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Ollie and John, two truck drivers from Brooklyn, are stuck with car trouble and an elephant named Bunny. They decide to sell the animal at a destitute fair, where John falls for the owner's daughter Nita Cordoba.
#B&W #action #adventure #comedy #romance #family

Category

🎈
Fun
Transcript
00:00:00The End
00:02:07Thank you, Johnny.
00:02:08Yes.
00:02:10Goodbye, Bunny.
00:02:14Oh, get a hold of yourself.
00:02:16I'm sorry, Bunny.
00:02:17This is just one of those things.
00:02:25Don't worry.
00:02:26I'm going to send somebody back to feed her.
00:02:28Here we go.
00:02:30Here we go.
00:02:41Here we go.
00:02:53Here we go.
00:02:53Here we go.
00:03:01Looks like a piston ring.
00:03:04Hand me a wrench.
00:03:08Thanks, Ollie.
00:03:13Look, Johnny.
00:03:14It's funny.
00:03:17What a surprise.
00:03:19She keeps coming back.
00:03:21We'll be in Mexico until she grows up dear.
00:03:23On her it will be beautiful.
00:03:33Fiesta.
00:03:35Carnival.
00:03:36That's it.
00:04:01Come on, Bunny.
00:04:02Get over.
00:04:02Come on, Bunny.
00:04:04Come on, Bunny.
00:04:07Oh, thanks a lot, Bunny, for helping us out.
00:04:10But you know how she's been a piston ring break.
00:04:12What do you suppose she's going to do?
00:04:14Open up her garage or something?
00:04:15Oh, I thought she would if she had the money.
00:04:17Bunny's a smart girl.
00:04:19Smarter than us.
00:04:20Got us hooked when she knows it.
00:04:22Oh, please, Johnny.
00:04:23Not in front of Bunny.
00:04:24She's sensitive.
00:04:25You hurt her feelings.
00:04:26Oh, stop being so sentimental about that elephant.
00:04:29Here we are stuck with Bunny.
00:04:30You won't let me get rid of her.
00:04:32Even elephants have to eat, you know.
00:04:34Yes.
00:04:35I guess you're right, Johnny.
00:04:37But you know Bunny don't belong to us.
00:04:39And if the right owner shows up and finds out we sold his property,
00:04:42we both land in the yug.
00:04:44We sure tried hard enough to find him.
00:04:46I could write a travelogue.
00:04:48Holy, there must be someone in this carnival that could use an elephant.
00:04:54Oh, dear, Johnny.
00:04:55Oh, listen, this is no time to weaken.
00:04:57We've got to keep trying.
00:05:08Hey, look at all the people.
00:05:10It looks just like Pony Island.
00:05:12Yeah, maybe they get hot dogs, too.
00:05:28How much is that?
00:05:3010 centavos.
00:05:31Uh, make it two.
00:05:32Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:05:37no, no.
00:05:59You ought to be with the Dodgers.
00:06:02You know, that's hard to do.
00:06:04Yeah, that's a thing.
00:06:06You think you could do that?
00:06:08With my eyes closed.
00:06:11You, uh, wouldn't be in the bed, would you?
00:06:13Bed what?
00:06:14This last peso?
00:06:15No.
00:06:16Bunny.
00:06:19Okay, oldie.
00:06:20I knocked the gal in the tank and no more sparks about getting rid of that elephant.
00:06:24And if you don't, they keep running.
00:06:26You can kiss her goodbye right now.
00:06:28Don't forget, three times in a row.
00:06:31Oh, you wouldn't handicap me, would you pal?
00:06:33Who, me?
00:06:33A ver, see, señorita.
00:06:35A ver, see, señorita.
00:06:36A ver, see, señorita.
00:06:36A ver, see, señorita.
00:06:36A ver, see, señorita.
00:06:38A ver, see, señorita.
00:06:39A ver, see, señorita.
00:06:40A ver, see, señorita.
00:06:42A ver, see.
00:06:43Ah, qué simpatro.
00:06:44Mira, aquí viene otra señora a comprarme tres pelotas por 10 centavos.
00:06:48Aquí, aquí, aquí, todo el mundo.
00:06:51Ay, qué puntería.
00:06:59No, ya que ilusiones, amigo.
00:07:00No lo voy a poder hacer usted otra vez.
00:07:05Very lucky, senor.
00:07:07Permit se you do it again.
00:07:08Always willing to oblige a lady.
00:07:19Caramba!
00:07:20Otra vez!
00:07:23¿Qué pasa?
00:07:23¿Quién es ese cochino?
00:07:25¿Qué pasa por mojando todo el día ahora este amigo a mí?
00:07:32Sí, sí, sí.
00:07:32You could do it again in a million years.
00:07:34Keep your archos on.
00:07:36You gotta go in one more time, sister.
00:07:53But I think her feelings are hurt.
00:07:55Ah, don't worry.
00:07:56That water ain't that hot.
00:07:57It's not the one who has to do it!
00:08:00Oh no!
00:08:03Come on!
00:08:04Oh no!
00:08:05Hey!
00:08:07Hey!
00:08:11He's right here!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:16Hey!
00:08:18Hey!
00:08:21Hey!
00:08:22Hey!
00:08:25Hey!
00:08:39You can't kill yourself.
00:08:41No, no, no.
00:09:03Senores, por favor, let me stand up and be killed.
00:09:06My beautiful Dolores, how could she leave me?
00:09:08It's nice to you how many times I told you not to waste ammunition and frighten people.
00:09:12It is no use.
00:09:13My life is gone.
00:09:14Ah, relax, guys.
00:09:15She'll come back.
00:09:22Say, friend, that little package of dynamite is working overtime on your place.
00:09:26Si, senor, but there's nothing I can do about it.
00:09:28When Nita gets angry, a few daughters are nothing.
00:09:31Just like your mother.
00:09:32She's my daughter, you know.
00:09:34Your daughter?
00:09:35If she was my daughter, I'd put a padlock on that cage of hers.
00:09:43I think she's out of ammunition.
00:09:48What?
00:10:01Senorita, please, Nita.
00:10:03Calmate, cita mia.
00:10:05This imbecile almost killed me.
00:10:06But, senorita, a thousand pardons.
00:10:08My Dolores, she's gone.
00:10:10I cannot live without her.
00:10:11She was so lovely, so affectionate.
00:10:15And she had such beautiful wings.
00:10:17Wings?
00:10:18Si, and the most delicate shade of blue.
00:10:21Is she an angel?
00:10:22No.
00:10:23A flea.
00:10:25A flea?
00:10:27Well, that wins the tamale.
00:10:29Senores, permit me to introduce Ignacio Perez, master of the flea circus.
00:10:34I'm Alberto Cordoba, owner of the carnival.
00:10:37And my daughter, Nita.
00:10:39Yes, we've met.
00:10:41I just gave her a bath.
00:10:43A bath?
00:10:44Yes.
00:10:45And this is the last time I get into that tank.
