- 6 days ago
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🎈
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00:01:55Is that a nut?
00:01:59Hmm.
00:02:02I'd be glad it's not a dead animal.
00:02:04We had a whale a few years ago.
00:02:07I've seen sharks, too.
00:02:09I don't like a shark.
00:02:11No, it's pretty gross.
00:02:13It's just a rotting, stinking carcass.
00:02:16I'd still like to see it.
00:02:22I should think about going to the store.
00:02:24Any requests for dinner, Emma?
00:02:28No.
00:02:31She likes that purinesca you make.
00:02:34Sound good?
00:02:36Yeah, whatever.
00:02:39I like your enthusiasm.
00:02:56I should get going.
00:02:58What's the rush?
00:02:59We're running out of everything.
00:03:00That's actually your last beer.
00:03:02Well, you better make it quick, then.
00:03:05What's the rush, right?
00:03:07But beer.
00:03:47Did you hear about finals yet?
00:03:49Yeah, grades have enough for a week.
00:03:51And you didn't even mention it?
00:03:53Oh, you didn't mean too cool for school.
00:03:55Yeah, we noticed.
00:03:57Mom, you don't have to worry, I totally killed it.
00:04:02So then what's this thing about living with Simone, anyway?
00:04:05I mean, I'm sure you'd have fun, but why take the time off when you're doing so well?
00:04:10Well, I'm not doing that well.
00:04:11I mean, I haven't written anything decent all year.
00:04:14Oh, I hear they have classes to help you with that.
00:04:17No, classes don't teach you how to write, you just have to do it.
00:04:20Well, do you have to do it in Berlin?
00:04:22I mean, it's not like you haven't written a story before.
00:04:24Yeah, that was high school, and I can't even read those without cringing.
00:04:27No, you're too harsh a critic. Those stories were good.
00:04:29No, they're not. They're boring.
00:04:30And the next one's going to be boring, too, unless something happens.
00:04:34Yeah, like what?
00:04:36I don't know. Something that's not just one more year of the same.
00:04:41So what happens if inspiration doesn't come?
00:04:43And you just get to hang out with Simone all year?
00:04:47At least she knows interesting people.
00:04:52What about the kids at school? You don't find them too impressive?
00:04:55I don't think she gives them a chance.
00:04:57Okay, are you just saying no?
00:04:58No. No, of course not. If you're dead set on it, then no one's going to stop you.
00:05:03We might.
00:05:04We just need to come to an understanding, and you'd have to figure out what it is you want to
00:05:08accomplish when you're over there.
00:05:10I can do that.
00:05:12Wait, aren't we getting a little ahead of ourselves here?
00:05:13I mean, hasn't Simone extended her gap year already?
00:05:16I mean, when is she finally going to go back to school?
00:05:19Well, I think she's probably going to take off less time than you did.
00:05:27I think I'm done.
00:05:29Already?
00:05:30Yeah.
00:05:35She's not the only one who's done.
00:05:46She's over here.
00:06:10Let her plan on something, I'll see you later.
00:06:14Let's get started.
00:07:29Hello?
00:07:31Hey, Paul!
00:07:34How are you?
00:07:37Yeah, I'm good.
00:07:41Yeah, we're here.
00:07:45That'd be great.
00:07:46What do you mean?
00:07:51I'm good.
00:07:52I'm good.
00:07:59I'm good.
00:08:02I'm good.
00:08:17Well, look who's up early.
00:08:19Come on.
00:08:20Really?
00:08:22Most people have their first cup of coffee before noon.
00:08:25Most old people.
00:08:31Well, this old person could use some more.
00:08:34How about we make another pot?
00:08:36She can make it.
00:08:37You need to take a shower before Paul gets here.
00:08:39Who's Paul?
00:08:41An old friend.
00:08:42I bumped into him at an event last week.
00:08:44How come I've never heard of him?
00:08:46I hadn't seen him in ages.
00:08:48He does conceptual photographs.
00:08:51Apparently they're quite edgy.
00:08:53He's gonna stay for a night or two.
00:08:55In the bedroom next to mine?
00:08:57Uh, where else?
00:08:59And he's gonna use my bathroom?
00:09:01He will not last long in a Berlin squat with you.
00:09:06Does that mean she's letting me go?
00:09:08I'm working on her.
00:09:32Oh, it's so great to see you.
00:09:35You too.
00:09:36Wow.
00:09:36So good to see you.
00:09:38Hello.
00:09:38This is my husband, Henry.
00:09:39Hi, Henry.
00:09:40Hi, Paul.
00:09:41Nice to meet you.
00:09:41The famous Paul.
00:09:42Thanks.
00:09:43Did you find it okay?
00:09:47Yeah, yeah.
00:09:48It was a pretty...
00:09:48It's kind of a straight shot.
00:09:50It is a very straight shot.
00:09:51It didn't have been bad, right?
00:09:52No, it was pretty good.
