#MoeenAkhtar #MoinAkhtar #PakistaniLegend #ComedyLegend #PakistanEntertainment #PakistaniComedy #LegendaryArtist #PakistanShowbiz #Tribute #NeverForgotten
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NewsTranscript
00:01foreign
00:01foreign
00:01foreign
00:01foreign
00:01foreign
00:01I don't know.
00:31It's been a thousand times.
00:35The whole cycle has been dropped.
00:37But the whole cycle has been dropped.
00:39Korea and Pakistan have started together in Turkey.
00:45One more time.
00:46Korea has reached where to where and where we went.
00:49We went from there and went from there.
00:53But I will forgive you, brother.
00:57I will forgive him that his love will not be thrown away.
01:00I was surprised that the people were dead.
01:01No, I was eating the harmonium.
01:05I'm sorry, I'm getting rid of it.
01:07When the beautiful Anjalina Jooli came here,
01:12the people died, the President of the United States.
01:14Today I know that the government has become a governor.
01:18How did you say?
01:19That you, like a man,
01:20to call a live program in the live program.
01:24I just asked so much after that.
01:26I said,
01:27I'm sorry, I'm sorry.
01:27What did you say, Tariq?
01:28Just, God, thank you.
01:31What did you say, Tariq?
01:36What did you say?
01:37What did you say?
01:38I don't know much loud.
01:40I'm going to ban it.
01:43Oh, my father was sitting in my bed.
01:46I forgot to say that.
01:48I will tell you everything
01:49I will save you
01:52How can I hear?
01:55How can I hear?
01:55How can I hear?
01:58How can I hear?
02:01How can I hear?
02:02How can I hear?
02:03How can I hear?
02:04How can I hear?
02:05How can I hear?
02:10Today, we have the biggest comedy thing
02:15that we have done.
02:17That's the actor
02:19who was standing in front of me
02:20and who was standing in front of me
02:23and who was standing in front of me
02:25the actor,
02:26the actor,
02:27the actor,
02:29who called it
02:29Hearoes.
02:30I have given it.
02:32I am sure that
02:34not weekly,
02:35but monthly,
02:36there is no one to do.
02:37There should be a program
02:38for our youngster,
02:40who are coming.
02:42They can see
02:43what our heroes have done.
02:45What did Mohin Akhtar?
02:48If Allah has given me a blessing,
02:53then there are so many love for Mohin Akhtar.
03:00What do you think about Mohin Akhtar?
03:02You are a big actor.
03:03I said, you are a bad person.
03:06That's the same thing.
03:08But there was a love.
03:10There was a purpose.
03:14It was a love.
03:14Without a laugh or a laugh,
03:16you can stay.
03:19Mohin Akhtar, who has been a common relationship,
03:23and has been a common relationship,
03:26many people have known for a artist,
03:30and many great artists,
03:31and many many people have known for their name.
03:34But many people have known for their own
03:40and sincere love.
03:41You can go to the culture of God's life.
03:44They do not have a badge.
03:45No, don't have a badge.
03:46You are a badge.
03:47You are a badge.
03:49I am a badge.
04:02You are badge.
04:04The city of Lazzamabad is a living room in the house of Lazzamabad.
04:10The city of Lazzamabad went from the west side to the west side of Lazzamabad.
04:14This family has been in the streets of Lazzamabad.
04:20The city of Lazzamabad is a living room in Kerači 24 hours.
04:25The city of Buns Road is a living room in the house of Lazzamabad.
04:34He gave birth to Abraham's house in the house of Moeen Akhtar.
04:39No one didn't know that whose child's name is Moeen Akhtar.
04:44One day, this Akhtar is the whole world.
05:02In this house, there wasn't such a lie in this house.
05:06There was no such a lie in this house.
05:08There was no such a lie in this house.
05:17In school, my kids read books.
05:20But Moeen Akhtar was reading books and books.
05:26But when it was a break,
05:28my friends and my friends would get out of the house.
05:33And they would have a lot of trouble.
05:36In school, I had a lot of copy of my teachers.
05:39And some times, I would say,
05:43they would say,
05:43they would say that they would say the poor children.
05:46In this house, my Messiah was from the house.