00:10:47Just look at me.
00:10:48Oh, pobrecita.
00:10:50Uh, lady, may I offer you my coat?
00:10:53Thank you very much.
00:10:54It is getting cold.
00:10:55Oh, and my Dolores, she's not used to go out in the cold.
00:10:58Mr. Ignacio, I think I can help you.
00:11:00You mean to say that you know where Dolores is?
00:11:03No, but a man of your standing in the wild animal training world shouldn't be bothered with fleas.
00:11:08No, dear, very unfaithful.
00:11:10Right.
00:11:10They desert you at the first chance they get.
00:11:12Now, uh, I think I have just the thing for you.
00:11:15Hey, Oli.
00:11:16More wonderful than any flea could ever be.
00:11:19I don't want anything.
00:11:20I want my Dolores.
00:11:22Si.
00:11:22He just wants his Dolores.
00:11:24Nonsense, Mr. Ignacio.
00:11:25A great animal trainer like you should have something more like, uh, an elephant.
00:11:31Call a bunny.
00:11:51Don Alberto, you must buy me this beautiful animal.
00:11:55She already loves me.
00:11:56Ignacio, you know that's impossible.
00:11:59The carnival is already heavily mortgaged to Don Jose.
00:12:02But neither the elephant will be.
00:12:03Papa, remember the agreement.
00:12:06Who is responsible for the mortgage of the carnival?
00:12:09Senor, your elephant will be a wonderful thing in our carnival, but we can afford it.
00:12:15Very cheap to you, Cordoba.
00:12:16You're going to have her for a song.
00:12:18I am afraid my singing won't interest you.
00:12:21Yeah, I'll bet your style of singing will be right up my alley.
00:12:25I bet she sings just like a Swedish nightingale.
00:12:28Oh, nita.
00:12:29Ignacio, and, uh, just how high you want me to sing, senor?
00:12:34Just high enough to get us back to Brooklyn.
00:12:36I'd say 500 pesos.
00:12:38You must be joking, senor.
00:12:39Why, she's worth 20 times that.
00:12:41And to us, even more.
00:12:43It will give our little carnival the stature of a circus.
00:12:46That's the price to you.
00:12:47Then she's mine, eh?
00:12:49Eh, Chiquita?
00:12:50Her name is Bunny.
00:12:51And you shouldn't get so familiar on such a short a crampton's.
00:12:54Senor, a gentleman should never interfere when two have reached an understanding.
00:12:59An understanding? Fine.
00:13:01Holy.
00:13:01Well, how about it, Mr. Dover?
00:13:05I'd love to have her, but, uh, we won't have any money until after the fiesta.
00:13:09Oh, we can wait.
00:13:10We've got to have a few days to fix the truck up anyway.
00:13:13Then she's mine.
00:13:14She is yours, Mr. Ignacio, and I think she's found a good home.
00:13:17Ah, vamos, vamos.
00:13:25Bunny has made Ignacio so happy.
00:13:28Oh, but your friend, he's so sad.
00:13:30Hey, you, senor, you're not.
00:13:32Well, I did get kind of fond of her, but, uh, he'll soon forget about her.
00:13:38Perhaps.
00:13:39But, senores, while you're here, permit me to extend the hospitality of the carnival.
00:13:42Thanks.
00:13:43Excuse us, please.
00:13:44Thanks.
00:13:49Come on, snap out of it, Oli.
00:13:55Hey, give the lady another cigar.
00:13:58Ha, ha, ha, ha, ha.
00:14:11Oli, hand me down that wrench.
00:14:17Hey, Oli, do you hear me?
00:14:20Hand me that wrench.
00:14:24Ouch!
00:14:25Hey!
00:14:27What's the matter with you?
00:14:29Boy, you nearly bramed me.
00:14:30Oh, I'm sorry, Yanni, but every time I think of that flea lover Ignacio with my bunny,
00:14:35I get mad all over.
00:14:37Oh, all right, go ahead and see her.
00:14:39You're not much used to being around here.
00:14:40And say hello for me.
00:14:41Oh, you bet I will.
00:14:42And thank you.
00:15:20Oh, so it's the little mermaid.
00:15:22Mermaid?
00:15:23You know, half wet.
00:15:25Now, if you want to play games, why don't you go get yourself a teddy bear?
00:15:28I am not playing games.
00:15:29And the next time you want to wipe your greasy hands, please don't use my stable napkin.
00:15:34A napkin?
00:15:35Oh, I'm sorry.
00:15:36I told Oli to get me a piece of rag.
00:15:38Hey, is that where we eat?
00:15:39Only lunch.
00:15:40We live in the big house.
00:15:41Come on, grab yourself a seat.
00:15:45So you like mermaids?
00:15:46Crazy about them, but it's strictly the kibitz, as we say in Brooklyn.
00:15:50What's this kibitz in Brickland?
00:15:53Brooklyn.
00:15:54Brickland.
00:15:55That word kibitz doesn't mean a lot of things.
00:15:59Maybe by girls?
00:16:01Well, you could kibitz with a girl.
00:16:03And I ain't seen very many that could take them.
00:16:05Take what?
00:16:06Kibitz.
00:16:07Get it?
00:16:09No.
00:16:11Well, I'll show you.
00:16:12Suppose I went out with Jane, Alice, and Nate.
00:16:14Had about three dates with them.
00:16:16Just to have a little fun.
00:16:17Is this Alice?
00:16:18Mm-mm.
00:16:18That's Jane.
00:16:19Now, the first crack out of the bus, they say, Johnny, quit the kibitzing.
00:16:23Come on, let's get married.
00:16:24Oh, the girls talk like that in Brooklyn, too?
00:16:27Did you go out with the three of them at the same time?
00:16:31Well, uh...
00:16:32Wasn't it a little dangerous?
00:16:34What would happen if they got together?
00:16:36They did.
00:16:38That's why I'm out here right now with Oli.
00:16:41Look at those flyers.
00:16:43What are you going to do when you go back to Brooklyn?
00:16:45Oh, everything's all right now.
00:16:46They got married.
00:16:48So now you can kibitz, eh?
00:16:50Well, I might give it a whirl if I haven't seen anything interesting.
00:16:53Oh, naturally.
00:16:54It has to be very interesting.
00:16:57Naturally?
00:16:58Can't expect a kibitzer of my standing to kibitz with just anybody.
00:17:03Of course, any girl can tell by looking at you that you're not just an ordinary man.
00:17:11Naturally.
00:17:11Perhaps this will be easy to identify.
00:17:17You kibitzer from Breekland, Brooklyn, or whatever you come from.
00:17:33Paramba, what she speak.
00:17:34Oh, please, Mr. Ignacio.
00:17:36You shouldn't speak that way about my bunny.
00:17:39Goodbye. She's only a slim 410. You see this?
00:17:42She's not your bunny. She's my Dolores.
00:17:44Oh, just a minute.
00:17:45You mean you're going to name my bunny after you flee?
