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Infinito amor - Capítulo 9
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00:09They'll be safe here while I locate that man.
00:13Ariel Bravo.
00:15God has given me the strength to avenge evil.
00:18And I will be his instrument.
00:20I am not the avenger, I am the punishment.
00:23And here's a note.
00:25Pablo Duarte gave me the key to enter the world of my enemies.
00:31Look, you're hired. Congratulations!
00:34I will infiltrate their lives until I find the truth.
00:38And then I will not only hug my mother again, I will also prove my innocence.
00:43Especially to her, to Cristina, my infinite love.
00:49Cristina?
00:51Ariel, what are you doing here?
00:54Since I work here, at the publishing house.
00:57No, no, no, how can you work here? That's not possible.
01:00No, no, it's not right, it's not right. You have to leave. Please, go.
01:04But why?
01:05Because...
01:07Because that's just going to bring us more problems.
01:09If my husband finds out that you are...
01:11That?
01:12What? What? What am I?
01:14Please, Cristina, why don't you say it? What are you afraid of?
01:18Nothing.
01:19Cristina, I know you and you seem scared.
01:22But why?
01:23Do you want me to come and do something to your husband? Are you afraid of me?
01:26No, no, that's not it.
01:28So what is it? Please.
01:29Ariel, Ariel, please, I don't want you near my husband.
01:32But why?
01:35What are you afraid of from me?
01:37It's not...
01:39It's not fear, it's...
01:40It's common sense.
01:42It's prudence.
01:43It's... It's respect.
01:45And the last thing I would do is disrespect you.
01:48But I have very powerful reasons for being here and I don't intend to leave this place.
01:52Look, if you'll let me explain it to you, not here, not now.
01:55Let's see...
01:56No.
01:58No, no, no, no, no, I don't agree.
02:01We're not going to see each other here or anywhere else.
02:02Understand that you and I can't be together, it's...
02:05We shouldn't.
02:07Is there anything else you need, Mrs. Duarte?
02:11No, Ferreira, nothing more than what I asked for.
02:13Perfect.
02:14Could you please send the order to the school?
02:16Sure, of course.
02:18Thank you, thank you.
02:19Excuse me.
02:22I'm going, please make sure you clean the trays well.
02:26And then you put the light in its place, nice and straight, everything in place, okay?
02:30Salt.
02:33Mrs. Duarte.
02:38I need to know more about this type of person.
02:41What I do?
02:43Oh, Marquitos, the opportunity.
02:45Oh, oh.
02:45Hey, what's wrong?
02:47Forgive me, forgive me, miss.
02:48I have an appointment with the gentleman.
02:50Oh, this gentleman who just...
02:51Malachi.
02:52That's it, exactly.
02:53Malachi, sorry, no, Mr. Malachi.
02:56Or should I say, Mr. Malachi, right?
02:58Because I know it's very important here.
03:00Of course it's important.
03:01Ah, yes.
03:02He is a trusted man of the Duarte family.
03:04Ah, go ahead.
03:05Why don't you tell the security guard to let you through?
03:08Oh no, it's just that that security guard and I have a very, very complicated history.
03:13I mean, no, not complicated, no.
03:15Look, the last time I came here I went inside.
03:17Yes, well, unintentionally, but that man stares at people in a dirty way.
03:22And I don't like being looked at in a bad way, and you know, we didn't end well.
03:26Uh-huh, yes, of course.
03:27Yeah.
03:27And why is he so interested in him?
03:30Who sent you?
03:31Hey?
03:31Why did you hit me?
03:32What sicko always has to kick me out?
03:33Okay, okay, okay, calm down.
03:35I'll get information out of you, ma'am.
03:37To ma'am, I.
03:38Obviously not.
03:39And you know what?
03:40He wants to get me into trouble.
03:42And that man looks like anything but an important person.
03:45Hey, this guy is asking questions about the staff.
03:49That's not true, that's not true.
03:51This lady, this lady is crazy and she's making things up about me.
03:54Security?
03:54No, hey, and you know what?
03:56That?
03:56I'm leaving now, that's how it is, goodbye forever.
03:59Oh, me, confused?
04:01What kind of shameless guy wants to see my face?
04:06Why would she be interested in Mr. Malachi?
04:09Alba's book is almost finished.
04:11Mr. Pablo authorized it.
04:14Do you want a copy of everything my granddaughter has handed in?
04:17From every page, from every image, from everything.
04:21Of course, absolutely.
04:22From today onwards, I will be the one who authorizes the publication of this editorial.
04:29Is that clear?
04:32Forward.
04:34I'm going to get the copy you asked for.
04:36Dale.
04:43Tell me, Malachi.
04:45I already spoke with the suppliers for the project in Sochintí.
04:49None of them will dare to give their granddaughter Alba the information about the work of the Duarte construction company.
04:54If Alba cannot prove her accusations, she will have to forget about the matter.
05:03Hello, good afternoon.
05:05I am writing a book.
05:07I would like you to answer a few questions.
05:10Alba, that must be Homer's granddaughter.
05:14They told us not to give away any information, so be careful.
05:17Can you tell me what kinds of work they do here?
05:23Hey, wait, what's wrong with you?
05:24It's just a question.
05:26At least tell me what's in the pipes that lead to the canal, please.
05:32I don't understand.
05:33Did I ask something wrong?
05:35No, that's not it.
05:36They just don't want any trouble.
05:38They're probably afraid of losing their jobs, and that's why they don't want to say anything.
05:41Alright.
05:43Leo, I know.
05:44What if we hold a demonstration?
05:47Imagine it.
05:47This way the construction company will have to stop, and surely with the pressure even they themselves would dare to speak.
05:54What a great idea, huh?
05:54I'll help you.
05:55Oh really?
05:56Yes, of course.
05:57I also care about being saved without you and, therefore, being close to you.