00:09:52Ah, good.
00:09:53Let's show you around.
00:09:54Okay.
00:09:54Awesome.
00:10:02I apologize for inviting myself.
00:10:05When I saw Cathy last week and she told me you were out here, I couldn't help myself.
00:10:08And I finally figured out after 20 years in the city that you should never miss an opportunity
00:10:13to get the hell out.
00:10:15Well, you should have taken the train.
00:10:16The station is so close.
00:10:18No, I like driving.
00:10:19No, I'm with you.
00:10:20I always drive out here.
00:10:21Anyway, I'm happy to cook and clean to earn my key.
00:10:26I can have you cook dinner tonight if you like.
00:10:29Oh, that'd be lovely.
00:10:30It'd be nice to have an extra hand in the kitchen.
00:10:32Seeing as my original helper seems to have retired...
00:10:35I can't be at your break and call all the time.
00:10:37Emma has it really hard.
00:10:39She's thinking of hightailing it to Berlin.
00:10:42Yes, I have a friend in Quatesburg.
00:10:44Oh, well, that's cool.
00:10:45It's a bit subdued compared to New York.
00:10:48See?
00:10:48Not going there to party.
00:10:50Well, we think it would be a better idea to finish school.
00:10:53But, you know, it might be nice to learn something useful in the meantime.
00:10:57Mom, I'm a literature major.
00:10:59It's not trade school.
00:11:00I can't say my undergrad education was particularly useful.
00:11:04Uh, Paul's job is spending the day lighting beautiful women.
00:11:07So, I think maybe his definition of useful is a little unusual.
00:11:12Harsh, but not wrong.
00:11:16Speaking of beautiful women, what happened to that woman at the gallery?
00:11:19I thought you'd bring her along.
00:11:21Um, Hannah and I actually just broke up.
00:11:26Oh.
00:11:27Sorry to hear that.
00:11:28No, it's alright.
00:11:29It was going badly and I just had to end it.
00:11:36Well, I'm glad you came out here.
00:11:38It's the perfect place to relax and clear your head.
00:11:41Yeah, that's what I thought.
00:11:47Hey, why don't we take a look at that new series?
00:11:49You said it was online, right?
00:11:50Yeah.
00:11:51I think you'd like to see this too, Ella?
00:11:55Cool.
00:11:57Yeah, yeah, here we go.
00:11:58This is the latest work I'm exhibiting.
00:12:01Wow.
00:12:07That's Hannah.
00:12:09Mm-hmm, that's her.
00:12:11Oh, we don't have to look at these if...
00:12:12No, it's fine.
00:12:14Yeah?
00:12:14Yeah.
00:12:15So, this series is inspired by the death of Jean-Paul Marat.
00:12:21And the story goes that Charlotte Corday showed up at his house, talked away inside, and killed him in the
00:12:31bath.
00:12:31And I was interested in the intimacy of the killing of someone that he didn't know got close enough to
00:12:40do the job.
00:12:44It helps to be young and gorgeous.
00:12:47While he's there.
00:12:50What do you think, Emma?
00:12:54Uh...
00:12:54It's not boring.
00:12:58Well, I'm glad you like it.
00:13:01Are you a mezcal guy, Paul?
00:13:03I drink everything.
00:13:05I think I can work with that.
00:13:07Careful.
00:13:08If you drink his concoctions, he'll never have you leave.
00:13:10I suppose I'll just have to move in then.
00:13:26It's beautiful.
00:13:28Yeah, we love it.
00:13:31Catherine insists we make regular use of the place.
00:13:35That's funny.
00:13:35I always think of her as a downtown girl.
00:13:38Oh, she still is.
00:13:39In her way.
00:13:41I mean, she'd already changed a lot even before we'd lost touch.
00:13:47Well, the kid will do that to you.
00:13:50Especially if the idiot dad disappears on you.
00:13:53Is that what happened?
00:13:55I always thought that Catherine's ever dies.
00:13:59Though Andy was never really dad material.
00:14:04Well, no one's really dad material till he has to be.
00:14:07I guess I'm lucky I never had to be.
00:14:12I wouldn't call that lucky.
00:14:15I think so.
00:14:20Well, watch out. She might still be out there.
00:14:23Who?
00:14:25The girl who does you in.
00:14:42Emma?
00:14:45Would you mind making up Paul's bed for me?
00:14:46Okay.
00:15:17All right, let's go.
00:15:20Let's go.
00:15:28All right.
00:15:31If you want it.
00:15:45We have to look at those.
00:15:54Hey.
00:15:55Hey.
00:15:58Do you think that's overkill?
00:16:00What?
00:16:01I don't know.
00:16:03It gets a little chilly at night.
00:16:05I guess.
00:16:18What's up with Mom?
00:16:19Since when does she invite strangers to come stay with us?
00:16:24It's good for her to have friends.
00:16:27They're harder to come by when you're older.