05:51And in school,
05:56they would say they would say it.
05:57And they would say it
05:58Maybe they would say it.
06:01So I said that they would say they would say they would say they would say that.
06:07It was famous for them that it was a jalaad.
06:10They were killed.
06:12One thing they used to do was put a pencil on the finger and put it on the finger.
06:17They said, yes, what are they doing?
06:18And when they were using it, they would get out of it.
06:21And then the other thing was they were killed by the scale.
06:25So we were very scared of them.
06:27But they were very sad and sad.
06:31I remember that my age was only 13 years.
06:36When Shakespeare played the famous drama of Shakespeare in this school,
06:40The Merchant of Venus.
06:43And Moeen Akhtar was awarded the Shailok.
06:48They were amazed by the teachers.
06:51They were amazed by the teachers.
06:53How did they do such a small child?
06:57The day of the school was made.
07:00Shakespeare made a drama of Shakespeare.
07:02The Merchant of Venice.
07:06He was the first person of my life's stage.
07:10In that time, I called the character of Shylock.
07:12Then he told him that he would have gone.
07:15Then he said,
07:17He said,
07:29He was the first man of the world.
07:29And then he said,
07:31He was the first man of the day.
07:31That's what he told me.
07:35He told me that he did not.
07:37He was the first man of the day,
07:38he was the best man of the day to die.
07:40He told me that he was the first man of the day.
07:41But he believed that the same man would have to die.
07:44The same time he would die.
07:45And he said that he died in the morning.
07:47The man was the only one who died.
07:54In 1960 when they called them for the show to the Lahore
07:59and called them to go to the show.
08:03They gave a team to a demonstration
08:06which made a statement of Pakistan.
08:09Mohin صاحب نے بتایا
08:10that I became a artist from the Dara s'ab's perspective
08:12and said that I was a shock.
08:15I said that I was a shock for stand-up.
12:23That was the reason you gave up your studies.
13:40Do you understand what the hell was going on?
13:43Oh, the mountains, the mountains, the mountains.
13:47What the hell was going on?
13:50The studio was more than three and more.
13:53I'm sorry.
13:55What's your face?
13:57I'm sorry.
13:59I'm sorry.
13:59I'm sorry.
14:01I'm sorry.
14:03I'm sorry.
14:06Mr., who are you?
14:08I'm an expert.
14:10No, no.
14:11We're not an expert.
14:12We're driver.
14:12We have a mini bus.
14:14The work that you do,
14:15you can do it from that.
14:20At the beginning of the show,
14:22he showed that
14:25he was a fan.
14:26He said,
14:28he said,
14:30he said,
14:31he said,
14:32he said,
14:32he said,
14:32he said,
14:34he said,
14:34he said,
14:35he said,
14:35he said,
14:37he said,
14:37he said,
14:38you're not still alive.
14:41But many men
14:43will there be.
14:44Don't let them go for it.
14:49You get nothing.
14:50The people who are also in the Pakistan's
14:52are also in the US.
14:54You have done so much work.
14:57You have put up the different funds.
15:01So you have to put up the work?
15:03Because I have a good work.
15:07You have to stay in the house?
15:10Yes, you have to stay in the house.
15:12If you have to stay in the house,
15:14then you will be able to stay in the house?
15:26You can't understand what you're saying, please.
15:32You're the only person.
15:36Waiter.
15:37What?
15:39You're the restaurant.
15:40Please go there.
15:41I'll eat this only.
15:46Yes.
15:47Yes.
15:50Yes.
15:51Good Lord, Haru.
15:54Producer Sarah Kazmi, Miss Rosie,
16:00Hollywood's film Tootsie in which he worked as a world-class artist.
16:08He worked on television.
16:11He didn't work on television.
16:13He didn't work on television.
16:15He didn't work on television.
16:16However, Mr. Nekhtar has accepted this challenge.
16:19And he made a business with Miss Rosie.
16:22He made a business with Miss Rosie.
16:23He made a business with Miss Rosie.
16:24He made a business with Miss Rosie.
16:26It's fine.
16:28Mr. Nehru, I've shown a chart in the patient.
16:31Yes.
16:32What are you doing?