06:03Look, Alba, I'm going to tell you the truth.
06:06From the first time I saw you, I can't get you out of my head.
06:09I like you a lot.
06:12Oh really?
06:14I...
06:18You are my love, my soul generates, my hope and my light.
06:23The willingness to greet my desires.
06:28If the best miracle that sounds is your...
06:32Because?
06:33Because?
06:34Why did I have to come to work here specifically?
06:38If Arsenio finds out, I don't know.
06:40I don't know what I would be capable of.
06:43He said it, he said it very seriously.
06:45Even Uncle Johnny, if he notices and...
06:49What I do?
06:50What can I do to make Ariel leave?
06:51What can I do to make Ariel leave?
06:52I need to do something to make it go away.
06:56The secretary told me that you called asking for me.
06:59What do you need, Cristina?
07:00Are you planning to leave again, or why do you want to know if I'm still with the publishing house?
07:05What do you need, Cristina?
07:05I called because I was thinking of coming to talk to you.
07:07Here I am.
07:08Can you explain why your uncle Johnny is taking it upon himself to come and threaten me?
07:18What are you afraid of, Cristina?
07:19To her husband?
07:20Me?
07:24He must think I want to interfere in his marriage, that's why I'm here.
07:28She has no idea they're coming for my mother.
07:31The truth is in this place, and I won't leave until I find out where they took it.
07:36Even though I love you more than ever today, I'm going to swallow that feeling.
07:40And it will be a real torture having you so close knowing that you are Mrs. Duarte.
07:46Please, Cristina, my uncle Johnny would never do anything to you.
07:50Okay, I'll talk to him, alright?
07:52Why are you involving him?
07:53Why are you talking about our problems with third parties?
07:57No, look, I didn't talk to him about our problems.
07:59Oh, no?
07:59No, no, he saw me desperate, worried.
08:03For you, as Ari, and for our marriage.
08:06Look, Cristina, my uncle just wants to prevent you from doing something stupid.
08:10Ah, nonsense.
08:11Yes, I want to avoid it too.
08:13So it's nonsense to say what I think.
08:16For God's sake, Asenio, what's this all about? What's wrong with you?
08:19I don't want you to go out again without telling me where you're going.
08:21Okay, no, no, no, no, no.
08:23I will not allow you to control me in this way.
08:25Look, my intention was never to hide from you where I went.
08:29I wanted to tell you, but you wouldn't let me.
08:31Ari told me they went to the cemetery, but I honestly don't think they spent so many hours visiting.
08:36my father's grave.
08:37So, why didn't we go to your father's grave?
08:42We went to Xochinti, to my town.
08:47I took Ari to see the house where I grew up and then we visited my dad's grave.
08:53And of... and my daughter's grave.
08:57And my daughter's grave.
08:58What do you mean, your daughter?
09:00Her name was Rosario.
09:02And I had it before I met you.
09:04She was a baby and I lost her when there was a fire in my house.
09:08And after that I never went back to the village and I felt that...
09:11that I abandoned her.
09:15Come on, tell me something, Cristina.
09:17Did you have that daughter with the guy you're seeing?
09:20Look, Arsenio, I'm not seeing anyone.
09:23Oh, no.
09:24What's the matter?
09:25What's wrong with me?
09:25Okay, I'm finally going to confess something to you that's very difficult for me.
09:29It's part of my past, and you come at me with absurd jealousy.
09:32These aren't absurd jealousies, Cristina.
09:35A guy comes into your life and you're a different person.
09:38It turns out you have a daughter.
09:40Look, you know what?
09:42I don't intend to argue with you.
09:44All I'm going to tell you is that I've already started the process to exhume my daughter's remains.
09:49and I'm going to bring them to the city.
09:58They want to take you away from me.
10:03Cristina wants to take you and you are my daughter.
10:07The little girl I lost in that hell.
10:13They want to take you away, Maria.
10:15And I can't do anything.
10:17I can't do anything to stop it, Maria.
10:24They're going to tear you away from me.
10:26They're going to tear you away from me.
10:29Don't ever leave me again, Maria.
10:31No, please, Maria.
10:35Maria, no.
10:37No, Maria.
10:40Definitely not.
10:41Don't forget it, Cristina.
10:43That exhumation could be a scandal.
10:45Yes, of course, I know.
10:46I know that for you it's nothing more than...
10:49It's about a scandal, about protecting your image, about protecting politics.
10:53But I'm not going to give in on this.
10:57I'm not going to change my decision and I'm going to bring Rosario.
11:00Whether you like it or not.
11:01My daughter is going to be close to me again.
11:03I assure you.
11:11I saw you with your friend Alba, huh?
11:14Okay, they're something more now.
11:15Oh, little monkey, hang in there.
11:17I've come here to tell you everything.
11:19Well, it turns out that Alba and I kissed.
11:21And besides, she loves me too.
11:23Honestly, girl, I feel like I'm dreaming.
11:25The most beautiful girl of all kissed me.
11:28And she's also brave, she's smart, she wants to save the world.
11:31And I'm going to help her.
11:32And not only because I think like her, but...
11:34Well, to be honest, I'm already in love.
11:38And so, Alba is taking a risk, she wants to save her chintí.
11:41I'm going to support her by organizing a demonstration.
11:44A demonstration?
11:45Are they crazy?
11:47Leo, that woman is going to ruin you.
11:48You know how rich people are, and you're going to be the only one who has to wash the broken dishes.
11:52Monita, it's a passive manifestation, nothing's going to happen to me.
11:56How about that he even invited me to his house to help him with the signs and everything?
11:59You are so perfect
12:02Like an angel from heaven who has given me light
12:07You changed my destiny, divine gift
12:12You arrived
12:20Calling on all environmentalists.
12:24Demonstration in front of the Duarte construction company
12:26which threatens to destroy the nature of Xochintí.