00:16:31Paul doesn't seem old.
00:16:36He's still living the same life you lived when your mom knew him in her 20s.
00:16:40That'll keep you young.
00:16:46That washed up the other day.
00:16:54Are you feeling up for a dip, Paul?
00:16:58How's the water?
00:16:58Yeah.
00:17:00Oh, I'm sure you can handle it.
00:17:24What are you reading, anyway?
00:17:27What are you reading, anyway?
00:17:34Not much of a beach book.
00:17:36Not much of a beach.
00:17:39Not like those glam beaches in Germany, that's for sure.
00:17:48You know, I'm a little bit surprised about our guest.
00:17:54I thought that you closed the door in your star of the United States.
00:17:59I don't know about that.
00:18:10So that, uh, the girl in the photos, that was Hannah, right?
00:18:15The ex?
00:18:18Yup. Yeah, she's in all my recent work.
00:18:21Oh, she's a good-looking girl. Too bad things didn't work out.
00:18:26Well, I imagine it can be really difficult dating a model.
00:18:33The problem is when I start wanting to be more than models.
00:18:39Now, what Hannah didn't get is a muse isn't a life partner.
00:18:46You know, a muse is just a phase.
00:18:48Oh, I see. Muse and lose them, huh?
00:18:54That's rough.
00:18:57Jeez, artists.
00:18:59Oh yeah, we're all screwed up.
00:19:04At least we know what we're getting into.
00:19:07Women always want the kind of man who's going to use them and discard them
00:19:11and then they get all clingy and childish when you finally do it.
00:19:14I've never felt that way.
00:19:18Oh, I'm sure you've had to toss out your first share.
00:19:21You know what it's like.
00:19:25Maybe this, but...
00:19:27Moments.
00:19:28Yeah, there you go.
00:19:30Moments.
00:19:32That's what I'm talking about.
00:19:41That's where you're at for living in an amazing loft, years and years in court.
00:19:47But after all the changed locks and the legal battles, still living there.
00:19:54And the lesson, Emma, is that it's virtually impossible to evict someone in New York.
00:20:00All right, I'll keep that in mind.
00:20:03It's also one of the reasons that the rent keeps going up.
00:20:06All the more reason to hang on to a cheap place if you have one.
00:20:09Well, I hear things have picked up for you since then.
00:20:12Monetarily speaking?
00:20:13Hmm.
00:20:15Yeah, a little.
00:20:16Well, come on, more than that.
00:20:17Captain tells me the new show is huge.
00:20:19For whatever reason, the art-buying public has taken a liking to me.
00:20:25Well, working as an artist for years now, you've been growing your reputation and honing your craft.
00:20:31Well, it makes sense.
00:20:32I don't know, maybe I've just been lucky.
00:20:33I wouldn't be surprised if the whole scene turned on me tomorrow.
00:20:37So you don't see this as an opportunity?
00:20:39For what?
00:20:41Well, to continue at a higher level.
00:20:44To sell more at higher prices.
00:20:48I mean, I'll certainly take the money, but I don't think there is a higher level.
00:20:56I loved taking those pictures.
00:20:59And I loved the performance I got out of Hannah.
00:21:04I loved the whole experience.
00:21:06And if the Philistines who buy art like it, that's nice.
00:21:10But I don't kid myself that it means much of anything.
00:21:16Wow, I'm surprised how dismissive you are of your audience.
00:21:19Oh, I don't know.
00:21:20Spend a little more time with rich art collectors.
00:21:22I think you might feel differently.
00:21:26I think, actually, I'd be happy that I was reaching somebody.
00:21:29No, no, no, I hear you.
00:21:30It's just...
00:21:32I don't know.
00:21:32Maybe it's strange for an artist.
00:21:37But...
00:21:39To be honest, there's only been a handful of people in my life that I really wanted to reach.
00:21:47Fair enough.
00:21:54I know.
00:22:23But that's the perfect point.
00:22:56Emma.
00:22:57Fuck.
00:22:58Shit, you okay?
00:23:00Uh, yeah.
00:23:02Not where it should be.
00:23:04Looks heavy.
00:23:08What are you doing out here?
00:23:11I was thinking about having a swim.
00:23:14Right now?
00:23:16Yeah.
00:23:17Never been night swimming?
00:23:19No.
00:23:22Where's your bathing suit?
00:23:26Oh, you really haven't been night swimming, have you?
00:23:33Coming in?
00:23:34I thought you just said you were going swimming.
00:23:37Yeah, it's actually a bit cold.
00:23:39What am I going to drink though?
00:23:41You want one?
00:23:41Yeah.
00:23:46I'm okay.
00:23:47You going to bed?
00:23:49No.
00:23:50So have a drink with me.
00:23:53Okay.
00:23:56God, what is all this shit?
00:23:59Katherine.
00:23:59Mmm.
00:24:05Bourbon?
00:24:07No.
