00:067 years ago, a picture and a picture of an unknown.
00:11Think about some kind of a person who can see a magnifying glass.
00:19The color of the canvas has many people.
00:22However, the color of the canvas has been removed from the canvas.
00:28No, this Ram Darbar is a painter of U.P.K. Gorakhpur, Nisha Jaiswal, who has made this painting in
00:33Nisha Jaiswal.
00:34The work is so beautiful that you have to use the magnifying glass to see it on the canvas.
00:40Nisha Jaiswal's Ram Darbar painting in Nino Advanced Studies in Shimla Pradarshit.
00:47My mind is always the thought that we will make our Ram Darbar, which is slightly cut.
00:58We have studied Balmi's Ramar.
01:02We have studied Raja Vishayak.
01:04We have studied it many times.
01:06We have been able to use it as a manas.
01:08We have conceived it as a manas.
01:11We have been able to use it as a manas.
01:13The work is so easy that with a brush,
01:16one stroke has to stop the brush with a brush.
01:18As a manas has a mistake.
01:19We have taken a lot of brush with a brush.
01:35Nisha Jaiswal's Ram Darbar painting in Nisha Jaiswal.
01:39It's been a 7 years ago.
01:43It's a meditation for me.
01:44This is a yoga meditation.
01:45This is a prayer that we have used to make a brush with a brush.
01:47and we have 7 years to make it.
01:52One reason is that because there is a stroke where you have to get your breath.
01:58If you take your breath a little bit, then everything will get worse.
02:02So there is a lot of concentration.
02:077 years of time, that is also a kind of picture
02:10which the worker has prepared their responsibilities.
02:12of the work of the family of the family.
02:13Sometimes, a bad fear of a child was so far
02:17because it was a bit of a shock
02:20but the pain was burning.
02:23This was not just a head,
02:24it was a failure to become a state of mind and mind.
02:29We were also a professor at university.
02:31When we were babies,
02:33we worked for 5-7 hours.
02:37Otherwise, we worked for 4 hours.
02:40foreign
02:55foreign
02:56foreign
02:57foreign
02:57foreign
02:57Under the Mehandi Pratiyogita started the trip to the Kala Majjo.
03:04There were some girls who liked Mehandi.
03:07My friends and my friends, Sanjogs didn't get time for us.
03:11We thought that it would be better for them.
03:15We used to put canvas on this way.
03:18Our Kala Yatra is a Pratisparadha.
03:20Our Kala Yatra is a Pratisparadha.
03:23With the Kala Yatra, Nishajaiswal's painting has been started.
03:28Mehandi Pratiyogita started this trip to America.
03:33My first project was India Habitat Center in Delhi.
03:37In my India Habitat Center, there was an exhibition in two times.
03:41My exhibition was in ICCR.
03:43My exhibition was in India Art Festival.
03:46My exhibition was in Karts Karts Village.
03:49On our side, there were some galleries.
03:51There was a Raghleth Kala Academy.
03:53In Delhi, we also had a group in Delhi.
03:56We also had a group in Interact.
03:57We also had a group of participants.
03:59The most important exhibition was in my US.
04:02There was a very good feedback.
04:05In India, in India,
04:07There was an inspiration for you to do.
04:09Maybe normal thoughts on your own world.
04:11In India, there was a great picture of you.
04:13I am going to see them.
04:16But from it, there was a great picture of them.
04:21The picture of the media is so great in which them are on the right.
04:26There is nothing more than an emoji.
04:26There is a great picture of the Dalai J2-sep.
04:27A little friend of the church.
04:28In India, there is no stretch.
04:29I am very good friends.
04:30There is another connection.
