59:10Hey, what's the matter with that guy, kid?
00:59:12What is it?
00:59:13What is it?
00:59:14What is it?
00:59:14What is it?
00:59:15What is it?
00:59:15Nick, Nick.
00:59:17Oh, son of a...
00:59:20Julie!
00:59:21Wait a minute, you.
00:59:27So, you were the other woman, huh?
00:59:30Oh, it's all his fault.
00:59:31He made me come up here and pose as Peter Foley's wife.
00:59:36Does he have a yellow coupe?
00:59:39Yes, he has.
00:59:40Now, listen, officer.
00:59:41I'd like to...
00:59:41Wait a minute, you.
00:59:44You won't ride in anything but an open car, huh?
00:59:47Let me explain this to you, Peter.
00:59:48So, she is Foley's ex-wife, is she?
00:59:53Say, you like a lot of fresh air, do you?
00:59:59Just a minute, I got some business.
01:00:06Now, take one of these.
01:00:13Take a look at this.
01:00:20Now, you don't drive in the yellow coupe, don't you?
01:00:30Well, that's the end of that guy.
01:00:33Did he disappear, too?
01:00:35Practically.
01:00:36Oh, oh.
01:00:43Oh, Bull, I was so worried about you.
01:00:46Oh, yeah?
01:00:47Oh, baby.
01:00:49You're the only one I care anything about.
01:00:53So, what about this?
01:00:54Oh, you don't doubt me, do you?
01:00:57Node.
01:00:59Come on.
01:01:00Come on.
01:01:02Give the bride a little kiss for me.
01:01:07Tell me, I just...
01:01:09I'm ready, officer.
01:01:11I don't care what happens to me now.
01:01:16Oh, well, I ain't going to take you in.
01:01:19Oh, thank you, officer.
01:01:21Trouble with me is, I'm too soft-hearted.
01:01:25About love.
01:01:27Oh, you great big mass of muscle.
01:01:29Oh, you...
01:01:30Aw, Julie.
01:01:31Ha, ha, ha, ha, ha, ha.
01:01:33Ooh.
01:01:34Bye, bye.