16:36What are you doing?
16:41What are you doing?
16:44I don't know what you're saying.
16:46What are you saying?
16:47What do you understand?
16:49The woman is leaving home for a job.
16:53The woman is not leaving home.
16:56She's gone, doctor.
16:58Every program is a new way, a new way.
17:02Until the young people,
17:04they are in this way.
17:08The woman is leaving home.
17:09We've seen this,
17:1730 years.
17:20Our bishop won't leave home.
17:23Please leave.
17:25Tell us,
17:27which one is?
17:31This is the seven and six.
17:34Take it.
17:36Sit down, sit down, sit down, sit down, sit down, sit down.
17:41What do you want to take me four of them to Ghandi and your seven shares here?
17:46I took a half-plate of Mohin and Khalda.
17:51It was full of one camera.
17:54It was 90 minutes.
17:56There was no camera in one camera.
17:59And in 90 minutes, Khalda's life and Mohin's life is the best.
18:06If Bushra and Bushra were in a program,
18:09I would see Bushra's line at night.
18:12So Bushra's line was saying,
18:14I am with my hope.
18:15I said, you can't be with my hope.
18:19How do women do this?
18:21She said, no, the line is very good.
18:23So Bushra will win.
18:26I am with my hope that this country will be good.
18:33I said, this line is not.
18:34I am not doing this.
18:36If I am with my hope, it will be fine.
18:38So I said, no, I will not do that.
18:41He said, no, I will not do that.
18:42He said, no, the line is good.
18:43If someone is good, he would go to the line.
18:46He said, come here.
18:47You should have a suit.
18:48He said, you should have a suit.
18:50He said, you should have a suit.
18:51He said, I'm not going to go to my house.
18:55He gave me some rules.
19:00I said, you should have to wait.
19:03I said, I don't do that.
19:09I said, you should have a suit.
19:12He said, I am not going to go to your house.
19:21I'm trying to get a chance to get a chance to get a chance to get a chance to get
19:25a chance to get a chance.
19:26I'm a shame.
19:29We've worked with Mohin so far.
19:32When we look at the screen,
19:34such a suited booted,
19:36such a stylish man,
19:38it's a big love.
19:41Here it's necessary to tell us,
19:44so that the next generation of our generation is,
19:46It is clear that there is no such success.
19:50There is no such success.
19:52There is no such success.
19:54It is a very long journey.
20:01Anwar Makhdoud and Mohin Aftar have given a new life in the Loo Stock.
20:06The Loo Stock has 419 program.
20:13I told Mohin that Mohin that we are all talking about.
20:17It will look like this.
20:19It is written and it feels like we are all talking about.
20:22It is not scripted in this program.
20:23In this program, they have almost 400 different projects.
20:27And each project is a new life, new life and new life.
20:34Anwar Makhdoud, every time of life is at home.
20:50Anwar Makhdoud and Mohin Aftar have given a new life.
21:07But if the media is free, then these channels will be destroyed.
21:12You don't understand yet.
21:13You are children now.
21:15The policy of the government is that we can do it.
21:18You can do it.
21:21The policy of the government is not only one person.
21:24The policy of the government is looking forward to you.
21:31The reason I understand is that the government is going on is the last one.
21:46the
21:48foreign
21:59Thank you very much.
22:22Thank you very much.
29:47So they went to the show and said to them, Larry also said to them.
29:52After that, when Larry came together,
29:55he did a few stages of drama with him.
29:59And that's why Larry's behavior was better.
30:03When I say to someone,
30:05I tell them that when I finish the announcement,
30:08I'll just do it.
30:09I'll just do it.
30:10I'm coming.
30:13He was stuck in a bottle.
30:16I was frustrated.
30:18I was frustrated.
30:19I was frustrated.
30:20But if I was frustrated,
30:22I'd come back to you,
30:23I'd come back to you.
30:28The power of Moheen Akhtar
30:30is not only to laugh.
30:33It's not to laugh.
30:33It's not to laugh.
30:34The power of Moheen Akhtar's name
30:34is the power of Moheen Akhtar's name.
30:36In Dubai,
30:37the power of Moheen Akhtar
30:40is the power of Moheen Akhtar's name.