00:24:13Red wine?
00:24:15Yes.
00:24:16You don't like the hard stuff.
00:24:19Not really.
00:24:22You're missing out.
00:24:26Shall we?
00:24:27Where are you going?
00:24:29Well, I don't want to wake everyone up.
00:24:32Okay.
00:24:51I'm surprised you're up this late.
00:24:56I like being the only one up.
00:24:58It's a good time to write.
00:25:00Ah.
00:25:01Getting in your way then.
00:25:04I'll survive.
00:25:07So your idea to live in Germany next year, the idea is to write?
00:25:11Yeah.
00:25:13I mean, I'm going to get a job.
00:25:14I'm not going to just sit in cafes all day with my laptop.
00:25:17Why?
00:25:18I'm sure Henry would subsidize you.
00:25:21I'm sure that he would.
00:25:23But then I'd just be another parasite playing artist.
00:25:26It does run in the family.
00:25:30You're talking about Andy.
00:25:32Did you know him?
00:25:35A little.
00:25:37Hmm.
00:25:41Whatever happened to him?
00:25:43Uh, he's in Portland.
00:25:46And he's painting.
00:25:48Not that anyone has ever taken any notice.
00:26:01It's settled then.
00:26:02You'll spend all day in cafes as a barista instead of a customer.
00:26:09Seriously, if you're going to be an artist, you need to learn to take other people's money.
00:26:15You have to have it before you know if you can do anything good with it.
00:26:19What?
00:26:20Nothing.
00:26:21No, it's just you've really got this whole,
00:26:24I'm an artist and I don't give a fuck what anyone thinks thing down.
00:26:27It's...
00:26:27It's impressive.
00:26:29Oh, thanks.
00:26:30I think.
00:26:49You know, the truth is, I don't know if I have anything to write about.
00:26:53I mean, whatever happened in my parents' life, my life ended up being very privileged and very boring.
00:27:03Oh, is privilege boring?
00:27:08I don't know, it seems like most 19th century novels are about the landed gentry.
00:27:13Well, yeah, those novels are great because they're set in the 19th century.
00:27:19How do you mean?
00:27:21I mean, back then privilege came with actual rules.
00:27:24I mean, you know, a girl falls in love with, has an affair or even flirts with the wrong guy
00:27:30and that's what people fought duels over.
00:27:31Yeah, but we still have rules about what sorts of relationships are acceptable and which ones are off limits.
00:27:39Well, yes. I mean, of course we have rules, but...
00:27:43Maybe you just don't know what it's like to break them.
00:27:51Why? What's funny?
00:27:54Nothing. Nothing.
00:27:57I guess I almost did something off limits last semester.
00:28:02Yeah?
00:28:03Mm-hmm.
00:28:07Lit 150, the medieval and 19th century literature.
00:28:13Ooh.
00:28:15Professor?
00:28:16No. No, the TA. He was 33.
00:28:21So what was the problem?
00:28:24I don't know. I chickened out.
00:28:27By the time he finally got the guts to ask me to hang out, I was nervous and, I don't
00:28:34know, he got scared.
00:28:36He thought I was going to accuse him of something, maybe.
00:28:40Which offends me, actually.
00:28:44So, not exactly Anna Karenina.
00:28:55Do you have anything good in there?
00:29:00Bit nosy, aren't you?
00:29:04Do you mind?
00:29:06Well, if I did, I think it's a bit late.
00:29:29It's my take on a genre of Italian horror films.
00:29:34The killer always wears black gloves.
00:29:38This is Hannah.
00:29:40Mm-hmm.
00:29:41Our last project together.
00:29:48Will you exhibit that?
00:29:51I haven't made up my mind yet.
00:30:00Yeah.
00:30:10It's different when they are there at work.
00:30:18Yeah, this time the man kills the woman.
00:30:21No, I mean it doesn't feel staged, it feels real.
00:30:26It is real.
00:30:28What I mean is...
00:30:31If you're going to show something, you have to really put yourself in the situation.
00:30:38Imagine what it would be like to actually do it.
00:30:44You know, as you might enjoy it.
00:30:48Did Hannah enjoy it?
00:31:02I never got a chance to ask her.
00:31:05It was our last night together.
00:31:10There she go.
00:31:13Okay.
00:31:16Hope I haven't given you nightmares.
00:31:21Isn't that the point?
00:31:24Isn't that the point?
00:31:54What's the point of time?
00:31:54You mean what's the point of time?
00:32:04Oh, yeah.
00:32:05If it's whatever.
00:32:06You think you've got to do.
00:32:06You think it's right?
00:32:16You see the point of this is a big part of it.
00:32:17It's a big part of the world.
00:32:23I don't know.
00:32:56I mean, no pressure.
00:32:57Really?
00:32:59Says the chef.
00:33:00I'm happy to make it.
00:33:00Says the chef.
00:33:01You're not making anything.