00:17:48Why shouldn't I give that beautiful animal the name of my beloved Dolores?
00:17:52Oh, but bunny, she's too big a girl to be named after a flee.
00:17:55What's the size that's got to do with it?
00:17:57And besides, why do you bother me and my Dolores?
00:17:59Bunny.
00:18:00Dolores!
00:18:00It's bunny.
00:18:01Dolores!
00:18:02It's bunny. You ask her.
00:18:03All right, I will.
00:18:06Senorita elephant,
00:18:07Which do you prefer?
00:18:09The common, ordinary name of bunny
00:18:11or the beautiful, elegant, romantic name of Dolores?
00:18:16Now, which is which?
00:18:17Bunny?
00:18:22Dolores?
00:18:24You see?
00:18:25Oh, now you let me ask her.
00:18:31Bunny,
00:18:32Are you going to become a snob?
00:18:34Are you going to get high hats and make me shamed of you?
00:18:37Now, bunny,
00:18:38that's a nice name for a sweet, simple girl like you.
00:18:41But Dolores,
00:18:43why,
00:18:43why,
00:18:43that sounds like too much lipstick.
00:18:46Now,
00:18:46which is it?
00:18:47Dolores?
00:18:50Bunny?
00:18:53There.
00:18:53You see?
00:18:55Senor,
00:18:56I don't like your references to my beloved Dolores.
00:18:59It happens to be the name of someone I love very much.
00:19:03Have care.
00:19:04And I don't like the way you're trying to change my bunny's life
00:19:07or the way you are treating her.
00:19:08Oh,
00:19:09so you don't like it, eh?
00:19:11No,
00:19:11and in Brooklyn,
00:19:12they would put you in the air for cruelty to the animals.
00:19:15Cruelty?
00:19:16What does this cruelty mean?
00:19:18Well,
00:19:18you're going to call her Dolores
00:19:20and anybody but a flea trainer
00:19:21could see that she was embarrassed,
00:19:23Dolores.
00:19:24Senor,
00:19:25for the last time,
00:19:27I'd warn you
00:19:28not to speak about Dolores
00:19:29in such tone of voice.
00:19:31When did we acquire this candidate for dog meat?
00:19:34Dogs aren't too particular, eh, Jose?
00:19:36Oh,
00:19:36now,
00:19:36wait a minute.
00:19:37I don't think bunny likes that.
00:19:39Oh,
00:19:40so her name's bunny
00:19:41and she belongs to you,
00:19:43I suppose.
00:19:44No,
00:19:45Senorita Cordoba.
00:19:45She purchased her for me.
00:19:47And how much did she pay for this,
00:19:49ahem,
00:19:49institution?
00:19:50Oh,
00:19:50well,
00:19:51she hasn't paid us yet.
00:19:52Us?
00:19:53Yeah,
00:19:53me and my partner,
00:19:54Yano O'Reilly.
00:19:55Well,
00:19:55anyway,
00:19:56you take her inside
00:19:56before the evening crowd comes.
00:19:58I don't want her
00:19:59crawling up the carnival,
00:20:00understand?
00:20:00Si,
00:20:01Senor.
00:20:01And you,
00:20:02Senor,
00:20:03are leaving soon?
00:20:04Yeah,
00:20:04just as soon as we get paid.
00:20:07Ah,
00:20:08yes,
00:20:08paid.
00:20:12Have you
00:20:13any more ideas
00:20:14on that subject?
00:20:15Oh,
00:20:16no,
00:20:16no,
00:20:16none at all.
00:20:18Oh,
00:20:19Senor O'Reilly,
00:20:20isn't it?
00:20:20Yeah,
00:20:21what's with this,
00:20:22ah,
00:20:22yes,
00:20:23paid?
00:20:24What's that?
00:20:25Well,
00:20:26I suppose I'll have to explain it to you.
00:20:27Do you mind?
00:20:27Oh,
00:20:28no,
00:20:28no,
00:20:28no,
00:20:28no.
00:20:28You see,
00:20:29as it happens,
00:20:30I have loaned Senor Cordoba some money.
00:20:32Naturally,
00:20:33he will pay me first.
00:20:34How about the fiesta?
00:20:35Oh,
00:20:36yeah,
00:20:36yeah,
00:20:36the fiesta.
00:20:37And you will no doubt have left before that,
00:20:39eh,
00:20:39Senor?
00:20:40Well,
00:20:40now that you come to mention it,
00:20:42I think I'll stick around a while.
00:20:43You know,
00:20:43I've never seen a fiesta.
00:20:45Oh,
00:20:45there's not much to it,
00:20:46I assure you.
00:20:47Now,
00:20:49now,
00:20:49I don't think you would like it.
00:20:50No?
00:20:51No.
00:20:55There,
00:20:56those two gentlemen,
00:20:57ain't gentlemen.
00:20:58They're a bad hombre.
00:20:59Since they come here to the carnival seven months ago,
00:21:02our luck has changed.
00:21:03From good to bad?
00:21:04No,
00:21:05from bad to impossible.
00:21:06Is that why Anita and her father have to work the concessions?
00:21:09Si, Senor.
00:21:10You see,
00:21:10they cannot afford to pay for salaries.
00:21:12My little flea circus was the only concession paying.
00:21:16And now,
00:21:17she's gone.
00:21:18My beautiful Dolores.
00:21:20My beautiful...
00:21:30Taco concession,
00:21:3235 pesos.
00:21:34Taco concession,
00:21:3535 pesos.
00:21:38Dol concession,
00:21:39100 pesos lost.
00:21:41Dol concession,
00:21:43100 pesos lost.
00:21:45Oh, Papa,
00:21:46I'm sorry,
00:21:47I lost my temper again.
00:21:48That's all right,
00:21:49my child.
00:21:50It brings back memories of your beloved mother.
00:21:53Now,
00:21:54suppose we get the figures down.
00:21:56I'm ready.
00:21:57Good.
00:21:58The dip,
00:22:0020 pesos.
00:22:01Dip,
00:22:0120 pesos.
00:22:03Mmm,
00:22:0520 pesos.
00:22:05smells good.
00:22:06Oh,
00:22:07my chicken.
00:22:10Chicken,
00:22:11my favorite dish.
00:22:14But isn't it rather unusual to...
00:22:21Ah.
00:22:23How do you know he likes chicken?
00:22:25All he told me.
00:22:27How did you know it was for him?
00:22:29How do I know?
00:22:31When a girl starts making pictures of him, it's self-evident.
00:22:35You're in love, my child, eh?
00:22:37Does he love you?
00:22:39Well, he likes to kibitz.
00:22:42Kibitz? What's that?
00:22:43Come here, I'll show you what I mean.
00:22:45Sit down, Papa.
00:22:47Now, to kibitz, you must have three.
00:22:50Like this, I'll show you.
00:22:51Oh, here.
00:22:53This is Alice.
00:22:56Now, this is Mabel.
