00:00Ah! Ah!
00:13El principio es muy como la fotografía.
00:16Solo que en vez de fotografar la cara,
00:19te fotografas la voz.
00:21Luego, 20 años después,
00:23justo como abrir un álbum fotografía,
00:25te colocas el cilindro relevante
00:28y escuchas el cilindro,
00:30y escuchas el cilindro,
00:33y escuchas el cilindro,
00:35o cantar un canción.
00:37Y creas que podría inventar un máquina así,
00:41que funcionó?
00:43Por Dios, ¿por qué?
00:45¿Por qué?
00:45¿Por qué no?
00:47¿Por qué?
00:47¿Por qué?
00:47¿Por qué?
00:49¿Por qué?
00:50El problema.
00:51No creo que me va a gustar mucho.
00:56Berlín showed me some of your poems.
00:58Oh, yes?
00:59Remarkable.
01:00Very promising.
01:01Mm-hmm.
01:02Only, it seems to me all that ingenuity
01:04is rather marred by,
01:06well, not exactly a juvenile urge to shock,
01:09but something of the sort.
01:10And were you shocked?
01:11No, I wasn't, of course not.
01:13Then why would you suppose I intended you to be?
01:16Well, that's not really the point.
01:17Seems fair enough to me.
01:20I could object to your technical approach.
01:22Well, I could object to your tie.
01:23He doesn't like disgustive, his poetry.
01:26I see.
01:30I have a surprise for our friend.
01:37Thank you.
01:40Thank you.
01:41Thank you.
01:41Thank you, gentlemen.
01:43Sulfuric acid.
01:44My first poem is written expressly for children.
01:46I would ask you to bear this in mind.
01:48Although, as with all worthwhile work for children,
01:51it is hoped that what he said is of some relevance to adults.
01:56The poem is called Green Absinthe.
01:59Green Absinthe is the potion of the damned.
02:03A deadly poison silting up the veins
02:06while wife and child sit weeping in their slum.
02:09The drunkard pours absinthe into his brains.
02:13Oh, drunkard, most contemptible of men.
02:17Shit!
02:17Degraded, fallen, sinful and obtuse.
02:20It is, it's authentic shit!
02:24Degraded, fallen, sinful and obtuse.
02:26I like it.
02:27Who is this?
02:28You scruple not to beat your wife and child.
02:31We're trying to deprive you of the juice!
02:33Don't get out, you!
02:34Me?
02:35You're skew, you offensive little bastard.
02:37Get out or I'll throw you out.
02:38Well, I think I may, may I not be permitted to raise some objection
02:41against the butchering of French poetry.
02:43No, you may not.
02:44Now, apologize and get out!
02:46Don't come in here.
02:48Be careful.
02:49You can frighten me for that thing.
02:53Careful, I say.
02:56Ah, ha!
02:58Get out!
02:59Come here!
03:01Come here, all the way!
03:09Come here!
03:12Come here!
03:13Come here!
03:14Hold on!
03:15Come here, all the way!
03:17Come here, all the way!
03:18Now you, you fucking ink-pissing!
03:20Y una de sus principales funciones fue a ridar el mundo de penas,
03:26de fútbol y de no talento,
03:30por que los dejen de los de una gran heighta.
03:56¿Cómo hacer tu camino en el mundo del mundo?
04:01Lo que más importante de esta ciudad es que los artistas son más bourgeois que los bourgeois.