00:33:03I mean, I will possibly.
00:33:05You are going to relax.
00:33:07All right.
00:33:07I'm done.
00:33:08All right, good.
00:33:44All right.
00:33:55You're going to be okay here tomorrow night, by yourself?
00:33:57I think we've roped Paul into joining us for the new American Nightmares opening.
00:34:01Yeah, she's fine.
00:34:04You can come if you want, of course.
00:34:06I think I'm a little bit over the Whitney.
00:34:10Have you ever seen the kettlebell?
00:34:13Your what?
00:34:14The weight with the loop at the top.
00:34:15Did someone move it?
00:34:17I don't know why anyone would.
00:34:20Emma, could you tell Paul that his breakfast is ready?
00:34:23I think I just saw him go up front.
00:34:25Okay.
00:34:28Is that too much to ask?
00:34:30I'm doing that.
00:34:47Paul?
00:34:50Mom says your breakfast is ready.
00:34:52Wonderful.
00:35:01Come in.
00:35:03Come in.
00:35:26Should I join you?
00:35:29Go ahead.
00:35:51Any literary breakthroughs since last night?
00:35:56I wish.
00:35:59What are you stopping?
00:36:07I have an idea.
00:36:09I'm just not sure which way to take it.
00:36:13It sounds like a good problem to have.
00:36:16You think?
00:36:17No.
00:36:19Just pick a direction and go with it.
00:36:22If it doesn't work, try another.
00:36:23Yeah, I want to.
00:36:25I just don't know what ideas are real life and which are bullshit.
00:36:29Don't worry about real life.
00:36:31Just find something that excites you.
00:36:37So I guess that it's sex and violence that excites you.
00:36:43Not only me.
00:36:45And is that drawn from real life?
00:36:49It is my life.
00:36:52What does that mean?
00:37:04I'm going to go to the beach.
00:37:11I'll see you down there.
00:37:44I'm going to go to the beach.
00:38:05I'm going to go to the beach.
00:38:39The number you have dialed cannot be reached at this time.
00:38:42If you feel you have reached this recording in error, please try your call again.
00:39:02Hey, we're gonna head over to the fish market.
00:39:04Both of you?
00:39:05Your mom doesn't trust me to shop unsupervised.
00:39:07You can take over once we get back home.
00:39:11I need help with something. Can you remind me when we get back?
00:39:14Can we just do it really quick?
00:39:17Sure. Okay. Could you give us a minute?
00:39:21Okay, this is gonna sound stupid, but how well do you actually know Paul?
00:39:26I know that you guys were friends a long time ago. It's just...
00:39:30Don't you think it's weird that he calls you up out of nowhere and wants to stay with us?
00:39:36Oh, no. No, Paul's always been like that.
00:39:39I mean, he'd be talking to somebody at a party, and before you know it, he'd be on some week
00:39:44-long adventure somewhere.
00:39:45We wouldn't even know what had happened.
00:39:47I guess you knew him pretty well.
00:39:51Yeah. I did.
00:39:54It's just, I've been looking at his photos, and I know that they're supposed to be edgy and everything, but
00:39:59I can't help feeling that he enjoys violence.
00:40:03Especially against women.
00:40:08Let me share something with you.
00:40:12Back in the 90s, Paul did a series inspired by Vatican's Lulu, where a prostitute from London picks up Jack
00:40:19the Ripper.
00:40:21He kills her, and then he cuts out her womb.
00:40:25In trademark Paul style, it was pretty gruesome.
00:40:29Were people offended?
00:40:31Not anyone that mattered.
00:40:33Everyone loved it.
00:40:35In fact, it was a really fun shoot.
00:40:37And Paul was perfectly gentle the whole time. It only looked violent.
00:40:43You were there.
00:40:45I was the girl who got murdered.
00:40:53Wow. You must think I am really uptight.
00:40:58No.
00:40:59I just think I have a bit more experience with these kind of people, that's all.
00:41:03Yeah. I guess that is true.
00:41:09So, you okay with Paul hanging around?
00:41:12Mm-hmm.
00:41:13Yeah. It's fine.
00:41:17Maybe I can see if he can dredge up some of those photos.
00:41:22He might have digital copies or something.
00:41:24Sure.
00:41:27Okay.
00:41:28I'll be back in a bit.
00:41:29Okay.
00:41:41Okay.
00:41:51Okay.
00:41:58Okay.
00:42:08See you later.
00:42:09Okay.
00:42:11Please don't leave me, please don't go
00:42:17Please don't leave me, down below
00:42:24If you drop me like a stone
00:42:27Hey
00:42:28Hey
00:42:34What do you think?
00:42:36Who is it?