12:35Good...
12:36Let's see...
12:37I like it...
12:38Send.
12:44I checked Mr. Pablo's calls
12:45and I didn't notice anything out of the ordinary.
12:48I also checked his nephew's calls
12:50and I didn't see anything suspicious.
12:53Regarding the cameras outside the bank
12:56we followed the trail of the guy
12:58who emptied the safe
12:59even a coffee shop
13:01and from there
13:03disappeared.
13:05I need to get my diamonds back.
13:07before it is discovered
13:08that he empty the editorial accounts.
13:11No one will suspect you, sir.
13:13Not even his nephew
13:14He knows that you withdrew that money.
13:16No, no, no, no.
13:17Let's see, sir
13:18He only knows what's best for me.
13:20My alliances with him have a limit
13:22And I make the rules, they are obeyed.
13:24That's how they've merged things.
13:28Forward.
13:31Hello brother.
13:33Hello.
13:34Hello.
13:36What does it say here?
13:38It turns out that Mrs. Victoria Duarte,
13:40our dearest mother,
13:42He asked me to help with the organization
13:44from the publisher
13:45and so
13:46I was thinking
13:48and I consider
13:48that we should do an audit
13:50to know exactly
13:51the financial statement
13:52where Paul left things.
13:54But yours
13:55They are the little paints
13:56and the little squares,
13:57not the administration
13:58of companies.
14:00Well, even so
14:01I would like to give it
14:02that peace of mind for mom.
14:03And now that you mention it?
14:05Yes, I'm going to resume
14:06that thing about the little paints
14:07and I'm looking for a place
14:08to set up my studio.
14:10I've decided to stay
14:11in Mexico
14:12in time
14:13that my mother
14:13He needs me.
14:18Dario,
14:19Please help me.
14:20to put up this sign
14:21to rent the accessory.
14:23I just got free.
14:24Yes, Dad.
14:25Hello, who are you, Dario?
14:27Wouldn't you like it?
14:28start a business
14:29with your bank settlement?
14:30Say yes.
14:31Thank you, Dad, thank you.
14:32But I'm an office worker.
14:34I don't know anything
14:35business.
14:36Mine
14:37It's office work
14:39and finance.
14:41Ariel neither
14:42He was interested in the place.
14:43He preferred to go to work
14:45to the publisher
14:45of the Duartes.
14:46May God protect him
14:48and all the saints
14:49because he left
14:50to put in the mouth
14:51of the wolf.
14:54Julia,
14:54Has my uncle Johnny arrived yet?
14:55Yes sir.
15:01This is a good opportunity
15:02to get closer to my father.
15:09Impossible.
15:10Arsenio, Esq.
15:11just came in
15:11to a meeting right now
15:12and he's super busy.
15:14No, no, no, no.
15:16On this occasion
15:17I'm not looking for
15:17to Mr. Arsenio,
15:19I've come looking for
15:19to the lawyer Malachias.
15:21It's awesome!
15:22super, super urgent.
15:23The publisher
15:24it cannot be stopped
15:25because Pablo is not here.
15:27Arsenio and I
15:28we know how it works
15:29Everything, David.
15:31They speak there
15:31business,
15:32not of canvases
15:33and paints.
15:36Frankly,
15:37I don't see how
15:38you can support.
15:40Well,
15:40But if my mother
15:41He asked me to come
15:42It's because he wants to
15:42stay informed
15:43of each step.
15:44I won't fail,
15:45Johnny.
15:46Sorry, man,
15:47But I don't know.
15:47How are you going to tell him?
15:48to what you don't understand.
15:52Forward.
15:53Excuse me,
15:55is that one
15:56of the new publishers
15:57says he has
15:57something very important
15:58What can I tell them?
15:59about
15:59The lawyer Malachias.
16:03I have no idea
16:04What is it about, sir?
16:06Let's see what happens, Julia.
16:07Clear,
16:08happens.
16:09Thank you.
16:11Hello,
16:12Nice to meet you,
16:12I am Constanza.
16:14Likewise.
16:14Hello.
16:14Well,
16:15I just wanted to tell you
16:16a situation
16:17which seemed to me
16:17very suspicious.
16:18When I went
16:19arriving at the publisher
16:20A man approached me
16:21and it started
16:22to ask questions
16:22about the lawyer Malachi.
16:31I had to say
16:32I am a writer
16:33so that they would let me pass
16:34And they believed me...
16:35Chilaquiles?
16:36Yes sir.
16:37Chilaquiles.
16:38I hope so
16:39I would have thought of it
16:40a while ago
16:40when I crashed
16:41with that chick
16:41to take out
16:42the information
16:42of one type.
16:43With cream?
16:44And with onions,
16:45Cheese, everything?
16:46Yes, yes, also.
16:48No way!
16:48You should have seen it.
16:50Suddenly she went crazy,
16:52He lost his mind.
16:52and that they kick me out
16:53give the air safety.
16:55I had to wait
16:56the shift change
16:57in order to pass.
16:59I hope not...
17:00never to meet me again
17:00with that chick
17:01And if I do
17:02I hope to bring a helmet.
17:04Hey,
17:04I recommend
17:05chilaquiles with dried beef,
17:07They're delicious.
17:07Chilaquiles with dried beef.
17:09Yes, yes, yes.
17:10What are you talking about?
17:11A guy,
17:12a guy I took a picture of.
17:14I'm...
17:15I'm very sure
17:15who was hanging around
17:16around the neighborhood.
17:17Look,
17:18Check yourself out.
17:19So,
17:19or more suspicious.
17:22No way!
17:23if they hadn't let me in
17:24They should have sent it to you via chat.
17:25oh well,
17:26This is it.
17:30They would be
17:31one or two years
17:32maximum prison term.
17:34I'm interested.