00:22:59And this is James.
00:23:01Oh, wait.
00:23:02Was it Rose?
00:23:04Well, it's all right.
00:23:06You have three dates with them.
00:23:07And then they ask you to marry them.
00:23:09All three of them?
00:23:10Yeah, of course.
00:23:11It only happens in Brooklyn.
00:23:13Strange place, Brooklyn.
00:23:14Of course, you don't marry them.
00:23:16I should say not.
00:23:17One was enough for me.
00:23:18But, uh, what is this kibitz?
00:23:22Papa, I just explained to you.
00:23:24The girls in Brooklyn, and then you don't marry any one of them.
00:23:27He cannot kibitz with my daughter.
00:23:28Hurry.
00:23:29He's going away.
00:23:30Good evening, Jim.
00:23:31Happy to see you.
00:23:32Uh, good evening, too, Mr. Cardone.
00:23:34Come along.
00:23:34The food will be here soon.
00:23:35Mm, and such food need to prepare.
00:23:38Better than anything you've eaten.
00:23:40Even in Brooklyn.
00:23:41That sounds pretty good to me.
00:23:42Well, Jan and me could stand a good meal.
00:23:45It would seem to me that the only thing you do is eat.
00:23:48Poor elephant.
00:23:49You mean I eat and don't feed bunny?
00:23:51But you settled yourself this morning.
00:23:54A slim 410.
00:23:55Yeah, but let me tell you.
00:23:57Gentlemen, gentlemen, gentlemen, please.
00:23:59Let us relax and enjoy our dinner.
00:24:01How you talking?
00:24:05Nita.
00:24:06Oh, the food at last.
00:24:07Now, let's see what we have.
00:24:10Chicken.
00:24:11Hey, that's for me with bills on.
00:24:13Hope you like it.
00:24:15Like it?
00:24:16That's right up my alley.
00:24:18Help yourselves, senores.
00:24:20Buenas noches.
00:24:21Jose, you're late.
00:24:22Yes, I had some business to attend to.
00:24:25Always the perfect hostess, aren't you?
00:24:27My little buyer of elephants.
00:24:31Excuse me, I have something else to do.
00:24:35You're very lucky, senor.
00:24:36Nita doesn't cook chicken every day, you know.
00:24:39That's right, Johnny.
00:24:40Hey, Jose, the elephant will be a great asset to our carnival.
00:24:45Don't expect any miracles, senor.
00:24:47Yes, sir, bunny bear, terrific drawing card.
00:24:50Yes, but even an elephant has to be exploited.
00:24:52I'll show you how to advertise it.
00:24:54Won't cost you a sandwich, Cordova.
00:24:55We'll give away free tickets.
00:24:57Si, Johnny, but what is the purpose of free tickets?
00:25:00We never charge admission to the carnival.
00:25:02It is only for the concessions that people pay.
00:25:04That's what I say.
00:25:05People who know will come to see why we give away free tickets.
00:25:07Those who don't know will think they're getting something free.
00:25:10That's the way we do back home.
00:25:12A marvelous place, Brooklyn.
00:25:14Yes, and when the people hear about bunny's wrinkles,
00:25:16they will come twice as fast.
00:25:19What is there so wonderful about bunny's wrinkles?
00:25:22Well, you see, then, you know the exact number of wrinkles on bunny's nose,
00:25:26and you make a wish.
00:25:28That's that.
00:25:30If that is true, senor,
00:25:32why haven't you wished yourselves home, huh?
00:25:34Yes.
00:25:35Why don't you go away also?
00:25:37Because I haven't yet counted all the wrinkles on bunny's nose.
00:25:40Oh, excuse me, senor.
00:25:44As soon as you find out the correct number of wrinkles on bunny's nose, my dear,
00:25:48let me know.
00:25:49I have a wish to make.
00:25:51About you.
00:25:56Here, Johnny, have some of this.
00:25:58What's that?
00:25:59It's a cherry pie.
00:26:01What is this cherry pie?
00:26:03That's crust baked over cherries.
00:26:05Oh, it's a tortilla with the cherries, eh?
00:26:07How'd you learn to make it?
00:26:09Only told me.
00:26:10Is that like they make in Brooklyn?
00:26:12Yeah, better.
00:26:12This is super-duper.
00:26:15The chicken was up in the alley with the bells on,
00:26:17and now the cherry pie is a super-duper.
00:26:21And neither is a camp meow.
00:26:27The elephant will be taken care of.
00:26:29Now, what about Johnny and his partner?
00:26:32Maybe, uh...
00:26:33No, no, no, no.
00:26:34I'll take care of them myself.
00:26:36Now, remember, I don't want anything to go wrong.
00:26:39They get a chance to show that elephant on the street tomorrow.
00:26:41That old fool will make enough money to pay us off 20 times.
00:26:45He's already paid you off twice just on the interest.
00:26:48That's the way it's going to be.
00:26:49Why, it's a perfect setup for us.
00:26:52Stop playing with that hammer.
00:26:53It makes me nervous.
00:26:57We, uh...
00:26:58We always have expense money,
00:26:59and we don't stay in one place too long, eh?
00:27:02Now you know what you have to do.
00:27:05Don't worry, Jose.
00:27:06Before I'm through with that overgrown horse
00:27:09with a tail for a nose...
00:27:14Watch out.
00:27:15That tail doesn't wind up around your neck.
00:27:34Watch out!
00:27:35Oh, I drink.
00:27:42Ah...
00:27:42Ah...
00:27:43Ah...
00:27:43Ah...
00:27:44Ah...
00:27:44Ah...
00:27:44Ah...
00:27:44Ah...
00:27:45Ah...
00:27:46Ah...
00:27:57Help! Help! Help!
00:28:01That's funny.
00:28:03Help! Help! Help!
00:28:09Help!
00:28:17Bonnie! Bonnie, stop that!
00:28:25Thank you, Santa Rita Cordova.
00:28:27What are you doing here?
00:28:28I just came in to see the brute.
00:28:30Before I knew it, she had seized me, and I...
00:28:32That's not true. Bonnie's a good girl,
00:28:34and she wouldn't spank him unless he deserved it.
00:28:36I'm also of the same opinion. I know positively he would have hurt her.
00:28:41No, no, senorita. Honestly, I just...
00:28:43If I ever see you in this tent again, I'll have Bonnie sit on you.
00:28:46Now get out of here.
00:28:47Pronto, vayase de aquí.
00:28:54Where's Johnny?
00:28:55He's sleeping in the truck. He likes the open air.
00:28:58Oh, does he have enough covers?
00:29:00Si, Nita. I give him one of mine.
00:29:04What's that rope for?
00:29:05Are you afraid you're going to lose each other?
00:29:07He's afraid I will speak to Bonnie alone.
00:29:09Dolores.
00:29:10All right, all right.
00:29:11Are you going to stay here like that all night?
00:29:13Go to bed, both of you.
00:29:24Funny little man, Ignacio Noli.
