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  • 13 hours ago
Alter Bridge's Myles Kennedy and Mark Tremonti sit down with Metal Hammer to discuss the five most essential songs of their career, sharing the stories behind iconic tracks like 'Blackbird,' 'Metalingus,' and more.
Transcript
00:00You meet some of your heroes growing up and you expect them to be all rough and gruff and
00:06it's the opposite i think the more metal sometimes the nicer the the people are
00:16blackbird that's easy yeah blackbird would probably be the top of the heap i mean that's
00:21probably the song that took us longest to finish and i think in a lot of ways that song is
00:27probably
00:28the reason we're still here most important song of our career without a doubt it's so far above
00:32anything else we're going to name in this you know the other four songs because of the fact that
00:38we that was during a period where we didn't know where we were going we didn't know if we were
00:42going
00:43to get to make another record first record had nothing like it and nothing like it um and we
00:49really you know we were we were adamant about finishing that song but it was it was proving
00:54to be very difficult it just the parts weren't coming we just could not seem to seal the deal
00:58and i will never forget it as long as i lived that that afternoon when we finally it all it
01:04started it
01:04happened really quick i remember you had that that awesome guitar part at the beginning and i think we
01:09might have even had up to the dome and then we just couldn't figure out where to go from there
01:21we were so excited about that we had going so far yeah and then um with six eight songs sometimes
01:28it's
01:28tough courses are different approach it's tougher yeah and that afternoon when we finally got all the
01:34rest of the pieces put together and it came quick but it was it was a thing you dream of
01:39as a creative
01:40where you're like it's like the sky opens and all the you've been hitting your head against the wall
01:46and then finally it's like it just there's the door and you just open it you just walk in and
01:51there it
01:51is and i i get goosebumps even even even talking about it it was just such a it was such
01:58a rush so
01:59we finish and i we used to record everything on my little laptop just to document it so we went
02:05back
02:05to his house because i was basically living with them at the time and i went back and listened to
02:10the work that we did that day and i just called i said mark you gotta you gotta come check
02:15this out
02:15man and we both sat there and in the room i was staying in and we're just like i think
02:21that's when
02:21i knew i was like we we just broke through a major point in this band's evolution and and it's
02:28never
02:28been the same since well that you look at the opening track on the next record slip to the void
02:32and how
02:33spooky and mysterious that was you know that uh that wasn't going on on the first record either
02:38you know and and even even the whole blackbird record was pretty much written blackbird was the
02:44last song we wrote on that album um so the rest of the blackbird record was a little moodier i
02:50it's
02:50one of my favorite records we've ever done um but blackbird was really a the standout track of
02:55that record as far as being something different that we hadn't done before and from that moment on
03:00it's like how can we um keep opening doors creatively with with the band and uh yeah
03:07mental angus you know that was off the first record and that that song um i think more than anything
03:13just
03:13because you know once uh your buddy adam picked it up yeah use it you know that was that's that
03:21was the
03:21gateway drug for so many fans you know i think if you probably asked uh a certain percentage of our
03:27fan base how did you discover um altar bridge they would say metal angus through yeah you know
03:42i've found through life that when you meet these people that are tough guy like metal or like like
03:47like adam when he's uh on film you meet him off stage he's the nicest person you'll ever meet in
03:53your life he's a canadian usually canadians are really nice soft-spoken right um and i remember
03:59that when i was first touring over here in europe playing um uh with metal bands and you meet some
04:06of your heroes growing up and you expect them to be all rough and gruff and uh it's the opposite
04:12i think
04:13the more metal sometimes the nicer the the people are i'm trying to remember was um isolation did that
04:18did that go to was that like a kind of a raid yeah that might have been our first like
04:22we're talking about how we kind of shunned radio and and and and doing that but that was one that
04:28we
04:28had a six enough of a success in that it helped i guess expose people to the band a little
04:36bit more
04:44but you know that the whole radio thing being different than it used to be like it's not