17:38Come on!
17:39This is the one who deceived me.
17:41He's the one who told me
17:42that he go to jail
17:43to save my mom.
17:46I haven't been perfect.
17:48I haven't been perfect.
17:49They gave me more
17:51of what I asked for.
17:52Everything I have
17:56starting with you.
17:59You're taking my breath away.
18:01There's no room in my chest
18:05this love.
18:07I owe you, sweetheart.
18:11I have a thousand reasons.
18:12to question
18:14whether there is a heaven
18:16It's not a place.
18:17Happiness
18:19It's not a destination
18:20and that only
18:22It's not the same
18:23walk.
18:23It wasn't luck.
18:27It was written
18:30And I know
18:31that there is a God
18:32Because with you
18:33He blessed me.
18:36I am by your side
18:37And I don't believe it.
18:40My eyes are dying
18:40But with you I see.
18:43I have everything,
18:44everything I want.
18:45I don't have birthdays.
18:47But the wish comes true.
18:48every day
18:51Because you are mine.
18:54I am by your side
18:56And I'm being honest with you.
18:58I know it can end
18:59the whole world
19:01And if that happens
19:02I started again
19:04as if it were
19:05January 1st
19:07always together
19:09to get to the point.
19:13I love you, period.
19:16Hey, brother,
19:18I don't think so.
19:19It was a good idea.
19:20that you would start working
19:21here with your real name.
19:22I had to take advantage
19:23the opportunity.
19:24Besides,
19:24I am a waiter.
19:27That way I can find out
19:28all with a profile
19:29lower.
19:29Besides,
19:29I don't think that guy
19:30go find out
19:31the names
19:31of the junior employees.
19:33Well,
19:34anyway,
19:35be careful.
19:36That chick
19:37which crossed her
19:38the cables
19:39He said that they are people
19:39trustworthy
19:40of the Duartes.
19:41I told you,
19:42I was right,
19:43Alandro's killer
19:44It must be here.
19:45Hopefully.
19:45What are you doing?
19:46I hope so.
19:47What are you doing?
19:47Where is?
19:48I hope so.
19:49You need to calm down,
19:51brother.
19:52And if you see that guy,
19:53Don't hit him.
19:54That?
19:55How can you ask me that, Marco?
19:57You have no idea
19:57of what I'm feeling?
19:58That wretch deceived me.
20:00I spent years in jail
20:00And if I see him,
20:01I'm going to smash my face in.
20:03until he tells me
20:03Where is my mom?
20:05No, Mom, you're asking me.
20:06Wait.
20:06I'm going to look for myself.
20:07It must be here.
20:08No, no, wait,
20:08brother.
20:08Oh,
20:09Forgive me, brother.
20:11Oh, what a fool I am,
20:12My God.
20:13Oh,
20:14forgive me,
20:15forgive me,
20:15forgive me,
20:16I got a cramp.
20:17on the arm.
20:18Oh no,
20:18I didn't realize it,
20:19sorry, sorry,
20:20Let me help you,
20:21Let me help you.
20:22Mister,
20:22Excuse me,
20:23I got a cramp.
20:23I can, I can.
20:25I'll bring it to you right now
20:25to the clean waiter
20:26and with...
20:27Where are the restrooms?
20:28To the right
20:29rubbing his beard.
20:30Thank you.
20:31Oh, God.
20:33What else did that guy tell you?
20:35That's all.
20:36He told me he was coming
20:37to see the lawyer
20:38Malachi
20:38and when he tried
20:39to extract my information
20:40I called security
20:41And he left.
20:42Would you watch it again?
20:43Would you recognize it?
20:44Yes of course.
20:46Graduate,
20:48I want to tell you
20:48I am very grateful
20:50with his father
20:50May he rest in peace
20:52for the opportunity
20:53that gave me
20:54of working here
20:54And I want you to know
20:56that tell
20:57with all my loyalty.
20:59Thank you.
21:00That's all,
21:01You can leave.
21:02Excuse me.
21:04Dale.
21:12How odd
21:13what he said
21:13Constanza, right?
21:15Is
21:16something that happens
21:17All the time, David.
21:20Take charge
21:20from that situation,
21:21please.
21:22Yes, guide.
21:25Dale.
21:26The graduate
21:27Malachi
21:27handles all the demands
21:28from the publisher.
21:29They're always looking for him.
21:30to try to negotiate.
21:32Yeah?
21:33Well, I noticed
21:34as if they became
21:35A little tense, aren't they?
21:41It is,
21:42This is about my daughter.
21:43I need
21:44the authorization
21:45to, to exhume her.
21:46Yes, yes, yes, yes, yes.
21:48I understand
21:48that there are protocols,
21:49that there are expert reports,
21:50But I don't understand
21:51why is it necessary
21:52why it takes so long.
21:53No, no, no, no.
21:54The thing is,
21:55I just can't
21:55wait months.
21:58Yes, yes.
22:00Very good,
22:01OK.
22:01I'm coming back
22:02to call.
22:04Thank you.
22:14David,
22:15I was left thinking
22:16in the audit
22:17that you propose.
22:18That's a good idea.
22:19Do you think you can
22:20talk to Amanda
22:21How do I program it?
22:23Of course.
22:26Tell Julia
22:26have them contact you
22:27with her.
22:28Of course,
22:29I'm going for it.
22:29Dale.
22:38An audit
22:39with Amanda?
22:40Yeah.
22:41She's not in charge
22:42That's it, man.
22:43I needed
22:43get rid of David.
22:45Ask Amanda
22:46give him the load
22:47so I took it out
22:47from the editorial
22:48under some pretext.
22:50I don't want it.
22:50of Frisco
22:51while Malachi
22:52is identifying
22:53to the type
22:53who spoke
22:53with Constanza.