00:29:26Ah, but they love you very dearly.
00:29:30It must be wonderful to be loved by someone like that.
00:29:34Someone who doesn't keep it.
00:29:36You know what I mean, don't you, Bonnie?
00:29:39Of course you do.
00:29:40You're old enough.
00:29:43Oh, Bonnie, I'm sorry.
00:29:46I know how sensitive a lady is about her age.
00:29:50But we'll keep it a secret, Mrs. Nancy.
00:29:53You know, Bonnie, I don't know if it's true what they say about your wrinkles.
00:29:58But even if I don't know how many wrinkles you have, you won't mind if I make a wish, do
00:30:03you?
00:30:05I wish, I wish that I'll always be Janet's cat meow.
00:30:11There.
00:30:14I suppose you think I'm silly.
00:30:18But I guess when it comes to love, all women are.
00:30:30Good afternoon, Capitan Oliveira.
00:30:31Buenas tardes.
00:30:33Ah, señorita Córdoba, be seated, please.
00:30:35And how is the master of the flea circus?
00:30:37I hope you didn't bring any to my office.
00:30:39Oh, no, señor Capitan.
00:30:41In the flea circus there is something much, much larger.
00:30:44And what may that be?
00:30:45An elephant.
00:30:47An elephant?
00:30:47There is quite an expansion from a flea.
00:30:50An elephant?
00:30:51Si, but she's not an ordinary elephant.
00:30:54She's wonderful, beautiful, and romantic.
00:30:58Si, si, your fleas wear the same.
00:30:59But what is the purpose of your visit?
00:31:03We are here to ask for a permit to parade the elephant.
00:31:06The van, the truck, with the members of the carnaval.
00:31:10Parade an elephant in the streets of El Encanto?
00:31:13Well, but there is preposterous.
00:31:14They do it in Brooklyn.
00:31:16They do many things in Brooklyn, such as jumping off the Brooklyn Bridge or selling it to some
00:31:21fool now and then.
00:31:23Tell me, what is the purpose of parading this elephant?
00:31:27Ballyhoo.
00:31:28Ballyhoo?
00:31:29You know, like advertising.
00:31:32Oh, and in Brooklyn they do this ballyhoo in the streets?
00:31:36Si.
00:31:38Well, if it is good enough for Brooklyn, then it is good enough for El Encanto.
00:31:44You have my permission.
00:31:46Thank you, Capitan Oliveira. You are super duper.
00:31:51And with the bells on.
00:32:04Presenting the good luck elephant, Bunny.
00:32:06That's all right, Johnny.
00:32:08Wait to see the business it brings in.
00:32:10Oh, did you get the permits?
00:32:12Si, Anita and me are the super duper.
00:32:14Sure.
00:32:15That's good.
00:32:16Ignacio, get the elephant ready for the parade.
00:32:18I'll tell the others.
00:32:19Si, senor.
00:32:20Come on, Anita.
00:32:20You've got to rehearse that speech.
00:32:22You know, you've got to be good.
00:32:28Now, go ahead.
00:32:29You're a cinch.
00:32:33Ladies and gentlemen, tonight the Cordoba Carnaval will present for her premiere performance
00:32:40none other than Bunny, the Wonderer Elephant.
00:32:47She will positively amaze you.
00:32:50I saw an elephant once.
00:32:53I'll tell you what I'm gonna do.
00:32:57I'm gonna give away to each and everyone a ticket.
00:33:02Miles.
00:33:03Admitting you to the grounds of the Carnaval for the show which starts at 8 o'clock tonight.
00:33:10Now, this ticket is not gonna cost you senor a centavo.
00:33:15This ticket is not gonna even cost you a peso.
00:33:19This ticket is absolutely, possibly free.
00:33:25Honey, you're swell.
00:33:27I'll sign you up for life in Cooney Island.
00:33:30That's in Brooklyn, too.
00:33:31I shall pass you, please.
00:33:41He found the revolution, yes and power, and men.
00:33:46Come and get this and come.
00:33:48Aqui, aqui, en general, and I.
00:33:55No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:34:04no, no, no, no, no, no, no, no, no.
00:34:06Nita, we will be rich.
00:34:08With this money, we shall pay Don Jose.
00:34:10See, and Johnny and Ollie, too.
00:34:13Oh, Bonnie.
00:34:15That's right, Nita.
00:34:18Yes, and then he'll go back to Brooklyn.
00:34:21But after all, this is not his home.
00:34:23And we must travel on, too.
00:34:25Yes, I know, but he called me his cat-meow.
00:34:28Cat-meow.
00:34:29There, there, my child.
00:34:32What's this?
00:34:33Now that we're making money, you'll start to cry.
00:34:36Here, blow.
00:34:37I'll be back in a few minutes.
00:34:58Come in.
00:35:02Yes?
00:35:04Is Senor Córdoba here, Senorita?
00:35:07No, but I am his daughter, perhaps.
00:35:09We are police officers.
00:35:11Oh, why, are you sure they don't expect to find any criminals here among our employees?
00:35:16No, but we are looking for two Americans.
00:35:19We were told that two were seen with an elephant,
00:35:22and we are not sure if they are the ones we want, but...
00:35:27Oh, those Americans.
00:35:30Why, yes, as a matter of fact, we did buy an elephant from them,
00:35:34but they left as soon as we paid them.
00:35:37What have they done?
00:35:39I'm sorry, but it's confidential.
00:35:41If you see them again, please notify the police at once.
00:35:44Si, Senor.
00:35:47Good night, Senorita.
00:35:49Thank you very much.
00:35:50Good night, gentlemen.
00:36:02Good night, gentlemen.
00:36:07Those detectives are here looking for him and that elephant boy, Olly, aren't they?
00:36:11Oh, they were just looking for two Americans, but they're not sure it's Johnny and Olly.
00:36:14Oh, no, no.
00:36:15Oh, but you didn't take any chances, did you?
00:36:18Sit down, Anita.
00:36:22I, uh...
00:36:23I heard you tell them that Johnny and Olly had gone.
00:36:26You listened?
00:36:26No, but the door, she is open, and I...
00:36:29What are you going to do?
00:36:30Nothing.
00:36:32Thank you, what they...
00:36:33What's your hurry?
00:36:34The police have gone.
00:36:35You can say goodbye to Johnny later.
00:36:37Goodbye?
00:36:38Certainly.
00:36:38You're going to tell them the police were here, aren't you?
00:36:40Yes, I'm going to tell him now.
00:36:43You'd even break the law for them, wouldn't you?
00:36:45Jose, what do you mean?
00:36:48Well, concealing criminals and aiding them to escape.
00:36:53Oh, but Johnny is no criminal.
00:36:57I'm sure he's done nothing wrong.
00:36:58Perhaps not, but the police seem to think so.
00:37:01I...
00:37:01I won't tell them he's here if you're nice to me.
00:37:05Neither, you know how I feel about you.
