00:00Really the process kind of became pretty similar to what I've been doing for a long time on YouTube.
00:03So I'm sure, you know, avid AV fans are probably going to have thoughts about, you know, the realism of
00:10this.
00:10And I think as I talk about the length of this project, like trying to get so many things accurate,
00:16and I'm usually such a stickler for like technical accuracy.
00:18When it came to the look of the camcorder footage, we were sort of operating from a,
00:24given the ambiguity of not identifying the exact body of the camera,
00:28sort of working from a, we had some wiggle room to define the look ourselves.
00:33And there's some information regarding like the way that it looks like this tape has probably been copied and digitized
00:37at some point in time,
00:38that you can maybe drive a little bit of narrative information from.
00:41So there's a few parameters that we were able to tweak outside of the simple context of like, what camera
00:47did they physically use?
00:48And like the shot where Bobby's holding it and turns to the side is more of like a optical illusion,
00:53where the real camera is right out of right at the angle where you can't see it.
00:56So it looks like he's using the, the proper handy cam, you know, like, I think we go hard on
01:01the interlacing for a sort of,
01:02there's a few things we wanted to look at to sort of sharpen the image and make sure that we
01:07are,
01:07we have enough clarity when we're blowing up the image on such a big screen.
01:11But really the process kind of became pretty similar to what I've been doing for a long time on YouTube.
01:14So in a lot of ways it's the, it's the exact same process.
01:17We were running it through the same VCR and doing all the same, you know, distortion techniques for specific moments.
01:24So it's very similar in that regard.
01:26Start
01:26Start
01:26forward.