22:55It could be
22:56related
22:56with the robbery
22:57of my diamonds
22:59immediately.
23:11Tell me, Arsenio.
23:13Amanda,
23:14I need you to take care of it
23:15from my uncle David.
23:16You want to do an audit.
23:17Yeah,
23:18But I don't have
23:18Nothing to do with that.
23:19Besides,
23:20I agreed to meet you
23:20with Cristina
23:21to talk
23:21what you asked me for.
23:23I don't know, Amanda,
23:24solve it.
23:25Talk to Cristina
23:26and then invent
23:26some pretext
23:27to get David out
23:28to the publisher.
23:29We need it
23:30go away for a while,
23:31So take care of it.
23:37Yes, well, David.
23:39It's great to hear from you.
23:39How can I help you?
23:44An audit?
23:45Yes of course.
23:46But I need
23:47information I left
23:48at home.
23:48Can you do it for me?
23:49a favor?
23:50Can you pick it up?
24:00Mirror, mirror,
24:02Who is the prettiest?
24:04Emilia Bravo
24:05It is and always will be
24:07the prettiest
24:08of this castle.
24:09Oh, that's great!
24:10we are already
24:11Understanding, carnal.
24:12Because otherwise,
24:13I'll hang up on you
24:14and I'll save you
24:15in the attic
24:15of this big house.
24:17Oh.
24:20So elegant
24:22The one from France, huh?
24:23And everything looks brand new.
24:26As if never
24:27They would have used it.
24:32Oh, wow.
24:34Could it be here?
24:35Does the genius still live?
24:37Hello?
24:39To whom, Emilia?
24:40And to whom?
24:41Oh, I have so many wishes
24:43what to ask of you,
24:44as
24:45find my boss,
24:47that my sisters
24:48Be happy
24:49and
24:51that I find
24:53true love.
24:55Small bottle of sherry,
24:58Grant me one wish
25:00this time.
25:01Oh.
25:03Now yes.
25:05Say hello to everyone.
25:07Say hello.
25:09Sisters.
25:10Oh, greetings, dear.
25:13What happiness!
25:18Oh, oh, oh, wow.
25:21The phone, the phone.
25:23Oh, oh!
25:24Good morning.
25:26Mrs. Amanda's residence.
25:28Emilia is speaking from this side
25:29at your service
25:30who's around there.
25:31I'm going to give you an instruction,
25:33but I need
25:34Pay attention,
25:35girl, yes?
25:36They're going to pick up
25:37an envelope.
25:39Are you listening to me?
25:44I swear to you, Marco.
25:45I swear.
25:46I am determined
25:47that when I see Malaquiel
25:48I'm going to get him out
25:48the whole truth about my mom.
25:49Let's see, let's see, let's see,
25:49Calm down, please.
25:51You need to keep a cool head.
25:52If everything is so murky
25:53as it seems
25:54and they realize
25:54that you already know
25:55that your mom didn't die,
25:56What do you think is going to happen?
25:58The safest
25:59They're going to do something to him
25:59And then you won't find it.
26:06Children.
26:08My children.
26:12And lastly
26:13What would I do?
26:13It would be disrespectful.
26:15But I have my reasons.
26:16very powerful
26:16to be here
26:17And I don't think
26:18leave this place.
26:19I have to convince him
26:21that he leaves.
26:21Ariel can't
26:22work here.
26:24I'm here.
26:25Oh, I'm here now.
26:27And that face
26:28It looks like you're wearing
26:29a ghost.
26:30Almost.
26:32Because you said so?
26:34Okay, friend,
26:35did you know?
26:35You can tell me
26:36whatever.
26:36What happened?
26:37Is it about
26:38from your ex-boyfriend?
26:39Do you still love him?
26:41Is that why it affects you so much?
26:43Amanda,
26:44I want you to tell me
26:44the truth.
26:46Arsenio sent you
26:47why would you ask me?
26:48all of this.
26:51Yes that's fine
26:52big and beautiful
26:53Your house, huh?
26:54Well,
26:55It's not actually mine,
26:57It belongs to my great-grandmother.
26:58When I have
26:59mine,
27:00wanna
27:01something simpler,
27:02surrounded by nature.
27:04I like it,
27:05Nothing more is needed.
27:07Well.
27:08Wait for me.
27:10Perhaps a small pool
27:11That wouldn't be bad,
27:12You know?
27:14Yes indeed.
27:15Thank you for coming
27:16to help me
27:17with the posters.
27:19With great pleasure.
27:20Seem to you
27:21Shall we start right away?
27:22Yes of course.
27:23Let's see,
27:25Grab it yourself.
27:26Okay.
27:43I would like to be more
27:45For you, Victoria.
27:46And I understand
27:48perfectly
27:49the pain so great
27:50that you are feeling.
27:51I know,
27:52Magdalena.
27:53And I thank you
27:55much that you are
27:55next to me
27:56at this time.
27:58And more
27:58when you have
27:59so many problems.
28:01Not even
28:02I asked you
28:03How's it going?
28:03the matter
28:04from the bank.
28:05Oh,
28:06evil,
28:06very badly.
28:07I'm desperate.
28:09If the bank
28:10It doesn't solve
28:11from my account,
28:12I don't know what I'm going to do.
28:13The payments
28:14they will begin to accumulate
28:16And I'm afraid.
28:17for my future
28:17and for my goddaughter
28:18Macarena.
28:20Oh no.
28:21What would become of us?
28:22if I lost
28:23my considerable fortune?
28:25Oh,
28:25look,
28:26Listen to me carefully,
28:27daughter.
28:28Fortunately
28:29my situation
28:30It's unburdened.
28:32I can
28:32lend you
28:33the money
28:33that you need
28:34while the bank
28:36solves
28:37your problem.
28:39You know
28:40that you
28:41and Macarena
28:42They always count
28:43with me.