30:44They are the power of the power of Moheen Akhtar.
30:44They are the power of the power of the power of Moheen Akhtar.
30:46In 1996,
30:47the city of Dallas,
30:49the city of Dallas,
30:49the city of Dallas.
30:52Greetings!
30:53Be it here by known that
30:55Moheen Akhtar has on this day
30:58been made an honorary citizen
31:00of Dallas, Texas.
31:02And under this charter
31:03shall hold and enjoy
31:05a place of high esteem
31:07in the minds and hearts
31:08of the people of this city.
31:11April 5, 1996
31:14signed by Mayor Ronald
31:15Kirk.
31:16And I'd like to present this on behalf of the Mayor
31:18to Moheen Akhtar for
31:20his outstanding performance
31:22and for his fame
31:24in promoting harmony and goodwill.
31:34The most important
31:34and the most important
31:36of the people of the country,
31:36the power of Moheen Akhtar,
31:38the power of Moheen Akhtar,
31:41the power of Moheen Akhtar,
31:56both of them
31:58who had been
31:59limited by the ability
32:00of Moheen Akhtar,
32:00the power of Moheen Akhtar,
32:02where the power of Moheen Akhtar
32:05was joined,
32:06which became open.
32:07In the Battle of Moheen Akhtar,
32:09the same way
32:09of Moheen Akhtar
32:13he was writing
32:15and writing
32:15on my own
32:16books.
32:17It's the truth.
32:21He said, "'Yeah.'
32:22I said, "'Go for it.
32:23"'Talah's'."
32:24I said, yes.
32:25I said, do it.
32:26I said that I have no books like this,
32:30but because I need a book to write a book.
32:34I said, you are doing something.
32:35It's a good experience.
32:37It's a good experience.
32:39Where is it going?
32:40Where is it going?
32:44Where is it going?
32:47I said, but the book is also very necessary.
32:53The second path of Mohi Nakhbar is the most important path of Mohi Nakhbar.
32:57In an interview, they discovered that they recorded 78 songs,
33:05which they have written themselves and their own self-reliance.
33:09In their lives, this album could be a great release,
33:14and that book could not be a great release.
33:17But after that, as we go and see,
33:20their feelings were complete in a different way.
33:25But as much as it is,
33:28the body of a human is the most important part.
33:32But Mohi Nakhbar's body,
33:35was a dangerous enemy.
33:40Such a blood of a cigarette,
33:42which has not been broken,
33:44had two cases of heart attack
33:46and one of the open heart surgery.
33:49When the doctor told him,
33:51that his heart is only 24% of his work,
33:54with the strength and strength,
33:56then Mohi Nakhbar gave them a complaint.
33:59He came home,
34:00and the next day,
34:01he went on his own self-reliance,
34:17for three months.
34:20After a week,
34:21the whole panel took care of the doctors.
34:24Just because of his commitment level,
34:27they had a show in Hyderabad.
34:29They went to Hyderabad,
34:31and went to Hyderabad,
34:32and then went back to the hospital.
34:34and then went to Hyderabad.
34:35There was also sugar,
34:36blood pressure,
34:37and asthma.
34:38There was T.B.
34:39and then the heart enlarged.
34:41But one thing was necessary,
34:43that I had to say,
34:44that I had to say,
34:45that I had to say,
34:46that I had to say,
34:49that I had to say,
34:51that I had that feeling.
34:52And there came some fish,
34:54and there were one of the bares,
34:56and he saw the roast,
34:57and the baked dishes,
34:58and the coffee,
34:59He stole anything.
35:01I said,
35:01I am not doing this.
35:03Nobody had to believe to me.
35:04I said,
35:06that someone does not drink cigarettes,
35:07they stay alive.
35:07All men don't want to go.
35:09They want to go on,
35:10but I feel,
35:11that I am God's kommering.
35:13I have to believe.
35:14I must believe.
35:15that regardless of event,
35:17you will come to your body.
35:19That is that God's glory.
35:20that Muin didn't have to see such a burden,
35:22neither did he do it with the workers,
35:24nor did he do it with others.
35:25He was sick.
35:27People say that he was sick,
35:29and he said that he was 10 years old.