00:42:38It's my buddy Jay's band
00:42:44It's nice
00:42:51Yeah
00:42:52You kind of want me up to it too
00:42:57Give me your email, I'll send you the download
00:42:59Like
00:43:01Yeah
00:43:02Thanks
00:43:03Thanks
00:43:05How cruel I felt
00:43:10It was doomed from the start
00:43:20I'll fail away into the dark
00:43:38Here you go
00:43:38Welcome to the earth
00:43:44Go home
00:43:44See you more
00:43:45See you more
00:43:45Doesn't matter
00:43:45How cruel I
00:43:46See you more
00:43:46Please don't blast
00:43:46I'll steal you more
00:43:48I'll sleep
00:43:50I'll steal you more
00:44:13So, how did the photo of me turn out?
00:44:19Well, I have to develop it before I answer that, because I'm one of those.
00:44:26Right. You're one of those who hasn't figured out yet that you have to ask girls permission
00:44:30before you take her photo?
00:44:34If I want a picture, I just take it.
00:44:37What if I don't want my picture taken?
00:44:40Um, you could smash my camera. It's happened before.
00:44:46Cool. I'll keep that in mind.
00:44:51What about your stories? You ask permission before you write those?
00:44:55No. No, I don't actually, because that is totally different.
00:44:58Oh, is it?
00:44:59Yes.
00:44:59Oh, right.
00:45:03You're using people regardless. It's not like you're asking their consent.
00:45:08And it would just, you know, get in the way if you did.
00:45:14I'm glad that you're so liberated. From social norms.
00:45:26Oh, again? So I have to smash your camera? That's the only way to stop this?
00:45:33Do what you have to do.
00:45:37You're embarrassing me.
00:45:46Wow.
00:45:49What's wrong with my glasses?
00:45:50Nothing.
00:45:57Um, can I, can I get this back please?
00:46:02Just one more.
00:46:06I need them to see.
00:46:09Really?
00:46:10Yes.
00:46:11I mean, you've been walking fine.
00:46:13It's not like you tripped over.
00:46:16All right.
00:46:18One more.
00:46:25I feel like we're being watched.
00:46:32I'll read again.
00:46:34See if I can help Catherine with the groceries.
00:46:37I guess.
00:47:08Mmm.
00:47:09This is delicious.
00:47:11Great idea.
00:47:12Well, I figured that you should have the full beach house experience.
00:47:16I appreciate that.
00:47:19So are you finding any inspiration around here?
00:47:22Paula finds inspiration everywhere.
00:47:26Taking any photos?
00:47:29One or two.
00:47:31Oh, you'll have to show us those.
00:47:33Would you give me some wine, Phil?
00:47:35Sure.
00:47:40Pleasure.
00:47:43What about me?
00:47:43Can I get some more?
00:47:49Oh, thank you, Henry.
00:47:56Mom, have you ever gone swimming at night?
00:47:59Yeah.
00:48:00When I was your age.
00:48:02Probably because it was dangerous.
00:48:06The water's a little cold for my liking, anyway.
00:48:14I'll say it again.
00:48:16You can say it again.
00:48:17You can pour me another glass.
00:48:18All right.
00:48:19Thank you very much.
00:48:22Are you sure?
00:48:23Are you sure?
00:48:25Are you really sure?
00:48:27I'm very sure.
00:48:28You have to say so.
00:48:29Because I don't know how to do this.
00:48:31You keep going.
00:48:33It's fine.
00:48:37It's fine.
00:48:38I don't realize that's your daughter sitting there with your old fling.
00:48:44Okay.
00:48:55Time for bed.
00:48:58Really?
00:49:00Mom, it's so early.
00:49:02Yeah, really.
00:49:08Yeah, I think you're right.
00:49:11Come on.
00:49:12What can I say?
00:49:14I've...
00:49:15Tragically aged into an early bedtime.
00:49:20Good night.
00:49:21Good night, Paul.
00:49:26Let's put the wine away.
00:49:47Something like that.
00:49:50It's good.
00:50:00It's really good.
00:50:04It's so tiny.
00:50:04You're right.
00:50:07You're right.
00:50:11Let me ask, if I'm...
00:50:11I'm going to give you a little light.
00:50:20I thought that you said that you were going to sleep.
00:50:24I am going to sleep.
00:50:28Really?
00:50:29Really.
00:50:35No glasses tonight?
00:50:37No, I only need them for distance.
00:50:40Oh, so you really just wear them to look smart?
00:50:43Yeah, and to ward off douchey guys.
00:50:45Oh, how's that working for you?
00:50:52Hmm.
00:50:59Hmm.
00:51:00Let me guess.
00:51:01Are you going to use this in a photo shoot?
00:51:05Impress on some naked model, perhaps?
00:51:07I was thinking about it.
00:51:08I just have to find the right model.
00:51:14I might pose for something.
00:51:16Really?
00:51:17Mm-hmm.
00:51:20But you're going to have to come up with something better than that.
00:51:23Yeah, you're probably right.
00:51:26What should I do?
00:51:31Well, with you it's got to be something gruesome so that, you know, it gets attention.