28:49Why are you asking me?
28:50About that?
28:51Oh,
28:51Don't tell me
28:52that Arsenio
28:52you know
28:53from your sweetheart.
28:54Look,
28:54Amanda,
28:54Leave it already
28:55to speak
28:56about that.
28:56I don't want to
28:57talk more about that.
28:58It's part of it
28:58from my past
28:59And I don't want to.
28:59that you play
29:00plus the topic.
29:00Oh,
29:01I just asked you
29:02Why are we?
29:02friends,
29:03but respect
29:03that you don't want
29:04talk about that.
29:04Excuse me
29:05if I made you uncomfortable.
29:06Actually,
29:07I came to finalize
29:07the details
29:08for the birthday
29:09from your husband.
29:09I know
29:10that is approaching
29:10and as we had planned
29:11the party
29:12It's going to be big,
29:12so...
29:13Yeah,
29:14clear.
29:14Let's celebrate
29:15birthday
29:16from Arsenio,
29:17But it's going to be
29:17something intimate,
29:18very family-oriented.
29:19Ah,
29:20Yeah,
29:20sorry,
29:20you're right.
29:22By the way,
29:23I have to go
29:23to pick up
29:24some cufflinks
29:25gold
29:25that I ordered
29:26to give as a gift
29:26to Arsenio.
29:28How splendid.
29:29Well, that was the gift
29:29that Arsenio chose.
29:32Sincerely,
29:32I don't know why
29:33Are you still married?
29:33with Arsenio
29:34if I don't.
29:35I not only
29:36I'm going to take you away
29:36to someone
29:37so that never
29:37find out again,
29:38but also
29:39I'm going to disappear
29:40that damned
29:41that he is trying
29:41steal my wife.
29:44Manacier will review
29:45the videos
29:45to identify
29:46to the type
29:47that intercepted
29:48to Constanza
29:48outside of publishing.
29:51It could be the same
29:52that emptied
29:52the safe
29:53of Paul.
29:57Uncle,
29:57We have a problem.
29:58What's happening?
30:00It's a financial problem,
30:02money is lacking.
30:02As?
30:03There is a huge lack of money.
30:14You can't lose
30:15from a view
30:16the reason
30:16the one you entered
30:17to work here.
30:19What is your goal?
30:21Find your mom
30:22and find the unfortunate one
30:23that destroyed your life,
30:23No?
30:24Oh, really?
30:25With a burst of fury
30:26If you manage to hit him,
30:27What do you think is going to happen?
30:28You're going to lose everything.
30:29Please,
30:29think,
30:29We don't want that.
30:30Well, I don't know.
30:31I will restrain myself
30:32when I see
30:32that wretch.
30:33And the truth is,
30:34I don't believe it.
30:35To the.
30:37Speaking of the king of Rome.
30:38Come this way,
30:39come on.
30:40Here comes Malachi
30:40And here you go
30:41And we're screwed, that's it.
30:41Come here.
30:42Let it all fall apart.
30:43No, no, no, no, no, no, no, no, no, no.
30:45Calm down.
30:46If they recognize you
30:47You're going to lose
30:47everything you have earned.
30:49You can't leave
30:50that I can see you.
30:50Think about your mother,
30:51please.
30:52You're right.
30:57Test passed.
31:00Oh my God.
31:02Here comes the lady
31:03amazed,
31:04grumpy.
31:23Don't tell me
31:24This is the bathroom of...
31:25the women's bathroom.
31:28Forgive me,
31:29I, I, I,
31:29I went in very quickly
31:30and I didn't see,
31:30I swear that
31:31Don't call security,
31:32please.
31:33Hey, hey, calm down.
31:33Okay, I'm leaving now, I'm leaving now.
31:35You should rinse that out well.
31:37because otherwise,
31:38You're going to leave everything wet right now.
31:39and that water
31:40It will give you away
31:40before me.
31:43Well, yes, no.
31:44Here it goes.
31:46You are not the same
31:47to all employees,
31:48TRUE?
31:49I mean,
31:49You look different.
31:51Thank you.
31:53Okay, relax.
31:55Ariel?
31:56I'm not going to say anything.
32:00Constance,
32:01editor?
32:02Yes, that's what I do.
32:04View manuscripts
32:05and seek success
32:06from the bookstore.
32:08Excellent.
32:09Well, Constanza,
32:10Thank you and
32:10I'm not going to say anything either.
32:12if you don't say anything.
32:13I'm not going to say anything.
32:14Thank you.
32:15Thank you.
32:19Ufale.
32:20We finished just in time.
32:22I have to go now.
32:23So soon?
32:24Otherwise,
32:25I can't catch the last truck
32:26that goes to Suchinti.
32:27I would have liked
32:28that you would stay a little longer.
32:30It's a shame you're alive.
32:31a little far away.
32:32I can move to the city
32:33to help you
32:34in everything you need.
32:36That would be great.
32:38Okay, but I don't want to.
32:40that you change your life for me
32:41We barely know each other.
32:42Well yes,
32:43But I've always wanted
32:44living here in the city
32:45where everything happens.
32:46I wouldn't mind
32:48I came from an ostrich.
32:53Welcome, princess.
32:55This is going to be
32:56your safe place.
32:57You're going to find out
32:58many friends
33:00and new places
33:01that you're going to love.
33:03Look,
33:04I understand the fears
33:05that they have,
33:06But they are not alone,
33:06really.
33:07We're going to do all of this
33:09with a lot of patience
33:10and with lots of love.
33:11Believe me,
33:12her daughter has
33:13a wonderful world
33:15and here
33:15He will develop it.
33:19Good afternoon.
33:21She is Susy
33:22and he's going to take care of it
33:24Cami's.
33:24Hello,
33:25I am Susy
33:26And this is Cyril,
33:28my friend.
33:29Do you want to come and play?