00:37:08Yes, Jose, but...
00:37:09But you love Johnny, I know.
00:37:12Yes, yes, I do.
00:37:13Do what?
00:37:16Jose, you look like Mr. Troubledong got you by the big toe.
00:37:19And you're, he may have me by the big toe.
00:37:21But he's practically got you by the neck.
00:37:25Johnny, where's Ollie?
00:37:26With Bunny and Ignacio.
00:37:28Hey, what did snake eyes mean by that crack?
00:37:30Crack?
00:37:31Yeah, for once he sounded like he was telling the truth.
00:37:34Nina, what's up?
00:37:36Johnny.
00:37:40There is trouble.
00:37:41The police were here looking for you and Ollie.
00:37:44Police?
00:37:45Where are they now?
00:37:46You haven't done anything wrong, have you?
00:37:49Oh, Anita, the little wrong I've done, you could put in your left eye.
00:37:51But they were asking for two Americans.
00:37:55And they mentioned a nenefant.
00:37:58Uh-oh.
00:38:01Then it is you they want.
00:38:02Well, uh, listen, Nina, I haven't committed any crimes yet.
00:38:07And we haven't received a sense so far.
00:38:10And technically...
00:38:12Johnny, did you steal much?
00:38:17Well, uh, I, uh, considering wasn't bad at all.
00:38:25Don't you?
00:38:26Well, I'll tell you, it was like this.
00:38:28I met Louie the left.
00:38:29That's Ollie's real name.
00:38:30He says to me, he says,
00:38:31Johnny, I've got the layout of Jake's delicatessen.
00:38:33This is no ordinary job, he says.
00:38:35Of course, I knew that Jake had plenty of what it takes for over the weekend,
00:38:38so I decided to pull it on a Saturday night.
00:38:39Did you carry a gun?
00:38:40Oh, no.
00:38:42Of course not.
00:38:42I had Jane, Alice, and Mabel for my gun girls.
00:38:45Were they very interesting gun girls?
00:38:47Well, Mabel wasn't so hot.
00:38:48She was sort of, uh, you know, uh, her gun holster balls.
00:38:53Oh, that's why you only keep it with her.
00:38:56Oh, I had to be nice to her.
00:38:58She had an itchy trigger finger.
00:38:59Well, the night before we pulled the job,
00:39:01we were sitting up in Louie's apartment.
00:39:03Was Jane and Alice there, too?
00:39:04Of course.
00:39:05We're cutting up a few touches.
00:39:07You know, trying to decide what to do with the stuff?
00:39:09All of a sudden, I heard a heavy pounding on the door.
00:39:11I reached for...
00:39:12Was it the police?
00:39:13No.
00:39:13I quickly turned out the lights and we...
00:39:15Was it...
00:39:15No.
00:39:16Then I moved closer, closer.
00:39:18To Alice?
00:39:19No, to the door.
00:39:21And then...
00:39:21I put my hand on the doorknob, and then...
00:39:24And then...
00:39:26Well, isn't that bad enough?
00:39:28Do I have to go into all the gory details?
00:39:30After all, there's such a thing as ethics.
00:39:32Even among criminals of my type.
00:39:36Johnny, could I be your gun girl?
00:39:39I have such small hips, you know.
00:39:41You mean you want to be with me even after...
00:39:43Yes, more than anything in the world.
00:39:46Well, you know what kind of a life it is.
00:39:48Always have the police chasing you.
00:39:49Always on the run.
00:39:50Always afraid to look people in the face
00:39:51in fear it might turn out to be Jake.
00:39:53Yes, even if Jake was here right now.
00:39:57Neither, darling.
00:39:58Ah, there you are, Johnny.
00:40:00I was looking all over for you.
00:40:02I guess I was looking in the wrong place, eh?
00:40:04Excuse me, please.
00:40:06I wanted to pay you for the elephant.
00:40:08Today has been wonderful, thanks to her.
00:40:12Well, uh...
00:40:14I guess I'll have to think that over, Mr. Cordova.
00:40:16You see, uh...
00:40:18I might not be able to sell your money after all.
00:40:21But why, Johnny?
00:40:23The price, perhaps?
00:40:24Oh, no, no, no.
00:40:26It's not that at all.
00:40:28Uh...
00:40:28You see, uh...
00:40:32It's...
00:40:32Yes.
00:40:35I see.
00:40:37I see a man who does not keep his word.
00:40:40Oh, but you don't understand.
00:40:43I understand perfectly, senor.
00:40:46When you have made up your mind
00:40:47how much money you want for Bunny,
00:40:49let me know.
00:41:10Oh, so you want to play games, eh?
00:41:13Fine time of the night you pick for it.
00:41:15By the way, what are you doing out at this hour?
00:41:18Do you realize it's almost 2 o'clock in the morning?
00:41:22Oh, you do.
00:41:24I'll bet you know a lot of things, don't you?
00:41:29Did you know that I'm in love?
00:41:32Me?
00:41:33Johnny O'Reilly, who has never been in love before.
00:41:36And that she loves me.
00:41:38You know everything, don't you?
00:41:42Well, I'm letting you in on something you don't know.
00:41:45Just to keep you up to date.
00:41:46I'm going to marry her.
00:41:48Did you know that?
00:41:50Hey, wake up, you guys.
00:41:52I'm in love.
00:41:53At this time of the morning?
00:41:55Are you sure?
00:41:56Sure, I'm sure.
00:41:57I'm in love with her, and she's in love with me.
00:41:59Oh, how you know that?
00:42:00You was in love with Alice and Mabel and Yenny.
00:42:02Well, he ought to know.
00:42:04He's a man of experience.
00:42:05But, Oli, this time is different.
00:42:07It was different with the other ones, too.
00:42:09Please, let us go back to sleep.
00:42:11Si, senor.
00:42:12We can discuss this in the morning,
00:42:13when we can look at the subject from all sides.
00:42:16Well, I've looked at the subject from all sides.
00:42:19I'm in love with her, and I'm going to ask her to marry me.
00:42:22Marry her?
00:42:23Right now.
00:42:24But you cannot ask the marry her.
00:42:26But why not?
00:42:27He's free and sent, Devon.
00:42:29But a certain formalities, they have to be observed.
00:42:31Here in Mexico, it's different.
00:42:34What do I have to do?
00:42:35Well, here you ask the father for the hand of the daughter.
00:42:39So, I'll ask him.
00:42:40No, no, Johnny.
00:42:41You cannot ask him.
00:42:43He can't?
00:42:44You should have heard and rehearsed the proposal
00:42:46here that's going to make to the others.
00:42:48No, no, no, no.
00:42:49Here, you send the nearest male relative
00:42:52of the closest friend to make such requests.
00:42:55Okay, I'll send him.
00:42:58No, no, certainly not.
00:43:00What's the matter with me?
00:43:01Oh, that's besides the point.
00:43:03It is like sending a bull to a china shop
00:43:06for a parcel on a teacup.