00:51:36But it also has to have some high cultural motifs so that everyone will think that it is very serious.
00:51:41Exactly.
00:51:42I mean, so it's the oldest trick in art.
00:51:45You know, when Moreau painted Salome, he was giving us a naked woman and a severed head, but it was
00:51:49also a Bible story.
00:51:52I know what we should do.
00:51:56Judith and Holofernes.
00:52:01Wow.
00:52:02Hmm.
00:52:05A girl walks into a man's tent, plies him with liquor and cuts off his head.
00:52:11Man, I'm surprised I haven't used that already.
00:52:14I mean, you're probably going to want to sex it up, of course, the part before the decapitation.
00:52:18Yeah, probably.
00:52:22I have to warn you, though, my fees are exceptionally high.
00:52:26They should be.
00:52:28Really?
00:52:30Yeah, no matter how high, someone will be willing to pay them.
00:52:42Well, Judith.
00:52:44Shall we start with a drink?
00:52:47Sure.
00:52:50Maybe a real drink this time?
00:52:52Okay.
00:52:53I can handle liquor.
00:52:57I'll be right back.
00:52:59Okay.
00:53:24You're going to get in a workout?
00:53:26What are you doing with this?
00:53:29Uh, not much.
00:53:30It's harder to swing than I imagined.
00:53:33You know that Henry is looking for this, correct?
00:53:36I did not know that.
00:53:39I'm going to have to confiscate it.
00:53:41Well, don't hurt yourself.
00:53:44Where are you going?
00:53:54And what is this?
00:53:56Is this bourbon?
00:53:59Cheers.
00:54:10It's really nice.
00:54:12Right?
00:54:13A little heat.
00:54:15A little heat in the throat.
00:54:23So?
00:54:25So?
00:54:28Tell me about Hannah.
00:54:31What do you want to know?
00:54:34And why did it go wrong?
00:54:38Why does anything go wrong?
00:54:42You know, she inspired me for a while and then I got bored.
00:54:49And the more she clung to me, the more I loathed her.
00:54:53Well, that's not harsh at all.
00:54:56Relationships end.
00:54:56You know what it's like.
00:54:58Do I?
00:54:59Yeah.
00:55:00We've already established that you're a heartbreaker.
00:55:02When did we establish that?
00:55:04I told you that my life is boring.
00:55:10You're not a very good liar.
00:55:15If you're going to write fictions, you have to make them a bit more convincing than that.
00:55:30I lied to you the other night.
00:55:34I said that nothing happened with the TA.
00:55:39But it did.
00:55:43So the whole thing about turning him down, that was...
00:55:47No, no.
00:55:48That happened.
00:55:51But then a couple days later, I decided that I wanted to turn it around.
00:55:57And so I showed up at his office and I told him exactly what I wanted.
00:56:08And you can imagine the rest.
00:56:14Right there in the office.
00:56:18Maybe.
00:56:22And after?
00:56:27It was fun while it lasted.
00:56:32Oh, so you got bored with someone too?
00:56:36Yes.
00:56:36I guess that is one way of saying it.
00:56:39That was good.
00:56:41I believe that story.
00:56:45Should I?
00:56:53I don't know.
00:57:08Well...
00:57:23Wait, wait, wait, I don't, are you okay?
00:57:28I don't, I don't, I'm okay.
00:57:31You gotta be careful with whiskey.
00:57:33Yeah, you just, you just wake me up and like,
00:57:39like two minutes.
00:58:16I don't know.
00:58:18I don't know.
00:59:50Hey.
00:59:54How you doing?
00:59:58What happened last night?
01:00:02I don't remember anything.
01:00:05Oh, um, well, I tried to wake you, but you weren't having it, so I just carried you down the
01:00:13hallway to your bed, and then I went crushed out, so.
01:00:19I'm a little anticlimactic, but...
01:00:28So you were in?
01:00:30Yeah, hidden that way.
01:00:32Yeah, I can go.
01:00:32Love to you.
01:00:33Fine.
01:00:34Okay.
01:00:40Really?
01:00:41Yeah?
01:00:53You know what's funny?
01:00:55I still can't find that kettlebell.
01:00:57You know, I think Paul actually stole it.
01:01:00I will go get it from his room.
01:01:01Paul's leaving soon.
01:01:03He was just telling us.
01:01:05What?
01:01:07Yeah, uh, gotta get back to the city.
01:01:11I thought all of you guys were going to an event tonight.
01:01:15Henry and I are still going.
01:01:21All right, well, I'm going to take a swim, and I'll grab my stuff when I get back.
01:01:24Sure.
01:02:14We thought it would be better if...
01:02:16Just us three had some time together.
01:02:19I thought it was Paul's idea.
01:02:22It's mutual.
01:02:28I feel sick.
01:02:37Uh, listen.
01:02:40I understand that a girl like you is going to be drawn to a more sophisticated crowd.
01:02:48But Paul's not the right kind of company.