33:29Spend a little time with us?
33:33Susy is going to take them
33:34to the room,
33:35Yeah?
33:35Are they waiting for us?
33:36a little bit here?
33:39Susy,
33:40I have to go out
33:41one moment.
33:41Will you join them?
33:42Yeah,
33:43Don't worry
33:43late again.
33:44Thank you,
33:44Emma.
33:46Forward,
33:46please.
33:47Thank you.
33:47Come on.
33:51Why did you come back?
33:52Ariel?
33:58Are you OK?
33:59Ari.
34:00Friend,
34:01are you OK?
34:03Are you OK?
34:04Are you OK?
34:05Are you OK?
34:13Her gaze
34:14It remains the same.
34:15It is clean,
34:16It is transparent.
34:19He cannot be
34:20a criminal.
34:28No,
34:28Well,
34:29It broke down again
34:30the dishwasher.
34:32If you wish,
34:32I'll go and pour it on.
34:33one eye,
34:33Sir.
34:34Look,
34:35As I mentioned,
34:36I was in jail
34:37and...
34:37Well, that's where I learned everything.
34:39I'm sure I can fix it.
34:41Ariel,
34:42I value it very much
34:42your willingness
34:43to work.
34:44What do you think?
34:45if you do it at night
34:46when we close
34:46the cafeteria?
34:47That way we don't interrupt
34:48the service,
34:49goes?
34:50For sure yes.
34:51Count on it.
34:52No,
34:52Well.
35:00Oh,
35:01That's how I feel right now
35:01Let the ladies fly
35:02good here,
35:03very nice.
35:05Oh,
35:06well, that's all
35:06a few drops.
35:09Oh,
35:13let's see,
35:14let's see,
35:14let's see.
35:19Oh,
35:21but so
35:22in uniform
35:22It doesn't look good,
35:24I don't know.
35:26Little shoes.
35:30Now yes,
35:31now yes.
35:32What a difference
35:34so different.
35:38And safe
35:39They come via USB
35:40that Mrs. Amanda said.
35:42I'll give it to him right now.
35:43to the messenger.
35:45Oh,
35:45I'm going to impress him.
35:47Go.
35:49Oh,
35:49go,
35:50go.
35:50Well, they think
35:51that one flies,
35:51Or what?
35:52I'm coming,
35:52in heels
35:53more difficult.
35:57You?
36:00Well,
36:01Yeah,
36:01it's me.
36:02Oh,
36:03Oh,
36:04like what,
36:04I feel like I'm getting dizzy
36:05a bit.
36:06Oh,
36:06No,
36:06I can't see you well.
36:07Are you OK?
36:10Are you OK?
36:11No,
36:12No,
36:13I'm kind of recovering
36:14But I'm still a little short.
36:17Are you sure?
36:18Yeah.
36:19How are they doing?
36:20to my brothers
36:21in their new jobs?
36:22I'm sure I challenged him well,
36:23You see, Emilia and Ariel
36:24They are very hard-working.
36:27You,
36:28Camela,
36:28What did you bring?
36:30I just can't stop thinking
36:31that one as a mother
36:32He gives it his all
36:33to keep them happy
36:34to the children,
36:35But when the children
36:36They criticize the parents,
36:38My God,
36:39How my heart aches.
36:41Chura,
36:42Don't tell me
36:42that again
36:43Majo got
36:43being rude to you,
36:45Yeah?
36:46Let's see,
36:46Carmela,
36:47you have deprived yourself
36:48of many things
36:49so that your daughter
36:49He will lack nothing.
36:50No,
36:51But if I'm not...
36:52saying by Majo,
36:54what happens
36:54I remembered
36:55from that movie
36:56of the trial
36:57of the children,
36:58Did you see her?
36:58Oh,
36:59She's really hot.
37:00But it's really sad.
37:01Well,
37:02look,
37:02while you eat your bread
37:04that makes you very happy.
37:05Yeah.
37:06It's definitely because
37:07everyone thinks
37:08that I'm going to finish
37:08being a fat woman
37:09like my mom,
37:10That's why they turn me around.
37:12No one ever
37:12He's going to fall in love with me.
37:15So you are
37:16Amanda's friend,
37:17But why didn't I know you?
37:18Yeah,
37:19I'm coming
37:20from outside,
37:20from outside,
37:22I'm just passing through,
37:23But my friend Amanda
37:24he entrusted me
37:25that I gave you
37:25This USB.
37:27Thank you.
37:27And you barely found me
37:28because it won't be long now.
37:29to come for me
37:30the driver,
37:31I have so much to do.
37:32Hey,
37:32hey,
37:32hey,
37:34But would you accept me?
37:35a meal out
37:37or to dinner
37:37before you leave
37:38of the city?
37:39It's because I have
37:40many commitments,
37:41you know,
37:42No?
37:42Let's do one thing,
37:43Give me your cell phone,
37:44I'll call you
37:44and I hope I get lucky.
37:46I would give it to you,
37:47But I paid for it in installments.
37:51Look,
37:51So be careful.
37:52with the interest.
37:52Yeah,
37:53goes.
37:53Besides being beautiful,
37:54nice.
37:55So,
37:56I'll call you tomorrow
37:56See you later.
37:58Just you and me?
38:01Well,
38:02preferably,
38:03No?
38:04But if,
38:04Just you and me.
38:07You're not dreaming.
38:09Are you OK?
38:10This helps
38:11for motion sickness.
38:12I learned it in Europe.
38:15Yeah.
38:15Very good.
38:17This traveling thing.
38:18Your Prince Charming
38:19He's inviting you
38:21to leave.
38:22What I do?
38:23What I do?
38:26No, Ruth,
38:27Better not,
38:28because look
38:28how am I going up
38:29of weight.
38:31Let's see,
38:31Carmela,
38:32what's the matter?