00:43:09Well, however, I will accompany
00:43:11this certain matrimonial emissaries
00:43:14to see that everything is handled properly.
00:43:17You know, we want everything you said, Johnny.
00:43:19Okay, then I'm all set.
00:43:21Well, that's up in the alley.
00:43:22Good night.
00:43:23Good night.
00:43:24What do you mean, good night?
00:43:25You guys think I'm going to wait till morning?
00:43:26Get out of those beds.
00:43:27Oh, but look, it's two o'clock.
00:43:29Oh, nobody makes such requests for marriage
00:43:31at two o'clock in the night.
00:43:33What does time got to do with it, sir?
00:43:35I think you got something there, Johnny.
00:43:37Well, there's no law against it.
00:43:39Well, what are we waiting for?
00:43:41What are we waiting for?
00:43:42Yeah, let's make moon by the hay shine.
00:43:44Sure.
00:43:56Hey, wait a minute.
00:43:57This is private.
00:43:58But, Johnny, those are the musicians.
00:44:00But what for?
00:44:01We ain't going to dance with her.
00:44:02Oh, sure.
00:44:03All I want to do is get permission to marry her.
00:44:04But that's why they're here.
00:44:06Music soothes the savage breasts.
00:44:08Oh, the old man.
00:44:10Hey, maybe you got something there.
00:44:11Bubbles.
00:44:37Johnny, can you sing?
00:44:38Can I sing?
00:44:39Oh, we'll have the musicians.
00:44:51You make me nervous, too.
00:44:56Senor O'Reilly, what is the meaning of this?
00:44:58Well, I, it's, uh...
00:45:00Senor Cordoba, I am at the door.
00:45:09Ignacio, what does this mean?
00:45:11Well, uh, we have come to see you about, uh, about, uh...
00:45:15A very joyous occasion.
00:45:17At this hour of the morning?
00:45:18And what is that?
00:45:20Well, it's very simple.
00:45:22You see, I mean him.
00:45:23No, I mean they.
00:45:24Well, uh, him and me.
00:45:25Perhaps we can discuss it inside.
00:45:31Hello, Oli.
00:45:32Oh, hello, Nita.
00:45:33Where's Johnny?
00:45:34Well, outside the window.
00:45:40Nita.
00:45:41Johnny, my darling.
00:45:44Ignacio and Oli are popping the questions.
00:45:48Please be seated, gentlemen.
00:45:49Gracias.
00:45:51How are they doing?
00:45:53Pleasure sitting down.
00:45:55Pshh.
00:45:59Oh, Johnny, I'm so happy.
00:46:02That makes two of us cook again.
00:46:08And now, senores, what is the nature of your visit?
00:46:12Well, uh, Mr. Carboda.
00:46:14Uh, Cordoba.
00:46:15Yes.
00:46:16I, I mean, we.
00:46:17Well, I'm a little self-unconscious that I want to ask you.
00:46:21Uh, but we want to speak about the elephant.
00:46:24No.
00:46:25No.
00:46:25No, no, no, no.
00:46:26Excuse me, senor de Cordoba.
00:46:28This is much, much larger than even an elephant.
00:46:32Yeah, you see, what we really want to speak about is, uh,
00:46:36well, you know about the birds and bees.
00:46:39Well.
00:46:40They're talking about the birds and the bees.
00:46:42What?
00:46:43I'm going in there.
00:46:44No, Johnny.
00:46:45Let them do it.
00:46:47So you see, Mr. Carboda,
00:46:49when the little boy bee falls in love with the little girl bee,
00:46:53well, there you was.
00:46:55Well, there you was.
00:46:57You asking my permission for Johnny to Maranita?
00:47:01Si, senor.
00:47:03Gentlemen, I shall have to think it over.
00:47:05Oh, but why?
00:47:06They're already in love with each other.
00:47:08Uh, but senor Cordoba, as my good friend Johnny would say,
00:47:13this is no kibitz.
00:47:14This is love with the bells on.
00:47:16I'm sorry, my friend.
00:47:18I realize they do love each other,
00:47:20but I shall have to think it over.
00:47:21I have my reason.
00:47:24Good night.
00:47:27Don't worry, honey.
00:47:29He'll see it our way.
00:47:31I hope so.
00:47:32But he's so stubborn.
00:47:34Oh, he knows we're in love.
00:47:36Why, he's a cinch to give in to our marriage.
00:47:38You don't know, Papa.
00:47:40He's no cinch.
00:47:41Listen, if everyone think it was as big a snap as this,
00:47:43our worries would be over.
00:47:55Please, Johnny.
00:48:01Does this go on all night?
00:48:05What is interesting?
00:48:07Mi amor.
00:48:08My love?
00:48:10Yes, my love.
00:48:30My love was just a word to me.
00:48:42No, love me more than the world to me.
00:48:52Hear my play.
00:48:56Pray till the sun rumbles into the morning.
00:49:06Amor.
00:49:09Amor.
00:49:12I love you.
00:49:17I'll be darling close to you when I hear you say to me.
00:49:29Me, my love.
00:49:36Dulce, amor.
00:49:38Eres tú, sí.
00:49:40Tú, yo soy.
00:49:42Yo te quiero.
00:49:47Dulce, amor.
00:49:51Me, mi amor.
00:49:54Oh, my God.
00:50:03Captain Oliveira?
00:50:05Si, come in.
00:50:06What can I do for you, Senor, uh...
00:50:09Hernandez, Alejandro Hernandez?
00:50:11Won't you be seated, Senor Hernandez?
00:50:12No, many things.
00:50:14My visit will be brief.
00:50:16I have but the one question to ask.
00:50:18That's fine.
00:50:19I'm a busy man myself.
00:50:20Well, now then, to begin with, I have been in Tijuana, Mexicali, Juarez, Chihuahua, Guadalajara, Mex...
00:50:25Uh, Senor Hernandez, I can see that you're a very well-traveled man, but let us dispense with this tour,
00:50:30even though these places are romantic and beautiful.
00:50:33Senor Capitan, I was not on my honeymoon, and I was not traveling for pleasure.
00:50:39I was looking for my property.
00:50:41But Senor Hernandez, this is not a real estate office.
00:50:45I realize that, Senor Capitan, but my property has been stolen.
00:50:49Ah, stolen.
00:50:51And what's the nature of your property?
00:50:55An elephant.
00:50:57And what's the description of this elephant?
00:50:59Elephant?
00:51:01You know, it's too bad they wouldn't put Bonnie's name on the Fiesta ballot.
00:51:04I bet you she would be elected queen tonight.
00:51:06What else could you expect?
00:51:08If you have left the matter to me, as Dolores, her election would have been practically in the alley.
00:51:14Oh, well, even if you ain't clean up the Fiesta, you'll still be the most beautiful girl there.
00:51:20Hello, Johnny.
00:51:21You guys did a swell job, but it's no use.
00:51:23Mr. Cordova refused to give his permission.