01:02:56You know what he said to me the other day?
01:02:59He said...
01:03:01Women really want a man who will use them up and then throw them out.
01:03:06He said stuff like that.
01:03:07No, he meant it.
01:03:08He was talking very specifically about his ex.
01:03:13There's something...
01:03:15There's something wrong there.
01:03:37No.
01:03:40No.
01:03:43No.
01:03:45No.
01:03:45Let's go.
01:04:19All right.
01:04:49The number you have dialed cannot be reached at this time.
01:05:44The number you have dialed cannot be reached at this time.
01:05:51I was just looking for Henry's weight.
01:05:55Yeah, I returned it.
01:05:59I should let you back.
01:06:08You can be difficult to figure out.
01:06:13I can say the same thing about you.
01:06:20But you figured me out, haven't you?
01:06:22I can say the same thing about you.
01:06:30Let's go.
01:07:02Can I talk to you a minute?
01:07:13I just wanted to say sorry.
01:07:15For what?
01:07:17Yesterday you mentioned concerns about Paul staying here.
01:07:21You were right.
01:07:23It was a bad idea.
01:07:25Why?
01:07:28Because, despite our past,
01:07:30he's still a stranger.
01:07:33It's just been too long.
01:07:35I shouldn't have let him stay.
01:07:38Well, he's gone now.
01:07:42But you don't seem happy about it.
01:07:44No, I'm glad.
01:07:47Really?
01:07:51Okay.
01:07:55Good.
01:07:55Good.
01:07:58I've got to get ready to go.
01:08:01Cool.
01:08:18We're going to stay in the city overnight.
01:08:19There's no sense in driving back late.
01:08:21You sure you don't want to come with us?
01:08:23I'm good.
01:08:25Between you and me, you're not missing much.
01:08:26There's some swordfish left if you get hungry.
01:08:29She will manage.
01:08:30Then.
01:10:34Hello?
01:11:13Emma.
01:11:20I didn't see your car outside?
01:11:23I walked from the train sessions.
01:11:26Why?
01:11:28So no one would see me?
01:11:33I was just going to the beach.
01:11:36Now?
01:11:37Now?
01:11:38Night's for me.
01:11:43Emma?
01:11:45Yeah?
01:11:46Are you afraid of me?
01:11:50I just keep thinking about last night.
01:11:52Me too.
01:11:54No, not like that.
01:11:56What then?
01:12:00What happened after you knocked me out with that drink?
01:12:04I think you did a pretty good job of knocking yourself out.
01:12:08I think I had some help.
01:12:10It was a strong pour.
01:12:13That's not what I mean.
01:12:28That's not what I mean.
01:12:34I don't really understand you.
01:12:38But I'm glad you're starting to be more creative.
01:12:41I don't want to talk to you.
01:12:42Oh, my God.
01:12:51They called me.
01:12:58What's going on here?
01:13:00We both know.
01:13:02We both know what?
01:13:04She's out there.
01:13:05Who?
01:13:06Anna.
01:13:09Wrapped in the net.
01:13:11Held down by the weight that you took.
01:13:15You get it all figured out, don't you?
01:13:17That's why you came out here, isn't it?
01:13:22Now I've come back to silence the girl who knows too much.
01:13:28I don't have to.
01:13:32It excites you, doesn't it?
01:13:36Will you let me go?
01:13:40You want to let you go?
01:13:41Mm-hmm.
01:13:48It's going to ruin your story.
01:14:11I don't know.
01:14:15I don't know.
01:14:18It's going to ruin your story.
01:14:31Oh
01:14:58Oh
01:15:34Oh
01:15:55Oh
01:16:20Oh
01:16:57Oh
01:17:20Oh
01:17:25Oh
01:17:27No
01:17:29Oh
01:17:30Oh
01:17:32Oh
01:17:36Oh
01:17:39Oh
01:17:40Oh
01:17:43Oh
01:17:45Oh
01:17:45Oh
01:17:45Oh
01:17:53Oh
01:18:03Oh
01:18:04Oh
01:18:04Oh
01:18:05Oh
01:18:07Oh
01:18:08Oh
01:18:08Oh
01:18:19Oh, my God.
01:18:41Oh, my God.
01:19:21Oh, my God.
01:19:39Oh, my God.
01:20:37Oh, my God.
01:21:06Oh, my God.
01:21:20Oh, my God.
01:21:22Have you been in the water yet today?
01:21:23It's nice.
01:21:31Oh, my God.
01:21:53Oh, my God.
01:21:55Oh, my God.
01:22:02Oh, my God.
01:22:04Oh, my God.
01:22:12Oh, my God.
01:22:13Oh, my God.
01:22:27Oh, my God.
01:22:27Oh, my God.
01:22:30Oh, my God.
01:22:30Oh, my God.
01:22:32Oh, my God.
01:22:35Oh, my God.
01:22:37Oh, my God.