35:32And his heart didn't go away.
35:35He had to go to my hepatitis.
35:38He had to be sick.
35:41He had to go to my hepatitis C.
35:44So,
35:47I did not say that he was a lot.
35:49In the outside, he had 50-50 shots.
35:53He had 50 shots in his back,
35:56and he had to go to my head.
35:59I said,
35:59I did not do it.
36:01Because he went to the morning,
36:03I'm going to go to sleep at 9am, 1am, 1am, 4am.
36:09In a moment in America, a government suggested that they don't do so much in this situation in the heart.
36:19The answer is that the answer is that the heart is beating the heart.
36:23They said that Allah has written so many lives.
36:25The answer is that I live so much.
36:28But I want to live such a long time, that I'm going to study on the ground.
36:33People are eating, drinking, and drinking.
36:38I want to work on the world.
36:42When I passed my bypass, if you look at my career,
36:46then I've done more work.
36:48So I've done more work.
36:50I've done more work.
36:54I've done more work.
36:56So I've done so many times in my mind,
37:00I've done so many jobs.
37:02So that's why I say that the whole life is so much work.
37:06The death is fixed for one day.
37:08The life is fixed for a day.
37:09I want to do more work.
37:13The last time I was on the last play,
37:16I was on the first team.
37:19They were killed.
37:22One day I came to the hospital and said that the recording was started.
37:27Then I said to him, I'll call a person from Lahore to Lahore.
37:31He's my friend and he'll do it.
37:33I said, you're not a hero, you're not doing it.
37:35I said, you're not a hero.
37:38I'm telling him another time.
37:41So I said to him, you have to go outside.
37:44He said, yes, we have to go.
37:46Then I said, okay.
37:47I called him to Lahore.
37:51I took him to Lahore.
37:52He took him to the hospital.
37:53Two days, we shot him.
37:55When I changed my son,
37:58I called him to the son of Lahore.
38:00He said, you're going to have a house tomorrow.
38:02I said, yes.
38:04Then I said, you're going to have a problem.
38:07I said, you're not going to have a problem.
38:10I said, no, my uncle.
38:12I went and opened the TV.
38:15I opened the TV.
38:15I opened the TV.
38:18I said, I'm going to have a problem.
38:22I said, I'm going to have a problem.
38:37I said, I'll never tell you.
38:38I was about to revive.
38:39I'm going to have a problem.
38:41I said, I'll just leave my son.
38:44I didn't believe that.
38:45I remember the whole scenario.
38:47The people who took the death of the death of the people,
38:50the people who had been exhausted,
38:53the people who had been exhausted,
38:55all those things I remember.
38:57So it was like yesterday.
39:01When I write a poem,
39:05I always stop my poem.
39:07I always write a poem,
39:09or a poem that has been put on it.
39:11It has been many times.
39:12That's how it happened.
39:14I made a character and then I wrote Mohin.
39:17Then I cut it out and I said, what am I doing?
39:21In the death of Mohin Akhtar, I had a knife, a mic, a state.
39:28But their regret is now still alive.
39:32In every house, where the studio is dry or loose talk,
39:38there is no original clip.
39:40Everyone says, let's start a loose talk.
39:43If you go back to Mohin Akhtar,
39:46I said, no one can sit with Mohin Akhtar.
39:48It's empty.
39:52I think that nobody will come to Mohin Akhtar.
40:01In the last three years of their life,
40:04after the last three years of their memories,
40:07one-mine show came from a book.
40:10The book of Mohin Akhtar and Ziyah Mohin Akhtar,
40:33He told us that
40:35a man is a man
40:37but a man is a man
40:39and a man is a man
40:40who can be able to
40:42be able to say
40:44that is the star
40:46that is the star
40:51He is still alive
40:53but his words
40:54his words
40:55his words
40:56his words
40:59are still alive
41:01because the actual
41:03his words never
41:04can be used
41:05but his words
41:07can be used
41:08again
41:10the star
41:11is the star
41:12the star
41:13the star
41:13the star
41:14the star
41:15the star
41:18the star
41:27the star
41:31the star
41:31the watch
41:31the star
41:32he is part of the
41:37the star
41:37that is