00:51:27Yeah, you didn't quite hit it that time, did you, Bonnie?
00:51:29Johnny, if Bonnie says you will marry her, you will.
00:51:33Si, she doesn't talk just at all.
00:51:37Senor O'Reilly and Senor Swanson, you are both under arrest.
00:51:40Now, look, we didn't steal the elephant.
00:51:42If the owner...
00:51:43But it isn't just this matter of elephant stealing.
00:51:45There are other charges.
00:51:46What are the charges?
00:51:47You will find out.
00:51:48This way.
00:51:49Oh, goodbye, Bonnie.
00:51:51Be a good girl and listen to what Ignacio tells you.
00:51:54Johnny.
00:51:56It's all right, honey.
00:51:57We haven't done anything.
00:51:59Come on, smile.
00:52:00Snap out of it.
00:52:01You look like an old maid.
00:52:03I want you to be the queen tonight.
00:52:05Yes, and if Bonnie are the election, you won't have any competition.
00:52:09We'll come to the police station and get you out on bail.
00:52:12Eh, Papa?
00:52:13Yes.
00:52:14We owe them that much.
00:52:16Well, thanks, Mr. Cordova.
00:52:18Senora, let's go, por favor.
00:52:26I'm going to get my purse.
00:52:28Hurry, Papacito.
00:52:34I can never hold on to my money.
00:52:37Ah, love.
00:52:43Anita!
00:52:45What is it, Papa?
00:52:46Our money!
00:52:47It's gone!
00:52:48Oh, no!
00:52:49Come in.
00:52:52Oh, Jose, I'm so glad you're here.
00:52:54We've been robbed.
00:52:55Someone opened my safe.
00:52:56Does this belong to you?
00:53:00Yes, this is part of it.
00:53:02Where'd you get it?
00:53:02I found it by Johnny's truck.
00:53:05Are you sure this is ours?
00:53:06Yes, that's my handwriting on the slip.
00:53:08I won't believe Johnny is a thief.
00:53:10But I do, and I'm going to prosecute it.
00:53:12But perhaps if you promise not to cross charges, Senor,
00:53:15they may return the rest of the money.
00:53:17Papacito, I don't believe Johnny would steal from us.
00:53:23There will be no charges made.
00:53:29I'm having them transferred from the substation near the Fiesta grounds to the headquarters.
00:53:34But, my dear, the elephant mater is nothing.
00:53:37Simply a case of mistaken addresses.
00:53:40But there are other charges.
00:53:41One in particular, which I'm afraid will be a...
00:53:44What is that?
00:53:46One, two, three, four, five, six, seven...
00:53:50Ah, here we are.
00:53:51Number eight.
00:53:53They want it in Chicago.
00:53:54Well, here, read it yourself.
00:54:05But Johnny and Oli are from Brooklyn.
00:54:07See, they were from Brooklyn.
00:54:09That's number three.
00:54:10Thank you, Papitan.
00:54:12Anita, you mustn't let this upset you too much.
00:54:15Forget about it.
00:54:17You know you are the favorite to be the Queen of the Fiesta tonight,
00:54:19and you should...
00:54:40Johnny, look!
00:54:41It's Nita.
00:54:42I've got to talk to her.
00:54:45Oli, come on!
00:54:47The dangle off!
00:54:48The dangle off!
00:54:49The dangle off!
00:55:15Nita!
00:55:16Johnny, what are you doing here?
00:55:17Never mind that.
00:55:18Perhaps, senor, you're smart to keep your nose out of this.
00:55:20Look, honey, finally everybody's convinced we didn't steal the elephant.
00:55:23It's not the elephant, and you know it.
00:55:25What I want to know, which one of them did you marry?
00:55:28Married?
00:55:28Hey, wait a minute.
00:55:29I'm not married to anyone.
00:55:31Yet.
00:55:34There he is.
00:55:36That's my husband.
00:55:38Took me a long time, didn't it, Joe?
00:55:40No, but no one runs out on little Gertie.
00:55:42But senorita, his name is for saying.
00:55:44Not from my angle, it's not.
00:55:46He's Joe the Gyp.
00:55:48Say, where's this dude's Charlie?
00:55:53Charlie!
00:55:57Well, Charlie, you've been doing all right for yourself, haven't you?
00:56:02It's my money, they're not stolen.
00:56:04Take them into the headquarters.
00:56:06This way, pronto.
00:56:09I suggest you go along with us.
00:56:11You bet I will.
00:56:13Nita, Nita!
00:56:15Senor Hernandez here has agreed to sell the elephant to us.
00:56:19Yes, senorita.
00:56:20You can buy her for ten thousand pesos.
00:56:23Ten thousand pesos!
00:56:24Yeah, that's just about the right price.
00:56:25Last three months' board, food, transportation, and other things.
00:56:29That'll just about make us even with this.
00:56:33Well, senor, this...
00:56:34Senor Hernandez, with that, you can complete your tour.
00:56:37Oh, capitán!
00:56:39Ladies and gentlemen,
00:56:41we have the honor to announce the queen of the Moonlight Piesta,
00:56:44Senorita Dita or Dona!
00:56:47Oh, you can tell me what I want!
00:56:50Oh, you can kill me!
00:56:57Good to meet you!
00:56:57No, no, no!
00:56:59No, no!
00:57:00No, no, no!
00:57:01No, no, no!
00:57:02No!
00:57:07No!
00:57:08To the moonlight's vista down in Mexico, where nothing dark has set your heart as low.
00:57:15You'll find no questions asked.
00:57:17Si, si, no questions asked.
00:57:18And if you are your mask.
00:57:20And if they are your mask.
00:57:21That when the evening is gone, your memory still lingers home the night night.
00:57:28The moon is the brightest you see.
00:57:35The green has to stand for the clean.
00:57:41The green is the never-done queen.
00:57:47A condemnation that drives the fishes pure down the white.
00:57:51And you discover that night just what I mean.
00:57:54Another moon might see if the down in Mexico.
00:57:58You'll find mañana is the word to know.
00:58:00It never comes along.
00:58:03No, no, that would be wrong.
00:58:05For life is just a song.
00:58:06Again, a happy song.
00:58:07Just let yourself really go when you are in Mexico.
00:58:11Just say, mañana.
00:58:35The moon is the brightest you see.
00:58:42The moon is the brightest you see.
00:58:49The wonder things will be in Mexico.
00:58:55He's the brightest you see.
00:58:58investors will grow and streak on the beach with their way out now.
00:59:01And they are their basis to show a gift there in Mexico.
00:59:06Your intervention is the red 없이 tierra.
00:59:08czy shall she know your brain.
00:59:09And they are not the darkest you see.
00:59:12And they are the greatest you see.
00:59:13Knowing that life is not the 가장 love.
00:59:15Just let your stuff really go
00:59:17When you are in Mexico
00:59:19Just go
00:59:22Mañana
00:59:40Do you mean
00:59:45Oh, you are beautiful.