00:00at least so much of the studio experience of making something is almost trying to
00:08block out the fact that anyone's going to listen to it for a second to just make oh yeah what
00:14it
00:14is doing it for you yeah you have to just be making like what do i want to listen to
00:20at this time in my life what is it that i feel like i want to do say make and
00:26the fact that
00:28people are going to hear it feels like that happens late like the realization of that feels like it
00:33happens later and i think the live playing music to an audience is the part where
00:42you're embracing the fact that people listen to it and that it's connected with people and i think
00:48there's a i think for me the the kind of emotion that happened at the end of the london shows
00:57was
00:57like i think it was just a realization of that those shows felt so much to me like a culmination
01:07of
01:07so many people's support i think i think that's the bit like that part feels so external i think you
01:17like i you make the thing and then how many shows you play is determined by how many people want
01:24to
01:24come see it and i think what was emotional what was emotional for me was it felt i was kind
01:34of
01:34realizing i think how deep it is and how deeper it is how much deeper it is than kind of
01:44any one moment or
01:47one song or any sort of like fluke thing it just felt like supported kind of in a way more
01:56than like
01:57we're here because we want to hear this song that you've done or we're here because we like when you
02:02used to play that one or it just felt like we're here because we believe in what you're doing and
02:08i
02:09think that's what it felt like to me and i think that's why it was why i found it so
02:14emotional
02:14you