38:33You look exactly the same,
38:34women,
38:35Are you not going up?
38:35Are you not losing weight?
38:36No.
38:36Well,
38:37But maybe
38:37And yes, you could take advantage of it.
38:39to go to the gym
38:40Marcelo's.
38:40That's how you distract yourself,
38:41weight loss
38:42And that's it.
38:43No?
38:43Oh,
38:44you think?
38:44Well yes.
38:46Oh,
38:46No,
38:46look,
38:47God made me this way.
38:48And that's how I stay.
38:49Already.
38:49Well,
38:50Well, whatever you want.
38:51sister.
38:56No way,
38:56bro?
38:58What's up?
38:58Should I shoot you?
38:59How about an ice cream?
39:00Ah,
39:01Are you going to get drunk?
39:02Clear.
39:02Simon,
39:03I'll be done as soon as I finish and we'll go.
39:05And you,
39:05So what are you doing all this time?
39:06Well, I'm looking for
39:07a small room
39:07for rent
39:08in Mexico City.
39:10That?
39:10That?
39:11Are you going to the city?
39:12Well yes,
39:13I want to be close to Alba
39:14and also help her
39:15with their struggle.
39:17But if you barely know her,
39:18Leo.
39:19Well, there you have it.
39:20Leo,
39:20don't even think about things.
39:22Are you going to leave everything?
39:22Because of that girl?
39:23And the wolves?
39:24That,
39:25You don't care anymore
39:25defend the people
39:26From here or what?
39:27Of course,
39:28But I'm going to keep going
39:28supporting the wolves
39:29every time I come to visit.
39:31Well,
39:31But it won't be the same.
39:32Let's see,
39:32Maria,
39:33the future of his chintista
39:34I'm in the game too
39:34I want to help
39:35And honestly, I can't anymore.
39:36I don't want to be far from Alba.
39:38Look,
39:39that's it,
39:40I found a small room
39:40near his house
39:41and it's there
39:42in the neighborhood
39:43All Saints' Day,
39:44It's good.
39:45camera blondie,
39:46Let's see what you've brought here.
39:47Let's see,
39:47let's see,
39:48Take this out.
39:49And the wallet,
39:50Remember,
39:51the wallet,
39:52Already,
39:52already,
39:53That's it,
39:53That's over.
39:54Already,
39:54already,
39:54already,
39:54already,
39:54already,
39:55listen,
39:56guys,
39:56That's over.
39:57I know what I'm talking about.
39:58Are you OK?
39:58Don't worry.
40:00Tell him.
40:01Are you OK?
40:02Yeah,
40:02Yeah.
40:03Well,
40:03thank you.
40:04No,
40:04man,
40:04that?
40:07Go back,
40:08already!
40:08Hey,
40:09don't worry,
40:10don't say
40:10that they haven't left here,
40:11Hey?
40:12It's easy,
40:13It's very easy to get into trouble.
40:15bear the consequences,
40:17That's the issue.
40:19I arrived.
40:24Are?
40:25Is everything alright?
40:26Are you OK?
40:27Yeah,
40:28Yeah,
40:29thank you.
40:29You,
40:30You're not from here.
40:31Who are you looking for?
40:32Me.
40:33Oh.
40:34Nice,
40:35How do you know him?
40:36We are friends,
40:37uncle,
40:38TRUE?
40:39Yeah,
40:40Yeah,
40:41And Majo is my friend,
40:42Yeah.
40:43Are you friends with Majo?
40:45Well,
40:46So take care of her,
40:47goes?
40:48Already,
40:48let's go,
40:48brother,
40:49Let's hope we're not late.
40:50I thought my watch was broken.
40:51Thank you.
40:52Oh,
40:53Forgive my uncle Ariel,
40:55He's very protective.
40:58Ariel?
40:58Yeah,
40:59Ariel Bravo,
41:00That's my uncle's name.
41:06I wouldn't want to be the bearer.
41:08of this bad news,
41:09But when reviewing the finances
41:10from the publisher,
41:12we discovered that Pablo
41:13He made a very strong withdrawal
41:14of bank accounts.
41:17But,
41:17but,
41:18because?
41:20What did he do with that money?
41:22That answer
41:22He took it to his grave.
41:25The thing is, the publisher
41:26it was on the edge
41:27from bankruptcy.
41:28No,
41:28That can't be.
41:30My son Pablo
41:32I would never do such a thing.
41:34You say my brother
41:35I was worried,
41:36TRUE?
41:38Perhaps he was involved
41:39in some serious problem
41:40And that's why he took the money.
41:42And that stress
41:43It provoked him
41:44a stroke
41:45to the one who killed him.
41:50Awesome.
41:52Definitely
41:52They're diamonds.
41:53very valuable.
41:55Especially this one,
41:56very strange,
41:57very strange.
41:58Yeah?
41:58Yeah.
42:00I've been around
42:02as soon as
42:04could be
42:05right now
42:06in the value
42:06of a market.
42:08Enough
42:08to change his life
42:09to anyone.
42:11Where did he say
42:12Who obtained them?
42:14I got them
42:15with an inheritance.
42:17It was an inheritance.
42:19An inheritance.
42:20But also
42:21one moment.
42:22I need a magnifying glass
42:23of greater scope
42:24to give it
42:25an accurate assessment.
42:27Okay.
42:27It won't take long.
42:32It won't take long.
42:44Police.
42:45I want to report
42:46the robbery
42:46of some diamonds.
42:54Ariel?
42:55Ariel?
42:56Neighbor?
42:56That man
42:57He stole some diamonds.
43:02I am by your side
43:04And I don't believe it.
43:05My eyes are dying
43:07But with you I see
43:08I have everything
43:10all I want
43:11I don't have birthdays.
43:13But the wish comes true.
43:15Every day
43:18Because you are mine