04:48um having that number one song it still didn't outshine our other songs like a song like rise
04:54today that that never i don't know what it probably went to yeah yeah i think it did maybe maybe
04:59a top
04:5910 song or something yeah but that's a song that if we didn't play it at a show fans would
05:04probably
05:05think something was wrong with us i'll never forget um our agent at the time and we kind of had
05:11disappeared for a little bit and i think people were like oh are they gonna because they've been gone long
05:17enough are because i think the creed first creed reunion kind of happened i think i'd been doing
05:23stuff with slash at that point i'm trying to remember the exact timeline so i think some
05:27people were like thinking maybe we were left for dead at that point and then i remember our agent at
05:31the time was like we'd announced the tour and suddenly was selling really well and he i remember
05:36he said you know well i guess distance makes the heart grow fonder you know and i was like yeah
05:41i guess
05:42i was just i was totally surprised yeah right right that's one of my personal favorites
05:54for me that chorus is such a anthemic easy to sing it's funny because i it's early on when we
06:02started working together i remember mark would play some ideas that he had and it's how it works
06:09you know these writers you just kind of throw stuff back and forth and i remember he kind of
06:12played it in passing just like hey i've got this little thing yeah yeah and then they went on to
06:18me whoa whoa whoa whoa whoa whoa whoa what was that you're singing like that sounds like a beach place
06:22i was like i was like whoa whoa whoa whoa whoa where i stopped to be like let's back up
06:26play that again
06:27and and uh i remember for me like the first pass of just hearing that idea um it was like
06:35that's a
06:36that's that's a big hook we gotta we gotta really hone in on that bad boy right there and once
06:42again
06:42i think there there's some i remember lyrically because it's a little bit of like because i knew
06:48the magnitude of i knew what that could be right so i remember i don't know if i ever told
06:54you this
06:55i must have rewritten that lyric
06:5920 times i mean i remember sitting at this little kitchen table at my at my house and just rewrite
07:06after rewrite after rewrite just beating beating it to a pulp and because i knew that that was going
07:12to be an important track um so um i'm happy with how it turned out and and there's it's one
07:20it's great
07:20we just played a show the other day we did an acoustic thing in germany it's a little at the
07:25like
07:25the ramones what do they call it place it's really cool it's like a ramones museum yeah it's really
07:29cool so we played the five songs we're supposed to play but then the handful of people that were
07:34there were like playing another song we're like what should we do and i for me i'm like well easy
07:39peasy let's just do rise because if even if we screw it up you know we haven't played in a
07:43while together
07:44they'll know the i can just sing yeah yeah no rise today and uh yeah it's just a it's a
07:50great it's a great
07:51uh song to to get you know the everybody's singing in the crowd and you can do talk about uh
07:58talk about
07:58in loving memory yeah so um i kind of consider those songs like almost like when when um a queen
08:03would have one song play right before the next i forget that there's the two of them that they do
08:07there's a few there's a few medleys that you hear on the radio i kind of think of watch over
08:11you and in loving memory because we always perform them together um as a as a mood in itself but
08:16in loving memory started uh that was on the first record the first time we used the open g tuning
08:29which turned into something that we've used a bunch over the years um i wrote that song about my
08:34mother and it was uh it was a tough one to write like um talking about writing lyrics i think
08:39i wrote
08:40enough lyrics for an entire record about that one but uh but we do that one live a lot it's
08:46great for
08:47for our uh set list to have dynamics and that's when we'll come out me and miles and we might
08:53change
08:53it up now but because we've done it so many times but miles will come up and he'll do watch
08:57over you
08:58by himself and then i'll come up and do in loving memory with him and that's uh yeah it's just
09:04a side
09:04of our songwriting that we like the singer songwriters stuff the emotional ballad that we loved uh
09:11listening to when we were younger and it's just a a side of the melodic sensibility that we like to
09:17keep intact for the band even if you hear some of these more metal leaning songs um we we're still
09:23saps for the melody every rocker has a soft side that's right

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